, Brepols, 2023 Hardback, 187 pages, Size:178 x 254 mm, Illustrations:1 b/w, 25 col., 2 tables b/w., 1 maps color, Language: English. ISBN 9782503599977.
Summary This book explores the legend of Adam's Contract with Satan that was made after the expulsion from the Garden of Eden.This legend was current in the Eastern Orthodox churches of SE Europe as well as in the Caucasus. Unknown forms of the legend have been found in two traditions, the Romanian and the Armenian, and are investigated here. Notably this legend has found its way into folk stories and sometimes into folk music, showing how widely it was accepted and distributed. This legend also inspired images in both traditions. In Romania the most striking illustrations are to be found in Bukovina province, in frescos on the famous painted churches of that region, as well as in manuscripts. In Armenia features of this story are incorporated into the iconography of the Baptism of Christ in the River Jordan. TABLE OF CONTENTS Series' preface Preface Abbreviations and Critical Signs Introduction Part 1: New Armenian Evidence for the Cheirograph Legend Armenian Folk Tales A Literary Text A Proposed New Piece of Armenian Iconographic Evidence New Armenian Evidence from Literary Texts Part 2: New Romanian Evidence for the Cheirograph Legend The Legend of the Cheirograph in the Romanian Literary Tradition Iconography Between Literary and Iconographic Tradition Epilogue Bibliography Index of Ancient and Medieval Sources Subject Index
BE, Lannoo, 2019 Gebonden, 320 pagina's met kleurrijke afbeeldingen, 320x240mm. NL. *volledig nieuw exemplaar! ISBN 9789401463423.
Een thuis zou een oase moeten zijn, een veilige haven die geluk en vreugde uitstraalt Al een halve eeuw creëert de wereldbefaamde kunsthandelaar en interieurvormgever Axel Vervoordt met zijn bedrijf unieke woningen over de hele wereld. Hij vindt zijn inspiratie in verschillende culturen en tijdperken. Vandaag vloeien in de projecten van Vervoordt traditionele, wabi- en hedendaagse elementen samen. Deze elementen zijn tegelijk verankerd in het verleden en verbonden met de toekomst. Dit boek brengt zeventien uiteenlopende residenties samen, waaronder de allereerste Vervoordt-projecten in Japan, Rusland en India, maar ook stedelijke penthouses in New York en Londen, een wabi-schuur in Vlaanderen, een Venetiaans palazzo, een toevluchtsoord op Ibiza en een huis aan de kust van New England. Elk huis ademt een unieke en serene sfeer uit en verbindt op de typische Vervoordt-manier kunst met architectuur en natuur
, the alice trust, 2007 Hardcover with dusjacket, 415 pages volume 1; Illustrated 23.34 x 6.58 x 30.94 cm . in fine condition Co-auteur: Alastair Laing, Michael Snodin, J.W. Niemeijer, Christopher White ISBN 9780954731021.
This major addition to the Waddesdon Catalogue series introduces for the first time Waddesdon's corpus of over 1000 decorative drawings. Remarkabl e for the sheer abundance and quality of works by virtually every French 18th-century ornemaniste or architect of note, the catalogue also includes key contributions from their 17th-century precursors.
, Museum van Hedendaagse Kunst, Antwerpen, 1997 Softcover, 21 x 21 cm, 47 pages, English, signed by the artist. *Fine condition.
Catalogue with artworks and curriculum vitae of the artist, published on the occasion of the exhibition 'Kvium, Lemmerz, Frandsen' in 1997.
, Brepols, 2024 Hardback, 439 pages, Size:156 x 234 mm, Illustrations:8 col., 1 maps b/w, Languages: English, French, German. ISBN 9782503600376.
Summary Patrick Zutshi is a leading authority on the later medieval Western Church and papacy and internationally recognised as an expert in papal diplomatic and the Avignon Curia. This volume brings together essays by over twenty of Patrick's colleagues and friends, all distinguished scholars in medieval history, to celebrate his 70th birthday. The volume reflects both Patrick's wide scholarly interests, ranging from the administration of the papal curia to intellectual and legal history and the mendicant orders, and his extensive network of colleagues and collaborators in different countries, including Germany, Italy, Ireland, Switzerland, Finland, Australia, USA, and UK. This collection of essays also engages with important themes in later medieval history of wide interest to university students, their teachers, and other researchers in the field, comprising: Mendicants and the Religious Life; University and Intellectual History; Bishops and Secular Clergy; and the Papal Curia between Avignon and Rome. All the essays draw on original research, reflecting Patrick's own research and editing of manuscript and archival sources. TABLE OF CONTENTS I. Mendicants and the Religious Life: Michael Robson, 'Francis of Assisi, Matthew Paris and his Two Copies of the Franciscan Rule of 1223'. Frances Andrews and Louise Bourdua, 'The Notary, the Sculptor, the Friar and the Doge: Giovanni Dolfin and his Creditors in Mid-fourteenth-century Venice'. Peter Murray Jones, 'English Dominicans at Court: Confessors and Healers'. Joan Greatrex, 'Who Were the Nuns of Romsey Abbey in the First Half of the Fourteenth Century?' Michael Haren, 'The Evolution of the Defence of the Mendicant Orders against Richard FitzRalph of Bartholomew of Bolsenheim, O.P.'? II. University and Intellectual History: Rodney Thomson, 'The Manuscripts of Vacarius's Liber pauperum' Joseph Canning, 'John of Turrecremata (Torquemada), Scourge of Heretics, Defender of the Pope and Adversary of Conciliarists: Further Thoughts on his Summa de ecclesia' III. Bishops and Secular Clergy: Brenda Bolton, 'Always waiting for the Sea to cease its turmoil?': Absentees from the Fourth Lateran Council' Philippa Hoskin, 'Problems with Progressions: Learning from the Itinerary of Oliver Sutton, Bishop of Lincoln, 1280-1299' Nicholas Bennett, 'Hope or Expectation? Papal Provision of Poor Clerks in the Diocese of Lincoln, 1320-1347' IV. The Papal Curia between Avignon and Rome: Barbara Bombi, 'Legal Theory and Practice: The Proctors of St Augustine's Canterbury at the Fourteenth-century Papal Curia.' Andreas Rehberg, 'Ego in aliena patria existens: Immagini e giudizi a confronto fra i cittadini di Roma e gli ultramontani all'origine dello Scisma del 1378' Daniel Williman and Karen Corsano [with Donald Logan], 'The Honorary Chaplains of Pope Gregory XI'. Agostino Paravicini Bagliani, 'Penitentiaries and Cultural Life in the Thirteenth-century Papal Court' David d'Avray, 'Simony, Penitentiary, Conscience' Ludwig Schmugge, 'Nikolaus Theoderici de Driel - oder: Wohin eine Supplik führen kann'. Kirsi Salonen, 'Debilis complexio: Christians and Dietary Requirements of Canon Law' Peter Clarke, 'Dispensations and Church Courts in Later Medieval England'
, Brepols, 2021 Paperback, xv + 186 pages, Size:216 x 280 mm, Illustrations:110 b/w, 50 col., Language: English.*new ISBN 9782503583570.
Summary Nineteenth- and early twentieth-century advertisements for pianos, pianists, merchants, music publishers and, above all, for domestic purchases are full of images employed for commercial rather than cultural purposes. This volume examines the commercial characters and significances of how pianos were pictured between the early days of 'modern' marketing to today. During the early 1920s, piano sales peaked in the United States; nevertheless, pianos have continued to be sold even as radios, record players, television sets and electric keyboards increasingly replace them as must-have sources of entertainment and improvement. The market for player pianos, although comparatively short-lived, also provided manufacturers and retailers with opportunities to depict pianos and pictures. TABLE OF CONTENTS Introduction Chapter I: Advertising, Iconography, and Secondary Sources of Information Previous Studies of Illustrated Piano Advertising Musicological Iconography and Iconology Advertising as a Professional Activity, 1865-1920 Chapter II: Changing Attitudes Toward Pianos and Pianists Pianos as Objects of Admiration, Denigration, and Social Caché Women and Keyboard Instruments: Traditional Associations and Early Illustrations Display, Religion, Respectability, Talent, and "Piano Girls" Chapter III: The Evolution of Illustrated Piano Advertising, 1770-1925 Early Piano Advertisements, Endorsements, and Testimonials Illustrated Piano Advertising Comes of Age, 1865-1910 Concluding Observations A Synopsis of Illustration Piano Advertising and Advertising's Emerging Importance The Declining Importance of Pianos and the Increasing Popularity of Phonographs, Radios, Other Electric Devices, and Guitars * Bibliography Index
, Phaidon, 2003 Hardcover 271 pages, very richly illustrated with coloured illustrations. 28x21cm. Fine condition. ISBN 0714842893.
masterwork of Danish architect and furniture designer Arne Jacobsen in the centre of Copenhagen, on the sixth floor of the Royal Hotel, a single room preserves a microcosm of the definitive masterwork of Danish architect and furniture designer Arne Jacobsen (1902-71). Room 606 is the last surviving interior of the SAS House: an unparalleled example of modern architecture and design, completed in 1960. Jacobsen was one of the outstanding architects of the twentieth century, throughout his career, creating complete settings for daily life and dissolving the boundaries between architecture, interior and industrial design. The chapters are organized thematically: each consists of three sections that together look at Room 606 as a microcosm of the SAS House, reconstruct the original building, and trace the connections between Jacobsen's masterpiece and his other works - from whole buildings to household objects.
, Brepols, 2020 Hardback, 208 pages, Size:156 x 234 mm, Illustrations:17 b/w, 18 tables b/w., Language: English. ISBN 9782503567716.
Summary Founded in 1132, Fountains Abbey became the wealthiest English Cistercian monastery - yet relatively little analysis has been made of its surviving records to investigate how its wealth was controlled and sustained. This book deals with this secular aspect of the religious community at Fountains, investigating in particular the way in which prosaic business records were compiled and redacted. It traces the transmission of data from original charters through successive versions of cartularies, and in the process establishes the existence of a previously unknown manuscript. It also reveals how abbots in the fifteenth century interacted with and adapted the records in their care. In this process, two quite different aspects of monastic life are uncovered. First, it sheds new light on the history of Fountains Abbey through the fourteenth and fifteenth centuries, amongst other things how it responded to the turmoil of the Black Death, and discloses for the first time the allegiance of one abbot to the Lancastrian cause during the Wars of the Roses. Second, it reveals the worldly skills shown by the community of Fountains that were successfully applied to exploit the monastery's large landholdings across Yorkshire, mainly through wool and agricultural production, but also through fisheries, tanning, mining, and metalworking. The economic success of these activities enabled the abbey to become a prosperous institution which rivalled the wealth of the aristocracy. This book addresses recordkeeping and archival memory at one, Cistercian, monastery - albeit a well-endowed and prosperous one - in the north of England. However, its treatment of archival sources could be extended to other houses in different geographical locations and different orders, to enable comparisons between monasteries dealing with economic change and social and political upheaval in the later Middle Ages. TABLE OF CONTENTS List of Illustrations Acknowledgments List of Abbreviations Introduction Chapter 1: Fountains Abbey: Origins and Development, Antiquarians, and Modern Scholarship Chapter 2: Fountains Abbey in the Long Fifteenth Century Chapter 3: Charters, Cartularies, and Archival Redaction Chapter 4: Abbot Greenwell's Aide-Memoire? The President Book of Fountains Abbey Chapter 5: Creative Redaction: Reassembling the Past and Developing an Audit Trail Chapter 6: Reflective Redaction: Reviewing the Past Chapter 7: A Forensic Approach to Fountains Cartularies Conclusion Appendix A: The President Book of Fountains Abbey Appendix B: Cartulary 2, WYAS 150/5384 Appendix C: Cartulary RP, Univ. Coll. MS 167 Appendix D: Rentals, Add MS 40010 Appendix E: Fountains Abbey Manuscripts Appendix F: The Charter of William of Goldsborough Bibliography Index
Michael Tarantino Derycke, Luc [edit.] Tarantino, Michael Matsui, Midori
Reference : 53804
, Mer Paper Kunsthalle, 2013 softcover 176 pages ill. text in English. ISBN 9789076979106.
Het werk van Anne Daems is aandacht (in al zijn varianten), en toont in video, fotografie en tekeningen hoe vreemd het alledaagse met het sublieme is verweven, en hoenvaak, zij het onopgemerkt, de grenzen tussen het private en het publieke verdwijnen. Dit boek toont een overzicht van haar werk tot heden.nnAll the aspects of 'attention' are a recurring theme in the art of Anne Daems. In her video work, photography and drawings, she shows how everyday life intertwines with the sublime and how -often without noticing - private and public issues get mixed up. This book is an overview of her work.nnAnne Daems was born in Antwerp in 1966.
1995, Robert Laffont, réponses, in-8 broché de 234 pages, L'amour terroriste, de l'affrontement à l'équilibre | Etat : bon état, couverture défraîchie, quelques frottements (Ref.: ref87153)
Robert Laffont
, Tirion, 2000 Softcover, 352 pagina's, 23.5 x 15.5 cm, NL. *Goede staat. ISBN 9789043901123.
Een monografie over Leonardo da Vinci die een nog weinig belichte kant van deze Renaissancekunstenaar en -wetenschapper belicht: Da Vinci als natuurwetenschapper. Hoewel dit boek in de eerste plaats zijn natuurwetenschappelijke ideeen belicht, komen andere aspecten ook ter sprake. De auteur maakt duidelijk dat de belangrijkste schilderijen die Da Vinci maakte, lofzangen waren op zijn dubbele talent als kunstenaar en wetenschapsbeoefenaar en dat er een vruchtbare wisselwerking tussen beide gebieden was. Ook de mens Da Vinci wordt door White duidelijk belicht. Deze homoseksuele vegetarier was een man van tegenstellingen en conflicten die veel reisde en het leven tot op de bodem wilde ervaren. De tekst lijkt geschreven door een auteur die Da Vinci persoonlijk heeft gekend en zijn zoektocht naar het leven van nabij heeft meegemaakt. Hij brengt zijn interpretatie van Da Vinci heel dicht bij de lezer. Niet verwonderlijk, want de auteur had als kind al een enorme fascinatie voor Da Vinci. Het is jammer dat het boek geen informatie geeft over de achtergrond van White. Er zijn verschillende zwart-witschetsen en portretten opgenomen. Het boek besluit met een beschrijving van de voornaamste personen in Da Vinci's leven, voor hem belangrijke jaargetallen, noten en een register.
, , 2022 Hardcover with dusjacket, 220 pages, Size:175 x 260 mm, Illustrations:94 b/w, 62 col. fine!. ISBN 9780905203805.
The central theme of Rubens?s paintings is the human figure, often represented nude or partially clothed and involved in dramatic action. As a history painter, Rubens?s acclaimed skill in rendering the human body whether male or female, lean or fleshy, mature in years or young, animated or lifeless, vigorous or diseased, heroic or cowering, sensuous or decrepit, idealised or blemished and imperfect enabled him to vie with the greatest artists ever known, while creating increasing demand for his work among Europe?s intellectual, cultural, religious and political lite. His mastery in depicting human figures and their dynamic movements suggests that he followed the example of Leonardo da Vinci (1452?1519), Michelangelo Buonarroti (1475?1564) and other Italian artists he admired, who made extensive studies of human anatomy. As pointed out by two recent perceptive scholars, however, the robust, muscular male nudes in action who appear in so many of Rubens?s narrative paintings are often anatomically inaccurate. Moreover, and as will become clear in this volume, Rubens?s approach to anatomical study was not closely similar to that of any of his forbears. In many respects his ways of working are comparable to those of Michelangelo, who used the knowledge he acquired through dissection not to pursue verisimilitude but to invent the anatomy of his figures according to his own idea of physical beauty, strength and expression. Yet unlike Italian Renaissance artists such as Leonardo, Michelangelo, and Alessandro Allori (1535?1607), Rubens did not perform or witness dissections and seems to have rarely studied from the live nude model. What, then, was the nature and extent of Rubens?s study of human anatomy? The present volume will offer an answer to that question, while also establishing when and where most of his anatomical works were made and reassessing the issue of their intended purpose.
, Hannibal Books, 2024 Hardcover, 160 pages, Illustrated, 25x19cm, Text in English. Fine . ISBN 9789464941203.
The posthumous release of the last book that Michael Wolf himself worked on, published to mark the fifth anniversary of his death Award-winning German photographer Michael Wolf (1954?2019) grew up in Canada, Europe and the United States. In 1994, Wolf moved to Hong Kong, where he worked for eight years as a contract photographer for Stern Magazine. The core of Wolf?s work consisted of capturing life in megacities. Many of his projects depict the architecture and popular culture of metropolises, and Hong Kong Whispers is no exception. This book contains a stunning series of photos showing the vibrant global city of Hong Kong. Wolf?s photographs are displayed in dialogue with the acerbic and ambiguous drawings of Arpaïs Du Bois (°1973). Based on intense engagement with Wolf?s series of images, she reflects on unnoticed moments and events that characterise life in the metropolis. The visual exchange between photographs and drawings took shape during Du Bois?s stay of several weeks in Hong Kong (2014), during which the two artists observed the city both together and individually.
, Aurora Art Publications, Leningrad, , 1970 180 pp. 300 col. & b./w. ills. Hardcover, no d./j. No slipcase.Text in English and Cyrillic.
Sépia 2001 128 pages 14x21x2cm. 2001. Broché. 128 pages.
Très Bon Etat de conservation intérieurs propres bonne tenue
1502 Broché, comme neuf, 150x 230, 516 gr, 330 pages, ISBN: 2-89239-147-4 - 9782892391473
Même si plusieurs ont trouvé " des mots pour le dire", d'autres conjuguent régulièrement leurs "maux " au présent et au futur. L'utilisation de la grille d'analyse de le communication permettra d'établir des relations saines et de maintenir une écoute affective. Apprenez à connaître et à suivre les indications qui faciliterons la clarté, la clarification et le compréhension de vos communications quotidiennes. Branchez vous sur vos mots sans maux!
, Brepols, 2026 Hardback, Pages: 214 , Size:216 x 280 mm, Illustrations:5 b/w, 45 col., 6 tables b/w., Language(s):English. *New . ISBN 9782503617084.
Since the foundation of archaeology as a discipline, archaeologists have aimed to communicate proper information about the past to the wider public. For the most part, however, this dissemination of knowledge has been informal. The teaching of archaeology and of prehistory as part of an adopted national curriculum, meanwhile, has been largely ignored; while subjects such as the ?Stone Age? often feature in school curricula, the ways in which archaeology and prehistory are taught has often been disregarded. This volume aims to fill a gap in our understanding of how archaeological knowledge is disseminated by examining the presence of archaeology and representations of the distant past in school education, particularly through the analysis of history textbooks. The contributors to this volume, drawn from different countries across Europe, here assess the teaching of archaeology and prehistory in their own countries in the light of national perspectives, and distinctive education policies. Covering topics such as the portrayal of prehistory, the use and manipulation of the past, the role of stereotype and myth, and the perceptions of archaeology as a discipline, the papers together shed a unique light on to the dissemination of the material past.
Flammarion Flammarion, 1970. In-8 broché de 170 pages avec photos et figures. Bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Description : Edité par "L'Université de Coupe et de Haute Couture de Paris", Paris, 1951. Volume in-4. Cartonnage toile rouge éditeur avec couverture illustrée conservée. 176 pages. Très nombreuses illustrations (patrons et modèles). Nous y joignons trois équerres-gabarit "Lutetia" servant à tracer les patrons des entournures, encolures et emmanchures, une en vraie grandeur, ainsi que deux autres réduites au 1/4 pour tracer les exercices sur papier. Bon état.
Michaud,B. - Schneider, H. - Schwinn, F.J. - Ruffieux, D. Pfister. - Clerc, M.
Reference : 59314
Fribourg, 1984, 225x150mm, 209pages, broché.
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2010, ed Un Monde Différent. in-8 br. de 224 pages, ill en couleurs sur couv, dos mauve. Préface de Marc Fisher. | Etat : Très bon état. Occasion. (Ref.: ref11860)
Un Monde Différent
SCHLEICHER FRERES. 1899. In-16. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur frais. 187 pages augmentées de nombreuses illustrations en noir et blanc et hors texte - Frontispice en noir et blanc - Papier kraf marron encollé sur les plats et dos . VENDU EN L'ETAT -. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Couverture rigide. Cartonnage de l'éditeur. 150 pages.
Livre. Editions Magnard, 1982.
Couverture rigide. Cartonnage de l'éditeur. 34 + 94 + 48 pages.
Livre. Programme 1979. Editions Magnard, 1978.
Couverture souple. Broché. Environ 200 pages. Quelques rousseurs.
Livre. Programme 1979. Editions Magnard, 1979.