1 volume in-8° broché, 199 p. Bon état.
Phone number : 06.31.29.75.65
, Brepols, 2020 Paperback, 333 pages, Size:220 x 280 mm, Illustrations:55 b/w, 11 col., Language: English. ISBN 9782503568355.
Summary The Byzantine Great Palace, located adjacent to the Hagia Sophia, is arguably the most important Western complex to have disappeared from the architectural archive. Despite this absence, it may be argued that the representational halls of the palace - crown halls, basilicas, and reception halls or triclinia - served as models for the ascription of imperial symbolism, and for emulation by rival political centres. In a later phase of its existence, Byzantine emperors, in turn, looked to the example of Islamic palaces in constructing settings for diplomatic exchange. While the Great Palace has been studied through the archaeological record and Byzantine texts, its form remains a matter of conjecture, however in this study, a novel focus upon the operation of ascription of meaning applied to architectural forms, and their emulation in later architecture will enable a sense of how the forms of the palace were understood by their inhabitants and their clients and visiting emissaries. Through comparative analysis of both emulative models and copies, this study proposes a hypothesis of the layout of the complex both in its physical and social contexts.
Nijssen, Rombout [edit.] Maenen, Jean [edit.] Persoons, Ernest [edit.]
Reference : 67324
Brussel : , Algemeen Rijksarchief ,, 2002 Oorspronkelijk uitgevers omslag, 108 pag 30cm. met illustraties, kleur en z/w.
In Limburg zijn er verschillende historische kluizen en kluizenaarswoningen, vaak gelegen in een bosrijke omgeving en met een kapel. Deze kluizen speelden een rol in de lokale volksdevotie en werden soms bewoond door kluizenaars die bekend stonden om hun teruggetrokken leven en hun inzet voor de gemeenschap.
[Travaux de la Société des Sciences et des lettres de Wroclaw] - NIKLIBORC, Anna
Reference : 54213
(1970)
7 vol. à savoir : L'Enseignement du Français dans les Ecoles polonaises au XVIIIe siècle, 1 vol. in-8 br., Travaux de la Société des Sciences et des lettres de Wroclaw, 1962, 112 pp. [ Avec : ] La littérature française pour la jeunesse au Siècle des Lumières, 1 vol. in8 br., La Société des Sciences et des Lettres, Wroclaw, 1975, 1973, signé par l'auteur [ Avec : ] Un examen public de langue française à Cracovie en 1783, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1968, pp. 29-41 [ Avec : ] Histoire d'une animosité littéraire : Mme de Genlis contre Mme de Staël, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1972, pp. 81-96, signé par l'auteur [ Avec : ] Madame de Staël, auteur comique, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1970, 17 pp. [ Avec : ] Le théâtre d'Alexandre Duval et ses succès sur les scènes polonaises, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1971, pp. 23-40, signé par l'auteur [ Avec : ] Une romancière oubliée : Mademoiselle de Lussan, tiré-à-part des Acta Universitatis Wratislaviensis, Wroclaw, 1972, 18, signé par l'auteur
Intéressant lot réunissant 7 articles et ouvrages de l'universitaire polonaise Anna Nikliborc consacrés à l'histoire de la littérature française au siècle des Lumières et à sa réception dans la Pologne de l'époque. Bon ensemble. Prix du lot, non séparable
P., Payot, 1946, un volume in 8, broché, 255pp.
---- Le secret du thermomètre - Quelques nombres fantomes - Une baguette magique - La langue des mathématiques - Représentation graphique - Sphère et pseudosphère - Les affres de la quatrième dimension - etc**3888/P7DEP
Payot, Bibliothèque Scientifique 1946 83 figures dans le texte broché In-8 ,1 vol.- 255 pp. main chapters : secret du thermomètre - quelques nombres fantômes - multiplication de sorcières - baguette magique - nous présentons : monsieur Cosinus - langue des mathématiques - représentation graphique - qui a donc peur du calcul intégral - du défaut, de l'inégalité, de l'excès, et d'un cercle à 3 angles - combat contre infini - sphère et pseudosphère - chose qui n'a qu'un côté - affres de la quatrième dimension - dernières notes
fente charniére,dos décollé, Remise de 20% pour toutes commandes égales ou supérieures à 200 €
1946 broché (paperback) in-octavo, dos marron clair défraîchi (brown spine lightly damaged) , couverture imprimée (cover printed), tranches lisses (edges smooth), illustrations : 83 figures in texte (pictures in text), 255 pages, 1946 à Paris Payot Editeur,
traduction et préface par L. Lamorlette (translation and preface by) - avant-propos de l'auteur (author's foreword) - bon état (very good condition)
, Posture Editions Nr 40, 2020 HB, 297 x 210 mm, 96 pages, EN-FR-NL edition, Illustrated. ISBN 9789491262418.
This publication focuses on Sanam Khatibi?s meticulously painted small still lifes. With the finest brush she applies light and shadow in oil paint to various miniature shapes. The compositions themselves are quite unassuming. Objects loom haphazardly from the golden or black background and seem to sing in polyphony in the vein of Orlando di Lasso, Johannes Ockeghem and other masters of polyphony. (?) The highly detailed objects come from a golden age that has yet to come. In contrast with the Dutch Golden Age of the 1600s, hers is a century of self-flagellation, cosmology, human sacrifice, femininity, prestige and decapitation. A century in which all forms surrounding us mysteriously shrink. This futuristic universe will reduce the human footprint. The world will shrink to the scale of a postcard of a still life painted by Sanam Khatibi. (Text Nikolaas Demoen)
, Brepols, 2019 Paperback, 116 pages, Size:200 x 280 mm, Illustrations:7 b/w, 138 col., 1 maps b/w, Language: Italian. ISBN 9789538250057.
Summary N. Jaksic, esperto conoscitore dell'oreficeria veneziana, dalmata, con questo volume ci accompagna alla scoperta dell'attivita degli orafi che sono vissuti a Cattaro, Zara e Ragusa. I reliquiari a forma di gamba, braccia, teste o le grandi pale auree sono inseriti nel contesto storico in cui sono stati prodotti e venerati per le loro reliquie. Sono svelate importanti personalita di artisti e committenti, comme Iohannes Teutonicus, Trifone palma? Attraverso una puntuale ricognizione sulle fonti scritte e una rigorosa analisi delle iscrizioni sui reliquiari, Jak?i? ha scritto importanti pagine per la storiografia orafa europea. TABLE OF CONTENTS 1. Reliquiari di epoca medievale della citt di Cattaro 2. Un gruppo dei reliquiari trecenteschi da Cattaro a Venezia e Chioggia 3. La pala "aurea" di Cattaro 4. Bibliografia
, Brepols, 2020 Paperback, 114 pages, Size:180 x 265 mm, Languages: Coptic, Italian. ISBN 9782503588407.
Summary Sur la base du manuscrit M 583 de la biblioth que Pierpont Morgan de New York et tenant compte de neuf t moins suppl mentaires, ce fascicule pr sente pour la premire fois l' dition critique de la Passion en copte sa dique de saint Philoth e d'Antioche, dont le martyre aurait eu lieu sous Diocl tien qui est un des personnages cl s du r cit. Le texte copte est accompagn d'une traduction italienne, avec des notes critiques.
Nils Arne Pedersen, Ren Falkenberg, Claudia Leurini, John M ller Larsen
Reference : 64773
, Brepols, 2022 Hardback, xix + 362 pages, Size:210 x 297 mm, Language(s):English, Syriac, Greek. ISBN 9782503601052.
Summary Biblia Manichaica is a reference work citing all biblical quotations and allusions in the Manichaean sources as far as they are available in editions. The third volume of the Biblia Manichaica series continues the two previous volumes, covering Manichaean quotations and allusions of the remaining New Testament; that is, Acts, The Pauline letters, the Letter to the Hebrews, the catholic letters, and Revelation, in Semitic languages, Greek, Coptic, and Iranian languages.
, Brepols - Harvey Miller, 2024 Hardcover with dusjacket, 2 vols Pages: 802 pages, Size:180 x 265 mm Illustrations:158 b/w, 110 col., 1 tables b/w. Language(s):English. ISBN 9781915487278.
The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, the artist signed two contracts at the Louvre with the agreement ?to make and paint with his own hand each and every one of the figures? of the paintings which would decorate the two parallel galleries of the palace that the Queen Mother, Maria de? Medici (1573?1642), had begun to have built on the left bank of the Seine. According to the first contract, the western gallery was now ready and Rubens ?will be bound and obliged to design and to paint with his own hand twenty-four paintings depicting the history of the very illustrious life and heroic exploits? of the Queen Mother, conforming to an incomplete memoir, of which he had received a copy. Rubens arrived in Paris to put the final touches to the finished canvases celebrating the life of Maria de? Medici at the beginning of February 1625. But at this time the eastern gallery, planned to display the ?battles? and triumphs? of King Henri IV (1553?1610), Maria?s late husband, was still under construction. The Henri IV Gallery was to be an unfinished masterpiece: after a temporary suspension of the work in 1630, the project was definitively abandoned in 1631. Alexis Merle du Bourg?s in-depth study of the Henri IV Series was published as Part XIV.2 of the Corpus Rubenianum Ludwig Burchard in 2017. The present volume charts the earlier part of the Medici commission, which happily survives, splendidly completed. It presents Maria in her relationship with Henri, her public role after her husband?s death and, not least, her difficulties and then reconciliation with Louis XIII, her son. Here Rubens invoked the gods of ancient myth and a whole company of personified abstractions to help mask problematic episodes, dignify banal events and create a glorious commemoration of the life and aims of the Queen Mother.
, Phoebus Focus XXIV, 2021 Paperback, 80 pages, ENG, 210 x 145 mm, New, illustrated in colour / b/w. Phoebus Focus 24 ISBN 9789464366129.
Servius Sulpicius Galba was a Roman emperor who overthrew and succeeded Nero during the Year of the Four Emperors, 68-69 AD. In this ?Phoebus Focus? Nils B ttner places the extraordinary emperor portrait that Peter Paul Rubens (1577-1640) painted of him in its context. B ttner does not only whisks the reader off to first-century Rome, he also makes an analysis of Rubens? support medium and painting method, his fascination with Antiquity, his sources of inspiration and many inventions. In addition, B ttner elaborates on the long tradition of painting portraits of rulers and their integration in Baroque interiors.
, Phoebe Focus XXIV, 2023 Softcover, 80 pag. NL.,210 x 150 mm, Quadrichromie, Nieuw, illustr. in kleur / z/w. ISBN 9789464366112.
Servius Sulpicius Galba (kortweg Galba) is een Romeins senator en generaal die Nero in het Vierkeizerjaar, 68-69 n.Chr., ten val brengt en opvolgt. In deze editie van ?Phoebus Focus? plaatst Nils B ttner het bijzondere keizersportret dat Peter Paul Rubens (1577-1640) van hem maakte in zijn context. B ttner neemt de lezer niet alleen mee naar het Rome van de eerste eeuw, maar analyseert ook de drager en de schilderwijze van Rubens, zijn fascinatie voor de oudheid, zijn inspiratiebronnen en zijn vele inventies. Daarnaast gaat hij dieper in op de lange beeldende traditie van heersersportretten en hun plaatsing in barokke interieurs. In de reeks Phoebus Focus gaan experts en wetenschappers in op topstukken uit de rijke collectie van kunststichting The Phoebus Foundation.
, Electa, 2022 Paperback, 416 pages, ITA., 280 x 240 x 35 mm, in good condition, illustrated in colour / b/w. ISBN 9788892822795.
The volume is the catalogue of the homonymous exhibition held in Genova at Palazzo Ducale from 6 October 2022 to 22 January 2023, an extraordinary exhibition to tell the greatness of the most important Baroque painter ever: Peter Raul Rubens and his relationship with the city. The project was born on the occasion of the fourth centenary of the publishing in Antwerp of the Rubens? famous volume of Palazzi di Genova (1622). Rubens stayed on several occasions in Genova between 1600 and 1607 and thus had direct contacts relations ? in some cases very close ? with the city?s richest and most influential aristocrats. In exhibition and in the catalogue are presented more than 150 works, including more than twenty Rubens works, playing the role of protagonists, from European and Italian museums and collections (with some very significant ?re-entries?), which sum up to the ones present in the city, reaching a number such as there has not been since the end of the 18th century in Genova; since, that is, the crisis of the aristocracy with the repercussions of the French Revolution triggered an inexorable diaspora of masterpieces towards the collections of the world. From the Rubensian nucleus, the story of the cultural and artistic context of the city in the period of its utmost splendour is completed by paintings by artists whom Rubens certainly saw and studied (Tintoretto and Luca Cambiaso); whom he met in Italy and in particular in Genoa during his stay (Frans Pourbus the Younger, Sofonisba Anguissola and Bernardo Castello) or with whom he collaborated (Jan Wildens and Frans Snyders). Drawings, engravings, tapestries, furnishings, antique volumes, even clothes, feminine accessories and jewels allow to celebrate the grandeur of an artistic capital visited by one of the major artists of all times and confirm that appellation of Superb, given to Genoa. The catalogue is richly illustrated and gives account of the long path of studies and scientific insights by the curators and the thematic essays see contributions from a consistent number of international scholars. The exhibition guide and the guide to the Rubens? Genoa, a fascinating urban itinerary on the trail of Rubens? masterpieces, complete the proposal for the visitors and enthusiasts.
, Gestalten Verlag, 2015 HB, 284 x 222 mm, slipcase, 200 pages, throughout colour illustrations, E/ F/ G/ SP/ IT edition. ISBN 9783899555639.
Werkbericht presents 51 pieces of furniture from the current collection of Nils Holger Moormann, one of the leading protagonists of "New German Design." This book is not a mere product catalog, but rather a focused exploration of each piece showcased within. The presentation of the products-consequently disassembled into their individual parts-is a stylistic device that directs the attention of the reader to precise individual solutions and concise formal expressions. Details truly come to the fore. Nils Holger Moormann's furniture is inspired by the central themes of intelligence, innovation, simplicity, and mobility. It can, for the most part, be disassembled and is designed for assembly without tools. Thus, the individual connecting elements gain an even greater significance. Werkbericht (literally "work report") also highlights their functional and aesthetic form.
A Paris, chez Pierre Guillaume Cavelier, 1778. In/8 reliure plein veau du temps, dos à nerfs à caissons dorés et pièce de titre, 12 f., 582 pages. 1 f. Coiffes manquantes , mors supérieur très partiellement ouvert, petites usures aux coins, Tampon de bibliothèque, bon exemplaire cependant. traduit du Suédois par M. Le Febvre de Villebrune, D. M.
L’auteur (1706 - 1773) enseigna à l’université d’Upsala, est considéré comme le fondateur de la pédiatrie. Le présent ouvrage originellement titré “De morbis infantum” connut un réel succès lors de sa parution en 1772. Il traite dans un langage simple et accessible au plus grand nombre, des affections touchant l’enfant du 18è, de conseil d’éducation sanitaires, de la nutrition des enfants ; un chapitre est consacré à la variole dont l’inoculation était encore controversée à l’époque.
FLAMMARION / LA MAISON RUSTIQUE. 1986. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 77 pages augmentées de nombreuses photos en couleurs et noir et blanc in et hors texte - Frontispice et jaquette en couleurs.. Avec Jaquette. . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
HACHETTE. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages illustrées en couleur - jaquette correcte. Avec Jaquette. . . Classification Dewey : 570-Sciences de la vie
Classification Dewey : 570-Sciences de la vie
Antwerp, Plantin / Bibliofielen Gulden Passer, 2021 Hardcover with dusjacket, 319 pages, ill. *new ISBN 9789080885578.
the 500th anniversary of Christopher Plantin's birth (circa 1520-1589) Originally from Touraine, Plantin was trained as a bookbinder, but around 1549/50, he moved to Antwerp, a hub for international trade. In 1555, he laid the foundations for the largest printing company that has ever existed in Europe during the Ancien R gime. Plantin was a business genius and a talented typographer. In 1570, Philips II, king of Spain, bestowed on him the title of architypographer. Although Plantin was at times also involved in illicit activities, his company, bearing the device The Golden Compasses, became one of the most important supporters of the Counter Reformation. After his death, the business was passed on to his son-in-law Jan Moretus I, and remained in the hands of the family until the 19th century. From the outset, Plantin?s production was marked by its quality. Both his correspondence and the surviving business documents give testimony of his great ambitions, his understanding of the different buyers and markets, and his extreme care for book design. Christopher Plantin and his successors transformed the aesthetics of the Renaissance book and inaugurated the Baroque era in terms of its mise en page by mobilizing new typographical and ornamental materials and by promoting copperplate illustrations. In addition, they set up a privileged collaboration with the artist Pieter Paul Rubens. During this golden century of the Officina Plantiniana, which gave birth to more than 5,000 editions, visual temptation is combined with readability and efficiency in the shaping of the texts and book design. Published in 2021 in Antwerpen by Vereniging van Antwerpse bibliofielen. Volume 98, Nummer 2 van Gulden Passer/The Golden Compasses
BE - , Hannibal Books, 2022 Hardcover, 120 pages, 32x31cm. English edition. Magnifiques illustrations en couleurs FINE!. ISBN 9789464366273.
Een unieke kijk op dans en choreografie door fotograaf Erwin Olaf en choreograaf Hans van Manen Ballet inspireert mij. De mens heeft de capaciteit om zich uit te drukken in vele kunstvormen, maar bij dans en zeker bij klassiek modern ballet verbaas ik me altijd weer over die ongelooflijk hoge vorm van expressie. Het is zo precies en zo ontzettend ambachtelijk, dat bewonder ik enorm. Fotograaf en filmmaker Erwin Olaf Dat de fotograaf kijkt via de camera is anders dan het direct aankijken van de figuur. Dat is voyeuristisch. De camera kan iets wat je als toeschouwer niet kan: een close-up maken. Choreograaf Hans van Manen Dit jaar viert de grootmeester van de Nederlandse dans, choreograaf Hans van Manen, zijn negentigste verjaardag. Dat wordt internationaal gevierd door vooraanstaande balletgezelschappen met het omvangrijke Hans van Manen-festival van 8 tot 29 juni 2022, de exclusieve publicatie Dance in Close-Up en de gelijknamige expo in Galerie Ron Mandos in Amsterdam van 19 juni tot 17 juli 2022. Vanaf de jaren zeventig tot de jaren negentig was Hans van Manen niet alleen een van ?s werelds vooraanstaandste choreografen maar eveneens een internationaal gevierde fotograaf. Het was in die tijd dat de toen piepjonge fotograaf Erwin Olaf de ver maarde kunstenaar ontmoette, die hem onmiddellijk bij de hand nam en hem met de wereld van de beel dende kunst en studiofotografie liet kennismaken. In dit boek wordt hun veertigjarige vriendschap gevierd met een fotoserie waarin Van Manen momenten uit zijn choreografie n regisseert, uiterst precies vastgelegd door Erwin Olaf. Met tekstbijdragen van auteurs Nina Siegal en Michael James Gardner.The grand master of Dutch dance, Hans van Manen, celebrates his ninetieth birthday this year. That has given rise to international celebrations by leading ballet companies with the Hans van Manen festival from 8 to 29 June 2022, the exclusive publication Dance in Close-Up and the exhibition of the same name in Galerie Ron Mandos in Amsterdam from 19 June to 17 July 2022. From the 1970s to the 1990s, Hans van Manen was not only one of the world?s leading choreographers, but also an internationally acclaimed photographer. It was during this period that the then very young photographer Erwin Olaf met the famed artist, who immediately took him under his wing and introduced him to the world of the visual arts and studio photography. This book celebrates their forty years of friendship, with a photo series in which Van Manen directs moments from his choreographic career, recorded with the utmost precision by Erwin Olaf. With text contributions from the authors Nina Siegal and Michael James Gardner.
[Maloine S.A] - NINEUIL, P. [ Nineuil, Pierre ]
Reference : 43535
(1976)
ISBN : 2224002521
1 vol. in-8 br., Maloine S.A., 1976, 110 pp.
Bel exemplaire (parfait état)
Brussel, Plazier prints, 2023 Poster formaat 70x50cm reprint.
geleverd in een stevige koker.
Chez Briand à Paris, 1788. In/8 plein veau, dos lisse avec doubles liserets formant caissons, pièce de titre, (xliij) 359 pages, tranches mouchetées, bandeaux, cul de lampes. Taches sur les plats, taches brunes sur les pages 53, 61, 185, 273. Auréole discrète sur la page 347.
Ouvrage traduit de l’anglais par M. Petit Radel (1748-1815) qui occupa une chaire de chirurgie à Paris. Chargé de la rédaction avec La Roche du dictionnaire de chirurgie.
Couverture rigide. 12 volumes cartonnés d'environ 120 pages. 17 x 27 cm. Parfait état.
Livre. Belle iconographie. Editions Rencontre, 1963.