‎Economies de matières et techniques nouvelles dans l'industrie.‎

‎ P., Gauthier-Villars (Ministère de la Production Industrielle, Commissariat Général aux Economies de Matières), 1946, in 8° broché, X-411 pages ; illustrations hors-texte ; index ; papier un peu terni ; couvertue légèrement fanée. ‎

‎ ...................... Photos sur demande ..........................‎

‎LE CHATEAU DE FONTAINEBLEAU‎

‎, RMN, 2010 Broches, 127 pages, Francais, Illustrations. ISBN 9782711857807.‎

‎Cantique des Cantiques. Traduit en François, avec une explication tirée des saints Pères & des Auteurs Ecclésiastiques.-‎

‎Paris. Guillaume Desprez. 1694. In-8 (130 x 190mm) plein veau marbré, dos à 5 nerfs entièrement orné or, gardes peignées, 18ff. n. ch., 558 pages et 10 pages de tables, vignette sur le titre et gravure en bandeau au début de chaque chapitre. Bel exemplaire dans une jolie reliure postérieure à l'imitation des anciennes.‎

‎Parle-moi...j'ai des choses à te dire‎

‎1982, Les éditions de l'Homme, in-8 broché | Etat : bon état, écritures sur la garde (Ref.: ref98434)‎

‎les éditions de l'homme‎

‎Passeur de Vies : Rencontre avec Marie de Solemne - Editions Dervy Paris 2000‎

‎ in-8° broché, 294 pages, comme neuf, collection "Rencontre" ISBN : 2844540376‎

‎T'es toi quand tu parles‎

‎2006, Albin Michel, in-8 broché, jalons pour une grammaire relationnelle | Etat : bon état, écritures sur la garde (Ref.: ref98383)‎

‎Albin Michel‎

‎Les Mémoires de l'Oubli : Se Rencontrer pour Changer - Editions Jouvence Genève 1989‎

‎ in-8° broché, 363 pages, très bon état, nouvelle édition revue et corrigée par les auteurs, ISBN : 2883530033‎

‎Je n'en rougis pas.-‎

‎Préface de Louis Métra. Paris. Éditions du Scorpion. 1949. In-12 (120 x 186mm) broché, couverture rouge, imprimée en blanc et en noir, 246 pages. Papier jauni, menus défauts mais bon exemplaire. Histoire et réflexions d'une ancienne prostituée.‎

‎ La catedral de Burgos / La Cath drale De Burgos , Patrimoine De l'Humanit ‎

‎, EDILESA, 1991 Paperback, 104 pages, Spanish, Illustrated, Good Condition !. ISBN 9788480120425.‎

‎Photographies en couleurs de Norberto Imagen M.A.S. ‎

‎Gio Ponti XL‎

‎, Taschen, 2021 Hardcover, XL 36 x 36 cm, 5.67 kg, 572 pages, Language; English, Fine condition! Famous First Edition: First printing of 5,000 numbered copies. ISBN 9783836501347.‎

‎To study Gio Ponti?s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti?s rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the same conviction as he did an entire city. He was as much an architect and designer as he was a publisher, poet, and man. A treasure in its own regard, his contribution is also a distinctive landmark of Italy?s mid-century Renaissance and the modernist values it sought to realize. This new book is the most comprehensive account of Ponti?s work to date, unprecedented in scale and scope. It tracks the development of his oeuvre over 6 decades, with 136 projects indexed and reproduced in high resolution, each object framed by the context in which Ponti had created it. Like windows onto his elusive life, unpublished materials and candid imagery create new dialogues between his famous masterpieces and his lesser-known feats. A rich layer of texts, featuring an extensive biographical essay by Stefano Casciani, was produced in close collaboration with the Gio Ponti Archives offering an intimate insight on his life?s work. Materializing Ponti?s core philosophy of modernity, this book presents architecture as a performing object, a "self-illuminating" stage for his humanistic art de vivre and boundless creativity. Experience the boundless vision of one of the greatest architects, designers, and art directors of the 20th century. Shaped in close collaboration with the Gio Ponti Archives and its founder Salvatore Licitra, Gio Ponti is an immersive book scaled to his kaleidoscopic universe, featuring texts by Lisa Licitra Ponti and an extensive biographical essay by Stefano Casciani. An unprecedented tribute to Ponti?s achievements as ingenious publisher as well as timeless creator, the images and texts of this compelling XL rendition draw its reader closer to his work than ever before. // Ce nouvel ouvrage est sa monographie la plus compl te publi e ce jour, in gal e par son envergure et son format. Elle retrace l? volution du travail de Ponti sur six d cennies, travers 136 projets index s et reproduits en haute r solution en format 36 x 36 cm, qui immergent le lecteur dans l?atmosph re des espaces investis, o chaque objet est clair par le contexte dans lequel Ponti l?a cr .‎

‎Approche mentale de la hiérarchie spirituelle de la planète.‎

‎Paris, 1978. 13 x 21, 158 pp., broché, bon état (couverture très légèrement défraîchie).‎

‎Eléments de chimie générale et de chimie-physique‎

‎Belin 1951 In-8 broché, 298 pp. Couv. un peu ternie.‎

‎ Bon état d’occasion ‎

‎Fasti consolari dell'accademia Fiorentina [A Biographical History of the Florentine Academy]. - Containing Viviani's ""Racconto istorico della Vita di Galileo Galilei"" [Historical Account of the Life of Galileo Galilei]. - [THE FIRST AND MOST IMPORTANT BIOGRAPHY OF GALILEI]‎

‎Firenze, Nella Stamperia S.A.R. Per Gio: Gaetano, e Sant Franchi, 1717. 4to. Contemporary full vellum with handwritten title to spine. A bit of wear to capitals and a bit of minor soiling to boards, but a fine and handsome copy. Inner hinges a bit weak. Internally nice and clean, with just a bit of light minor occasional brownspotting. Large engraved pictorial vignette (heading: Accdemia Fiorentina) to title-page. Very nice woodcut vignettes and initials throughout. XXXI, (1), 676, (2, - Approvazioni) pp. [Viviani's Galilei-biography: pp. 397-431].‎

‎First edition of this extensive work of biographies of the people of the Florentine Academy. Among the dozens of biographies in the present work, we have the first printing of Viviani's seminal biography of Galilei, the first, and by far the most important biography of the great astronomer ever written. It is from this biography that we have most of the canonical stories and anecdotes about Galilei that keep being repeated and quoted - e.g. the legend of Galilei demonstrating to his students that Aristotle was wrong about speed of fall being related to the weight of an object by dropping balls of different mass off the leaning tower in Pisa"" the stories of how he came up with the idea of the pendulum after having watched a suspended lamp swing back and forth in the cathedral of Pisa when he was still a student there - and furthermore also how his first experiments with pendulums were carried out (by his son due to his own failing eyesight), etc., etc.Vincenzo Viviani (1622-1703) considered himself Galilei's last pupil and he spent most of his life reinstating the ideas of Galilei. He was merely 20 years old when his master died, and he was present at the bedside of the dying master as well as at the removal of his body. Thus, he was a direct witness to many of the events that took place in Galilei's life, and as such he is an indispensible biographer - especially seeing that no other person had attempted a biograhy of the great astronomer. After Galielei's death, Viviani was granted a pension by the King of France, in exchange for him writing a great, massive biography of his master. This planned massive work never came about, though, - probably due to both fear of retaliation, inabilty to reconcile geometry with the dogmas of faith, and finally a general fear of what such a biography could carry with it politically, etc. (he had apparantly also been warned of this). What we have left of the massive work is that which is present in Salvini's collection of biographies of the Florentine Academy. The work is written in the form of a letter addressed to Prince Leopoldo de'Medici, and it was not printed during Viviani's lifetime, but only in 1717, in the present book. Though not as extensive as had originally been planned, and though not printed as soon as originally planned, the work is still of the greatest importance to our knowledge about Galilei and forms the foundation for all later works on the astronomer. For the student of Galilei, it is absolutely indispensible. Being the first biography of Galilei, and the only one written by a contemporary, and one who knew him very well, the work plays a greater role in the study of the master's life than any other work.Viviani may not have been a faithful chronicler or a clear interpreter, but we will have to make do with that which he can tell us about Galilei. Though not all stories may be true, almost all of the most famous anecdotes and legends that we have about Galilei stem from the present work. After having described the various marvels, discoveries, etc. of Galilei's life, Viviani ends by describing the last hours of Galilei's life: ""il Mercoledì delli 8. de Gennaio del 1641. ab Inc. a ore 4. di notte in età di settantasette anni, mesi dieci, e giorni vent, con Filosofica, e Christiana constanza, rese l'Anima al suo Creatore, inviandosi questa a godere, e rimarar più d'apresso quelle eterne maraviglie, ch'ella con tanta avidità, & impazienza aveva procurator per mezzo di fragil artifizio d'avvicinare agli occhi di noi mortali."" (p. 423) [""On the night of Jan. 8, 1641, at about 4 o'clock at night at the age of 77 years, 10 months, and 20 days, with philosophical and Christian firmness he rendered up his soul to its Creator, sending it, as he liked to believe, to enjoy and to watch from a closer vantage point those eternal and immutable marvels which he, by means of a fragile device, had brought closer to our mortal eyes with such eagerness and impatience.""] - clearly showing the sense that Viviani had for Galilei's biblically inspired faith.The work furthermore contains several hitherto unpublished treatises on men from the famous scientific academy of Florence.‎

‎Zahlbereiche. Teil II: Die rationalen Zahlen. Teil III: Die komplexen Zahlen. Vorlesung von Professor H. Salzmann gehalten an der Universität Tübingen im Wintersemester 1971/72. Ausarbeitung: Hermann Hähl.‎

‎Mathematisches Institut der Universität Tübingen, 1973, in-8vo, XVI + 507 S., Unterschrift (nicht Autor) a. Titelbl., Original-Broschüre, Leinenrücken.‎

‎UNE EXPERIENCE DE REBOISEMENT dans la Commune de Marseille- ‎

‎ 1927 1927-extrait de la revue LE CHENE -IN8 br.8p. ‎

‎Chasses en Provence.-‎

‎2°série: CRAU et CAMARGUE. Illustrations de l'auteur. Paris. Flammarion. Marseille. Flammarion et Vaillant. 1906. In-8 carré br.couv.impr. 3ff.n.ch.(fx-titre, dédicace, titre); 5pp. (préface); 100pp. 5ff.n.ch. (vignette, tables). 66 illustrations dans le texte. Bel exemplaire. (2).‎

‎Thiébaud, 827.|La Camargue. Une Chasse aux Canards. Les Empaillés. Les Flammants. En Coustière. La Bécassine. Passée aux Canards. Les Vanneaux. La Crau. Les Alouettes. Les Gangas. ‎

‎DANSAEKHWA When Process Becomes Form‎

‎Brussels, Boghossian Foundation, 2016 Hardcover, 144 pages, Illustrated.French / NL / English Edition. ISBN 9782871260677.‎

‎Danseakhwa and Korean Abstraction This fully illustrated catalogue is published in conjunction with the first comprehensive exhibition in Belgium of a generation of loosely affiliated Korean artists whose negotiation of abstraction has become known as Dansaekhwa. It features seminal paintings and works on paper ranging from the 1960s until the 1980s by some of Danseakhwa?s leading figures such as Chung Chang-Sup (1927?2011), Chung Sang-Hwa (b. 1932), Ha Chong-Hyun (b. 1935), Kim Whanki (1913?1974), Kwon Young-Woo (1926?2013), Lee Ufan (b. 1936), and Park Seo-Bo (b. 1931). A comprehensive art-historical text by the exhibition curators along with a detailed and illustrated timeline, make this publication a must-go-to for anyone interested in the history of Danseakhwa and Korean Modern art at large.‎

‎LES MERVEILLES DE LA SCIENCE‎

‎G.P. Rouge et Or. 1986. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages. Illustré de nombreux dessins et photos en couleur, dans et hors texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Illustrations de couverture de G. Scarato. Illustrations de G. Scarato et F. Spaliviero. Trad. de Anne Cloupet. Mathématiques. Physique. Astronomie. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Les merveilles de la science Encyclopédie Pélican‎

‎G.P.. 1985. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages augmentées de nombreuses illustrations en noir et blanc et en couleurs dans texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎L'oeil émerveillé ou la nature comme spectacle‎

‎albin michel. 1976. In-8. Broché. Etat d'usage, Coins frottés, Dos plié, Intérieur frais. 238 pages.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎UNIVERS GEANT‎

‎Arthaud. 1958. In-8. Relié. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 122 pages. Photo en noir et blanc (héliogravée) en frontispice. Illustré de nombreuses photos en noir et blanc (héliogravées) hors texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎Photographies de l'auteur. Classification Dewey : 570-Sciences de la vie‎

‎Univers Géant‎

‎ 1958 Editions Arthaud - 1958 - 1 vol in-8 - Cartonnage toilé éditeur ilustré - Photographies en noir et blanc de Samivel - 122 pages‎

‎Cartonnage un peu pâle avec des traces de doigts - coins un peu érodés - Un tampon d'ex-libris en page de faux titre - Petites rousseurs au dos ‎

‎Mondrian Evolution‎

‎, Fondation Beyeler & Hatje Cantz, 2022, 2022 Geillustreerde kartonomslag, softcover, 264 pages, 308 illustraties, 26,5 x 21.5 cm English text. ISBN 9783775752374.‎

‎Piet Mondrian had a decisive influence on the development of painting from figuration to abstraction. On the occasion of his 150th birthday, Mondrian Evolution is dedicated to his multifaceted work and artistic development. Initially working in the tradition of late-nineteenth century Dutch landscape painting, Symbolism and Cubism subsequently took on great significance for him. It was not until the early 1920s that the artist focused on a wholly non-representational pictorial vocabulary, concentrated on the rectangular arrangement of black lines with surfaces in white and the primary colors blue, red, and yellow. In separate chapters, this path is traced through motifs such as windmills, dunes, the sea, farms reflected in the water, and plants in various forms of abstraction.‎

‎ACTA CHEMICA SCANDINAVICA 23, 1969. GASCHROMATOGRAPHISCHE ANALYSE VON LIGNIOXYDATIONS-PRODUKTEN III.‎

‎INSTITUTIONEN FÖR ORGANISK KEMI, SCHWEDEN. 1969. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Numéroté de 3337 à 3351. Tezxte en allemand.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Dans la tête des SS - Leurs derniers aveux‎

‎2019, éditions Albin Michel, in-8 broché de 264 pages, couverture blanche illustrée d'une photo N&B. Le but de l'auteur : Faire comprendre ce que ces hommes avaient dans la tête quand ils servaient avec zèle le régime d'Adolf Hitler | Etat : Excellent état, occasion (Ref.: Ref87405)‎

‎Albin Michel‎