‎Psychodrame et théâtre moderne‎

‎Paris, Buchet/Chastel, 1971, Broché, 347 pages. Bon état ‎

‎Histoire Annecdotique du Pet‎

‎Ramsay/Jean-Jacques Pauvert 1991 256 pages in8. 1991. Broché. 256 pages.‎

‎Bon Etat couverture défraîchie intérieur propre‎

‎Que Peindre ? Adami Arakawa Buren‎

‎La Différence, collection La Vue le Texte, 1987. 2 volumes in-8 brochés sous étui illlustré. Volume 1 : 123 pages - Volume 2 Oeuvre : 132 reproductions couleurs et N&B. Dos légèrement insolés et émoussés. Intérieurs très bons. Étui fatigué. Bon ouvrage‎

7 Images

‎Lever de rideau. Histoires des théâtres privés de Paris.‎

‎Paris, Denoël, 1994, in-4, relié, jaquette éditeur., 164 pages. Bel exemplaire. ‎

5 Images

‎Musique raisonnée‎

‎STOCK+PLUS musique 1980 in12. 1980. Broché. Ce livre présente une sélection de textes théoriques et critiques du compositeur et théoricien français Jean-Philippe Rameau choisis présentés et commentés par Catherine Kintzler et Jean-Claude Malgoire. Il s'agit d'une édition critique offrant un accès raisonné aux écrits musicaux de Rameau publiée dans la collection Stock musique en 1980‎

‎Bon Etat intérieur propre‎

‎Rameau: Nos amis les musiciens‎

‎Eise 1955 89 pages in12. 1955. broché. 89 pages.‎

‎Bon état‎

‎Bijdrage tot de theorie der regelmatige veelhoeken.‎

‎, Brussel, Paleis der Academien, 1956., Gebrocheerd, originele uitgeversomslag, 18x26cm, 144 p., 2 fig.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 53.‎

‎Writing Down the Myths,‎

‎Turnhout, Brepols, 2012 Hardback, approx. X+262 p., 5 b/w ill., 9 b/w line art, 156 x 234 mm. ISBN 9782503542188.‎

‎What are myths? Are there 'correct' and 'incorrect' versions? And where do they come from? These and many other related questions are addressed in Writing Down the Myths, a collection of critical studies of the contents of some of the most famous mythographic works from ancient, classical, medieval, and modern times, and of the methods, motivations, and ideological implications underlying these literary records of myth. While there are many works on myth and mythology, and on the study of this genre of traditional narrative, there is little scholarship to date on the venerable activity of actually writing down the myths (mythography), attested throughout history, from the cultures of the ancient Middle East and the Mediterranean to those of the modern world. By assembling studies of the major literary traditions and texts through a variety of critical approaches, this collection poses - and seeks to answer -key questions such as these: how do the composers of mythographic texts choose their material and present them; what are the diverse reasons for preserving stories of mythological import and creating these mythographic vessels; how do the agenda and criteria of pre-modern writers still affect our popular and scholarly understanding of myth; and do mythographic texts (in which myths are, so to speak, captured by being written down) signal the rebirth, or the death, of mythology? Languages : English. ‎

‎Jimmie Durham. A certain lack of coherence writings on art and cultural politics.‎

‎, London : Kala Press, 1993., Paperback, 255pp., 22x15cm., ills. in b/w. copy in fine condition !! ISBN 9780947753047.‎

‎Rare!!‎

‎second paricle wave theory: As Performed on the Banks of the River Wear, a Stone's Throw from S'Underland and the Durham Cathedral‎

‎, Banff Centre Press , 2006 Hardcover, 80pp., 26x21cm., ills. in col., new. ISBN 9781894773232.‎

‎Musical Rhetoric Beyond Figures‎

‎, Brepols, 2026 Hardback, Pages: 414, Size:210 x 270 mm, Illustrations:14 b/w, 118 musical examples, Languages: English, Spanish. ISBN 9782503624723.‎

‎Summary Musical Rhetoric Beyond Figures offers a fresh exploration of musical rhetoric, moving beyond traditional catalogues of rhetorical figures to rediscover music as a living discourse rooted in historical and contemporary practice. This groundbreaking volume challenges conventional musicological approaches by emphasising music as a form of expressive speech, as experienced and interpreted by performers. Bringing together sixteen diverse chapters from leading scholars and practitioners, the book spans eras from the eighteenth century to the present, covering styles from Baroque to contemporary music. It reveals how rhetorical thought underpins musical interpretation, performance, and analysis, highlighting the dialogue between intuition and theory. Readers will find rich insights into how musical phrasing, gesture, and timing evoke rhetorical expression, transforming the way we understand and perform music. Musical Rhetoric Beyond Figures bridges the gap between scholarly reflection and practical performance, offering a range of perspectives on the interplay of rhetoric, memory, and dramaturgy in music. Carefully curated thematic sections explore historical contexts, performance practice, and rhetorical analysis, while addressing modern voices and contemporary compositions. This volume is essential for musicians, musicologists, and anyone passionate about the deeper communicative power of music. It opens new pathways to understanding music not merely as sound, but as a dynamic form of discourse that continues to shape artistic expression and audience experience in profound ways. TABLE OF CONTENTS Joan Grimalt Introduction: Musical Discourse Beyond Rhetorical Figures Rhetorics and Performance in the Common-Practice Repertoire Robert Hatten Projecting Marked Moments and Expressive Trajectories in Performing Bach's Allemande from the Partita No. 4 in D Major, BWV 828 Joan Grimalt What do We Mean by 'Musical Discourse'? Pantelis Kogiamis Approaching Enigmatic Metronome Marks in Beethoven's Ninth Symphony through Metrical Prosodic Verse Pattern Analysis Galatea Daskalaki Unveiling Brahms: An Approach of Comprehension and Interpretation of the Intermezzo Op. 116, No. 2 Andrew Wong Exploring the Unwritten Practices of 18th-Century French Baroque Vocal Traditions in Violin Playing Rhetorics and Performance from the 20th Century Onwards Melanie Plesch Rhetorical Figures, Dysphoric Topoi and the Performance of Sorrow in Carlos Guastavino's Guitar Sonata No. 1 (1967) Valent n Benavides Music that Weeps: The Rhethoric of Ritual Lament in Jos Mar a S nchez-Verd 's Deploratio (1997) Carlos Villar-Taboada Rhetoric of an Invented Memory: Jos Luis Turina's Fantas a sobre una fantas a de Alonso Mudarra Alon Schab The Clavichord and the Rhetoric of Intimacy: Exploring Keith Jarrett's Book of Ways (1987) Rhetorical Analysis and Dramaturgy Martin ?urda Musical Topics, Rhetorical Gestures, and Dramatic Trajectories in Mozart's Piano Concerto K. 488 gueda Pedrero-Encabo Rhetoric and Narrativity: On the Poetic Style of Blasco de Nebra in the Adagio of the Sonata in A Major Ram n Sobrino Cortizo M sica, alegor a y discurso narrativo en el Tr ptico del Buen Pastor (1954) de Guridi Sara Tabuenca Agramonte The Sonata Form as Narrative Discourse in Franz Schubert: Hermeneutic Analysis of the Sonata D. 959 (1st Movement) A Historical-Theoretical Perspective Paulo F. de Castro Virtual Dialogues: Towards a Critical-historical Approach to the Concepts of Musical Topic, Topos, and Intonation Ryszard Daniel Golianek Affect, Expression, Narration: Interpretation of Empfindsamkeit Music Marcos Krieger Aristotelian Kairos and the Performer's Agency in Delivering Rhetorical Structures: Applications in Early 18th-Century German Keyboard Compositions Abstracts and Biographies Index of Names‎

‎Principes géométriques d’analyse. ‘Cahiers scientifiques’ Fascicule VI et XI. Première et deuxième parties. 2 vols. ens.‎

‎Paris, Gauthier-Villars, 1930, 32, gr. in-8vo, 1) VI + 116 p., 2) VII + 120 p., brochure originale, manque au dos du deuxième vol.‎

‎Introduction mathématique aux théories quantiques. Fascicule XVI. Première et deuxième parties. 2 vols. ens.‎

‎Paris, Gauthier-Villars, 1936, 38, gr. in-8vo, 1) VI + 220 p., 2) VI + 218 p., brochure originale.‎

‎De battre mon coeur n'a jamais cessé: Mémoires‎

‎L' Archipel 2006 15 4x4 2x24cm. 2006. Broché.‎

‎Etat correct‎

‎Kandinsky‎

‎Centre Georges Pompidou 1984 non paginé pages IN4. 1984. agrafé. non paginé pages.‎

‎État correct intérieur propre‎

‎Ecrits complets, Tome 2 : La Forme‎

‎Denoël/Gonthier Cartonné avec jaquette 1970 In-8 (14,5 x 22,5 cm), cartonné avec jaquette, 408 pages ; traces sur la jaquette, quelques rousseurs aux tranches, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Wielopole, Wielopole de Tadeusz Kantor par le Théâtre Cricot 2. Programme de théâtre‎

‎Paris, Théâtre de Paris, 1983-1984, in-8, broché, 32 pages. Bon état. Photographies NB. Livret de la représentation au Théâtre de Paris. ‎

‎2017/2022 Il est urgent d'agir‎

‎MICHEL DE MAULE 2017 12 4x19 5x1cm. 2017. Broché.‎

‎Très bon état - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté‎

‎2017/2022 Il est urgent d'agir‎

‎MICHEL DE MAULE 2017 12 4x19 5x1cm. 2017. Broché.‎

‎TRES BON ETAT‎

‎L' Identité palestinienne: Construction d'une conscience nationale moderne‎

‎FABRIQUE 2003 402 pages 19 8x2 6x12 8cm. 2003. Broché. 402 pages.‎

‎Bon état proche du très bon état intérieur propre bonne tenue‎

‎De l’Art Moderne adaptation française de Pierre Algaux ‎

‎in 8 carré couverture illustrée,54 pages,24 illustrations de Paul KLEE éditions de la Connaissance Bruxelles 1948 très bon état ‎

‎Les Cahiers du Musée National d’Art Moderne, N° 83/12‎

‎Centre Georges Pompidou 1983 In-4. Broché, couverture illustrée en noir & blanc, environ 127 pp. texte sur 2 colonnes, illustrations en noir & blanc. Intérieur du livre parfait couverture abîmée. en bon état.‎

‎Pologne - Présences polonaises centre pompidou 23 - juin 26 septembre 1983 - Abscences polonaises - Une littérature antimoderne ? - Strzeminski Klein - Ozenfant et l’esthétique puriste - Art et coexistence - Ernst Fischer - Styrsky le précurseur - Balthus Bon état d’occasion ‎

‎Rubens's Questions, Religion, Paragone, and the Ontology of Painting‎

‎, Brepols - Harvey Miller, 2026 Hardback, Pages: 320 p. Size:190 x 255 mm, Illustrations:176 col., Language :English **NEW. ISBN 9781915487704.‎

‎Summary Rubens?s Questions: Religion, Paragone, and the Ontology of Painting explores the pivotal role of doubt in understanding the work of Peter Paul Rubens. Focusing on his easel paintings from the 1610s, this book argues that Rubens engaged with the era?s most pressing intellectual debates without resorting to overt dogma. His works served as open-ended invitations, encouraging viewers to grapple with complex issues of religion, art, and philosophy, offering no definitive answers but instead providing space for personal reflection and recalibration. In contrast to the more direct, polemical writings of his contemporaries, Rubens subtly used his compositional mastery to question the very nature of art?its visual and tactile properties?while navigating the tensions between idolatry and iconoclasm. Rather than aligning with one side of these heated debates, Rubens? paintings proposed a nuanced middle ground, engaging with the ontological questions of his day and affirming the enduring value of painting itself. Additionally, this book addresses a significant gap in Rubens scholarship: the almost total absence of Dutch-language sources in the existing literature. By examining these overlooked materials, it reveals a paradigmatic shift in Rubens' artistic approach, one that was deeply informed by the intellectual climate of the Netherlands. TABLE OF CONTENTS Preface Introduction Chapter One: A Twisted Hand, a Turn of Mind Chapter Two: Questies Chapter Three: A Visual Quaestio Syntax Chapter Four: Confluent Epistemes Chapter Five: Questions in and of Art in Ruben?s Time Chapter Six: The Ontological Question Chapter Seven: Allegory: Thinking Inside the Box Chapter Eight: The Question of Use Chapter Nine: Painting as Ontology Coda: Appearance without Substance, Form without Matter Notes List of Illustrations and Credits Bibliography Index‎

‎Théâtre Russe et Soviétique‎

‎Paris, Editions du Regard, Relié-Jaquette éditeur, ‎

‎Un demi siecle de purgatoire‎

‎Noir Blanc 1993 424 pages in8. 1993. Broché. 424 pages.‎

‎Très bon état couverture un peu défraîchie intérieur propre‎