‎Franz Liszt. Ein Apostel des Idealen.‎

‎Zürich, Orell, Füssli und Comp., 1896. Gross-8°. 25 S. Mit 1 gest. Portrait von Robert Leemann. Orig.-Broschur = "Neujahrsblatt der Allgemeinen Musikgesellschaft Zürich", Nr. 84.‎

‎Durchgehend leicht gebräunt.‎

‎Franz Liszt. Les ténèbres de la gloire. ‘Bibliothèque des Idées’.‎

‎Paris, Gallimard, 1993, gr. in-8°, 482 p., 8 planches, br.‎

‎Musik aus der Perspektive der Jungschen Psychologie‎

‎Zürich, 1994 163pp., 21cm., softcover, text in German, Doctoral dissertation (Abhandlung zur Erlangung der Doktorwürde der Philosophischen Fakultät I der Universität Zürich), stamp at verso of title page, text is clean and bright, good condition, M108851‎

‎Figured Bass Accompaniment in Europe‎

‎, Brepols, 2024 Hardback, xiv + 424 pages, Size:210 x 270 mm, Illustrations:43 b/w, 12 tables b/w., 75 musical examples, Language(s):English, Italian. ISBN 9782503608518.‎

‎Sixteen internationally-renowned scholars map the figured bass accompaniment in Europe through a wide timespan: from the early-seventeenth-century Germany to late continuo realisations by Johannes Brahms and Robert Franz. Summary At the very end of his new and charming chapter included in this volume, Thomas Christensen sensuously claims that for each generation, figured bass has something new to say, though it rarely gives up its secrets without a fight. This book, therefore, attempts to do justice to the fight lead by sixteen internationally-renowned scholars who ventured mapping the figured bass accompaniment in Europe through a wide timespan: from the early-seventeenth-century Germany to late continuo realisations by Johannes Brahms and Robert Franz. The volume also addresses several issues such as different ways to sketch and write extensively the instrumental accompaniment, its rendition into practice and how to teach and apply formulas for improvising (and realising) a contrapuntal texture over the bass. For the first time, counterpoint, basso continuo and partimento are put into dialogue, overcoming terminological antinomies and underlining the points of continuity amongst different accompaniment practices in France, Germany, England and Spain for over three centuries. Case studies shed some lights on accompaniment of specific instruments such as cello and guitar. TABLE OF CONTENTS Figured Bass Accompaniment in Europe Livio Ticli (ed.), 2023 Livio Ticli, Introduction: Figured Bass in the European Tradition: Continuities and Changes of a Practice Through Alps and Pyrenees To the Sea: Continuity and Discontinuity in Performance Practice 1. David Chung, The Significance of the Preludes with Figured Bass in F-Pn Vm8 1139 for Keyboard Pedagogy in Early Eighteenth-Century France 2. Clotilde Verwaerde, The Three-voice Texture in Eighteenth-Century French Continuo 3. Marie Demeilliez, The Encyclop die ou Dictionnaire raisonn des sciences, des arts et des m tiers (1751-1772): A Source for Basso Continuo Accompaniment in Eighteenth-Century France 4. Isaac Alonso de Molina, Acompa amientos con las llamadas del Baxo y lo que se puede tocar sobre cada uno de ellos : partimenti diminuiti in Manuscript M/1188 of the Biblioteca Nacional de Espa a (Madrid) 5. Michael Fuerst, Hieronymus Praetorius, Multiple-Bass Notation in Organ Parts, and Continuo Performance Practices of Polychoral Music in the Hanseatic Cities of Northern Europe Connected by Strings: Cello Accompaniment Performance Practice 6. John Lutterman, Partimento, German Thoroughbass Practice, and Improvised Solo Performance on the Cello 7. Hilary Metzger, National Styles in Lower String Accompaniment of Secco Recitative in the Late 18th and Early 19th Centuries From the Page to the Performance through Space and Time 8. Valeria Mannoia, Per ogni tradizione il suo basso. I bassi seguenti italiani in alcune antologie tedesche del Seicento 9. Francesca Mignogna, Il basso continuo nelle composizioni per i defunti di Pierre-Louis Pollio (1724-1796). Uso, notazione e problematiche relative all?edizione moderna della partitura 10. Anthony Abouhamad, The Principles of Partitura Playing: An Introduction to Basso Continuo Instruction and Practice in Eighteenth-Century Salzburg 11. Martin Ennis, Quod licet Bacho non licet Francisco : A New Perspective on the Continuo Realisations of Johannes Brahms and Robert Franz Basso Continuo and Partimento as a Pedagogical Tool Then and Now 12. Thomas Christensen, Figured Bass: Then and Now 13. Stephan Lewandowski, With regard to the Now Prevailing Taste in Music : The Music Theoretical Work of Johann Gottfried Vierling (1750-1813) 14. Matthew Mazanek, Improvisation Pedagogy in Nineteenth-Century Guitar Education 15. Justin Ratel, Repurpose and Transformation of an Educational Material: Figured Bass as a School Practice in the Early Years of the Paris Conservatory 16. Thomas Allery, Thorough Bass Made Easy: The Pedagogical Value of Figured Bass in Musical Education Today 17. Livio Ticli, Basso Continuo as a Concertato Practice: Vocal-Instrumental Improvisation, Ornamentation and Counterpoint‎

‎Le opere musicali della Cappella Giulia. I: Manoscritti e edizioni fino al '700‎

‎Citta del Vaticano, Biblioteca Apostolica Vaticana 1971 xxiv + 412pp. + 8 plates out of text, 25cm., original 1971-edition, softcover (ex-libris stamp on frontcover), pages still uncut, in the series "Studi e Testi" volume 265, good condition, R119454‎

‎Le piano. Collection : Que sais-je ?, N° 263.‎

‎Paris, Presses Universitaires de France (PUF), 1966. 12 x 18, 128 pp., broché, très bon état.‎

‎I Monumenta Reliquiarum di S. Corona di Vicenza. Introduzione all’Ufficio ritmico di Giulio Cattin. Fonti per la storia della Terraferma Veneta, n.° 6, collezione diretta da Giorgio Cracco.‎

‎ Padova, Editrice Antenore 1992, 245x170mm, LXXI - 175pagine, legatura del editore. Copertina rodhoid. Bel exemplaire.‎

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‎Principles of musical theory‎

‎Boston, Schirmer Music 1933 vii + 101pp. with numerous music examples in text + 2 plates out of text, 3rd printing, 25cm., in the "Concord series" no.12, publisher's hardcover in green cloth with some traces of use, 2 library stamps, text in good condition, M95180‎

‎Wilhelm Furtwänglers symphonisch konzipierte Kammermusik‎

‎[Bayreuth], 2010 247pp., 21cm., softcover, text in German, Doctoral Dissertation (Universität Bayreuth, 2009), stamp on title page, text is clean and bright (looks unread), M111115‎

‎Dans la tête de Richard Wagner. Archéologie d’un génie.‎

‎ Paris, Librairie Arthème Fayard 2011, 235x150mm, 1108pages, broché. Exemplaire à l'état de neuf.‎

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‎Andrés Segovia Sintesis biografica.‎

‎ Linares, 1987, 240x170mm, 43 páginas, libro en rústica. Con un autografo del autor, ejemplar numerado. Datos biograficos, dimension y alcance de su obra, honores y distinctiones. Muy buen estado. ‎

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‎Herbert von Karajan. Collection : Têtes d'affiche.‎

‎Paris, Editions PAC, 1978. 15 x 20, 259 pp., nombreuses illustrations en N/B, broché, couverture à rabats, très bon état.‎

‎Der Cantor Heinrich Grimm (1593-1637) Sein Leben und seine Werke mit Beiträgen zur Musikgeschichte Magdeburgs und Braunschweigs‎

‎Hamburg, 1940 93pp., 23cm., text in German, Doctoral dissertation (Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Hänsischen Universität Hamburg), stamp at verso of title page, small label on cover, text is clean and bright, good condition, M109030‎

‎Op ra-comique in the Eighteenth and Nineteenth Centuries‎

‎, Brepols - Harvey Miller, 2011 hardcover, Pages: 394 pages, Size:210 x 270 mm, Language(s):English, French. *new. ISBN 9782503527819.‎

‎The subject of this book, edited by Lorenzo Frass , is the Op ra-comique as an art form, compositional genre, institution and production process. The volume will consist of a close examination of the genre of the Op ra-comique and the great masterpieces and artists who have sustained this form of musical theatre and prevented it from falling into oblivion. The freedom given to authors in selecting the subject of their contribution has made it possible to bring together subjects that appear disparate, but which are in fact complementary and indispensable to all who wish to investigate the Op ra-comique?s varying facets, and also receive a comprehensive overview. The collection of essays encompasses the heterogeneous world of institutions, traditions, works and composers that can be assimilated into the frame of ?Op ra-comique?. TABLE OF CONTENTS Preface Olivier Bara, Influence et d tournement du m lodrame dans le livret d?op ra-comique, des lendemains de la R volution la Restauration ? Jean-Christophe Branger, 'Le Portrait de Manon' de Massenet ou les miroirs du pass ? David Charlton, Sight Meets Sound: Fifty Years of Musical Scenography at the Op ra-Comique ? Alexandre Dratwicki, 'Zampa' ou l?op ra-comique selon H rold? ? Mark Everist, Between Op ra-Comique and Op ra-National: Scribe, Va z and Boisselot c1850 ? Vincent Giroud, Gounod and 'op ra-comique' ? Arnold Jacobshagen, A National Genre in an International Context: 'Op ra-comique' in Nineteenth-Century Europe ? Herv Lacombe, L?op ra-comique au xixe si cle: Un genre d fini par sa l gislation ? Rapha lle Legrand, Rameau parodi dans les op ras-comiques: la notion d?auteur au risque du vaudeville ? Jean-S bastien Macke, Repr senter le r el l?op ra: artifices naturalistes Alfred Bruneau et Emile Zola (1891-1893) ? Michela Niccolai, Albert Carr et le projet du th tre lyrique populaire (1904) ? Dani le Pistone, Contribution a la titrologie scenique parisienne: les appellations g n riques au th tre de l?Op ra-Comique de 1762 1972 ? Bertrand Porot, Aux origines de l?op ra-comique: tude musicale du 'Th tre de la Foire' de Lesage et d?Orneval (1713-1734) ? Laure Schnapper, Op ra-comique et variations pianistiques en France sous la Monarchie de juillet ? Lesley A. Wright, The Directors of the Op ra-Comique (1870-1900): Responsibility and Opportunity‎

‎Albert Lortzing.‎

‎Zürich, Orell, Füssli und Comp., 1869. Gr.-8°. 18 S. Mit einem lithogr. Porträt von J. Lier nach C. Scheuchzer. Orig.-Broschur. = "57. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1869".‎

‎Rohr 881. - Mit hübschem Portrait von Albert Lortzing. - Papier etwas gebräunt.‎

‎Ouvertures la fran aise : migrations musicales dans l'espace germanique, 1660-1730‎

‎, Brepols, 2020 Paperback, 349 pages, Size:190 x 290 mm, Illustrations:21 b/w, 31 tables b/w., 2 maps b/w, 13 musical examples, Language: French. ISBN 9782503588582.‎

‎Summary Une musique ind chiffrable pour toute autre nation. Depuis Rousseau, la musique fran aise d'Ancien R gime est vue comme une trange exception culturelle dans une Europe baroque tout acquise la musique italienne. Les nombreux exemples d'acclimatation du style fran ais dans l'espace germanique entre 1660 et 1730 - de Johann Sigismund Cousser Johann Sebastian Bach en passant par Georg Muffat et Georg Philipp Telemann - nous invitent cependant ouvrir les yeux sur un ph nom ne trop longtemps m connu. La migration de nombreux musiciens fran ais dans l'Empire, leur engagement dans de prestigieuses chapelles ducales et princi res, la circulation de sources musicales manuscrites et imprim es, sont autant de ph nom nes essentiels que ce livre aborde pour la premi re fois de fa on conjointe et approfondie. la crois e de l'histoire des migrations, de l'anthropologie historique et de la musicologie, il emprunte les routes parcourues par la musique et les musiciens fran ais, d ploie leur destin et reconstruit leur vie quotidienne dans ce nouvel environnement. L'ouvrage s'organise en cinq grands chapitres consacr s l'Europe galante comme march du travail, l'administration de la musique fran aise, aux carri res et aux mobilit s des musiciens, la circulation des sources musicales, et l'invention allemande du style fran ais. TABLE OF CONTENTS Introduction Chapitre 1. L'Europe galante comme march du travail Chapitre 2. Administrer la musique fran aise Chapitre 3. Frantz sische Musicanten : une biographie collective Chapitre 4. La diss mination de la musique Chapitre 5. L'invention allemande du style fran ais Conclusion. L'ann e 1733 comme terminus Sources imprim es Bibliographie Index nominum‎

‎Profanation et sanctification du Temps. Journal musical, Saint-Pétersbourg - Paris - New York, 1910 - 1960.‎

‎ Paris, Desclée de Brouwer 1966, 195x125mm, 211pages, broché. Bel exemplaire.‎

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‎Louys de Moy ; Le Petit Boucquet, Pour toucher du luth join deux violes de gambas par-my les vois‎

‎Peer, Alamire 1987 22pp. (introduction in English) + [135] pp. facsimile-edition of the original 1631-edition ; "Le Petit Boucquet, de frise orientale contenant quelques chansonnettes musicales, pour toucher du luth join deux violes de gambas par-my les vois ; et autres padvanes pour le luth & violons communs avec diverses pieces faciles pour toucher du luth seul", publisher's hardcover, 25cm., good condition, M95099‎

‎Die Improvisation im Klavierwerk L. van Beethovens‎

‎Saarbrücken, 1962 175pp., with some music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), stamp at verso of title page, text is clean and bright, good condition, M108984‎

‎Réunion de 5 titres de la collection "Poésie et Chansons" : Jacques Douai. Joan Pau Verdier. Gilles Servat. Lény Escudéro. Héléne Martin.‎

‎Paris Seghers, 1973-1976, in-12 broché, 215p. Bon état. Introduction - Chanson - Discographie - Illustrations. ‎

‎ NB. Les commandes et questions seront traitées dans les 48h et expédiées à partir du 7 octobre. Merci.‎

‎Musiques et musiciens des f tes urbaines et villageoises en France (XIVe - XVIIIe si cle)‎

‎, Brepols, 2024 Hardback, 1064 pages, Size:190 x 290 mm, Illustrations:39 b/w, 135 col., 58 tables b/w., 1 tables col., 2 maps color, Language: French. ISBN 9782503611891.‎

‎Summary Si les premi res traces de ritualisation musicale (noces, banquets?) remontent au d but du xiiie si cle avec les jongleurs, ce n'est vraiment qu' partir du si cle suivant que les m n triers ou joueurs d'instruments sont charg s de la repr sentation des pouvoirs et de l'animation de la vie sociale dans sa totalit (f tes politiques et religieuses, de m tiers, calendaires, votives, familiales, etc.) et qu'ils se regroupent en confr ries ou corporations. S'appuyant sur son terrain toulousain premier ainsi que sur le d pouillement syst matique de deux si cles de litt rature sur les m n triers des provinces fran aises et sur la collaboration de certains chercheurs en r gions, l'auteur propose une nouvelle r flexion d'ampleur sur le personnage historique du m n trier (plus de trois mille musiciens recens s), son genre, son statut social (poids de la marginalit musicienne des aveugles, mendiants, concurrence des musiciens occasionnels comme les ma tres d' cole), sa fonction, sa pratique et ses formes d'organisation. Cette tude d'anthropologie musicale historique est doubl e d'une approche territoriale, cette g ographie m n tri re tant abord e au niveau des provinces, des villes (notamment des quarante ayant abrit des corporations et confr ries m n tri res), des villages et de l'organisation administrative de ce vaste espace de la M nestrandise (royaut et lieutenances m n tri res). Par ailleurs, cette histoire sensible de l'art des m n triers est aussi celle de leur rapport aux musiques dites savantes , d' glise, aux cultures musicales autres, comme celle des Boh miens. l'aide de nombreuses archives, de tableaux, cartes, documents iconographiques, cet ouvrage d peint la grande fresque d'une musique historique encore m connue, malgr sa long vit et sa centralit sociale et soci tale, celle des m nestrels et joueurs d'instruments. TABLE OF CONTENTS Introduction I. Naissance & fonctionnement des institutions m n trieres II. l ments pour une g ographie m n tri re en france III. Devenir m n trier IV. Profils sociaux, identit s statutaires, genr es et professionnelles V. Jouer m n trier : instruments, techniques et beau jeu VI. La musique des m n triers, au coeur de la vie sociale et politique VII. La rel gation par les interdits, la r probation morale, l'acad misme et l' volution du go t musical Conclusion Table des cartes et des tableaux Table des illustrations et des cr dits photographiques Annexes Bibliographie Index‎

‎Padre Martini's Closed and Enigmatic Canons with Solutions by Luigi Cherubini. A 19th-Century Guide into Renaissance Music Riddles‎

‎, Brepols, 2024 Hardback, 336 pages, Size:210 x 270 mm, Illustrations:76 b/w, 6 tables b/w., 95 pages of musical scores, Language: English. ISBN 9782503608471.‎

‎Summary Every chapter of the three volumes of Giovanni Battista Martini's Storia della Musica begins and ends with an enigmatic canon: 72 puzzle canons, which formed the subject of debate in the 18th and 19th centuries. Luigi Cherubini proposed solutions for all canons, forming a pedagogical collection designed to reveal the secrets of the enigmatic canons practice to 19th-century musicians. Cherubini explained in detail how each proposed solution was reached. The resolutions are all based on a 'Table of Latin words', a list of enigmatic expressions. For each expression, Cherubini gives an explanation detailing how they must be interpreted in order to find the resolution of the riddles. Practically 56 expressions from Cherubini's 'Table of Latin words' can be identified in Renaissance treatises. Until the first half of the 16th century, a canon was a formula that musicians would put into action to create one or more parts of music ? the 'canon' was just the formula and not the music itself. Explanations of such formulas were compiled in Renaissance music treatises. It is this journey ? the one enigmatic expressions took as they travelled from the Renaissance into the 19th century ? that Luigi Cherubini's complete edition of proposed solutions to Padre Martini's enigmatic canons seeks to illustrate. TABLE OF CONTENTS Acknowledgements Introduction The 72 Enigmatic Canons of Padre Martini's Storia della Musica Luigi Cherubini's Solutions: A Pedagogical Work A Table of Enigmatic Expressions Renaissance Sources for Padre Martini's List of Motti o Enigmi Pietro Aaron, Libri tres de institutione harmonica, Bologna, 1516 Heinrich Glarean, Dodecachordon, Basel, 1547 Hermann Finck, Practica musica, Wittenberg, 1556 Pietro Cerone, El melopeo y maestro, Naples, 1613 Giovanni Battista Rossi, Organo de cantori, Venice, 1618 Camillo Angleria, La regola del contraponto?, Milan, 1622 Giovanni Andrea Angelini Bontempi, Historia Musica, Perugia, 1695 Reception of Martini's and Cherubini's Works in the 19th Century Pierre-Louis Ginguen , Encyclop die m thodique, Paris, 1791 Fran ois-Joseph F tis, Trait du contrepoint et de la fugue, Paris, [1824] Padre Martini's List of Motti o Enigmi (Reproduced in Cherubini's Collection) and the Understanding of the Renaissance Practice of (Puzzle) Canons during the 19th Century Comparative Tables Table 1. Luigi Cherubini's Table des mots latins, que les anciens compositeurs pla aient souvent en t te des canons, avec l'explication du sens nigmatique qu'ils renferment, afin d'obtenir plus ais ment la v ritable solution d'un canon ferm Table 2. Cherubini's Table of Latin Words vs. Martini's Lists of Motti o Enigmi and Vocaboli Italiani, Latini e Greci Table 3. Padre Martini's Sources for his Motti o Enigmi Table 4. Martini's Esemplare vs. Finck's Practica musica Table 5. Finck's Expressions not Cited by Martini Table 6. Cherubini's and Ginguen 's Translations of Martini's List of Motti o Enigmi Table 7. Fran ois Joseph F tis's Table des Devises ou Inscriptions des Canons nigmatiques avec leur Explication Padre Martini's Closed and Enigmatic Canons with Solutions by Luigi Cherubini List of Canons in Cherubini's Collection Letter Sent by the French Musicologist Henry Expert (1863-1952) to the Administrator of the National Library in Paris on 10 June 1924 Plates Critical Notes Bibliography Index of Names ‎

‎Histoire du jazz moderne‎

‎Paris, La Table ronde, 1961, in-8°., Broché, 254 pages. Bon état. ‎

‎ NB. Les commandes et questions seront traitées dans les 48h et expédiées à partir du 7 octobre. Merci.‎

‎Beethoven, vie d'un conquérant.‎

‎Paris, Flammarion, 1945. 15 x 21, 300 pp., quelques illustrations en N/B, broché, non rogné, bon état.‎

‎"Traduit de l'allemand par Jean Longeville; édition originale, N° 349 sur 1100 exemplaires numérotés sur beau vélin."‎

‎Geographies of Sound. Sounding and Listening to the Urban Space of Early Modern Italy with a Contemporary Perspective‎

‎, Brepols, 2023 Hardback, x + 286 pages, Size:210 x 270 mm, Illustrations:34 b/w, Language(s):English, Italian. ISBN 9782503606767.‎

‎Summary Sound is an essential element of human experience. It is part of the complex semiotic system that enables human communities to orient themselves in time and space, to be informed, to participate in social life as conscious listeners, capable of deciphering and giving meaning to the collective action of the urban space in which they live. Deeper sound horizons reverberate at different levels on the sonic dimension of reality, contributing to a more complex semantic process of the collective civic rituality and the construction of institutional and individual sound identities. In order to investigate the urban soundscape, it is important to define the nature of the sound phenomena to be examined, but also the dynamics concerning their perception as part of complex anthropological processes. These perspectives can be considered from a historical point of view. The studies collected in this volume aim to investigate sound as an element of urban space in early modern Italy. They consider different phenomenologies investigated through innovative methodological perspectives. Particular importance is given to the sound of urban rituality, to its declinations and local connotations, to its ability to interact with public and private dimensions, to the social and aesthetic dynamics that regulate it, and to the definition of the sonic identity of early modern urban space. TABLE OF CONTENTS LUIGI COLLARILE & MARIA ROSA DE LUCA, Introduction VALERIA DE LUCCA, Regulating Sound and Noise in Seventeenth-Century Rome LUIGI COLLARILE, Ephemerides itineris romani : Experiencing the Sound of Italy in two Swiss Travel Diaries of the Seventeenth-Century UMBERTO CECCHINATO, Suoni pericolosi. Musica sacra, emozioni e disciplinamento dello spazio sonoro nelle chiese venete della prima et moderna ANGELA FIORE, Suoni, spazi, identit della Modena estense GIOVANNI FLORIO, Celebrating the Prince from Afar: Echoes of the Jubilant Terraferma in the Orations to the Newly Elected Doges (XVI-XVII Century) NICOLA USULA, Traditional Music in Seventeenth-Century Operas 'alla Veneziana': Intersections in the Italian Soundscape ELIA PIVETTA, Forms of Circulation of Musical Knowledge in Eighteenth-Century Italy: Giambattista Martini's Risposta to abate Pavona friulano ANGELA FIORE, Urban Spaces and Sound Practices in Neapolitan Female Monasteries Between the Seventeenth and Eighteenth Centuries MARIA ROSA DE LUCA, Ritualizing a Resilient City: Soundscape, Collective Performances and Construction of Urban Imaginary GIUSEPPINA LA FACE BIANCONI, La musica come persecuzione. L'inquinamento musicale nelle citt odierne‎