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Geographies of Sound. Sounding and Listening to the Urban Space of Early Modern Italy with a Contemporary Perspective
, Brepols, 2023 Hardback, x + 286 pages, Size:210 x 270 mm, Illustrations:34 b/w, Language(s):English, Italian. ISBN 9782503606767.
Summary Sound is an essential element of human experience. It is part of the complex semiotic system that enables human communities to orient themselves in time and space, to be informed, to participate in social life as conscious listeners, capable of deciphering and giving meaning to the collective action of the urban space in which they live. Deeper sound horizons reverberate at different levels on the sonic dimension of reality, contributing to a more complex semantic process of the collective civic rituality and the construction of institutional and individual sound identities. In order to investigate the urban soundscape, it is important to define the nature of the sound phenomena to be examined, but also the dynamics concerning their perception as part of complex anthropological processes. These perspectives can be considered from a historical point of view. The studies collected in this volume aim to investigate sound as an element of urban space in early modern Italy. They consider different phenomenologies investigated through innovative methodological perspectives. Particular importance is given to the sound of urban rituality, to its declinations and local connotations, to its ability to interact with public and private dimensions, to the social and aesthetic dynamics that regulate it, and to the definition of the sonic identity of early modern urban space. TABLE OF CONTENTS LUIGI COLLARILE & MARIA ROSA DE LUCA, Introduction VALERIA DE LUCCA, Regulating Sound and Noise in Seventeenth-Century Rome LUIGI COLLARILE, Ephemerides itineris romani : Experiencing the Sound of Italy in two Swiss Travel Diaries of the Seventeenth-Century UMBERTO CECCHINATO, Suoni pericolosi. Musica sacra, emozioni e disciplinamento dello spazio sonoro nelle chiese venete della prima et moderna ANGELA FIORE, Suoni, spazi, identit della Modena estense GIOVANNI FLORIO, Celebrating the Prince from Afar: Echoes of the Jubilant Terraferma in the Orations to the Newly Elected Doges (XVI-XVII Century) NICOLA USULA, Traditional Music in Seventeenth-Century Operas 'alla Veneziana': Intersections in the Italian Soundscape ELIA PIVETTA, Forms of Circulation of Musical Knowledge in Eighteenth-Century Italy: Giambattista Martini's Risposta to abate Pavona friulano ANGELA FIORE, Urban Spaces and Sound Practices in Neapolitan Female Monasteries Between the Seventeenth and Eighteenth Centuries MARIA ROSA DE LUCA, Ritualizing a Resilient City: Soundscape, Collective Performances and Construction of Urban Imaginary GIUSEPPINA LA FACE BIANCONI, La musica come persecuzione. L'inquinamento musicale nelle citt odierne
LUPO T., COPRARIO I., DAMAN W. & GIBBONS Orlandus (RASCH Rudolf, introd.)
Reference : M95239
(1987)
XX Konincklycke Fantasien, om op 3 fioolen de Gamba en ander Speel-tuigh te gebruycken. Gestelt door de konstige Engelse Speel-meesters T.Lupo, I. Coprario, W. Daman. En noch IX fantasien, etc., door Orlando Gibbons, oragnist en zang-meester, van de Konick van Engeland. [Facsimile edition]
Peer, Alamire 1987 Facsimile-edition of the original 1648-edition by Paulus Matthysz in Amsterdam, 3 volumes (one for each voice): 11,[56] + [56] + [48] pp., 22cm., softcovers, in publisher's cart. slipcase, ISBN 90-6853-025-9, good condition, [volume 1 also contains an introduction in English], M95239
"Traité de l'expression musicale; accents, nuances et mouvements dans la musique vocale et instrumentale. Grammaire de l'exécution musicale."
Paris, Librairie Fischbacher, 1904. 18 x 28, 184 pp., nombreuses notations musicales, broché, bon état.
8e édition revue, corrigée et augmentée.
Les musiciens impressionnistes. Série française, N° 20.
Bruxelles, Editions de l'I. N. R., 1938. 14 x 21, 32 pp., nombreuses illustrations, broché, bon état.
Méthode simple et complète d'harmonica chromatique. Harmonicas A10, 12 et 16 divisions. Polyphonias - Harmonicas - Basse et Ensembles d'harmonicas
Paris Paul Beuscher, Editions et Instruments, sd, in-4, agrafé, 56p. Bon état. Couverture dessinée par Würth.
NB. Les commandes et questions seront traitées dans les 48h et expédiées à partir du 7 octobre. Merci.
Geschiedenis van het meerstemmig Magnificat tot omstreeks 1525
Groningen, 1967 208pp. + 2pp. stellingen, met muziekvoorbeelden in tekst, 24cm., gebroch., Doctoraal proefschrift (Universiteit van Amsterdam), stempeltje, tekst helder, goed, M109022
La musicologie. Collection : Que sais-je ?, N° 978.
Paris, Presses Universitaires de France (PUF), 1962. 12 x 18, 128 pp., broché, très bon état.
La notation musicale. Collection : Que sais-je ?, N° 514.
Paris, Presses Universitaires de France (PUF), 1971. 12 x 18, 128 pp., broché, très bon état.
3e édition mise à jour par Michel Huglo
Le Bel Canto. Collection : Formes, écoles et oeuvres musicales.
Paris, Librairie Larousse, 1948. 11 x 17, 124 pp., broché, très bon état.
Maurice Ravel. Collection : Triptyque.
Paris, Richard Masse, 1947. 13 x 19, 125 pp., 8 illustrations, broché, non coupé, bon état.
Maurice Ravel. Collection : Triptyque-musique.
Paris, Richard-Masse, 1947. 13 x 19, 125 pp., 8 illustrations, broché, couverture à rabats, très bon état.
TRAITE DE LA CRITIQUE MUSICALE . La doctrine - La méthode - Anthologie justificative .
Editions Richard-Masse, 1947, "Bibliothèque d'études musicales", bibliographie, index onomastique, broché, non coupé, 224pp. très bon état, 210x140 . (p3)
Phone number : 33 05 49 26 70 36
Traité de la critique musicale - La doctrine, la méthode, anthologie justificative.
Paris, Richard-Masse (« Bibliotheque d"Etudes Musicales »), 1947. in-8°, 223 pages, index onomastique, broche, couv.
Bel exemplaire, non coupe [MI-9]
Traité de la critique musicale. La doctrine, la méthode, anthologie justificative
Paris, Richard-Masse 1947 224pp., belle reliure demi-toile rouge avec titre doré au dos, brochure originale conservée (reliée), 21cm., dans la série "Bibliothèque d'études musicales", M94852
Machover, Ted (Textes réunis et présentés par)
Reference : 34543
(1985)
ISBN : 9782267004236
Quoi ? Quand ? Comment ? La recherche musicale
Christian Bourgois / I.R.C.A.M. Couverture souple Paris 1985
Très bon In-8. 295 pages. Textes de P. Boulez, J.-J. Nattiez, etc.
"Quoi ? Quand ? Comment ?; la recherche musicale. Collection : Musique/Passé/Présent."
Paris, Christian Bourgois Editeur, 1985. 14 x 22, 296 pp., broché, bon état.
"Textes réunis et présentés par Tod Machover; traduction de Denis Collins, Emmanuel Gresset, Patrick Greussay, Martin Kaltenecker, Monique Lebailly et Tod Machover."
"Quoi ? Quand ? Comment ?,; la recherche musicale. Collection : Musique/Passé/Présent."
Paris, Christian Bourgois, 1985. 14 x 23, 296 pp., broché, très bon état.
"Textes réunis et présentés par Tod Machover; traduction par Collins Dennis, Emmanuel Gresset, et autres."
Catalogue descriptif et analytique du Musée Instrumental du Conservatoire royal de musique de Bruxelles. Quatrième volume, 1e livraison (nos. 2056 à 2229)
Gand, Ad. Hoste 1909 85pp., 20cm., brochure originale, bon état, M101926
Catalogue descriptif et analytique du Musée Instrumental du Conservatoire royal de musique de Bruxelles. Deuxième volume (nos. 577 à 1321)
Gand, Ad. Hoste 1909 vi + 521pp., avec illustrations et exemples de musique dans le texte, 20cm., brochure originale, la plupart des pages toujours non coupées, bon état, M101928
Catalogue descriptif et analytique du Musée Instrumental du Conservatoire royal de musique de Bruxelles. Cinquième volume (nos. 2962 à 3300)
Bruxelles, Lombaerts 1922 vii + 236pp., avec illustrations et exemples de musique dans le texte, 20cm., brochure originale (dos peu restauré), qqs. rousseurs, sinon en bon état, M101929
Puccinis musikalische Formgebung, untersucht an der Oper 'La Bohème'
Neustadt, 1934 90pp., 22cm., text in German in Gotic script, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen philosophischen Fakultät der Friedrich-Alexanders-Universität zu Erlangen), softcover, stamp at verso of title page, text is clean and bright, M113471
Die aus frühen böhmischen Quellen überlieferten Piae Cantiones-Melodien
Jyvaskyla, 1964 176pp. With music examples + 2 foldings plates, 25cm., text in German, published in the series "Studia Historica Jyvaskylaensia" II, Doctoral Dissertation, stamp at verso of title page, text and interior are clean and bright, good condition, M109020
Beethoven the European. Transcultural Contexts of Performance, Interpretation and Reception
, Brepols, 2023 Hardback, xix + 410 pages, Size:210 x 270 mm, Illustrations:27 b/w, 71 musical examples, Language: English. ISBN 9782503602905.
Summary Beethoven's music, stemming from its 18th- and 19th-century European context, communicates values of the Enlightenment bearing a seemingly universal, timeless significance. More than a quarter millenium after his birth, a 21st-century perspective offers a timely opportunity ? against a backdrop of the reconfiguration of Europe and tensional power shifts across continents ? to explore ways in which notions of European ideals impacted the works of Beethoven and his contemporaries and which social-political contexts shaped its reception. The essays in this volume offer cutting-edge research shedding new light on varied aspects of Beethoven's music, and the ways it has been adapted and adopted by the musical world up to the present-day. Foremost international experts and younger scholars, gathered together with the editors William Kinderman and Malcolm Miller, share insights about Beethoven reception both within and beyond Europe, covering France, Italy, Britain, Spain, the USA and Japan. Innovative contextual studies consider topics on criticism and interpretation, performance and publication, and a variety of less familiar personalities, institutions and performing organisations. Studies of individual works illuminate Beethoven's well-known masterpieces through novel, sometimes polemical, contextual and analytical frameworks. The volume as a whole celebrates Beethoven's genius as European and global, marking a fascinating turning-point between the particular and the universal. TABLE OF CONTENTS Malcolm Miller - William Kinderman Preface Politics, Aesthetics and Ideology William Kinderman Beethoven's Ninth Symphony as a Disputed Symbol of Community: From Thomas Mann's Doktor Faustus to the Brexiteers of 2019 Michael Christoforidis - Peter Tregear Beethoven, the Congress of Verona, and the Concert of Europe in 1822/1823 David B. Dennis Beethoven's 100th Todestag in 1927: Ideological Battles over the Composer and His Music in Weimar Political Culture Sanna Iitti Patriotism and Islam in Ludwig van Beethoven's The Ruins of Athens, Op. 113, and King Stephen, Op. 117 Arabella Pare Beethoven as a Transnational Composer: Stra enmusik, Verbunkos and the Trio Op. 11 'Gassenhauer' Susan Cooper Beethoven, His Circle and Horace Reception across Europe and beyond Mar a Encina Cortizo - Ram n Sobrino Interpreting Beethoven in Spain in the 19th Century: The Arrival of His Symphonic Music to a Nascent Concert Life Chiara Sintoni Ludwig van Beethoven and His Reception in Piano Methods of the First Half of the 19th Century Fr d ric de La Grandville Who Are You, Mr Bethowen? David Hurwitz Beethoven's French Liturgical Organ Music - No, Really David Rowland Further Light on Clementi's 1807 Contract with Beethoven Mai Koshikakezawa Beethoven's 'Moonlight' Sonata and the Japanese Reception of Western Music Alison Minkus Reception and Reflection of Beethoven's Works at the Philharmonic Society of New York (1842-1892) Performance and Analysis Barry Cooper Performing Beethoven's Vocal Music in the 21st Century Ned Kellenberger Beethoven's Violin Concerto Opus 61: Toward Performance of Alternate Solo Violin Parts Malcolm Miller Beethoven's Registral Structures and Strategies of Transcendence in the Late Piano Sonatas Eftychia Papanikolaou Uwe Scholz's Choreographic Conception of Beethoven's Seventh Symphony Peng Du Krol The Whimsical Character of Beethoven's Salieri Piano Variations, WoO 73 (1799) Abstracts and Biographies Index of Names
Lettres à Alma.
Paris, Editions Francis Van De Velde, 1979. 15 x 23, 213 pp., quelques illustrations en N/B, broché, bon état.
Textes et traduction par M. et R. D'asfeld.
Rameau.
Paris, Seuil (« Microcosmes/Solfèges, 18 »), 1980. in-12, 186 p., abdt ill. in-t., discogr., bibliogr
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