‎Les Beatles. ‎

‎Paris, France Loisirs, 1988. 19 x 22, 155 pp., très nombreuses illustrations en couleurs et en N/B, reliure d'édition carton imprimé, très bon état.‎

‎"Moi je suis musicien; écrits sur la musique."‎

‎Bruxelles, Didier Devillez, 1998. 15 x 22, 212 pp., broché, couverture à rabats, très bon état (sauf dos légèrement gauchi).‎

‎Réunis, présentés et commentés par Robert Wangermée.‎

‎Zes vrouwelijke componisten‎

‎, Walburg Pers/ Centrum Nederlandse Muziek 1991 256pp., met zw/w illustraties en muziekvoorbeelden in tekst, gecart., geïllustreerde stofwikkel (licht verkleurd), 23cm., in de reeks "Bibliotheek Nederlandse Muziek", goede staat, [handelt over 6 Nederlandse vrouwelijke componisten: Gertrude Van den Bergh, Catharina van Rennes, Elisabeth Kuyper, Henriëtte Bosmans, Iet Stants & Tera de Marez Oyens, met telkens een lijst van werken], M95106‎

‎Méditérranée ou Les deux visages de Jean Cocteau.‎

‎ Paris, Editions Debresse 1959, 210x135mm, 299pages, broché. Bel exemplaire.‎

‎ fac-similé d’une page manuscrite de Jean Cocteau, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎"La flûte; les grandes lignes de son développement, de la préhistoire à nos jours. Collection : ""Instruments de musique""."‎

‎Lausanne, Editions Payot, 1974. 19 x 21, 112 pp., nombreuses illustrations en N/B et en couleurs, quelques notations musicales, reliure d'édition carton illustré, très bon état.‎

‎Avec un disque 45 tours.‎

‎Die Stellung von Gabriel Fauré im Rahmen des dichterischen Italien-Erlebnisses der Franzosen des 20. Jahrhunderts‎

‎Erlangen, 1961 246pp., 30cm., Doctoral Dissertation (Inaugural-Dissertation der Philosophische Fakultät der Friedrich-Alexanders-Universität zu Erlangen), softcover, stamp at verso of title page, text is clean and bright, M113048‎

‎Musical Exoticism. The Mediterranean and Beyond in the Long Nineteenth Century‎

‎, Brepols, 2024 Hardback, xii + 392 pages, Size:210 x 270 mm, Illustrations:39 b/w, 16 tables b/w., 34 musical examples, Language: English. *new ISBN 9782503611778.‎

‎Summary The sound image of Otherness has been a significant source of inspiration for Western music, especially since the late eighteenth century. Encounters with the racial and geographical Other fomented interest in unfamiliar musical traditions, which informed exotic projections by Western composers. This volume explores aspects of musical exoticism and its staging during the long nineteenth century, with a special focus on the Mediterranean. This diverse and yet historically interconnected region was arguably the heart of the exotic enterprise during this period. The intersection of exoticism, nationalism and empire is considered, with a special focus on the situation of Spain as both source of local colour and purveyor of musical exoticism. The essays in this volume explore elements of exoticism across a range of musical styles: from song to opera and the popular musical stage, and from instrumental to symphonic works. The analysis of this corpus also involves the examination of musical culture in dialogue with literature and figurative arts. While many of the essays focus on constructions of exoticism in individual works, several essays focus on repertories of musical exoticism and their coverage in musicological literature. TABLE OF CONTENTS Michael Christoforidis - Ram n Sobrino, Preface Musical Exoticism and the Mediterranean to the Mid Nineteenth Century Ralph P. Locke, Leaving alla turca behind: The Middle East in Opera and Other Musical Genres, 1800-1850 Mar a Encina Cortizo, Exotic Sounds of Spain: French Musical Imageries Between Spain and the Orient: Musical Exoticism, Nationalism and the Alhambra Ram n Sobrino, Musical Exoticisms in 19th-Century Spain: Imaginary Sounds of Spanish Otherness Francesc Cort s, Oriental and National Elements in the Early Operas of Felip Pedrell: Changes and Transformations of El ltimo Abencerraje (1868) into L'Ultimo Abenzeraggio (1889) Gloria A. Rodr guez-Lorenzo - Francisco J. Gim nez-Rodr guez, Granada la bella (1896): Musical Exoticism and Nostalgia at the Turn of the Century Michael Christoforidis - Elizabeth Kertesz, Exoticism and Beyond: The Habanera, Alhambrism and Musical Modernity in Belle- poque Paris Staging Exoticism in Opera Roberto Scoccimarro, Otherness, Self-Affirmation and Self-Denial in F licien David's Op ras-comiques Lalla-Roukh (1862) and La captive (1864) Valeria Wenderoth, Reynaldo Hahn's L' le du R ve (1898) and the Multi-Faceted Representation of Otherness Stanislav Tuksar, Exoticism as a Specific Expression of Otherness in Some Acculturation Phenomena within Nineteenth-Century Croatian Arts Vjera Katalin c, Staging Exoticisms: Case Studies in the Operatic Iconography of the Late Nineteenth-Century Zagreb National Theatre Exoticism in Song and Popular Musical Theatre Nicolas Boiffin, Exoticism in the German Lied: E. Geibel and P. Heyse's Spanisches Liederbuch and Its Musical Settings Sonja Starkmeth, 'Off to Cairo': Musical Orientalism in Late Victorian Musical Comedy Andrea Garc a Torres, The bayadera on the Spanish Stage: Frivolity and Colonialism in European Cultures via the Orient Paul Krejci, A Case Study of White American Male Othering in Early 20th Century Popular Music: The Exotic Songs of Seattleite Minstrel Harold Taylor Weeks Reflection Jean-Pierre Bartoli, From 1974 to 2022: Some Reflections for a Short History of Studies on Exoticism and Orientalism in Music‎

‎Selling Pianos with Pictures. Commercial Art and Keyboard Instruments from the Eighteenth Century to the 1920s‎

‎, Brepols, 2021 Paperback, xv + 186 pages, Size:216 x 280 mm, Illustrations:110 b/w, 50 col., Language: English.*new ISBN 9782503583570.‎

‎Summary Nineteenth- and early twentieth-century advertisements for pianos, pianists, merchants, music publishers and, above all, for domestic purchases are full of images employed for commercial rather than cultural purposes. This volume examines the commercial characters and significances of how pianos were pictured between the early days of 'modern' marketing to today. During the early 1920s, piano sales peaked in the United States; nevertheless, pianos have continued to be sold even as radios, record players, television sets and electric keyboards increasingly replace them as must-have sources of entertainment and improvement. The market for player pianos, although comparatively short-lived, also provided manufacturers and retailers with opportunities to depict pianos and pictures. TABLE OF CONTENTS Introduction Chapter I: Advertising, Iconography, and Secondary Sources of Information Previous Studies of Illustrated Piano Advertising Musicological Iconography and Iconology Advertising as a Professional Activity, 1865-1920 Chapter II: Changing Attitudes Toward Pianos and Pianists Pianos as Objects of Admiration, Denigration, and Social Cach Women and Keyboard Instruments: Traditional Associations and Early Illustrations Display, Religion, Respectability, Talent, and "Piano Girls" Chapter III: The Evolution of Illustrated Piano Advertising, 1770-1925 Early Piano Advertisements, Endorsements, and Testimonials Illustrated Piano Advertising Comes of Age, 1865-1910 Concluding Observations A Synopsis of Illustration Piano Advertising and Advertising's Emerging Importance The Declining Importance of Pianos and the Increasing Popularity of Phonographs, Radios, Other Electric Devices, and Guitars * Bibliography Index‎

‎Music and the Identity Process: The National Churches of Rome and their Networks in the Early Modern Period‎

‎, Brepols, 2020 Paperback, 436 pages, Size:190 x 290 mm, Illustrations:67 b/w, 75 col., 10 tables b/w., 1 maps b/w, Languages: English, German. ISBN 9782503588384.‎

‎Summary Important centres of charity, hospitality and representation, the national churches of Rome were also major hubs of musical production. This collective work is the fruit of several years of largely unpublished research on the musical life of these institutions, considered for the first time as a whole. What it primarily brings to light is the common model which emerged from the interactions between the national churches, as well as between these and other Roman churches, in musical matters - eloquent example of a unifying cultural paradigm. The repertories used by these churches, the ceremonies and celebrations they orchestrated in the teatro del mondo which Rome constituted at the time, their role in the placing of musicians within the city's professional networks are just some of the themes explored in this work. The cultural exchanges between the national churches and the "nations" that they represented in the pontifical city form another important area of investigation: whether musical or devotional, connecting places of worship and private palaces or extending from one side of the Alps to the other, these exchanges reveal the permeability that characterised many national traditions. At the heart of this richly illustrated study are two fundamental lines of inquiry: the first concerns the processes of identity construction developed by communities installed in foreign lands, the second line of inquiry is cultural hybridity. In pursuing these, we aim to further understanding of the dialectics of exchange at work in Rome during the modern period. * The preparation of this publication has benefitted greatly from the collaboration of Jorge Morales. TABLE OF CONTENTS Foreword by Bernard Ardura Introduction by Michela Berti and milie Corswarem I. The Musical Model of National Churches in Rome ? 2. NOEL O'REGAN Cappella fissa-Cappella mobile: the Organisation of Musicians for Major Feastdays at Rome's National Churches ? 3. CRISTINA FERNANDES A Close Look at S. Antonio dei Portoghesi and Roman Life: The Testimony of Father Manuel de Campos ? 4. KLAUS PIETSCHMANN Music Cultivation in Roman National Churches before the Council of Trent ? 5. TOBIAS DANIELS A New Organ for the Anima. The Notarial Contract of 1546 and the History of the "German National Church" in Rome in the Middle of the Sixteenth Century ? 6. FRANCESCA FANTAPPI -JOS MAR A DOM NGUEZ Alessandro Scarlatti and the Spanish National Church of S. Giacomo degli Spagnoli ? 7. ESTEBAN HERN NDEZ CASTELL The Musical Archive of the Spanish National Church of S. Maria in Monserrato in Rome II. Music and the Identity Process Identity and Repertory ? 8. BERNARD DOMPNIER Identity Affirmation and Roman Conformity: the Festive Calendars of the National Churches ? 9. CRISTINA FERNANDES Daily Liturgy and 'Internal' Musical Practices in S. Antonio dei Portoghesi ? 10. GALLIANO CILIBERTI S. Luigi dei Francesi in the Seventeenth Century: a Laboratory for Music, Liturgy and Identity ? 11. ESTEBAN HERN NDEZ CASTELL : Evidence of a 'More Hispano' Polyphonic Passion at the Spanish National Church of S. Maria in Monserrato in Rome ? 12. MILIE CORSWAREM S. Luigi dei Francesci's Volume of Masses dating from 1557: an Example of French Polyphony ? 13. MICHELA BERTI The musical collection of San Luigi dei Francesi: on the trail of national character The Construction of National Identity from Self-Representation and Conflict ? 14. JOS MAR A DOM NGUEZ To Obey the Pope and to Serve the King: Cardinals, Identity and Ceremony in the National Churches c. 1700 ? 15. BRUNO BOUTE Liturgy and Bureaucracy-Bureaucracy as Liturgy ? 16. DIANA CARRI -INVERNIZZI Political Images and the National Churches of Rome c. 1640 ? 17. JORGE MORALES Musical Practices and Identity. The Story of the Roman Sojourn (1623-27) of Maurice of Savoy, Crown-Cardinal of France ? 18. ANNE-MADELEINE GOULET Self-Fashioning a French Cultural Persona in Rome: Marie-Anne de la Tr moille (1683-1686) ? 14. CRISTINA FERNANDES : Portuguese Celebrations in Rome, between the Embassy and the National Church: Sacred and Secular Music for the Glory of the King III. National Churches : Network in Rome and Cultural Transfer ? 20. DOMENICO ROCCIOLO 'Inhabitants of Various Nations' in Rome from the Sixteenth to the Eighteenth Century ? 21. ANNE PI JUS Foreign Musicians and Musical Networks in Late Sixteenth-Century Rome: Spanish Composers between the Oratory and the National Churches ? 22. CRISTINA FERNANDES Oratorio Musical Traditions in Rome: Portuguese connections ? 23. FRANCESCO PEZZI The Musical Patronage of a Cardinal Protector: Otto Truchsess von Waldburg in Rome ? 24. CRISTINA FERNANDES Portuguese Young Musicians under Royal Patronage in Rome and their Relations with the National Church: some Pieces of the Puzzle ? 25. CRISTINA FERNANDES The Role of the National Church of S. Antonio dei Portoghesi in the 'Romanisation' of the Lisbon Royal and Patriarchal Chapel Afterword by Kate van Orden Illustration Credits Translators Index of Persons Index of Places‎

‎Psychanalyse de la musique.‎

‎Paris, Presses Universitaires de France (PUF), 1984. 16 x 22, 247 pp., 25 figures, reliure d'édition pleine toile verte, très bon état.‎

‎La musique russe, des origines à nos jours‎

‎Paris, Buchet / Chastel, 1968, in-8, broché, 278 pages. Envoi de l'auteur. Bon état. ‎

‎Guide illustré de la musique.‎

‎ YAYARD - Les indispensables de la musique, 1988. Deux volumes in-8, brochés, 574 pp., en pagination continue des deux tomes, toute l'ill. (portées, vignettes) sont en couleurs et réalisées par Günter Vogel; index in fine. Deux beaux exemplaires.‎

‎ Mise à jour du Samedi 27 Juin 2026. Paiement PayPal immédiat, Mondial Relay pour : France, Allemagne, Autriche, Belgique, Espagne, Italie, Portugal, Luxembourg, Pays-Bas, Pologne (Communiquer votre point ou locker si connu). Une participation supplémentaire peut être demandée pour les colis lourds hors France où les envois compris entre 5 et 25 kg sont dégressifs : 2 à 4 kilogrammes - 7.99 / 5 à 10 kg - 15.99 / 15 -25 kg - 25.99. Certaines de nos collections ( Vian, Céline, Camus (...) peuvent être expédiées en Franco de port. Pour linternational hors Europe (Suisse, Canada, Japon, Etats-Unis, les frais dexpéditions peuvent varier selon le poids (mise à jour : 1 juin 2026). ‎

‎HÉCUBE. Tragédie lyrique en trois actes représentée pour la première fois, sur le Théatre de la République et des Arts, le 13 Floréal, an 8 ‎

‎Paris de l'imprimerie de Ballard, An VIII de la République (1800) 1800 in 8 (18x11,5) 1 fascicule broché, couverture muette de papier marbré ancien, 47 pages. Citoyen.Jean Baptiste Gabriel Marie de Milcent, 1747-1833, dramaturge et journaliste français. Georges Grange de Fontenelle, Villeneuve d'Agen 1769-1819, compositeur, il crée Hécube le 5 mai 1800, opéra en 4 actes (puis en 3) sur un livret de Jean-Baptiste Gabriel Marie de Milcent. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Bon ‎

‎Révolution récente dans la facture d'orgue (suivi d'une réponse au livre 'l'Orgue moderne' de M.A. Cellier et à son préfacier Louis Vierne)‎

‎Lille, Impr. G. Dubar 1914 189pp. avec illustrations dans le texte et planches hors-texe, 2e édition, brochure originale (qqs. traces d'usage, le coin supérieur du dos est renforcé), cachet sur la p.d.t., le texte est bien frais et en bon état, peu commun, M106700‎

‎La sonate. Collection : Que sais-je ?, N° 1739.‎

‎Paris, Presses Universitaires de France (PUF), 1978. 12 x 18, 128 pp., broché, très bon état.‎

‎La sonate. Que sais-je ?, N° 1739.‎

‎Paris, Presses Universitaires de France, PUF, 1978. 11 x 18, 126 pp., broché, très bon état.‎

‎Cancionero de Uppsala (transcripcion de Rafael Mitjana. Estudio introductorio sobre la poesia y la tecnica musical por L. Querol Rosso)‎

‎Madrid, Instituto de Espana 1980 105 + [108] + [ii] pp., 35cm., attractive hardcover binding with spine in brown leather and gilt title and decorations, marbled endpapers, original softcover preserved and bound in, few interesting annotations in the margin of the text, good condition, [content: 105pp. musicological study, 108 pages with the fac-simile edition of Mitjana's manuscript on the 'Cancionero de Upsala', a publication with mostly anonymous Spanish music printed in Venice in 1556, titled "Villancicos de diuersos Autores, a dos y a tres y a quatro y ya a cinco bozes". The copy of the Uppsala University Library is the only known copy and was edited by Mitjana in 1909], M95137‎

‎Erazhshtakan bararan‎

‎Erevan [Yerevan], Hayastani Hanrapetut'yan Gitut'yunneri Azgayin Akademia 2000 295pp., with some bl/w ills., signed with handwritten dedication, 22cm., text in Armenian (with an introduction in English and Russian), softcover, good condition, cfr. OCLC 51505830, [Armenian dictionary of musical terms and expressions], X116882‎

‎Le Codex latin 903 de la Bibliothèque Nationale de Paris (XIe siècle) Graduel de Saint-Yrieix [dans: Paléographie musicale. Les principaux manuscrits de chant grégorien, ambrosien, mozarabe, gallican, publiés en fac-similes phototypiques, tome XIII]‎

‎Tournay [Tournai], Desclée & cie. 1925 228pp. (texte) + 265pp. (fac-simile), 33cm., reliure cart. d'éditeur, titre doré au dos, titre en rouge et noir, dans la série "Paléographie Musicale" Série I volume XIII, quelques rousseurs (surtout aux premières pages), bon état, poids: 3.3kg., M117824‎

‎Antiphonaire monastique, XIIIe siècle, Codex F.160 de la Bibliothèque de la Cathédrale de Worcester [dans: Paléographie musicale, XII]‎

‎Tournay [Tournai], Desclée & cie. 1922 181pp. + 227 planches en n/bl, publié dans la série "Paléographie Musical. Les principaux manuscrits de chant grégorien, ambrosien, mozarabe, gallican, publiés en fac-simileés phototypiques" volume XII, 33x25cm., reliure cart. solide, dos en toile noire, titre en rouge et noir, rousseurs (texte toujours bien lisible), bon état, poids: 2.7kg., M119498‎

‎Cantatorium de Saint-Gall, IXe siècle, no.359 de la Bibliothèque de Saint-Gall [dans: Paléographie Musical. Les principaux manuscrits de chant grégorien, ambrosien, mozarabe, gallican, publiés en fac-simileés phototypiques, Deuxième série, II]‎

‎Tournay [Tournai], Desclée & cie. 1924 23pp. + 142 planches en n/bl (facsimilés) + 5pp., 33x25cm., reliure cart., dos en toile noire, titre en rouge et noir, quelques rousseurs (surtout sur les premières et dernières pages), bon état, poids: 1.4kg., M119497‎

‎Le voyage de Mozart. Traduit de l’allemand par Albert Béguin. Préface de André Coeuroy. Bois gravés de Karin Lieven. Collection Musique et Littérature, n.° 1.‎

‎ Paris, Editions du Luxembourg 1929, 185x120mm, frontispice, 125pages, broché. Petite déchirure sur le bas du dos, autrement bel exemplaire. ‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Die Weisen der böhmischen Brüder von 1531. Eine stil- und quellenkritische Untersuchung der nichtliturgischen Melodien des Gesangbuches von Michael Weisse‎

‎Bonn, 1990 410pp. + folding map, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, M108860‎

‎Studien zum Fagottkonzert in der ersten Hälfte des 18. Jahrhunderts‎

‎Marburg/ Lahn, 1988 241pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde des Fachbereichs Neueren deutsche Literatur und Kunstwissenschaft der Philipps-Universität Marburg), stamp at verso of title page, text is clean and bright, good condition, M108859‎

‎De Platone Musico‎

‎Parisiis [Paris], Georges Chamerot 1886 62pp., 26cm., texte en latin, brochure originale (dos renforcé), Dissertation de Doctorat (Université de Paris), cachet au verso de la page de titre, texte frais, M109521‎