‎The nuclear theme as a determinant of Patet in Javanese Music.‎

‎Groningen, Djakarta: J. B. Wolters, 1954 in-8, xi-324 pages, 18 ills. h.-t. Index. Broché, lég. défr. sinon bel exemplaire.‎

‎The nuclear theme as a determinant of Patet in Javanese Music. (Groningen, Djakarta: J. B. Wolters, 1954). [M.C.: Indonésie, musique, musicologie, ethnomusicologie]‎

‎Maurice Ravel et son oeuvre.‎

‎Paris, A. Durand et Fils, 1914. 14 x 20, 49 pp., quelques planches et tableaux, broché, état moyen (couverture défraîchie).‎

‎Between Centres and Peripheries. Music in Europe from the French Revolution to WWI‎

‎, Brepols, 2023 Hardback, xiv + 434 pages, Size:210 x 270 mm, Illustrations:40 b/w, Language(s):English, French, Spanish. ISBN 9782503608488.‎

‎Summary This volume revisits the artificial and enormously limiting historiographical concepts of centre and periphery in European musical life throughout the long 19th century and until the outbreak of the First World War. In this period, music played a prominent role, and cities such as Paris, Vienna, Milan or London, real laboratories of artistic creation, became social and cultural references for the rest of the continent, whose inhabitants strove to imitate their musical habits such as concert and theatrical life, soir es, parties or musical promenades. From diverse perspectives, this volume rethinks the singularity, influence and connections of different European musical centres, analysing the reproduction of cultural models and the conflicts that these models imposed on the peripheries, most of which have been ignored in the historiography of Western European music. In addition, it will also address the birth of musico-national languages situated on the European geographical margins, that develop interesting synergies between universality and nationality. The peripheral models of musical production and circulation in contexts far from the usual musical venues will also be addressed, as well as the derived cultural transfers.‎

‎Singing Speech and Speaking Melodies. Minor Forms of Musical Theatre in the 18th and 19th Century‎

‎, Brepols, 2021 Hardback, xiv + 562 pages, Size:210 x 270 mm, Illustrations:25 b/w, Language(s):English, Spanish, French. ISBN 9782503595436.‎

‎Summary This volume addresses the complex variety of stage works with sung and spoken sections, such as vaudeville , singspiel , op ra-comique , zarzuela or operetta in different European countries from the eighteenth century to the beginning of the Twenties. Beyond a multifaceted perspective, twenty-one essays investigate the nature of these musical theatre forms, attending their origins, literary sources, relationships, vocality or cultural transfers, features that in some cases have made them become a mass phenomenon. The dissemination and adaptation of these genres through different national contexts, confirms the significance of the long-standing relationship between them and the contemporary dramatical and musical repertoire, revealing significant synergies, always conditioned by the market evolution. TABLE OF CONTENTS Mar a Encina Cortizo - Michela Niccolai Preface VAUDEVILLE and OP RA-COMIQUE Danielle L. Herrington Sensibilit , Self-Sacrifice, and the Sentimental: Examining Jacques-Marie Boutet de Monvel and Nicolas Dalayrac's Ideological Diversion Philippe et Georgette (1791) at the Salle Favart Bertrand Porot Un petit r citatif sans accompagnement : les vaudevilles l'op ra-comique, nouvelles perspectives Roberto Scoccimarro L'op ra-comique come creazione collettiva: La Prisonni re (1799),Bayard M zi res (1814), La Marquise de Brinvilliers (1831) William Osmond En Hollandais, s'il vous pla t! : Singing and Reciting French com die-vaudeville in Amsterdam (1830s) SINGSPIEL and Operetta Andrea Horz Johann Adam Hiller's Lottchen am Hofe: Contextualising Singspiel in French Traditions Marijana Kokanovic Markovic - Lada Durakovic The Place and Significance of the Opera Kuku?ka (Tatjana) in Franz Leh r's Opus Angeliki Kordellou The Contribution of Spiridon-Filiskos Samaras (1861-1917) to the Greek Operetta ZARZUELA and Vocality in Spain Luis Antonio Gonz lez Mar n Actrices o cantantes? Aspectos de la vocalidad en el teatro musical de Jos de Nebra Mar a Encina Cortizo The Spanish zarzuela in the 19th Century: French Patterns, Italian Harmonies and Theatrical Hispanic Tradition Ram n Sobrino The Emergence of the revista de actualidades and the sainete l rico: Main Patterns of the g nero chico in the teatro por horas in Spain (1868-1901) Andrea Garc a Torres Discursos literarios sobre el g nero chico: funcionamiento, recepci n y controversias ideol gicas entre el contexto local e internacional Zoila Mart nez Beltr n The Music of Spain (1918) by Carl Van Vechten.Focusing on Spanish Coloratura Singers Portuguese Musical Theatre Catarina Ribeiro Braga The Role of Amateur Societies in the Dissemination of Operetta and Music Theatre in Portugal in the Late Nineteenth Century David Cranmer Musical Theatre in Portugal and Brazil of the Ancien r gime Questions of Genre Jana Frankov From a Comedy to an op ra-comique: The Clandestine Marriage (1766) by Colman and Garrick and Its Adaptations in the 18th-Century Musical Theatre Adela Presas Zarzuela y opereta: formatos dram tico-musicales en un acto en la frontera cr tica del siglo xviii al xix Trevor Penoyer-Kulin Op rette, op ra-comique, and the Field of Operatic Production Francesc Cort s De Barcelona al Parnaso: traducciones y adaptaciones de peras bufas y operetas francesas en Barcelona V ctor S nchez S nchez La zarzuela en las compa as de opereta italiana Jos Ignacio Su rez Garc a Parodias espa olas sobre Tannha ser (1890) Sylvie Douche L'entre-deux d clamatoire ou le m lodrame fran ais du xixe si cle Abstracts and Biographies Index of Names‎

‎Basso Continuo in Italy. Sources, Pedagogy and Performance‎

‎, Brepols, 2023 Hardback, xxx + 345 pages, Size:210 x 270 mm, Illustrations:30 b/w, 70 musical examples, Language(s):English, Italian. ISBN 9782503608501.‎

‎Summary The volume explores the long-lasting phenomenon of basso continuo in the Italian peninsula, from its origins ? i.e. from the regole per suonare sopra il basso which collects and develops the contrappunto alla mente's legacy ? up to the late partimento pedagogy. In addition to a bibliographic update, the volume presents case studies providing the reader with new information on performative contexts and performance practice between the sixteenth and nineteenth centuries, and shedding new lights on sacred and secular genres and repertoires cultivated in churches, theatres, academies, noble chambers and domestic environments. Particular attention is given to the relationship between counterpoint, improvisation and instrumentation, to the analysis of primary sources in relation to book formats and the type of notation chosen to convey the accompaniment. Furthermore, a few chapters focus on peculiar issues of accompaniment pedagogy according to unpublished or neglected sources. TABLE OF CONTENTS Marcello Mazzetti, Introduction Performance Practice Issues: Stylistic Features and Historical Contexts 1. Naomi Matsumoto, Realising Arianna: The Problematic Accompaniments of Claudio Monteverdi's Lamento d'Arianna 2. Galliano Ciliberti, La pratica del basso continuo a S. Luigi dei Francesi a Roma nel Seicento 3. Giulia Nuti, Antonio Vivaldi's Use of Figures: Per li coglioni and Other Examples Sources, Formats, and Accompaniment Layout: Stylistic Features and Historical Contexts 4. Augusta Campagne, Basso Continuo: The Beginnings in Italy 5. Thomas Neal, Between Practice and Print: Performing Palestrina's Missarum liber quartus (1582) with Alessandro Nuvoloni's basso prencipale co'l soprano (1610) 6. Marina Toffetti, Fossil Traces of Vanished Voices: The Basso Continuo Part and the Reconstruction of Incomplete Polyphony 7. Marcos Krieger, Figured Bass and Figured Melody: Printed Figures in Italian Continuo Sources and Idiosyncratic Continuo Notation Practices as Found in Three 17th Century Italian Prints The Accompaniment between Pedagogy and Performance 8. Catherine Bahn - Giovanna Barbati, The Partimenti of Rocco Greco: Reconstructing the Pedagogical Tradition for the Early Violoncello 9. Peter van Tour, The Teaching of Counterpoint and Partimento in the School of Francesco Feo 10. Eric Boaro, Partimento Teaching at the Convent of Santi Marcellino e Festo in Naples: New Early Eighteenth-Century Sources of Realisations of Partimenti by Francesco Durante (c. 1707-1715) 11. Marco Pollaci, Vincenzo Bellini's Studio del Contrappunto Notebook: An Investigation of a New Source of Partimento and Counterpoint in Early Nineteenth-Century Italy Fundamental Issues: Counterpoint, Improvisation and Instrumentation 12. Edoardo Bellotti, Basso continuo e contrappunto nelle fonti seicentesche: un moderno approccio alla didattica musicale 13. Livio Ticli, Contrapunto alla mente or Basso Continuo? Agostino Agazzari and His Sonare sopra'l Basso Abstracts and Biographies Index of Names‎

‎Dictionnaire de la musique. En 2 volumes.‎

‎Paris, Bordas, 1990, in-4, Relié-Jaquette éditeur, 1200 pages. Bon état. ‎

‎ NB Le délai d'acheminement vers la France est de 48h.‎

‎Histoire de la musique moderne et des musiciens célèbres en Italie, en Allemagne et en France depuis l'ère chrétienne jusqu'à nos jours.‎

‎Paris, Sandoz et Fischbacher, 1876. "14 x 22, 512 pp., 22 planches, reliure dos cuir, bon état (reliure : dos en très bon état, bords et coins émoussés; rousseurs sur les toutes premières pages)."‎

‎Erasme et la musique‎

‎Paris, Vrin 1965 139pp. + 8 planches hors-texte, 25cm., brochure originale, dans la série "De Pétrarque à Descartes" volume IX, pages pour la plupart non coupées, bon état, M100806‎

‎Erasme et la musique. Collection : De Pétarque à Descartes, IX.‎

‎Paris, Librairie Philosophique J. Vrin, 1965. 16 x 25, 137 pp., 8 planches, reliure dos/coins cuir, à 5 nerfs, 1 pièce de titre, couverture conservée (3 pièces), très bon état.‎

‎French Renaissance Music and Beyond. Studies in Memory of Frank Dobbins‎

‎, Brepols, 2019 Paperback, 730 pages, Size:190 x 290 mm, Illustrations:227 b/w, 37 tables b/w., Languages: English, French, Italian. ISBN 9782503579603.‎

‎Summary This volume presents 34 studies (750p) in English, French, and Italian, assembled as a tribute by friends and former students from around the world to the late Frank Dobbins (1943-2012), distinguished scholar of the French chanson in early modern Europe. The book is built around studies of music in the Renaissance and Baroque periods (which form the core of the book), together with contributions about music composed between the second half of the eighteenth century and the twentieth centuries; these reflect both the wide-ranging variety of Frank's interests, and the range of his friendships. Secular, sacred, vocal, and instrumental music are all treated, while individual essays focus upon codicology, music printing and editing, music analysis, music theory, text-setting, biography, music and literature, music and theology, and both the reception and sociology of music. They include major discoveries about the diffusion of Jacques Moderne's choirbooks, Josquin's music, and musical and archival sources, while a number cast new light on different repertories. Contributors : C. Ballman, I. Bartlett, C. Cavicchi, D. Charlton, A. Coeurdevey, M. Cornaz, E. Corswarem. A. Di Profio, J. Duchamp, M. Egan-Buffet, D. Fabris, I. Fenlon, F. Fitch, M. M. Fontaine, G. Garden, O. Grellety Bosviel, J. Griffiths, L. Guillo, F. Guilloux, M. Ham, R. Jacob, T. Knighton, G. Mc Donald, F. de M dicis, P. Nicolas, L. Sawkins, A. Scarcez, K. Schiltz, M. Talbot, A. Tacaille, S. Thieffry, D. Trottier, H. Vanhulst, O. Wahnon de Oliveira, D. Wright, V. Zara. TABLE OF CONTENTS BIBLIOGRAPHICAL ABBREVIATIONS PREFACE ARTICLES Christine Ballman Le grand deul (B-Br Ms IV 90 et B-Tv Ms 94) : m thodologie d'une tentative de reconstruction Ian Bartlett Thomas Philips, Lord Chesterfield and the Enigma of a Popular Eighteenth-Century Ballad by William Boyce: a New Conspiracy Theory Camilla Cavicchi Sealed in an Envelope: Binchois and Du Fay on a Fragment from Fifteenth-Century Ferrara David Charlton The Politics of Payments: Rameau, Rousseau and the Op ra Inventory, 1749-1757 Annie Coeurdevey Les recueils manuscrits de c.1480 c.1540 : particularit s scripturales et organisationnelles Marie Cornaz La cantate italienne et fran aise au sein de la collection musicale des archives d'Arenberg : nouvelles perspectives milie Corswarem La chanson Li ge au XVIe si cle Alessandro Di Profio Mozart suo malgrado. Un proto-Don Giovanni a Parigi (1791) Jean Duchamp Passions lyonnaises : un unicum liturgique de Jacques Moderne M ire Egan-Buffet Music and Musicians in a French Provincial Salon 1922-1948 Dinko Fabris Il libro di liuto di Andrea Falconieri e Giuseppe Antonio Doni : trent'anni dopo Iain Fenlon Jacques Moderne's Choirbooks and the Iberian Trade Fabrice Fitch Du fragment de texte po tique consid r comme voix lacunaire : le rondeau d'Ockeghem Se vostre cueur Marie Madeleine Fontaine Musiques, danses et paroles. Leur pratique dans le Printemps d'Yver de Jacques Yver (1572) Greer Garden Mademoiselle de Menetou, 'grande musicienne' of the La Fert -Senneterre Family, and Her Airs serieux deux (Paris, 1691) Olivier Grellety Bosviel Mise en livre et n goce des imprim s parisiens de messes polyphoniques au XVIe si cle. Le cas des bi-feuillets de 1568 publi s par Nicolas Du Chemin John Griffiths Heteroclito Giancarli and His Composizioni musicali of 1602 Laurent Guillo et Alice Tacaille Les r ponses de Loys Bourgeois aux invectives de Simon Gorlier (Lyon, 1554) Fabien Guilloux Notes d'archives lyonnaises : les P nitents blancs du Confalon et le Recueil des Psalmes (1610) Martin Ham Attaingnant and the O Antiphons of the Liber septimus Roger Jacob Double-Choir Dialogue as an Expressive Medium in the Sixteenth-Century Eight-Voice French Chanson from Phinot to Lassus Tess Knighton Approaches to Text-Setting in Castilian-Texted Devotional Songs c. 1500 Grantley McDonald The Debate Over Church Music Between Jacob Andreae and Th odore de B ze at the Colloquy of Montb liard (1586) Fran ois de M dicis 'Une musique secou e de frissons, d' lans, d' treintes' : les gestes mim tiques dans l'oeuvre lyrique de Jules Massenet Patrice Nicolas La chanson A qui direlle sa pens e et ses d riv s : quelques r flexions la lumi re d'une attribution tardive Lionel Sawkins Some Observations on French Vocal Practice and Technique 1670-1750 Katelijne Schiltz Coins and Crosses: Cruciform Riddles in Cerone's Melopeo Michael Talbot 'Le plus habile compositeur qui soit Venise': Vivaldi's Reputation in Eighteenth-Century France Sandrine Thieffry La Soci t Schott Fr res et la SACEM : un pisode des relations ditoriales entre la Belgique et la France (fin XIXe- d but XXe si cle) Danick Trottier Monumentum pro Gesualdo di Venosa : quand Stravinski s'invite sa fa on dans la re-d couverte de la musique ancienne Henri Vanhulst et Alicia Scarcez Les ditions de musique polyphonique de Pierre Attaingnant retrouv es depuis 1969 Olivia Wahnon de Oliveira L on Jongen et la diffusion de la musique de Joseph Jongen en France David Wright Mechanized Music and the New Market for Musical Journalism Vasco Zara Du faux-bourdon aux tabul compositori : Ren Ouvrard et le secret pour composer en musique INDEX NOMINUM INDEX LOCORUM‎

‎Theatres of Belief: Music and Conversion in the Early Modern City‎

‎, Brepols, 2022 Paperback, 312 pages, Size:178 x 254 mm, Illustrations:11 b/w, 12 col., 10 tables b/w., Language: English. ISBN 9782503598871.‎

‎Summary These eleven essays, all centrally concerned with the intimate relationship between sound, religion, and society in the early modern world, present a sequence of test cases located in a wide variety of urban environments in Europe and the Americas. Written by an international cast of acclaimed historians and musicologists, they explore in depth the interrelated notions of conversion and confessionalisation in the shared belief that the early modern city was neither socially static nor religiously uniform. With its examples drawn from the Holy Roman Empire and the Southern Netherlands, the pluri-religious Mediterranean, and the colonial Americas both North and South, this book takes discussion of the urban soundscape, so often discussed in purely traditional terms of European institutional histories, to a new level of engagement with the concept of a totally immersive acoustic environment as conceptualised by R. Murray Schafer. From the Protestants of Douai, a bastion of the Catholic Reformation, to the bi-confessional city of Augsburg and seventeenth-century Farmington in Connecticut, where the indigenous Indian population fashioned a separate Christian entity, the intertwined religious, musical, and emotional lives of specifically grounded communities of early modern men and women are here vividly brought to life. TABLE OF CONTENTS Introduction Marie-Alexis Colin, Iain Fenlon and Matthew Laube 1. Converting Tondalos: Musical Culture on a Lutheran Spiritual Pilgrimage of the Late Sixteenth Century Martin Christ (University of Erfurt) 2. Catholicising the City: Music, Ritual and Identity in Sixteenth-Century C rdoba Iain Fenlon (King's College, Cambridge) 3. Sound and the Conversion of Space in Early Modern Germany Alexander J. Fisher (University of British Columbia) 4. Music Books for Lima Cathedral and their Social Context in the Early Seventeenth Century: Black Slaves as a Guarantee for Producing a New Plainchant Library Mar a Gembero-Ust rroz (Consejo Superior de Investigaciones Cient ficas) 5. Land and Conversion: New Frameworks for Colonial American Hymnody Glenda Goodman (University of Pennsylvania) 6. Lutheranising through Music: Tracing the Confessional Soundscapes of Early Seventeenth-Century Wolfenb ttel and Braunschweig Inga Mai Groote (Zurich University) 7. Sound Conversion? Music, Hearing and Sacred Space in the Long Reformation in Ulm, 1531-1629 Philip Hahn (University of T bingen) 8. The Musical Cultures of Dissent and Anti-Catholicism in Counter-Reformation Douai Matthew Laube (Birkbeck, University of London) 9. A Jesuit Ceremony of Spiritual Exercises with Music in the Seventeenth Century: Devotional Connections between Perpignan, Barcelona, Madrid, Granada and Archbishop Palafox Emilio Ros-F bregas (Instituci n Mil y Fontanals, Consejo Superior de Investigaciones Cient ficas) 10. Bells, Confessional Conflict and the Dutch Revolt, c. 1566-1585 Andrew Spicer (Oxford Brookes University) 11. Music for an Endless Conversion: A Cycle of Offertories from Jesuit Paraguay Leonardo Waisman (University of C rdoba, Argentina)‎

‎Camille Saint-Sa ns, Le Carnaval des animaux Facsimile Edition of the Autograph ‎

‎, Brepols 2018, 2018 Hardcover, dusjacket, 192 pages., 127 col. ills, 300 x 366 mm, English/Francais, Manuscript. Fine. ISBN 9782503581224.‎

‎The collection De main de ma tre showcases the facsimiles of the most prestigious scores of the Music Department of the National Library of France. Camille Saint-Sa ns? extremely long career as a virtuoso, as a brilliant pianist and organist (no fewer than seventy-six years of concerts) and his daunting catalogue of works (close to six hundred are known) have helped shape the image of him as a tutelary figure, omnipresent in the musical landscape of his time, the uncontested master of French music, showered with honours and glory, yet the champion of what was, in the young 20th century, an outmoded aesthetic. Such an image ignores, however, that from the outset of his career, at the end of the 1850s, until the 1890s, Saint-Sa ns was, on the contrary, regarded in the artistic world as an agitator, as a propagator of new ideas and as an intermediary between French and Germanic cultures. Republican from his earliest days, he was a major figure in musical life, involved in many concert societies, most notably the Soci t nationale de musique, which he founded in 1871. He was also a polemicist, whose quill was much feared and who used the press as his vehicle of choice, to disseminate his ideas, attract public attention, and conquer new audiences. Similarly, if the image of the ?official? Saint-Sa ns, at home with the stage and the institutions and their etiquette, has endured, that of the ?intimate? Saint-Sa ns, known by a faithful few for his sparkling conversation, his sharp humour and taste for puns, has been lost. If there is one work, in all of Saint-Sa ns? musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. Dedicated to the autograph manuscript of Camille Saint-Sa ns? famous Carnival of the Animals (1835-1921), this volume sheds a distinctive light on the musician?s personality. Completed in February 1886, The Carnival of the Animals was created for friends and performers close to Saint-Sa ns and was performed about fifteen times between 1886 and 1894 to a small audience. Because Camille Saint-Sa ns feared that his zoological fantasy would damage his reputation, the work was published in its entirety only after his death. Since then, its immense popularity has continued to grow, so much so that it is now enjoyed by music lovers and the general public alike. Presented by Marie-Gabrielle Soret, a specialist of Camille Saint-Sa ns, who provides a detailed description of the work and the context of its creation, the facsimile includes the fourteen pieces of The Carnival of the Animals. It reveals the composer's handwriting, all the performance directions as he noted them, but also to the playful animal drawings with which he decorated his score ? a fish for ?Aquarium?, the skeleton of a dinosaur for ?Fossiles?, the pale blue pencil silhouette of a swan to illustrate the famous Swan‎

‎L'homme musical‎

‎ 1976 Librairie Arthaud, Paris - Collection "Notre Temps", N° 32 - 1946 - In-8 broché, couverture à rabats illustrée - 359 pages - Ouvrage contenant 184 exemples musicaux, 87 figures, 31 tableaux et 41 planches‎

4 Images

‎Bon état - Très légers frottements au niveau des coiffes - Très légers frottements au niveau des tranches dont une petite déchirure sans manque au niveau de la tranche inférieure de la 4ème de couverture - Coin supérieur de la couverture légèrement frotté Bon ‎

‎Introduction à la musique.Six causeries faites au studio de Radio-Lausanne.‎

‎ Lausanne, Payot 1940, 190x125mm, 89pages, broché. Nom de possesseur. Bon état. ‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Point d’orgue.Entretiens avec Claude Rostand.‎

‎ Paris, René Julliard 1959, 190x140mm, 195pages, broché. Bel exemplaire.‎

‎ un portrait n/b en frontispice, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Haydn. Collection Musiciens de tous les temps.‎

‎ Paris, La Guilde du Livre 1967, 160x135mm, 191pages, reliure toile d'éditeur. Très bel exemplaire.‎

‎ photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Vivaldi. Collection Musiciens de tous les temps.‎

‎ Paris, La Guilde du Livre 1966, 160x135mm, 185pages, reliure toile d'éditeur. Très bel exemplaire.‎

‎ photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Les origines du chant cistercien : recherches sur les réformes du plain-chant cistercien au XIIe siècle‎

‎Rome, Tipografia Poliglotta Vaticana 1952 xvi + 179pp., 25cm., reliure cart. (dos avec qqs. taches), publié dans "Analecta Sacri Ordinis Cisterciensis" Annus VIII (1952), [Ce volume contient également: GRIESSER Bruno O.C.S.O. "Registrum Epistolarum Stephani de Lexinton. Pars II: Epistolae ad tempus regiminis in Savigniaco pertinentes (1230-1239) (pp.181-378) & DUVERNAY Roger "Citeaux. Vallombreuse et Etienne Harding" (pp.379-495)], poids: 1.2kg., R118234‎

‎Recherches sur le chant cistercien au douzième siècle‎

‎Paris, 1951 x + 196pp., exemplaire original de la thèse de doctorat présentée devant la Faculté des Lettres de l'Université Catholique de Paris, signé avec dédicace autographe par l'auteur, 27cm., broché, texte en typoscript, bon état, R118251‎

‎André-Modeste Grétry. Collection : Syrinx.‎

‎Molenbeek (Bruxelles), Editions du Trèfle à Quatre Feuilles, s.d. (ca 1940). "15 x 20, 79 pp., broché, état moyen (couverture défraîchie; sans jaquette)."‎

‎musicalit des images au Moyen ge. Instruments, voix et corps sonores dans les manuscrits enlumin s (XIIIe-XIVe si cles)‎

‎, Brepols, 2021 Paperback, 434 pages, Size:190 x 290 mm, Illustrations:142 col., Language: French. ISBN 9782503588551.‎

‎Summary Par les images, la musique est figur e de fa on inventive et tonnante dans les manuscrits enlumin s entre le XIIIe et le XIVe si cle, principalement en France et en Angleterre. C'est cette capacit d'invention des enlumineurs rendre visible ce qui est invisible, savoir les sons des instruments et les voix des chanteurs, qui retient l'attention. La d marche consiste se fonder sur les cadres g n raux de formation et de pens e des lettr s de l' poque : les arts lib raux et la th ologie. partir de cette culture savante commune, ce livre cherche comprendre les diff rents proc d s visuels labor s par les concepteurs d'images pour faire voir et entendre la musique sur le support mat riel et culturel particulier du manuscrit. Dans la soci t m di vale, le verbe et l'image sont aux fondements th ologiques et anthropologiques du corps et de l' me. Cette tude postule alors que les images du roi David, des jongleurs, des fous, des b tes, des hybrides, participent d'une double repr sentation culturelle et morale : celle du statut social des gens de savoir , initi s la musica, concepteurs des livres et des images l'usage des clercs, la cs et/ou nobles cultiv s ; celle du but ultime des savoirs des lettr s, et donc des livres enlumin s : la conversion des m?urs par la discipline des corps en vue du salut des mes. TABLE OF CONTENTS Pr face - Jean-Claude Schmitt Introduction 1 re partie. Les livres d votionnels : savoirs et pratiques sociales entre clercs et nobles 1. Statuts sociaux et circulation des livres : clercs et nobles la cs 2. Savoirs : arts lib raux et images de la musique 3. Figures rh toriques et motifs musiciens pour les sens et la m moire 2e partie. David, mod le de la musique dans les images 1. Les instruments et les gestes de David : harpe, orgue et cloches 2. Jouer d'un instrument : gestes, mouvements et corps sonores 3. Le son et l'oreille : objectivation, zoomorphisme et anatomies 3e partie. Pr dication, images et musicalit s : les passions des corps 1. Corps, gestes et voix des ma tres de la parole 2. Chants, paroles et voix : chantres et animaux 3. difier et convertir : des passions la R demption Conclusion Liste des manuscrits enlumin s Bibliographie Index‎

‎Un compositeur médite sur son art. Ecrits et pensées recueillis par sa femme. Collection Langages.‎

‎ Neuchâtel, A la Baconnière 1977, 210x135mm, 293pages, broché. Couveture à rabats. Bel exemplaire. ‎

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‎Théâtre National de l'Opéra Comique. Saison 1930-1931 Programme pour MANON de Massenet‎

‎Paris, 1930, in-12, broché, env. 36 pages. Superbe couverture de Pierre Brissaud avec une impression à l'or. ‎

‎ NB Le délai d'acheminement vers la France est de 48h.‎

‎From Stage To Screen. Musical Films in Europe and United States (1927-1961)‎

‎, Brepols - Harvey Miller, 2012 hardcover, Pages: 338 pages, Size:210 x 270 mm, Language(s):English, Italian, Spanish *new. ISBN 9782503546148.‎

‎TABLE OF CONTENTS Massimiliano Sala, Preface Lauren Acton, Can?t Help Lovin? Dat Musical: 'Show Boat' in Films and Revivals? Beatrice Birardi, The Docu-Opera in the Italian Cinema of the 1940s: Another Way to See the Opera on the Screen? Antonio Caroccia, ?Camillo De Nardis e il cinema? ? Documenti inediti ? Maria ?iri?, Music in Ex-Yugoslav Cinematography 1945-1961: On the Road to Musical ? Jonathan De Souza, Film Musicals as Cinema of Attractions ? James I. Deutsch & Lauren R. Shaw, From 'Liliom' to 'Carousel' to 'Liliom' ? Alexandra Grabarchuk, The Finality of Stories Such as These: Exploring Narrative and Concept in Stephen Sondheim?s 'Into the Woods' ? Clara Huber, The Country Girl, the Emperor and Some Saltsticks: The Musical Film 'Spring Parade', Its Affinity to Viennese Operetta and the Changing Contexts of Its Screen Adaptations ? Ryan Patrick Jones, Copland on Wilder: Scoring Existential Theatre in Early American Film ? Raymond Knapp, Getting off the Trolley: Musical 'contra' Cinematic Reality ? Isabelle Le Corf ? C cile Vendramini, 'Carmen Jones', a Faithful Adaptation of Bizet?s Opera? ? Sergio Miceli, WYSIWYG (What You See Is What You Get). Movie Musical / Film musicale / Film di argomento musicale: necessario distinguere ? Matilde Olarte, El protagonismo femenino-masculino en los musicales de Fred Astaire y Gene Kelly: vigencia y actualidad ? Jaume Radigales & Isabel Villanueva, 'Carmen Jones': Between Opera and Musical ? Elena Redaelli, L?influenza del 'melodrama' ottocentesco da 'Showboat' a Sondheim ? Marida Rizzuti, 'Love Life e Trouble in Tahiti': rappresentazione della famiglia americana ? Delphine Vincent, Lippen schweigen, ?s fl stern Geigen: Hab mich lieb! Seduction, Powers Relations and Lubitsch?s Touch in 'The Merry Widow' ? Emile Wennekes, Betty Meets Cab: The Hi-De-Ho Man Animated ? Leanne Wood, Technology, Authenticity, and the Pastoral Ideal: Viewing Oklahoma! Through the Lens of Todd-AO ? Iryna Yaroshchuk, The Elusive Mary Poppins: Issues of Gender and Class in the Disney Version (1964) and Mosfilm?s Mary Poppins Goodbye (1983) Biographies ? Index of Names‎

‎Luigi Cherubini, A Multifaceted Composer at the Turn of the 19th Century‎

‎, Brepols, 2021 Hardback, x + 493 pages, Size:210 x 270 mm, Language(s):English, Italian, French. ISBN 9782503591001.‎

‎Summary This volume investigates Luigi Cherubini with the aim of providing a picture of the various faces that a composer and his output could present to European society at the turn of the nineteenth century; a society in which the composer, no longer tied to a patron or a court, tried to integrate himself as a participant in the labor market by finding new, coexisting forms of subsistence, thereby becoming a pre-eminent figure in the industrial and commercial world of the time. Additionally, the volume aims to deepen understanding of the composer's output in light of the political and social upheavals that took place during his long life, from the French Revolution to the threshold of the Springtime of the People. TABLE OF CONTENTS Massimiliano Sala Preface Vocal and Sacred Music Bella Brover-Lubovsky Cherubini's Madrigal Ninfa crudel and the Legacy of the Scuola dei rivolti Michael Pauser Apart from the Masses: Luigi Cherubini's Other Sacred Music Galliano Ciliberti Luigi Cherubini e la Chapelle royale (1816-1830) Music Theatre Helen Geyer Komplex und ambivalent? - berlegungen zu strukturellen und sthetischen Eigent mlichkeiten in Cherubinis Opern der 1780er und 1790er Jahre Lorenzo Mattei Il Metastasio infranciosato di Marmontel e Cherubini Francesca Menchelli-Buttini Luigi Cherubini's Adriano in Siria (Leghorn 1782) Roberto Scoccimarro la foi savante et simple . I morceaux d'ensembles negli op ras-comiques di Cherubini in un atto: note su strutture formali e questioni drammaturgiche Heiko Cullmann Spielarten einer Komposition Luigi Cherubinis Les Deux Journ es Marco Beghelli Ali-Baba, il Falstaff di Cherubini Cherubini Pedagogue Luciane Beduschi Luigi Cherubini's Solutions for Padre Martini's Closed and Enigmatic Canons: An Unpublished (and Overlooked) Pedagogical Collection Fr d ric de La Grandville Cherubini, inspecteur de l'enseignement au Conservatoire de musique de Paris (1795-1815) Reception Matthieu Cailliez tude compar e de l'influence musicale et institutionnelle de Cherubini en France et dans le monde germanique entre 1787 et 1842 375 Giada Viviani A Sort of Palladio : Richard Wagner's Reception of Luigi Cherubini A Case Study Maria Teresa Arfini Il Capriccio o Studio in Do maggiore per fortepiano di Luigi Cherubini: un capolavoro o un esperimento accantonato? Abstracts and Biographies Index of Names‎