‎RUBENS,‎

‎Paris, Editions Cercle d' Art, 1989 Relie, toile couleur sable sous jaquette illustree en couleurs, 260 x 340mm., 208pp., illustration abondante couleurs et n/b. ISBN 9782702202579.‎

‎Musee de l'Ermitage, Leningrad. Musee des Beaux-Arts Pouchkine, Moscou. Musee de l'Art Occidental et Oriental, Kiev. Bon etat.‎

‎P.P. Rubens en het Plantijnsche huis ; Petrus Paulus Rubens en Balthasar I Moretus & Rubens als boekverluchter voor de Plantijnsche drukkerij‎

‎Antwerpen, De Sikkel 1941 vii + 162pp.+ 110 ills.buitentekst, gecart.band met linnen rug, 26cm., stempeltje, mooie staat, in de "Maerlant-bibliotheek" vol.IV, S48635‎

‎P. P. RUBENS EN HET PLANTIJNSCHE HUIS,‎

‎, Antwerpen/ Utrecht, De Sikkel/ De Haan, 1941 Ingebonden, halflinnen met geillustreerd karton, 19,5x25,5cm, 162pp +110 afbeeldingen z/w.‎

‎Schilderijen van Rubens uit de verzameling der Moretussen. Boekverluchting van Rubens voor de Plantijnse drukkerij. Andere besproken kunstwerken. Maerlantbibliotheek IV. In goede staat.‎

‎Brain and Language - Volume 13, Number 2, July 1981‎

‎Academic Press , Brain and Language Malicorne sur Sarthe, 72, Pays de la Loire, France 1981 Book condition, Etat : Bon paperback, editor's wrappers grand In-8 1 vol. - 197 pages‎

‎ 1st Edition Contents, Chapitres : Pages 202 to 398 - Guido Gainotti, Carlo Caltagirone, Gabriele Micelli and Carlo Masullo : Selective semantic-lexical impairment of language comprehension in right-brain-damaged patients - Angela D. Friederici, Paul W. Schoenle and Harold Goodglass : Mechanisms underlying writing and speech in aphasia - Gil Assal, Jocelyne Buttet and Remi Jolivet : Dissociations in aphasia, a case report - Takeshi Hatta and Stuart J. Dimond : The inferential interference effects of environmental sounds on spoken speech in Japanese and British people - Gerard Deloche and Xavier Seron : Part of speech and phonological form implied in written-word comprehension, evidence from homograph disambiguation by normal and aphasic subjects - Mary Rees Nishio : Kanji reading by prekindergarten language-disabled child - Jeffrey L. Elman, Kunitoshi Takahashi and Yasu-Hiko Tohsaku : Asymmetries for the categorization of Kanji nouns, adjectives and verbs presented to the left and right visual fields - Roger Wales and Glynda Kinsella : Syntactic effects in sentence completion by Broca's aphasics - Esther Strauss and Morris Moscovitch : Perception of facial expressions - Dennis L. Molfese and Roland J. Erwin : Intrahemispheric differentiation of vowels : Principal component analysis of auditory evoked responses to computer-synthetized vowel sounds - Hanna K. Ulatowska, Alvin J. North and Sara Macaluso-Haynes : Production of narrative and procedural discourse in aphasia - Yao-Chung Tsao, Ming-Fung Wu and Timothy Feustel : Stroop interference : Hemispheric difference in Chinese speakers - Mark T. Wagner and Roseann Hannon : Hemispheric asymmetries in faculty and student musicians and nonmusicians during melody recognition tasks - Donna Piazza Gordon and Robert J. Zatorre : A right-ear advantage for dichotic listening in bilingual children ex-library, stamp on the first page, else fine copy‎

‎Brain and Language - Volume 14, Number 1, September 1981‎

‎Academic Press , Brain and Language Malicorne sur Sarthe, 72, Pays de la Loire, France 1981 Book condition, Etat : Bon paperback, editor's wrappers grand In-8 1 vol. - 206 pages‎

‎ 1st Edition Contents, Chapitres : John L. Bradshaw, Norman C. Nettleton and Meredith J. Taylor : The use of laterally presented works in research into cerebral asymmetry : Is directional scanning likely to be a source of artifact ? Wendy Wapner, Suzanne Hamby, and Howard Gardner : The role of the right hemisphere in the apprehension of complex linguistic materials - J. Thomas Dalby and David Gibson : Functional cerebral lateralization in subtypes of disables readers - Ehud Jairi, Jonas Gintautas and Janet R. Avent : Disfluent speech associated with brain damage - Gerard Deloche and Xavier Seron : Sentencing understanding and knowledge of the world : Evidences from a sentence-picture matching task performed by aphasic patients - Processing of locatives in, on, and under by aphasic patients, an analysis of the regression hypothesis - James L. Mack : The comprehension of locative prepositions in nonfluent and fluent aphasia - D. Sutton, R.E. Trachy and R.C. Lindeman : Vocal and non-vocal discriminative performance in monkeys - C. Chapin, S.E. Blumstein, B. Meissner and F. Boller : Speech production mechanisms in Aphasia, a delayed auditory feedback study - Masaomi Endo, Akinori Shimizu and Ichiro Nakamura : The influence of Hanguls learning upon laterality differences in Hangul word recognition by native Japanese subjects - David Caplan : On the cerebral localization of linguistic functions : Logical and empirical issues surrounding deficit analysis and functional localization - Elissa Koff and Stephen A. Riederer : Hemispheric specialization for syntactic form - Elkhonon Goldberg and Louis D. Costa : Hemisphere differences in the acquisition and use of descriptive systems - Alexander Pollatsek, Shmuel Bolozky, Arnold D. Well and Keith Rayner : Asymmetries in the perceptual span for Israeli readers - Barbara B. Shadden and Harold A. Peterson : Ear differences in simple reaction time : The influence of attentional factors - Mary S. Carr, Terri Jacobson and François Boller : Crossed aphasia, analysis of 4 cases ex-library, stamp on the first page, else fine copy, few crosses handwritten on the bottom part of the wrappers‎

‎RUBENS ZONDER AUREOOL.‎

‎, Brecht, De Roerdomp, 1977., Softcover, originel uitgeversomslag geillustreerd z/w ( beduimeld), roodopdruk, 13,5x21cm, 189pp.‎

‎Dit boek heeft niet de bedoeling Rubens af te breken of bewust te zoeken naar goedkope sensatie, maar er wordt getracht Rubens tot zijn ware proporties te herleiden.‎

‎Vlaamse schilders in dienst der koningen van Spanje.‎

‎, Davidfonds 1959., Originele uitgeversomslag geillustreerd z/w, 13,5x21cm, 1218pp.+40 afbeeldingen.‎

‎Geillustreerd.‎

‎VELAZQUEZ - RUBENS - LORRAIN. MUSEO DEL PRADO. MALEREI AM HOF PHILIPPS IV.‎

‎, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH, Bonn, 1999., softcover Frontispiz, 250 x 285mm., 272pp., illustriert. ISBN 2000001219171.‎

‎Philipp IV. und Diego Velazquez sind die beiden Personlichkeiten, die die erste Halfte des 17. Jahrhunderts zum ? Goldenen Zeitalter? der spanischen Malerei werden lassen. Der kunstsinnige Konig sammelte schier unersattlich Gemalde und liess seine Palaste in und um Madrid reich damit ausstatten. Velazquez, der erste Maler des Konigs, lieferte fur diese Dekorationen nicht nur eigene Werke, sondern war auch mit Ankaufen und der Anordnung der Gemalde beschaftigt. Grosse Bilderserien wurden in Auftrag gegeben, etwa bei Peter Paul Rubens ein Zyklus von 60 mythologischen Historienbildern fur das konigliche Jagdschloss Torre de la Parada, bei Massimo Stanzione Gemalde zum Leben des heiligen Johannes des Taufers oder bei Claude Lorrain, Poussin und Dughet Landschaften. Sie zeichnen sich nicht nur durch ihre hohe Qualitat aus, sondern geben auch Aufschluss uber das barocke Weltbild, uber das Verstandnis von Herrschaft und Natur. Mit Werken von mehr als 20 europaischen Kunstlern eroffnet der Band Einblicke in die Sammlung Philipps IV., die auf die Maler der zweiten Halfte des 17. Jahrhunderts einen unubersehbaren Einfluss ausubte. Guter Zustand.‎

‎Life of Christ before the Passion. The Ministry of Christ . Corpus Rubenianum Ludwig Burchard volume V -2.‎

‎, Brepols - Harvey Miller, 2017 Hardcover with dusjacket. 360 p., 149 b/w ill. + 46 colour ill., 180 x 265 mm, Languages: English. ISBN 9781909400863.‎

‎The works discussed span the entirety of Rubens?s career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ?s public life were thought and created. The present volume V - 2 of the Corpus Rubenianum catalogues Rubens?s exploration and representation of the theme of the public life of Christ. The period in Christ?s life during which he spread his message by wandering and preaching with the apostles in the Holy Land, offered a particularly poignant and important part of religious discourse within the context of the Counter-Reformation period in the Netherlands. In order to rebut the Calvinists and their call for the stripping of imagery and lavish decoration from churches, and the destruction of furniture and altarpieces that followed, the Roman Catholic Church sought to establish an innovative and powerful visual rhetoric with renewed urgency. The scenes from the ministry of Christ could serve as potent reminders of the core values of Roman Catholic spirituality. Rubens, as a devout Catholic, created a number of impressive paintings to express this, although most of the works he produced seem to have been intended for the open market. The works discussed span the entirety of Rubens?s career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ?s public life were thought and created.‎

‎Het huis van P.P. Rubens - periodisch bulletin nr.2 (oktober 1938)‎

‎Antwerpen, Comité der Antwerpsche Propagandawerken 1938 45pp.geïll., 27cm.‎

‎Rubens a Genova‎

‎Buttner, Nils, Anna Orlando: Rubens a Genova. Exhibition: Genoa, Palazzo Ducale, 2022. 413 pages. Fully illustrated in colour. Paperback. 28x24cms. A consideration of Rubens' production in Genoa. Six chapters discuss his relationship with the city, its architecture, court life and political and social context. Also considers Rubens' depiction of women, important clients like Ambrogio Spinola and his treatment of the sacred and the profane. Each chapter includes a catalogue of exhibition highlights including illustrations, comparanda, provenance and bibliographies. Concludes with an exhibition checklist and layout. Text in Italian.‎

‎A consideration of Rubens' production in Genoa. Six chapters discuss his relationship with the city, its architecture, court life and political and social context. Also considers Rubens' depiction of women, important clients like Ambrogio Spinola and his treatment of the sacred and the profane. Each chapter includes a catalogue of exhibition highlights including illustrations, comparanda, provenance and bibliographies. Concludes with an exhibition checklist and layout. Text in Italian‎

‎The Ceiling Paintings for the Jesuit Church in Antwerp , Corpus Rubenianum Ludwig Burchard, part I‎

‎ 1968 Arcade Hardcover Fine ‎

‎The Ceiling Paintings for the Jesuit Church in Antwerp. The Ceiling Paintings for the Jesuit Church in Antwerp , Corpus Rubenianum Ludwig Burchard, part I. An illustrated catalogue raisonne of the work of Peter Paul Rubens based on the material assembled by the late Dr. Ludwig Burchard in twenty-six parts hardcover with dustjacket and slipcase, 265 x 185 mm., 241 pp. and 203 illustrations in b/w, almost mint condition ‎

‎The Ceiling Paintings for the Jesuit Church in Antwerp , Corpus Rubenianum Ludwig Burchard, part I‎

‎ 1968 Arcade Hardcover Fine ‎

‎The Ceiling Paintings for the Jesuit Church in Antwerp. The Ceiling Paintings for the Jesuit Church in Antwerp , Corpus Rubenianum Ludwig Burchard, part I. An illustrated catalogue raisonne of the work of Peter Paul Rubens based on the material assembled by the late Dr. Ludwig Burchard in twenty-six parts hardcover with dustjacket and slipcase, 265 x 185 mm., 241 pp. and 203 illustrations in b/w, almost mint condition ‎

‎Peter Paul Rubens: Becoming Famous‎

‎Büttner, Nils, and Sandra-Kristin Diefenthaler: Peter Paul Rubens: Becoming Famous. Exhibition: Stuttgart, Staatsgalerie, 2021. 344 pages, fully illustrated in colour. Hardback. 31 x 25cms. Departing from the portrait of Geronima Spinola with her granddaughter, the exhibition explores the way Rubens expanded his network of patrons during his Italian period. With a catalogue of 119 works, including 13 pieces that have been newly examined, discussing the results of the technical analysis in the context of Rubens' practice. Text in German.‎

‎Departing from the portrait of Geronima Spinola with her granddaughter, the exhibition explores the way Rubens expanded his network of patrons during his Italian period. With a catalogue of 119 works, including 13 pieces that have been newly examined, discussing the results of the technical analysis in the context of Rubens' practice. Text in German‎

‎Psychologie de l'art érotique‎

‎Paris, Somogy, 1971. In-8 toile ill., sous rhodoïd, 240 p. Illustrations (reproductions : Rubens, Dali, Bacon...) noir et couleurs. Préface à André Masson. Parfait état.‎

‎Rubens‎

‎Paris, Aimery Somogy, 1966, in 8°, br., 288 pp‎

‎Bel ex.‎

‎"Rubens; l'homme et son temps. Collection : Les plus grands, N° 12."‎

‎Paris, Editions Somogy, 1966. 16 x 21, 288 pp., très nombreuses illustrations en couleurs et en N/B, reliure d'édition pleine toile + jaquette, très bon état.‎

‎schilderschool, levensschetsen en kunstwerken van eenige meesters uit de Hollandsche en andere scholen.‎

‎, Kruseman, , 1868 gebonden in kunstlederenband, (groen) met goudopdruk, 178pp met verschillende staal gravuren.‎

‎Mémoires et documents inédits sur Antoine Van Dyck, P.P. Rubens et autres artistes contemporains, publiés d'après les pièces originales des archives royales d'Angleterre, des collections publiques et autres sources‎

‎Anvers, Impr. J.-E. Buschmann 1845 259pp.+ frontispice (portrait de Van Dyck et de Rubens) & planche hors-texte (lettre en fac-simile), 27cm., reliure cart. (plats marbrés, dos en cuir avec titre doré), feuilles de garde marbrées, peu de rousseurs, bon état, S92198‎

‎ANVERS VILLE DE PLANTIN ET DE RUBENS,‎

‎, Paris, Bibliotheque Nationale, 1954, Broche, in-8 , 270pp.+ 24 planches.‎

‎Catalogue de l Exposition. Plantiniana - Art, VG/G‎

‎RUBENS ET LA PEINTURE FLAMANDE DU XVIeme SIECLE/ RUBENS E LA PITTURA FIAMMINGA DEL SEICENTO,‎

‎, Firenze, Centro Di, 1977, Softcover, couverture d' editeur illustre en couleur, 23x21,5cm, 368pp, illustre en couleur et n/b.‎

‎RUBENS ET LA PEINTURE FLAMANDE DU XVIeme SIECLE/ RUBENS E LA PITTURA FIAMMINGA DEL SEICENTO,‎

‎RUBENS ET LA PEINTURE FLAMANDE DU XVIeme SIECLE/ RUBENS E LA PITTURA FIAMMINGA DEL SEICENTO,‎

‎, Firenze, Centro Di, 1977, 1977 Softcover, couverture d' editeur illustre en couleur, 23x21,5cm, 368pp, illustre en couleur et n/b.‎

‎RUBENS ET LA PEINTURE FLAMANDE DU XVIeme SIECLE/ RUBENS E LA PITTURA FIAMMINGA DEL SEICENTO,‎

‎RUBENS, SES MAITRES, SES ELEVES. DESSINS DU MUSEE DU LOUVRE.‎

‎, Paris, Editions de la Reunion des musees nationaux, 1978., Broche, couverture originale illustre en couleur, 21,5x24cm, 159pp, illustr n/b, bon etat!!! ISBN 2711800784.‎

‎LXVe exposition du Cabinet des Dessins. Illustre de 167 reproductions en noir et blanc.‎

‎Dessins flamands et hollandais du dix-septième siècle. Collections de l'Ermitage, Leningrad et du Musée Pouchkine, Moscou.‎

‎ Institut Néerlandais 19 x 25,5 Paris 1972 Broché, XXI-76 p., et 112 p. de planches. Catalogue des expositions : Bruxelles, Bibliothèque royale Albert Ier, 21 octobre - 25 novembre 1972, Rotterdam, Musée Boymans-Van Beuningen, 1er décembre 1972 - 7 janvier 1973, Paris, Institut néerlandais, 12 janvier - 13 février 1973 - catalogue par Juri Kuznetsov et T.A. Tseshkovskaya. Parfait état. Très bon exemplaire.(C117) Livre ‎

‎BRUSSELSE WANDTAPIJTEN IN RUBENS' EEUW.‎

‎, Brussel, Koninklijke musea voor Kunst en Geschiedenis, 1977., Gebrocheerd, originele uitgeversomslag geillustreerd in kleur, 18x24cm, 132pp, geillustreerd z/w.‎

‎De wandtapijten bieden een zeer goede staalkaart van de bloeiende wandtapijtindustrie te Brussel in de 17e eeuw.‎