, Brepols, 2023 Hardback, 2 vols, 1003 pages, Size:216 x 280 mm, Illustrations:722 b/w, 95 col., 1 tables b/w., 2 maps b/w, 9 maps color, Language: English. ISBN 9782503604664.
Summary While the funerary portraiture of Palmyra is rightly world-renowned, up to now, the corpus of sarcophagi from the ancient city has received relatively little attention as a cohesive group in their own right. Comprising sarcophagi, banqueting reliefs and founder reliefs, as well as sarcophagus reliefs, most of these objects share a common iconographic motif, that of the banquet, although other scenes, mostly drawn from the daily life of the city's caravan leaders and their families, also appear. The emphasis on the banqueting scene in particular reveals the crucial importance of dining in ancient Palmyrene society: for the living, banquets were a marker of social standing and gave hosts a chance to honour the gods and offer an ephemeral benefaction to their fellow citizens, while for the dead, the banquet motif offered the opportunity for the entire family to be depicted together and showcase their wealth and sophistication, as well as their connections outside the city. This single corpus of material gathered through the Palmyra Portrait Project, is presented in this beautifully illustrated two-volume monograph. Through careful analysis of the portraits, and the costumes and attribute choices that appear in these images, the authors explore how the sarcophagi were used by Palmyrenes to project an image of local pride, while at the same time participating in the visual cultures of the Roman and Parthian Empires between which their city was situated. TABLE OF CONTENTS Volume 1 List of Figures Colour Plates Acknowledgements Chapters 1. Palmyra and its Funerary Sphere 2. The Portrait Habit in Palmyra and the Funerary Sphere 3. Dated Objects 4 In situ Contexts 5. Iconography Appendix: The Costume of Reclining Figures 6. Conclusion: Sarcophagi as Vehicles of Elite Identity Works Cited Catalogue Dated by Inscription (Cat. 1-12) Objects from Tower Tombs (Cat. 13-59) Objects from Hypogea (Cat. 60-179) Objects from Temple Tombs (Cat. 180-277) Credits Text Image Credits Catalogue Image Credits Volume 2 Colour Plates Catalogue Objects with Indication of General Context (Cat. 278-288) Sarcophagi with No Known Provenance or from Secondary Contexts (Cat. 289-444) Sarcophagi Reliefs (Cat. 445-450) Fragments from either Sarcophagus Lids or Boxes (Cat. 451-476) Possible Sarcophagus Fragments (Cat. 477-488) Heads from Sarcophagi (Cat. 489-683) Banqueting Reliefs (Cat. 684-729) Appendix 1. Lost Dated Reliefs Appendix 2. Lost Reliefs from Tower Tombs Appendix 3. Lost Reliefs from Temple Tombs Appendix 4. Marble Sarcophagi from Attica Appendix 5. Sarcophagi without Portraits Appendix 6. Objects Known Only through Publications Appendix 7. Reliefs with Frame, without Portraits Credits Catalogue Image Credits
, Brepols - Harvey Miller, 2019 Hardback, iv + 323 pages, Size:220 x 280 mm, Illustrations:69 col., Language: English. ISBN 9781909400832.
Summary "Art Moves" reconstructs the appearance and conditions of use of processional artifacts, whether they were worn (uniforms and liveries), held by individuals, (maces, flags, and candles), or carried communally (canopy, reliquaries, banners, or statues). This is the first book on the material culture of processions as a performative, multi-media, apparatus. It investigates how objects were charged with meaning from medium and fabrication to market value to size and weight. Ritual settings gave them a symbolic force that was heightened through their mobility. In the public events studied here - religious and civic celebrations, elite funerals, papal entries, city-wide penance, and relic transfers - 'moving' [pun intended] objects became the meaningful vehicles of ritual efficacy, shaping ideology, group solidarity, and social cohesion. Despite the liturgical framework, processional paraphernalia foregrounded the laity, notably secular authorities and confraternities. Art Moves also raises the issue of conflict that material ephemera could invite or even spark. Renaissance Perugia, a middling-sized city, presents a wealth of textual, visual, and material evidence, not to mention its medieval and renaissance topography. In Perugia more than anywhere else perhaps, several banners played a key role in crisis processions, becoming cult objects revered into the nineteenth century. This study also revisits artistic representations of corteges, questioning the extent of their documentary value. The approach intertwines the disciplines of art history, social history, material culture, religious studies, and anthropology. This publication offers a new way of looking at the dynamics of urban processions while revivifying the sensory experience of public life in Italy, ca. 1350-1600. With a preface by Jean-Claude Schmitt.
LA MUSARDINE 2006 159 pages 11x1 4x17 6cm. 2006. pocket_book. 159 pages.
Bon état
Belin 2003 256 pages 19 4x1 6x27 2cm. 2003. Broché. 256 pages.
Pellet Eric Haubert Dominique Voltz Francine Vulpillières Catherine de Paccalin Margherita
Reference : 500100514
(2002)
ISBN : 9782701131450
BELIN EDUCATION 2002 336 pages 19 4x1 6x27 2cm. 2002. Broché. 336 pages.
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Routledge 1997 292 pages 13 97x21 59x1 6764cm. 1997. Broché. 292 pages.
Très Bon Etat de conservation intérieur propre bonne tenue
Editions Hatier 2013 13 8x1 6x18 8cm. 2013. Broché.
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Racine Lannoo 1996 15 6x1 6x22 6cm. 1996. Broché.
Comme neuf encore sous son plastique d'emballage
ATELIER 1995 14 6x0 8x21 2cm. 1995. Broché.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Planeta DeAgostini 2022 2080 pages 2022. Relié. 65 volume(s). 2080 pages.
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Paris Limage 2 - Alin Avila. Collection "mise au point sur l'art actuel". 1983 In-12 en hauteur Broché
EDITION ORIGINALE. Une des premières étude sur ce mouvement, détaillant le travail de Vito Acconci, Günter Brus, Chris Burden, Luciano Castelli, Gilbert et george, Michel Journiac, Juergen Klauke, Urs Lüthi, Henri Maccheroni, Bruce Nauman, Hermann Nitsch, Gina Pane, Peter Stembera Biographies des artistes. Nombreuses photos en noir de performances. 144 pp. --- Le critique qui avait déjà écrit sur le sujet pour une exposition chez Rodolphe Stadler en 1975 étoffe ici son propos. Très bon 0
Pommier Patrick Koné Martine Rolando Jean-Michel Collectif
Reference : 500058959
(2011)
ISBN : 9782210521131
MAGNARD 2011 160 pages 21 8x1 2x28 6cm. 2011. pocket_book. 160 pages.
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Ponchard Grégory Squarzoni Philippe
Reference : 500141297
(2005)
ISBN : 9782849610237
Requins marteaux 2005 36 pages 19 4x0 6x19 6cm. 2005. Broché. 36 pages. Exemplaire de bibliothèque déclassé
Etat correct
Assimil 2020 128 pages 19 2x23 1x2 4cm. 2020. Broché. 128 pages.
Très bon état
Assimil 2020 128 pages 19 2x23 1x2 4cm. 2020. Broché. 128 pages.
Très bon état
Assimil 2020 128 pages 19 2x23 1x2 4cm. 2020. Broché. 128 pages.
Comme neuf - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté
Assimil 2020 128 pages 19 2x23 1x2 4cm. 2020. Broché. 128 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Assimil 2020 128 pages 19 2x23 1x2 4cm. 2020. Broché. 128 pages.
Très Bon Etat
Assimil 2020 128 pages 19 2x23 1x2 4cm. 2020. Broché. 128 pages.
Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France
Assimil 2020 128 pages 19 2x23 1x2 4cm. 2020. Broché. 128 pages.
Très bon état
Potelet Hélène Fouquet Dominique Jeunon Patrick
Reference : 500099982
(2007)
ISBN : 9782218925726
HATIER 2007 400 pages 19 8x1 8x26 6cm. 2007. Broché. 400 pages.
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