Belin 2000 96 pages 22x29 7x0 9cm. 2000. Relié. 96 pages.
Bon état
Turnhout, Brepols, 2001 Hardback, XXIV+246 p., 156 x 234 mm. ISBN 9782503510743.
The essays in this collection challenge cultural materialists in different disciplines to articulate specific relationships between modern theoretical positions and the ideas and conventions that shaped the production of medieval and Renaissance cultures in Europe. The phrase 'cultural materialism', coined by Raymond Williams in 1977, names an approach to cultural analysis that interrogates the socio-economic conditions within which artefacts are produced as well as their participation in other ideological and material fields of culture. This approach, which has led to the emergence of cultural studies as a discipline, has also contributed to a sea-change within medieval and Renaissance scholarship. Disciplines that have traditionally studied cultural artefacts like literature and painting have increasingly emphasized the kinds of questions Williams articulated, focusing on the material production and ideological operation of objects once thought of in idealized or purely aesthetic terms. By the same token, historians - whose work, of necessity, has always tended to deal with the material traces of culture - have increasingly been willing to consider the social and ideological importance of art. The increasing popularity of this cultural studies approach to the past has in turn spurred investigation into other kinds of materiality. Recent historical and literary scholarship, for example, has become increasingly aware of the ways in which the lived materiality of the human body informs a range of cultural discourses. Insofar as it still typically attends to the material/ideological significance of the artefacts it considers, such scholarship falls within the generous confines of cultural studies. But where the Marxist tradition inherited from Williams tends to see economic relations as basic, this school of thought sees the experience of the body - always historicized, and understood as the basis for constant symbolic appropriation into other fields of discourse - as an alternative and perhaps more fundamental kind of materiality. Material Culture and Cultural Materialisms in the Middle Ages and the Renaissance attests to the vitality of these approaches to materialist scholarship within and across different periods, disciplines, and national traditions. New.
Turnhout, Brepols, 2007 Hardback, XVIII+518 p., 160 x 240 mm. ISBN 9782503525815.
Building the Kingdom examines how Giannozzo Manetti (1396-1459), by interpreting the great architectural projects of his day within historical, literary, and spiritual contexts, articulated their relevance for his contemporaries as cultural paradigms of the Early Italian Renaissance. Manetti, wealthy, learned, devout, and politically active, was perhaps the most admired lay thinker of his generation, a leader within the new intellectual currents of his native Florence and prominent in Rome at the court of Pope Nicholas V (1447-1455). Manetti's detailed accounts both of the consecration of Florence Cathedral in 1436 ('De secularibus et pontificalibus pompis' [Concerning the Secular and Pontifical Parades]) and of the ambitious building projects planned by Nicholas for a revival of papal splendor in Rome (book 2 of his 'Life of Nicholas V Supreme Pontiff') are among the most elaborate architectural ekphrases of the fifteenth century. In these, he surpasses his better known rival, Leon Battista Alberti. These important Latin texts are presented here in new critical editions, with English translations and commentaries, preceded by chapters situating them within Manetti's other writings, his vast reading, and his historical moment. A close reading of the texts, coupled with an in-depth examination of the sites described and the ceremonies conducted there, shows how Manetti's distinctive fusion of Scholastic and Humanist ideas became authoritative for an Early Renaissance understanding of the cultural and spiritual power of buildings. New.
Erès 1998 202 pages 2x16x12cm. 1998. Broché. 202 pages.
tranches légèrement fânées intérieur propre bonne tenue
Hachette 1995 1995. Broché.
Bon état
Dejoux Pascal Heine Michèle Toraille Raymond Cazin Chantal
Reference : 500146102
(1993)
ISBN : 9782010186998
ISTRA 1993 256 pages 19 4x1 4x26 6cm. 1993. Broché. 256 pages.
Très bon état
EDL 1988 192 pages 20 8x1 2x13cm. 1988. Broché. 192 pages.
Etat correct
Editions Larousse 1992 16 51x1 016x10 922cm. 1992. Broché. Françoise d'Eaubonne retrace à travers de multiples anecdotes une histoire du scandale au féminin explorant les vies de femmes jugées scandaleuses qu'elles soient coupables ou victimes et dénonçant la manière dont la société a réprouvé leurs audaces poursuivi les marginales et stigmatisé les victimes
Très bon état
Dunod 1995 2x22x13cm. 1995. Broché.
Bon état cependant tranche salie
DIDIER 2002 144 pages 26 7x37x1 5cm. 2002. Broché. 144 pages.
Bon état
Doff Adrian Jones Christopher Mitchell Keith
Reference : 500134018
(1984)
ISBN : 9780521287074
Cambridge University Press 1984 80 pages 18 29x1 27x24 38cm. 1984. Broché. 80 pages.
Bon état
Domergue Lucie Domingie Juliette Iribarne Muriel Laborie Karen
Reference : 500074442
(2019)
ISBN : 9782401050402
Hatier Litterature generale 2019 64 pages 21x27 6x0 6cm. 2019. Broché. 64 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
, Brepols, 2023 Hardback, 242 pages, Size:178 x 254 mm, Illustrations:124 col., Language: English.* NEW ISBN 9782503601939.
Summary In the eighteenth through the early twentieth century, French nuns from various orders created miniature simulacra of the cells in which they slept, studied, and performed their devotions. Each diorama contains an effigy of the nun, a prie-Dieu, devotional objects such as a crucifix, handiwork, and artifacts to foster study and contemplation. This book examines the lives of the brides of Christ as depicted in these dioramas, proposing that the material objects found in the chambers trace the contours of the collective and individual identities of the nuns who created these cells. Viewed as a type of memoir, the cells furnish the sisters a stage upon which to rehearse the meaning of their lives. The dioramas create a tension between the private and public presentations of the self, between verisimilitude and self-fashioning, and between reality and representation. The book contextualizes the miniature cells within the larger discourse of gender, identity, self-representation, monastic devotion, and the power wielded by the aesthetics of scale. TABLE OF CONTENTS Table of Contents List of Illustrations Acknowledgements Introduction: The Nun's Cell: Mirror, Memoir and Metaphor in Convent Art Chapter 1: In Clausura Chapter 2: The Language of the Cells Chapter 3: Objects in Miniature Chapter 4: Memoir - Traces of a Nun's Life Chapter 5: Conclusion Bibliography
Coll. "Le lvre de la profession", Paris, éd. Eyrolles, octobre 1949, 7e édition, in-12, cartonnage souple éd., 124 pp., quelques photos et dessins en noir, tables des figures, table des matières, Comment reconnaître les fibres textiles et leur fabrication. Pas courant Etat moyen mais bien complet
Magnard 1990 1990. Relié.
Bon état
Drouin Jean-Claude Leder Sylvain Porphire François
Reference : 500284938
(2012)
ISBN : 9782218962547
Editions Hatier 2012 18 6x1 6x13 8cm. 2012. Broché.
Bon état