‎peinture sous le signe de la mer: Ostende, Galeries Royales, 5 ao t - 4 septembre 1951‎

‎Ostende, Galeries Royales, 1951 softcover, 50 pages illustre. catalogue expo.‎

‎Editions de la connaissance, ‎

‎NOTRE-DAME DE CHARTRES. + ENVOI DE L'AUTEUR‎

‎PAUL HARTMANN. 1948. In-4. Cartonné. Etat d'usage, Coins frottés, Dos abîmé, Intérieur frais. Environ 200 pages. Frontispice en noir et blanc. Nombreuses photos en noir et blanc, dans et hors-texte de Pierre Devinoy. Mors fendu, dos partiellement détaché.. . . . Classification Dewey : 720-Architecture‎

‎Envoi de l'auteur sur la page de garde. Classification Dewey : 720-Architecture‎

‎AU PAYS DE L'AUDE. COLLECTION LES CLOCHERS DE FRANCE N°27.‎

‎J. PEYRONNET ET Cie. 1929. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Mouillures. 62 pages. Premier plat illustré d'une photos sépia contrecollée.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Les Arts Méconnus. Les nouveaux musées du Trocadéro. Ouvrage orné de 400 gravures.‎

‎Paris, Ernest Leroux, 1881, in-4to, XV + 531 p., ill. avec 400 gravures + 3 planches dépliantes ill., reliure en toile originale, ill. avec des ornements en or et noir, tranches dorées .‎

‎L'architecture Usuelle‎

‎Dimension extérieur : 31,7 x 24,2 cm. Terrasses et Treilles, à Walmer-Lodge et à Courtlands (Angleterre). M.M Mawson et Mallows, architectes.‎

4 Images

‎Planche 81, gravure dans son jus, en bon état général.‎

‎John Williams Music for Films, Television, and the Concert Stage‎

‎, Brepols 2018, 2018 xxiv + 440 pages., 220 x 280 mm, English, Hardcover, . ISBN 9782503580340.‎

‎This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers? styles, only recently Williams? music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research in the form of books, journal articles, conference papers, and Ph.D. theses. The present volume seeks to build upon, complement and review what has been written so far on Williams. This volume is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration ? which has not the pretence of exhaustiveness but certainly that of being an accurate survey possessing both latitude and depth ? a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments ? to provide a variety of disciplinary perspectives on Williams's work. Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.‎

‎Hillman Family Collection : Manet to Matisse‎

‎, Alex Hillman Family Foundation, 1994 Hardcover, 216 pages, ENG, 310 x 235 x 25 mm, in New condition, no dustjacket, illustrated in colour. ISBN 9780295973876.‎

‎"Manet to Matisse: The Hillman Family Collection is a history and catalogue of one of the foremost art collections formed in America in the 1950s and 1960s. The collection is best known for its Impressionist, Post-Impressionist, and early modern masters, among them Bonnard, Braque, Dufy, Gris, Manet, Matisse, Modigliani, Picasso, Pissarro, Renoir, and Rouault. The Hillman Collection also includes works by Americans of the WPA era and postwar European artists." "The introductory essays document the acquisitions made by the Hillmans over three decades and analyze many of the best-known images in an art historical context. The seventy-eight paintings, sculptures, and works on paper are illustrated in color and accompanied by detailed catalogue entries with complete exhibition histories and bibliographic references. An illustrated Appendix listing works formerly in the Hillman Collection is also included."‎

‎Scotland's Royal Women and European Literary Culture, 1424-1587‎

‎, Brepols, 2024 Hardback, 448 pages, Size:156 x 234 mm, Illustrations:9 b/w, 37 col., Language: English. ISBN 9782503600291.‎

‎Summary Scotland's Royal Women and European Literary Culture, 1424-1587 seeks to fill a significant gap in the rich and ever-growing body of scholarly work on royal and aristocratic women's literary culture in the fifteenth and sixteenth centuries. There has, to date, been no book-length study of the literary activities of the female members of any one family across time and little study of Scotland's royal women in comparison to their European and English counterparts. This book adopts the missing diachronic perspective and examines the wives and daughters of Scotland's Stewart dynasty and their many and various associations with contemporary Scottish, English, and European literary culture over a period of just over 150 years. It also adopts a timely cross-border and cross-period perspective by taking a trans-national approach to the study of literary history and examining a range of texts and individuals from across the traditional medieval/early modern divide. In exploring the inter-related lives and letters of the women who married into the Scottish royal family from England and Europe ? and those daughters who married outwith Scotland into Europe's royal families ? the resultant study consistently looks beyond Scotland's land and sea borders. In so doing, it moves Scottish literary culture from the periphery to the centre of Europe and demonstrates the constitutive role that Scotland's royal women played in an essentially shared literary and artistic culture. TABLE OF CONTENTS Select Genealogy / Key Figures Introduction Part 1: The Wife and Daughters of James I of Scotland Chapter 1. Joan Beaufort Chapter 2. Margaret Chapter 3. Isabella Chapter 4. Eleanor Part 2: Queens Consort, James II-V Chapter 5. Mary of Gueldres Chapter 6. Margaret of Denmark Chapter 7.Margaret Tudor Preface to Chapters 8 and 9. The Wives of James V Chapter 8. Madeleine of Valois Chapter 9.Mary of Guise Part 3: Queen Regnant Chapter 10. Mary Queen of Scots Bibliography Index‎

‎St pierre - edition speciale pour les galeries et musees pontificaux‎

‎Edition speciale pour les galeries et musees pontificaux. 1989. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 69 pages, nombreuses illustrations couleurs, dans et hors texte. Couverture illustrée.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎What is Medieval? Decoding Approaches to the Medieval and Medievalism in the 21st Century‎

‎, Brepols, 2024 Hardback, 288 pages, Size:178 x 254 mm, Illustrations:26 b/w, 24 col., Illustrations:26 b/w, 24 col., Language: English. ISBN 9782503600680.‎

‎Summary The Middle Ages and Medievalism have been used and abused throughout history-and this continues. This narrative deserves a reassessment. But, what is Medieval? This is the central question that unifies the contributions in this volume. 'Medievalism', or the study of the Middle Ages in its broadest sense, refers to the perception, conceptualisation and movement towards the era post the fifteenth century. Its study is therefore not about the period otherwise referred to as the 'Middle Ages', but rather the myriad ways it has since been conceived. And the field of medievalism is still in its relative infancy which has led to the emergence of various existential questions about its scope, remit, theoretico-methodological and pedagogical underpinnings, interpretation, periodization, and its relationship to established disciplines and more emerging subdisciplines and specialised fields?both within and without the academy. In turn, neomedievalism has allowed insight into and a response to the medieval often dominated by the modern. This has provoked debate over the nature of neomedievalism as a discipline, subdiscipline, genre, field or offshoot in direct or contrasting relation to the more traditional medievalism. Featuring interdisciplinary contributions from academics, educational practitioners as well as museum, digital and heritage professionals, this volume provides a fresh reflection on past methods to emerging pedagogies as well as new avenues of enquiry into the ways we think about the medieval. It is by reconciling these seemingly disparate forms that we can better understand the continual, interconnected, and often politicised, reinvention of the Middle Ages throughout cultures and study.‎

‎Paniska; avec un dessin de James Ensor‎

‎Antwerp - Anvers , a ira, 1933 cartonnage illustre de l'editeur original; 35 pages.-[1] f. de pl. en coul. ; 19 cm *cinquante exemplaires marqu s E. L. NO; 10. .‎

‎Achev d'imprimer le 15 mars 1933 pour les ditions " a Ira" 62 Avenue Cruys, Deurne-Anvers. Les ditions " a Ira" se r servent tous droits. Il a t tir de cet ouvrage 100 exemplaires sur papier Featherweight num rot s de 1 100, dix exemplaires sur Hollande Van Gelder num rot s de I X et deux exemplaires marqu s A et B, hors commerce. Il a t tir , en outre, cinquante exemplaires marqu s E. L. NO; 10. a ira : revue mensuelle d'art et de critique a ira (1920-1923) : revue anversoise d'avant-garde‎

‎REN BUTHAUD (1886-1986) : C ramiste art d co FR / ENG ‎

‎, Norma ditions, 2023 HB, 305 x 230 mm, FR / ENG edition, 192 p, 200 illustraties, NEW / NOUVEAU, . ISBN 9782376660781.‎

‎Figure marquante des arts d coratifs de l'entre-deux guerres, Ren Buthaud (1886-1986) s'int resse la c ramique, mais aussi la peinture et la gravure ,d s la fin de ses tudes l' cole des Beaux-Arts de Paris et l' cole nationale sup rieure des Arts D coratifs, avant d' tre mobilis . Tant t figuratifs et peupl s de figures historicisantes ou d'animaux, tant t g om triques ou abstraits, ses vases et sculptures rencontrent un grand succ s d s le salon d'Automne et le Salon des artistes d corateurs de 1920, aux c t s de ses amis Jean Dunand et Alfred Janniot. Excellent technicien, il devient directeur technique de Primavera et de la Fa encerie d'art de Sainte-Radegonde et est notamment connu et appr ci du public pour sa grande ma trise du craquel qu'il fait red couvrir en France. Il est en outre l'auteur d'une trentaine de remar quables fix s sous verre qui t moignent de sa dext rit avec d'autres mat riaux. Diffus par la galerie Rouart et participant la plupart des Salons comme aux grandes expo sitions (Exposition internationale des Arts d coratifs de 1925, Exposition coloniale interna tionale de 1931 et Exposition des arts et techniques de 1937), il conna t galement un vrai succ s outre-Atlantique, gr ce au Prix Florence Blumenthal dont il a t laur at en 1921 ou ses vases sign s Doris.‎

‎REN BUTHAUD C ramiste art d co‎

‎, Norma editeur, 2023 HB, 305 x 230 mm, 192 pages, 200 illustraties, FR edition. neuf!. ISBN 978237666078.‎

‎Figure marquante des arts d coratifs de l'entre-deux guerres, Ren Buthaud (1886-1986) s'int resse la c ramique, mais aussi la peinture et la gravure ,d s la fin de ses tudes l' cole des Beaux-Arts de Paris et l' cole nationale sup rieure des Arts D coratifs, avant d' tre mobilis . Tant t figuratifs et peupl s de figures historicisantes ou d'animaux, tant t g om triques ou abstraits, ses vases et sculptures rencontrent un grand succ s d s le salon d'Automne et le Salon des artistes d corateurs de 1920, aux c t s de ses amis Jean Dunand et Alfred Janniot. Excellent technicien, il devient directeur technique de Primavera et de la Fa encerie d'art de Sainte-Radegonde et est notamment connu et appr ci du public pour sa grande ma trise du craquel qu'il fait red couvrir en France. Il est en outre l'auteur d'une trentaine de remar quables fix s sous verre qui t moignent de sa dext rit avec d'autres mat riaux. Diffus par la galerie Rouart et participant la plupart des Salons comme aux grandes expo sitions (Exposition internationale des Arts d coratifs de 1925, Exposition coloniale interna tionale de 1931 et Exposition des arts et techniques de 1937), il conna t galement un vrai succ s outre-Atlantique, gr ce au Prix Florence Blumenthal dont il a t laur at en 1921 ou ses vases sign s Doris.‎

‎Quatre jours dans Orléans, description simple, historique et archéologique de la ville et de ses environs ; des établissements civils et religieux, des monuments anciens et modernes, et des maisons remarquables, etc. -‎

‎Orléans, A. Gatineau, 1845. In-12, Toile éditeur à dos orné, 316 pages. Orné de gravures. En frontispice sous serpente, un blason en couleurs de la ville d'Orléans.couverture ternie, trés bon état intérieur.‎

‎LA PALAIS DU PARLEMENT DE BRETAGNE‎

‎SECALIB. 1985. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 23 pages. Premier plat illustré en couleurs. Nombreuses photos illustrations en noir et blanc dans et hors texte. Ecriture au stylo sur le premier plat.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Baroque en Flandres - Rubens, van Dyck, Jordaens‎

‎, ENSBA 2010, 2010 Paperback, 160 pages, Texte en Francais,240 x 160 mm, bon exemplaire,. ISBN 9782840563228.‎

‎Catalogue de l'exposition "Le Baroque en Flandres" pr sent e au Cabinet des dessins Jean Bonna de l'Ecole des Beaux-arts de Paris (16 f vrier - 7 mai 2010). Qu?elles soient ou non acquises au r gime en place, ces oeuvres t moignent d?une nouvelle esth tique baroque o l?expression, le mouvement et les violents contrastes d?ombre et de lumi re sont les caract ristiques essentielles.‎

‎SUPERSTUDIO MIGRAZIONI - FR ED- Expo: 15/01/2021 - 16/05/2021, CIVA, Brussels‎

‎, Walter Koenig Verlag, 2021 BOX, 240 x 170 mm, 400 pages, 140 colour illustrations, 114 b/w illustrations, Texte en Francais. ISBN 9783960989288.‎

‎Situ au carrefour de l'architecture, du design, de l'art et de l'anthropologie, le travail de Superstudio demeure tonnamment contemporain. L'ouvre radicalement imaginative de ses membres a t red couverte la fin des ann es 1990 et s'av re tre une source d'inspiration importante pour les jeunes architectes et artistes d'aujourd'hui.‎

‎Chantiers d'abbayes‎

‎, Gaud, 2002 Hardcover, 112 pages, Texte en Francais, 260 x 200 x 10 mm, bon etat, ill. en couleur. ISBN 9782840800996.‎

‎Se propose de conter l'aventure d'une communaut de moines entreprenant de b tir une abbaye au Moyen Age. Pr sente le fil des tapes d'un chantier cistercien : les intervenants, la commande, le choix d'un site, les fondations, les mat riaux, leur transport, leurs mises en oeuvre, de la ma onnerie la couverture‎

‎L'ABBAYE DE SENANQUE.‎

‎OUEST FRANCE. 1982. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 32 pages. Premier plat illustré en couleurs. Nombreuses photos couleurs.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎LES JOURS DE LA PASSION.‎

‎Zodiaque, collection Les Points Cardinaux n°6, 1962, in-4 reliure toile sans jaquette, 204 pp, nombreuses illustrations TRES BON ETAT‎

‎LES JOURS DE LA PASSION. ‎

‎ Zodiaque "Les points cardinaux", volume 6, 1962. Grand in-8 relié toile avec jaquette, 204 pages, abondamment illustré de photographies en noir et blanc et en couleurs. Ondulations du papier de la jaquette.‎

‎"Ce livre a été conçu comme un tout, textes et images s'y enchaînent sans discontinuité ". ‎

‎LE PALAIS IMPERIAL : COMPIEGNE‎

‎, RMN, 2008 Broches, 128 pages, illustrations, Francais. ISBN 9782711854837.‎

‎Le Mus e du Second Empire associe une exceptionnelle galerie de portraits des toiles et des dessins qui voquent les fastes de la Cour imp riale ou le domaine priv de certaines personnalit s du r gime. Les appartements historiques - Le XVIIIe si cle ‎

‎TAL R The Forest In My Eyebrow ‎

‎, Tim Van Laere Books , 2022 Hardcover, 116 pag. NL / ENG, 255 x 205 x 20 mm, illustrated in colour. fine! ISBN 9789464004199.‎

‎Tim Van Laere Gallery is pleased to present its second solo exhibition by Tal R: The Forest in My Eyebrow. This exhibition shows a new series of works that resulted from a confrontation between the artist and an opening in the forest, created by trees that had been cut down. The opening, which curiously seemed to form the shape of an eye, compelled the artist to make a series of drawings, which he later reworked in his studio into colored drawings on paper, woodcuts, and large-scale paintings. In addition to these works, Tal also presents a new bronze sculpture in the outdoor patio of the gallery. ?There is a strange coincidence in the Danish language that the word forest ?skovbryn? and eyebrow ? jenbryn? are very similar to each other,? Tal explains, referring to the title of the exhibition. ?So when I saw this eye-shaped space of cut-down trees in the forest, I was intrigued. I took a chair and sat there daily to draw. While I was drawing, I asked myself: What exactly am I looking for? What is it that I am drawing? What am I doing here? When you have been doing this for years, it is no longer about copying the forest. It is no longer about registration. You are doing something else. Something you might not be aware of yourself. So when I talk about an eyebrow and the edge of the forest, it is actually me wondering: How long do I really see the forest before me, and after which amount of time do I start to invent the forest? I think that is a question many artists can relate to. When you draw something outside from yourself, for how long do you see it? What do you actually see? And when do you start to invent your version of it? When do you start to use the world as a mirror for something else you experience in life??‎

‎Exercices de géométrie constructive : travaux d'étudiants. Séminaire et laboratoire de recherche structurale.‎

‎ Ecole nationale supérieure des Beaux-Arts 1970 1 vol. broché in-4, broché, couv. illustrée, 349 + XXXI pp., nombreux plans et photos en noir. Mouillure en pied sur le dos, sans atteinte à l'intérieur du volume. Sinon en bon état général.‎

‎Exercices de géométrie construtive : Séminaire et laboratoire de recherche structurale‎

‎Editions de la Villette 1985 In-4 broché 27 cm sur 21. 349-XXXI pages. Reproduction en fac-similé. Nombreux plans, schémas et photographies en noir et blanc. Couverture légèrement insolée, sans gravité. Intérieur frais. Bon état d’occasion.‎

‎Architecte-ingénieur français. Esprit caustique et brillant, David-Georges Emmerich s'intéresse, dans une vision progressiste du monde, à la légèreté comme solution la plus intelligente des problèmes de la construction. Bon état d’occasion ‎