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‎Michael Gardner Axel Vervoordt‎

Reference : 53208

‎Axel Vervoordt - Interieurportretten‎

‎BE, Lannoo, 2019 Gebonden, 320 pagina's met kleurrijke afbeeldingen, 320x240mm.*volledig nieuw exemplaar! ISBN 9789401463423.‎


‎Een thuis zou een oase moeten zijn, een veilige haven die geluk en vreugde uitstraalt Al een halve eeuw cre ert de wereldbefaamde kunsthandelaar en interieurvormgever Axel Vervoordt met zijn bedrijf unieke woningen over de hele wereld. Hij vindt zijn inspiratie in verschillende culturen en tijdperken. Vandaag vloeien in de projecten van Vervoordt traditionele, wabi- en hedendaagse elementen samen. Deze elementen zijn tegelijk verankerd in het verleden en verbonden met de toekomst. Dit boek brengt zeventien uiteenlopende residenties samen, waaronder de allereerste Vervoordt-projecten in Japan, Rusland en India, maar ook stedelijke penthouses in New York en Londen, een wabi-schuur in Vlaanderen, een Venetiaans palazzo, een toevluchtsoord op Ibiza en een huis aan de kust van New England. Elk huis ademt een unieke en serene sfeer uit en verbindt op de typische Vervoordt-manier kunst met architectuur en natuur‎

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‎Michael Gibson‎

Reference : 66193

‎Symbolisme‎

‎K ln, Taschen, 1997 Hardcover with dustjacket, 255 pages, 32.5 x 25 cm. FR. ISBN 9783822883488.‎


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‎Michael Imhof ,leon Krempel‎

Reference : EXP20275

(2005)

Phone number : 06 83 06 99 49

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‎Michael Jacob, Karin Wolfe ‎

Reference : 48893

‎Catalogue of Drawings for Architecture, Design and Ornament The James A. De Rothschild Bequest at Waddesdon Manor. VOLUME 1‎

‎, the alice trust, 2007 Hardcover with dusjacket, 415 pages volume 1; Illustrated 23.34 x 6.58 x 30.94 cm . in fine condition Co-auteur: Alastair Laing, Michael Snodin, J.W. Niemeijer, Christopher White ISBN 9780954731021.‎


‎This major addition to the Waddesdon Catalogue series introduces for the first time Waddesdon's corpus of over 1000 decorative drawings. Remarkabl e for the sheer abundance and quality of works by virtually every French 18th-century ornemaniste or architect of note, the catalogue also includes key contributions from their 17th-century precursors. ‎

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‎Michael Jakob ; Giulia Mercanti, translations : Barbara Fisher.‎

Reference : 62359

‎SEEDS OF KNOWLEDGE : Early Modern Illustrated Herbals ‎

‎, Silvana Editoriale, 2023 Hardcover, 528 pages, ENG, 300 x 250 x 45 mm, NEW, over 600 illustrations in fine colours, . ISBN 9788836646869.‎


‎Seeds of Knowledge highlights the collection of 15th to 17th-century European printed herbals of Dr. Peter Goop (Liechtenstein). Herbals were highly illustrated, critical texts to doctors and lay healthcare providers that included both the folkloric and medicinal uses of plants. The text and illustrations were repeatedly refined as the medicinal benefits of a plant's use were more clearly under-stood and the style of illustration tended towards higher degrees of naturalism. These books were working manuals and frequently annotated by readers with notes of herbal recipes/medicines or other uses not found in the printed text. Dr. Goop's collection is one of the most extensive in private hands. Using the Morgan's 10th-century manuscript of Dioscurides' De materia medica (MS M.652) as a centerpiece, this Thaw Gallery exhibition will explore developments in the understanding of the healthful and healing properties of plants, as Europe moved away from medicinal folklore towards an increased understanding of the natural world.‎

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‎Michael K ckritz‎

Reference : 63420

‎PORSCHE VIBES : The Passion and the Porsche Way of Life ‎

‎, TeNeues, 2024 HB, 300 x 235 mm, ENG. edition, 256 p, 200 illustrations , NEW, . ISBN 9783961715749.‎


‎Another book about Porsche? Absolutely! Because one like this doesn't exist yet. In the new picture book Porsche Vibes by Michael K ckritz, it may seem like the iconic luxury sports car is at the centre of attention. However, the true star of the book is the emotions and the lifestyle that are so typically associated with Porsche. It's that feeling that only a Porsche can evoke. K ckritz skilfully portrays what it's like to live with a Porsche by your side. The result is a laid-back coffee table book that conveys an eternally youthful sense of life, where joy, happiness, and enjoyment take centre stage. In captivating images, Michael effortlessly captures the emotional essence and shares it with his readers. He tells authentic and inspiring stories about the fascinating luxury sports car and provides amusing background anecdotes about the people who drive them. There's hardly anyone better suited for this task. After all, K ckritz is not only a devoted Porsche enthusiast himself, but also the editor of the cult car magazine ramp and the owner of the successful brand agency ramp.studio. Porsche Vibes is a highly entertaining book that illuminates the Porsche myth and reveals the brand and the brand experience behind the luxury sports car from Stuttgart. It gradually opens the reader's access to the world of Porsche driving: relaxed, exuberant, and sometimes wild. Many intimate pictures tell exciting stories and feature prominent Porsche drivers with their cars. This magnificent picture book is made for all Porsche fans who already have everything, and for anyone who wants to understand the fascination behind this magnificent vehicle.‎

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‎Michael Lapidge‎

Reference : 63343

‎Canterbury Glosses from the School of Theodore and Hadrian. The Leiden Glossary‎

‎, Brepols, 2023 Paperback, 2 vols, 824 pages, Size:178 x 254 mm, Illustrations:1 col., Language(s):English, Latin. ISBN 9782503608587.‎


‎Summary The 'Leiden Glossary' provides a record of the understanding and interpretation of the patristic and grammatical texts studied at the Canterbury School of Theodore and Hadrian, regarded by Bede as the high point of Christian culture in early medieval England. Each entry in the 'Leiden Glossary' is provided with detailed commentary on the sources consulted by the two Canterbury masters (earlier glossaries; Isidore; Eucherius) and the later uses of the glossary by compilers of the Epinal-Erfurt and Corpus glossaries. The 'Leiden Glossary' is thus a key witness to one of the greatest schools of learning in the early Middle Ages. TABLE OF CONTENTS Volume 17/1 Introduction Literary Production of the Canterbury School The 'Leiden-Family' Glossaries and the School of Canterbury Archbishop Theodore Abbot Hadrian The Leiden Manuscript Parallel Glossaries: The 'Leiden-Family' Glossaries Derivative English Glossaries Texts Studied at the Canterbury School as Represented in the 'Leiden Glossary' Sources of Interpretation of the Texts Studied at the Canterbury School The Nature of the Glossing in the 'Leiden Glossary' Mistaken Interpretations Conclusions Editorial Procedures Bibliography Indices Index of Lemmata Index of Latin Glosses Index of Greek Index of Old English Glosses Index of Old High German Glosses Volume 17/2 The 'Leiden Glossary': Text and Commentary‎

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‎Michael Parenti‎

Reference : 65378

‎moord op Julius Caesar, historische mythes over democratie‎

‎Antwerpen , Epo, Uitgeverij, 2004 Softcover, 272 pagina's, 20 x 12.5 cm, Nederlands. ISBN 9789064453625.‎


‎Genomineerd voor de Pulitzer Price. Waarom vermoordden in het jaar 44 voor Christus een kliekje Romeinse senatoren hun collega-aristocraat en heerser Julius Caesar? Persoonlijke vendetta's? Politieke afrekening? Strijd tussen conservatieven en hervormers? Wat het antwoord ook zij, met de moord op Julius Caesar startte een lange burgeroorlog. De moord betekende het einde van de toenmalige democratie en luidde het begin in van een eeuwenlange absolutistische heerschappij in Europa. Het was dus niet zomaar een moord. Een boek over grootgrondbezit en doodseskaders, over meesters en slaven, over stamvaders, patriarchaat en onderdrukte vrouwen, over kapitalisten die zichzelf verrijken, over huisjesmelkers en oproerkraaiers. Het gaat over corrupte politici, verkiezingen uit geldbejag en politieke moorden op leiders die de kant van het volk kozen. Dit boek is het relaas van de inspanningen van het volk om zich te verdedigen tegen de misbruiken van rijken en tirannen. Een nieuw perspectief op een tijd die helemaal niet zo vervlogen is als het wel lijkt.‎

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‎ Michael Petry ; Femke Vandenbosch ; Libby Lumpkin ; Max Presneill ; Johannes K senne.‎

Reference : 63130

‎Cindy Wright : Still Well‎

‎, Borgerhoff & Lamberigts / MER, 2023 Hardcover, 252 pages, ENG.,300 x 300 mm, NEW, illustrated in color. ISBN 9789464778557.‎


‎Cindy Wright creates large-scale oil paintings on canvas. At first glance the monumental still life paintings appear to be photo-realistic, using the photographic methods of cropping compositions and intense source lighting. But on closer inspection, the range of mark-making and painterly applications become astoundingly apparent. Wright?s work echoes the morbid tradition of ?vanitas? from the Dutch Old Masters of the 16th and 17th Century. Between beauty and decay, archetypal symbols like the human scull, rotten fruit, raw flesh, and dead animals traditionally represent the transience of life. Within a contemporary context, these symbols may refer to mass consumption or the exploitation of natural resources. However, this is not essentially the artist?s intent. Rather than being shocking or moralising, the images evoke a sense of peacefulness, silence, and fragility. Wright?s subjects are taken from her immediate surroundings and are transformed into iconic images for our times. This second edition of the catalog is published as a reprint collecting a selection of paintings from the last 20 years up to 2023, and exists alongside the artist?s exhibition part of the INBOX program at MHKA Museum in Antwerp.‎

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‎Michael Roberts ; Grace Coddington ; Andr Leon Talley ; John Galliano‎

Reference : 61496

‎Snippy World of New Yorker Fashion Artist Michael Roberts‎

‎, Edition 7L, 2005 Hardcover, 270 pages, ENG, 335 x 255 x 40 mm, NEW !!, protection case, Large Format, Full Page coloured illustrated, rare ex, . ISBN 9783865211514.‎


‎"Michael Roberts is the Jean Cocteau of the fashion world," wrote the celebrated New Yorker editor Tina Brown in 1997, welcoming her new fashion editor to the most prestigious magazine in the world. Having already served for many years as a style editor (The London Sunday Times, Vanity Fair) and having produced numerous illustrations, photographs, paintings and columns of fashion criticism for various media, Roberts had already had his name coupled with Cocteau's, but his striking visual style is collected here for the first time. From evocative pen-and-ink sketches to acrylic paintings to intensely witty New Yorker covers created from cut paper, these works capture the fads, foibles and fashionability of our times. Anna Wintour, editor-in-chief of American Vogue, in her introduction to "this beautiful book" calls them "fiendishly accurate satire." And the shoe guru Manolo Blahnik writes, "His drawings grasp fashion moments like a photo could never do." That a major part of the book was created through the painstaking method of paper collage especially appeals to the internationally famed fashion designer John Galliano. He writes, "I have avidly collected his work, along with doing my own collages, for years, and I am honored to be a part of this book."‎

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‎Michael Robson, Peter D. Clarke (eds)‎

Reference : 65947

‎Popes, Bishops, Religious, and Scholars. Studies in Medieval History Presented to Patrick N. R. Zutshi for his Seventieth Birthday‎

‎, Brepols, 2024 Hardback, 439 pages, Size:156 x 234 mm, Illustrations:8 col., 1 maps b/w, Languages: English, French, German. ISBN 9782503600376.‎


‎Summary Patrick Zutshi is a leading authority on the later medieval Western Church and papacy and internationally recognised as an expert in papal diplomatic and the Avignon Curia. This volume brings together essays by over twenty of Patrick's colleagues and friends, all distinguished scholars in medieval history, to celebrate his 70th birthday. The volume reflects both Patrick's wide scholarly interests, ranging from the administration of the papal curia to intellectual and legal history and the mendicant orders, and his extensive network of colleagues and collaborators in different countries, including Germany, Italy, Ireland, Switzerland, Finland, Australia, USA, and UK. This collection of essays also engages with important themes in later medieval history of wide interest to university students, their teachers, and other researchers in the field, comprising: Mendicants and the Religious Life; University and Intellectual History; Bishops and Secular Clergy; and the Papal Curia between Avignon and Rome. All the essays draw on original research, reflecting Patrick's own research and editing of manuscript and archival sources. TABLE OF CONTENTS I. Mendicants and the Religious Life: Michael Robson, 'Francis of Assisi, Matthew Paris and his Two Copies of the Franciscan Rule of 1223'. Frances Andrews and Louise Bourdua, 'The Notary, the Sculptor, the Friar and the Doge: Giovanni Dolfin and his Creditors in Mid-fourteenth-century Venice'. Peter Murray Jones, 'English Dominicans at Court: Confessors and Healers'. Joan Greatrex, 'Who Were the Nuns of Romsey Abbey in the First Half of the Fourteenth Century?' Michael Haren, 'The Evolution of the Defence of the Mendicant Orders against Richard FitzRalph of Bartholomew of Bolsenheim, O.P.'? II. University and Intellectual History: Rodney Thomson, 'The Manuscripts of Vacarius's Liber pauperum' Joseph Canning, 'John of Turrecremata (Torquemada), Scourge of Heretics, Defender of the Pope and Adversary of Conciliarists: Further Thoughts on his Summa de ecclesia' III. Bishops and Secular Clergy: Brenda Bolton, 'Always waiting for the Sea to cease its turmoil?': Absentees from the Fourth Lateran Council' Philippa Hoskin, 'Problems with Progressions: Learning from the Itinerary of Oliver Sutton, Bishop of Lincoln, 1280-1299' Nicholas Bennett, 'Hope or Expectation? Papal Provision of Poor Clerks in the Diocese of Lincoln, 1320-1347' IV. The Papal Curia between Avignon and Rome: Barbara Bombi, 'Legal Theory and Practice: The Proctors of St Augustine's Canterbury at the Fourteenth-century Papal Curia.' Andreas Rehberg, 'Ego in aliena patria existens: Immagini e giudizi a confronto fra i cittadini di Roma e gli ultramontani all'origine dello Scisma del 1378' Daniel Williman and Karen Corsano [with Donald Logan], 'The Honorary Chaplains of Pope Gregory XI'. Agostino Paravicini Bagliani, 'Penitentiaries and Cultural Life in the Thirteenth-century Papal Court' David d'Avray, 'Simony, Penitentiary, Conscience' Ludwig Schmugge, 'Nikolaus Theoderici de Driel - oder: Wohin eine Supplik f hren kann'. Kirsi Salonen, 'Debilis complexio: Christians and Dietary Requirements of Canon Law' Peter Clarke, 'Dispensations and Church Courts in Later Medieval England'‎

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‎Michael Saffle‎

Reference : 65283

‎Selling Pianos with Pictures. Commercial Art and Keyboard Instruments from the Eighteenth Century to the 1920s‎

‎, Brepols, 2021 Paperback, xv + 186 pages, Size:216 x 280 mm, Illustrations:110 b/w, 50 col., Language: English.*new ISBN 9782503583570.‎


‎Summary Nineteenth- and early twentieth-century advertisements for pianos, pianists, merchants, music publishers and, above all, for domestic purchases are full of images employed for commercial rather than cultural purposes. This volume examines the commercial characters and significances of how pianos were pictured between the early days of 'modern' marketing to today. During the early 1920s, piano sales peaked in the United States; nevertheless, pianos have continued to be sold even as radios, record players, television sets and electric keyboards increasingly replace them as must-have sources of entertainment and improvement. The market for player pianos, although comparatively short-lived, also provided manufacturers and retailers with opportunities to depict pianos and pictures. TABLE OF CONTENTS Introduction Chapter I: Advertising, Iconography, and Secondary Sources of Information Previous Studies of Illustrated Piano Advertising Musicological Iconography and Iconology Advertising as a Professional Activity, 1865-1920 Chapter II: Changing Attitudes Toward Pianos and Pianists Pianos as Objects of Admiration, Denigration, and Social Cach Women and Keyboard Instruments: Traditional Associations and Early Illustrations Display, Religion, Respectability, Talent, and "Piano Girls" Chapter III: The Evolution of Illustrated Piano Advertising, 1770-1925 Early Piano Advertisements, Endorsements, and Testimonials Illustrated Piano Advertising Comes of Age, 1865-1910 Concluding Observations A Synopsis of Illustration Piano Advertising and Advertising's Emerging Importance The Declining Importance of Pianos and the Increasing Popularity of Phonographs, Radios, Other Electric Devices, and Guitars * Bibliography Index‎

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‎Michael Schonhardt‎

Reference : 64439

‎Mit Sphaera und Astrolab. 'Die Entdeckung der Natur' in s dostdeutschen Kl stern im hohen Mittelalter‎

‎, Brepols, 2023 Hardback, 432 pages, Size:156 x 234 mm, Illustrations:30 b/w, 21 col., 16 tables b/w., 5 maps b/w, Language: German. ISBN 9782503598901.‎


‎Summary This book offers a study of the scientific landscape of medieval Bavaria during the higher Middle Ages. Based on manuscripts as well as medieval library catalogues, it tries to quantify the so-called 'Discovery of Nature' and tries to analyse it from the perspective of a monastic landscape in which the arrival of the astrolab in the 11th century marked a significant turning point. By introducing new methods and questions into the traditional body of Carolingian astronomy, monastic scholars of this area played a decisive, albeit neglected, role in the development of medieval astronomy. The book reconstructs the studies of the monk Wilhelm von Hirsau who tackled some of the most urgent problems of astronomy of his time: correcting the dates of the solstices and finding latitude. These studies are then placed in the broader development of medieval science, particularly focusing on his sphaera, an instrument that has often been wrongly understood as a teaching device. In contrast, the present study argues that this instrument is not only William's lost astronomical clock, but also the first example for stationary observational astronomy in medieval Europe as well as an important milestone towards the empirical astronomy of future centuries. Dieses Buch untersucht die Wissenslandschaft des deutschsprachigen S dostens im hohen Mittelalter. Auf Grundlage berlieferter Handschriften und mittelalterlicher Bibliothekskataloge wird die sogenannte ?Entdeckung der Natur' quantifiziert und aus der Perspektive einer Klosterlandschaft analysiert, in der die Ankunft des Astrolabs im 11. Jahrhundert einen bedeutenden Wendepunkt markierte. Durch die Einf hrung neuer Methoden und Fragen in den tradierten Wissenskosmos des fr hen Mittelalters spielten die monastischen Gelehrten dieses Raumes eine entscheidende, wenngleich vernachl ssigte Rolle f r die Entwicklung der mittelalterlichen Astronomie. Das Buch rekonstruiert die Studien des M nchs Wilhelm von Hirsau, der sich mit einigen der dr ngendsten Problemen der Astronomie seiner Zeit befasste: der Neudatierung der Sonnenwendepunkte sowie der Suche nach dem eigenen Breitengrad. Vor allem wird seine Sphaera in den Blick genommen, ein Instrument, das bislang vor allem als Lehrger t gedeutet wurde. Im Gegensatz dazu vertritt die vorliegende Studie die These, dass es sich bei diesem Instrument nicht nur um Wilhelms verlorene astronomische Uhr handelt, sondern um das erste berlieferte Beispiel eines station ren Observatoriums im mittelalterlichen Europa und damit um einen wichtigen Meilenstein in der Geschichte der empirischen Astronomie. TABLE OF CONTENTS Abbildungsverzeichnis Tabellenverzeichnis Danksagung Kapitel 1: Einleitung: Von franz sischen Kathedralschulen ins monastische Milieu des S dostens Kapitel 2: Methodologische Grundlagen und Quellenkorpus Begriffskl rung: Kosmoswissen als analytisches Konzept Methodologische Grundlagen einer Wirkungschronologie Quellen einer Wirkungschronologie Vom Diskurs zur Praxis: Methodologische Grundlagen praxeologischer Wissenssysteme Quellen praxeologischer Wissenssysteme Gliederung der vorliegenden Arbeit Kapitel 3: Die Formierung des Kosmoswissens im S dosten bis zum Ende des 12. Jahrhunderts Inhaltliche Auswertung der erfassten Wissensbest nde Die Best nde des prim ren Wissens Die Best nde des sekund ren Wissens Wirkungschronologie der s dostdeutschen Wissenslandschaft Von der Antike ins Fr he Mittelalter: Der S dosten als postkolonialer Raum Das 9. und 10. Jahrhundert: Integration und Rezeption Das 11. Jahrhundert: Gorzer Reform und Astrolab Das 12. Jahrhundert: Neue Kl ster, neues Wissen Die hochmittelalterliche Wissenslandschaft des S dostens Die tragenden Institutionen der Wissenslandschaft Inhaltliches Profil Analyse der gesammelten Daten Kapitel 4: Der Kosmos im Wandel: Innovationsprozesse in Regensburger Kl stern Ursachen: Innovation durch Irritation Das Astrolab und seine Konstruktion in St. Emmeram Das Wissen um den eigenen Breitengrad Das Wissen um die Zeit Observative Astronomie und die Sphaera von St. Emmeram Analytisches Zwischenfazit Bedingungen: Institutionalisierung und Professionalisierung Die soziale Dimension kosmologischer Innovationsprozesse Astronomie und Zeitmessung Kosmologisches Wissen im Dienst des Experten Analytisches Zwischenfazit Kapitel 5: Schluss Zusammenfassung Fazit und Ausblick Anhang Fragmente der Astronomia Tabellen Erweitertes Handschriftenregister Literaturverzeichnis Archivquellen Handschriften Prim rquellen Sekund rquellen Handschriftenndex Personen-, Orts-, Sachindex‎

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‎Michael Sheridan‎

Reference : 58982

‎Room 606: The SAS House and the Work of Arne Jacobsen. ‎

‎, Phaidon, 2003 Hardcover 271 pages, very richly illustrated with coloured illustrations. 28x21cm. Fine condition. ISBN 0714842893.‎


‎masterwork of Danish architect and furniture designer Arne Jacobsen in the centre of Copenhagen, on the sixth floor of the Royal Hotel, a single room preserves a microcosm of the definitive masterwork of Danish architect and furniture designer Arne Jacobsen (1902-71). Room 606 is the last surviving interior of the SAS House: an unparalleled example of modern architecture and design, completed in 1960. Jacobsen was one of the outstanding architects of the twentieth century, throughout his career, creating complete settings for daily life and dissolving the boundaries between architecture, interior and industrial design. The chapters are organized thematically: each consists of three sections that together look at Room 606 as a microcosm of the SAS House, reconstruct the original building, and trace the connections between Jacobsen's masterpiece and his other works - from whole buildings to household objects.‎

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‎Michael Spence‎

Reference : 65710

‎Late Medieval Cistercian Monastery of Fountains Abbey, Yorkshire. Monastic Administration, Economy, and Archival Memory‎

‎, Brepols, 2020 Hardback, 208 pages, Size:156 x 234 mm, Illustrations:17 b/w, 18 tables b/w., Language: English. ISBN 9782503567716.‎


‎Summary Founded in 1132, Fountains Abbey became the wealthiest English Cistercian monastery - yet relatively little analysis has been made of its surviving records to investigate how its wealth was controlled and sustained. This book deals with this secular aspect of the religious community at Fountains, investigating in particular the way in which prosaic business records were compiled and redacted. It traces the transmission of data from original charters through successive versions of cartularies, and in the process establishes the existence of a previously unknown manuscript. It also reveals how abbots in the fifteenth century interacted with and adapted the records in their care. In this process, two quite different aspects of monastic life are uncovered. First, it sheds new light on the history of Fountains Abbey through the fourteenth and fifteenth centuries, amongst other things how it responded to the turmoil of the Black Death, and discloses for the first time the allegiance of one abbot to the Lancastrian cause during the Wars of the Roses. Second, it reveals the worldly skills shown by the community of Fountains that were successfully applied to exploit the monastery's large landholdings across Yorkshire, mainly through wool and agricultural production, but also through fisheries, tanning, mining, and metalworking. The economic success of these activities enabled the abbey to become a prosperous institution which rivalled the wealth of the aristocracy. This book addresses recordkeeping and archival memory at one, Cistercian, monastery - albeit a well-endowed and prosperous one - in the north of England. However, its treatment of archival sources could be extended to other houses in different geographical locations and different orders, to enable comparisons between monasteries dealing with economic change and social and political upheaval in the later Middle Ages. TABLE OF CONTENTS List of Illustrations Acknowledgments List of Abbreviations Introduction Chapter 1: Fountains Abbey: Origins and Development, Antiquarians, and Modern Scholarship Chapter 2: Fountains Abbey in the Long Fifteenth Century Chapter 3: Charters, Cartularies, and Archival Redaction Chapter 4: Abbot Greenwell's Aide-Memoire? The President Book of Fountains Abbey Chapter 5: Creative Redaction: Reassembling the Past and Developing an Audit Trail Chapter 6: Reflective Redaction: Reviewing the Past Chapter 7: A Forensic Approach to Fountains Cartularies Conclusion Appendix A: The President Book of Fountains Abbey Appendix B: Cartulary 2, WYAS 150/5384 Appendix C: Cartulary RP, Univ. Coll. MS 167 Appendix D: Rentals, Add MS 40010 Appendix E: Fountains Abbey Manuscripts Appendix F: The Charter of William of Goldsborough Bibliography Index‎

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‎Michael Tarantino Derycke, Luc [edit.] Tarantino, Michael Matsui, Midori‎

Reference : 53804

‎Anne Daems. Drawings / 9789076979106‎

‎, Mer Paper Kunsthalle, 2013 softcover 176 pages ill. text in English. ISBN 9789076979106.‎


‎Het werk van Anne Daems is aandacht (in al zijn varianten), en toont in video, fotografie en tekeningen hoe vreemd het alledaagse met het sublieme is verweven, en hoenvaak, zij het onopgemerkt, de grenzen tussen het private en het publieke verdwijnen. Dit boek toont een overzicht van haar werk tot heden.nnAll the aspects of 'attention' are a recurring theme in the art of Anne Daems. In her video work, photography and drawings, she shows how everyday life intertwines with the sublime and how -often without noticing - private and public issues get mixed up. This book is an overview of her work.nnAnne Daems was born in Antwerp in 1966.‎

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‎Michael W. Dunne‎

Reference : 63526

‎Peter of Ireland, Writings on Natural Philosophy. Commentary on Aristotle?s On Length and Shortness of Life and the Determinatio Magistralis‎

‎, Brepols, 2023 Paperback, 226 pages, Size:156 x 234 mm, Language(s):English, Latin. ISBN 9782503605685.‎


‎Summary Peter of Ireland (Petrus de Ybernia) was born sometime around the beginning of the thirteenth century in Ireland, probably of a Norman family. He probably left Ireland aged around age 15 to pursue his studies abroad. His interest in medical and scientific questions would suggest a stay at Oxford, whereas his approach to logic would suggest a Parisian influence. By the middle of the century he was Professor of Logic and Natural Philosophy at the University at Naples. Peter is perhaps one of the best known of medieval Irish thinkers on the continent owing to the fact that he was held to be the teacher of the young Thomas Aquinas at Naples University from 1239-44. As such, it would be he who, in all likelihood, first introduced Thomas to the study of Aristotle and perhaps also to the commentaries of Avicenna and Averroes. The works presented here date from at least a decade later, and relate to lectures given at Naples in the 1250s and 1260s. The extent to which he was held in respect by his contemporaries is to be seen in his solution (determinatio) to the disputed question on the origin of the design of an animal's body which was held before King Manfred around 1260. It was, perhaps the culmination of a famous scholarly career. TABLE OF CONTENTS Preface Introduction Life, Longevity and Death Peter of Ireland, Life and Works The De longitudine commentary The Determinatio Magistralis Principles of the Edition and Translation Text and Translation Bibliography Indices‎

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‎Michael William Dunne, Susan Gottl ber (eds)‎

Reference : 64782

‎Tolerance and Concepts of Otherness in Medieval Philosophy. Acts of the XXI Annual Colloquium of the Soci t Internationale pour l' tude de la Philosophie M di vale, Maynooth, 9-12 September 2015‎

‎, Brepols, 2022 Hardback, xxiv + 448 pages, Size:156 x 234 mm, Language(s):English, German, French. ISBN 9782503600413.‎


‎Summary The proceedings of the S.I.E.P.M. Colloquium at Maynooth published in this volume shed new light on the development of the perception of the other within the different philosophical, religious, and cultural traditions in the late Middle Ages as well as the early modern era in both Christian and Islamic thought. The contributions consider not only the theological background but also the philosophical presuppositions of the concepts which were used to develop various apologetic writings and theological treatises that dealt with questions of cultural and religious difference. The rich and diverse medieval and early modern tradition of engaging with the other and the arguments for or against toleration on topics that are equally diverse are discussed with reference to both the Western and Eastern Christian tradition, to the contributions of Islamic Thinkers on the topic, and to the flourishing tradition of a constructed interreligious dialogue such as that between Christians and Jews. Finally, this book includes a number of important investigations exploring the relationship between toleration and rights not only within Europe but also in the lands of the so-called new world and its indigenous peoples where arguments of exclusion were grounded intheories such as grace-based dominium. TABLE OF CONTENTS Michael W. Dunne, Susan Gottl ber, Introduction David Luscombe, Tolerance and Rights 1. Toleration and Otherness Between East and West Christopher Schabel, Tolerating the Greeks? Augustinian Hermits on the Filioque from the Black Death to the Great Schism Mikhail Khorkov, Konflikt, Toleranz und Dialog zwischen orthodoxen und katholischen Christen und Muslimen in den polemischen Schriften von Maxim Grek Jeremiah Hackett, Roger Bacon and his ?Relative? Tolerance of ?The Others Lidia Lanza, Utrum haeretici sint tolerandi:The Debate in the Sixteenth-Century Iberian Commentary Tradition on Thomas Aquinas's Summa theologiae, II-II, q. 11 2. Toleration and Otherness in Islamic Philosophy Terence Kleven, Al-F?r?b?'s Book of Resolution (Kit?b al-Ta?l?l) Aicha Lahdhiri, Comment penser la tol rance et l'intol rance travers les deux trait s Fay?al al-tafriqa d'Ab? ??mid al-Ghaz?l? (1058-1111) et Fa?l al-maq?l d'Ab? al-Wal?d Ibn Rushd (1126-1198)? Luis Lop z Farjeat, Al-F?r?b? on Tolerance, Religious Pluralism, and Philosophical Exclusivism 3. Toleration, Recognition, and Dialogue Natalia Jakubecki and Gustavo Fern ndez Walker, Ne in delis transeat ex hac vita. Some Remarks on the Notion of Tolerance and Its Applicability to Abelardian Hermeneutics Heikki J. Koskinen and Ritva Palm n, Recognition Theory and Agreement in Conict: The Case of Peter Alfonsi's Dialogus contra Iudaeos Edit Anna Lukacs, On the Foundations of Faith in Thomas Bradwardine?s De causa Dei, Book I. Dialogues about Otherness in the Circle of Richard de Bury Kent Emery, jr., Veritas odium parit: Denys the Carthusian's Dialogue with the Saracens Walter Andreas Euler, Dialogue and Toleration in Cusa. Section Four: Toleration, Otherness, and the Question of Rights Andrea Aldo Robiglio, Toleration by Ordeal: A Note on Intolerance and Dueling in Medieval Thought Virpi M kinen, Recognizing the Rights of Infidels in William of Ockham's Ideas on Secular Government Michael W. Dunne, Richard FitzRalph on Toleration Thomas Dewender, Francisco de Vitoria on the Natural Rights of the People of the 'New World' Roberto Hofmeister-Pich, Tolerance in First and Second Scholasticism?Some Major Problems Index‎

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‎Michael W. Kwakkelstein‎

Reference : 58359

‎Anatomical Studies 1./ Study heads and anatomical studies / Corpus Rubenianum Ludwig Burchard , vol. 20.1‎

‎, , 2022 Hardcover with dusjacket, 220 pages, Size:175 x 260 mm, Illustrations:94 b/w, 62 col. fine!. ISBN 9780905203805.‎


‎The central theme of Rubens?s paintings is the human figure, often represented nude or partially clothed and involved in dramatic action. As a history painter, Rubens?s acclaimed skill in rendering the human body whether male or female, lean or fleshy, mature in years or young, animated or lifeless, vigorous or diseased, heroic or cowering, sensuous or decrepit, idealised or blemished and imperfect enabled him to vie with the greatest artists ever known, while creating increasing demand for his work among Europe?s intellectual, cultural, religious and political lite. His mastery in depicting human figures and their dynamic movements suggests that he followed the example of Leonardo da Vinci (1452?1519), Michelangelo Buonarroti (1475?1564) and other Italian artists he admired, who made extensive studies of human anatomy. As pointed out by two recent perceptive scholars, however, the robust, muscular male nudes in action who appear in so many of Rubens?s narrative paintings are often anatomically inaccurate. Moreover, and as will become clear in this volume, Rubens?s approach to anatomical study was not closely similar to that of any of his forbears. In many respects his ways of working are comparable to those of Michelangelo, who used the knowledge he acquired through dissection not to pursue verisimilitude but to invent the anatomy of his figures according to his own idea of physical beauty, strength and expression. Yet unlike Italian Renaissance artists such as Leonardo, Michelangelo, and Alessandro Allori (1535?1607), Rubens did not perform or witness dissections and seems to have rarely studied from the live nude model. What, then, was the nature and extent of Rubens?s study of human anatomy? The present volume will offer an answer to that question, while also establishing when and where most of his anatomical works were made and reassessing the issue of their intended purpose.‎

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‎Michael Wolf & Arpa s Du Bois‎

Reference : 63893

‎Hong Kong Whispers‎

‎, Hannibal Books, 2024 Hardcover, 160 pages, Illustrated, 25x19cm, Text in English. Fine . ISBN 9789464941203.‎


‎The posthumous release of the last book that Michael Wolf himself worked on, published to mark the fifth anniversary of his death Award-winning German photographer Michael Wolf (1954?2019) grew up in Canada, Europe and the United States. In 1994, Wolf moved to Hong Kong, where he worked for eight years as a contract photographer for Stern Magazine. The core of Wolf?s work consisted of capturing life in megacities. Many of his projects depict the architecture and popular culture of metropolises, and Hong Kong Whispers is no exception. This book contains a stunning series of photos showing the vibrant global city of Hong Kong. Wolf?s photographs are displayed in dialogue with the acerbic and ambiguous drawings of Arpa s Du Bois ( 1973). Based on intense engagement with Wolf?s series of images, she reflects on unnoticed moments and events that characterise life in the metropolis. The visual exchange between photographs and drawings took shape during Du Bois?s stay of several weeks in Hong Kong (2014), during which the two artists observed the city both together and individually.‎

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‎Michailowa,O.‎

Reference : 59355

‎SPANISH GLASS IN THE HERMITAGE ENG / RUS‎

‎, Aurora Art Publications, Leningrad, , 1970 180 pp. 300 col. & b./w. ills. Hardcover, no d./j. No slipcase.Text in English and Cyrillic.‎


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‎Micha l Amy, Lorenzo Benedetti, Edwin Carels ; translation : Ted Alkins‎

Reference : 61742

‎Robert Devriendt : Broken Stories‎

‎, Ludion, 2014 Hardcover, 208 pag. NL / ENG, 300 x 250 x 25 mm, NIEUW / NEW, full of photographs / illkustrations in colour. ISBN 9789491819049.‎


‎Het oeuvre van de Belgische kunstenaar Robert Devriendt is onlosmakelijk verbonden met film: zijn schilderijen zijn klein en kunnen bekeken worden als een reeks stills. De samenhang van deze ?filmische montages? is vaak enigmatisch - er is geen vastomlijnd script. De toeschouwer ervaart de schilderijenreeksen als onopgeloste zaken, waarbij de personages op het schilderij de rol spelen van acteurs: een man kijkt ons aan, een meisje blijkt net vermoord te zijn ? of ligt ze te slapen? De kijker wordt automatisch getransformeerd in coregisseur en cre ert zijn eigen verhaal. De series van Robert Devriendt zijn als gebroken verhalen, waarbij de interpretatie van de toeschouwer centraal staat. Broken Stories biedt een overzicht van de carri re van Robert Devriendt, met de nadruk op zijn recente werk.‎

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‎MICHA L BORREMANS‎

Reference : 54337

‎Micha l Borremans the Badger's Song.‎

‎BE - , Hannibal Books, 2020 Hardcover, 380 x 275 mm, 176 pages, English edition. FINE CONDITION !!! ISBN 9789463887564.‎


‎Ambiguity and contradiction are the twin hallmarks of the paintings, drawings and films of Micha l Borremans (b. 1963). He deploys his technical virtuosity to create apparently familiar scenes, which on closer inspection have an unsettling effect. He combines black humour, violence, absurdism and beauty to produce images that are strange and alienating, in which the subject seems to be situated in an undefined time and space. This catalogue provides an overview of Micha l Borremans' work since 2013. The majority of the works have never been published before. The book focuses on the different series of paintings he has exhibited over recent years: 'Black Mould', 'Fire From the Sun' and 'Coloured Cones'. Working in series is a recent development in Borremans' oeuvre. Micha l Borremans has staged solo exhibitions in a variety of venues, including Galerie Rudolfinum in Prague, CAC M laga, Dallas Museum of Art, Tel Aviv Museum of Art, BOZAR in Brussels, Hara Museum of Contemporary Art in Tokyo, The Cleveland Museum of Art, S.M.A.K. in Ghent, De Appel in Amsterdam and Parasol Unit in London.Overzicht van alle reeksen schilderijen van Micha l Borremans sinds 2013 De schilderijen, tekeningen en films van Micha l Borremans ( 1963) worden gekenmerkt door ambigu teit en contradictie. Hij cre ert met technische virtuositeit schijnbaar vertrouwde taferelen, die bij nader inzien een ontregelend effect hebben. Hij combineert zwarte humor, geweld, absurdisme en schoonheid met elkaar met vervreemdende beelden als resultaat, waarbij het onderwerp zich in een ongedefinieerde tijd en ruimte lijkt te bevinden. Deze catalogus biedt een overzicht van alle werken die Micha l Borremans sinds 2013 in reeksen heeft geconcipieerd. Het gaat hierbij om zeven verschillende series, onder meer Black Mould, Fire from the Sun? en Girl with Hands. De meeste van deze werken werden nooit eerder gepubliceerd. Het werken in reeksen is een recente ontwikkeling in het oeuvre van Borremans.‎

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‎Micha l De Moor, Ga tane Stassijns e.a. Fotografie: Henk van Cauwenbergh‎

Reference : 64412

‎Move tijd om te bewegen ‎

‎, Kunstboek, 2017 Gebonden, Hardcover HB, 330 x 245 mm, 160 pages , 60 Kleurenillustraties; NL edition. ISBN 9789058565839.‎


‎Dit bijzondere boek, een initiatief van de UA professoren Gaetane Stassijns en Marc Peeters, bundelt getuigenissen van bekende en minder bekende mensen uit de meest diverse disciplines en een aantal toegankelijke bijdragen van specialisten (professoren van de Universiteiten van Antwerpen en Rotterdam en de Harvard Medical School). Allen hebben de bedoeling de lezer te wijzen op het nauwelijks te overschatten belang van 'beweging' in het licht van een goede gezondheid. Bekende 'ervaringsdeskundigen' zijn onder meer Bart Peeters, Bart De Wever, Elodie Ouedraogo, Karel Van Eetvelt, Lydia Chagoll, Frank Deboosere, Hilde Crevits, Mia Doornaert, Jan Leyers, de chefs van sterrenrestaurant Cuines, 33 e.a. maar er zijn ook de indrukwekkende gertuigenissen van onbekende sporters die vooroordelen, ziekte of aandoening hebben overwonnen en onvermoede prestaties neerzetten.‎

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‎Micha Leeflang, Koenraad Jockheere, Sven van Dorst, e.a‎

Reference : 61593

‎VAN ANTWERPEN NAAR AMSTERDAM : Schilderkunst uit de zestiende en zeventiende eeuw‎

‎, Hannibal Books, 2023 Softcover met flappen, 408 pag. NL editie, 290 x 250 x 35 mm ,Nieuw !, Mooi dik boek met talrijke illustraties in kleur / z/w. ISBN 9789464666120.‎


‎Ontdek hoe Vlaamse en Brabantse meesters Nederland groot hebben gemaakt De Nederlandse kunst van de zeventiende eeuw wordt wereldwijd geroemd, maar hoe 'Hollands' zijn deze schilderijen werkelijk? Aan de hand van ruim negentig topstukken van Vlaamse en Hollandse meesters laat dit boek zien dat de bloei van de zeventiende-eeuwse Hollandse schilderkunst er niet was geweest zonder het zestiende-eeuwse Antwerpen. Religieuze vluchtelingen die vanuit deze metropool naar het noorden trokken, speelden hierin de hoofdrol. De Val van Antwerpen in 1585 resulteerde namelijk in de massale uittocht van Antwerpenaren naar het noorden. Aan de hand van persoonlijke verhalen en diepgaand onderzoek wordt kennisgemaakt met het verhaal van talentvolle en goed opgeleide kunstenaars en kooplieden die in het noorden godsdienstvrijheid en nieuwe handelsmogelijkheden zochten. Van Antwerpen naar Amsterdam toont unieke werken van grote meesters als Joos van Cleve, Pieter Aertsen, Maerten de Vos, Frans Floris, Frans Hals, Peter Paul Rubens, Antoon van Dyck, Jacob Jordaens, Jan Steen en Rembrandt van Rijn. Publicatie bij de tentoonstelling Ode aan Antwerpen, hoe Vlaamse meesters Nederland groot maakten in het Museum Catharijneconvent van 14 mei tot 17 september 2023. Van Antwerpen naar Amsterdam is geen catalogus maar een tijdloos referentiewerk dat in geen enkele kunstboekenbibliotheek mag ontbreken. Met tekstbijdragen van onder anderen Micha Leeflang, curator in het Museum Catharijneconvent, Koenraad Jonckheere, hoogleraar kunstgeschiedenis aan de Universiteit Gent en auteur van de bestseller A New History of Western Art, en Sven Van Dorst, hoofd van het restauratieatelier van The Phoebus Foundation.‎

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