‎RIK SLABBINCK. MONOGRAFIE. ‎

‎, Gemeentekrediet, 1993., Gebonden, geel linnen, originele geillustreerde stofomslag, 25x30,5cm, 127pp, geillustreerd z/w. ISBN 9053490477.‎

‎Monografien over Vlaamse Kunst. Rik Slabbinck als schilder. De tekenkunst van Rik Slabbinck. Het lithografisch werk van Rik Slabbinck. ** Met opdracht van echtgenoot van de kunstenaar. gesigneerd.‎

‎DÉRIVES. Couverture illustrée par Bernard Buffet ‎

‎Paris Seghers 1968 in 12 (19x12,5) 1 volume broché, couverture à rabats illustrée par Bernard Buffet, 72 pages. Envoi autographe signé par l'auteur. Bel exemplaire ‎

‎Très bon Signé par l'auteur Ed. originale ‎

‎Images de Ninfa : peintures médiévales dans une ville ruinée du Latium‎

‎Roma, 1986 154pp. with some bl/w illustrations in text + 94 bl/w illustrations out of text & 8 plates in colour out of text, 24cm., in the series "Quaderni della Fondazione Camillo Caetani" volume VII, softcover, text in French, good condition, S119199‎

‎musee national du Louvre, Paris Volume I,‎

‎Turnhout, Brepols, 1962 Hardback, 144 p., + 204 pl., 230 x 290 mm. ISBN 13010050100.‎

‎French text. Volume 1 of the Louvre series, volume 5 of the series on primitive Flemish paintings. ; Sub-title: I. Corpus de la Peinture des Anciens Pays-Bas Meridionaux au Quinzieme Siecle 5‎

‎QUELQUES ARTISTES BELGE DEPUIS ENSOR.‎

‎, Bruxelles, Laconti, 1958., softcover couverture d' editeur, 18x21cm, 163pp, illustre n/b.‎

‎expo palais des beaux arts 1958 Bruxelles.‎

‎ACHT EEUWEN SCHILDERKUNST. SCHATTEN UIT DE BELGISCHE MUSEA,‎

‎, Brussel, Arcade, 1969, Gebonden in linnen 225 x 230mm, 482pp., meer dan duizend ( ingekleefde ) kleur- en z/w afbeeldingen.‎

‎De schilderkunst, eeuw na eeuw en van provincie tot provincie. In goede staat.‎

‎HENRI DE BRAEKELEER.‎

‎, Bruxelles, Editions du cercle d'art 1943., Broche, couverture d' editeur, sous jacquette d' editeur illustre n/b., 15,5x23cm, 40pp + 32 planches hors - texte n/b.‎

‎HISTOIRE DE LA PEINTURE MODERNE EN FLANDRE,‎

‎, Bruxelles, Arcade, 1960, Relie, toile sous jacquette d'editeur, 270 x 305mm., 275 pp., nombreuses illustrations en couleur, bon etat (jaquette endommage, qq dechirures).‎

‎Preface de Herman Teirlinck. Ce volume reunit tout ce qui doit etre connu au sujet de la peinture moderne flamande, . cassette carton‎

‎LAETHEM SAINT MARTIN, le village elu de art Flamand,‎

‎Brussel,, Arcade/Mercatorfonds , 1982, Reli avec jaquette, texte en fran ais. Reli , toile moussue avec impression au dos, jaquette illustr e, cassette, frontispice en couleur, 260 x 305mm, 543pp, plus de nombreuses illustrations en couleur et en noir et blanc.‎

‎avec Albijn Van den Abeele, George Minne, Karel Van de Woestijne, Valerius De Saedeleer, Gustave Van de Woestijne, Albert Servaes, Constant Permeke, Gustave De Smet, Frits Van den Berghe e. a. ‎

‎LAETHEM SAINT MARTIN, le village elu de art Flamand,‎

‎Brussel,, Arcade/Mercatorfonds , 1968, Reli avec jaquette, texte en fran ais. Reli , toile moussue avec impression au dos, jaquette illustr e, cassette, frontispice en couleur, 260 x 305mm, 525pp, plus de nombreuses illustrations en couleur et en noir et blanc.‎

‎avec Albijn Van den Abeele, George Minne, Karel Van de Woestijne, Valerius De Saedeleer, Gustave Van de Woestijne, Albert Servaes, Constant Permeke, Gustave De Smet, Frits Van den Berghe e. a. ‎

‎Sint-Martens-Latem, gezegend oord van de Vlaamse kunst‎

‎Antwerpen, Mercatorfonds 1982 543pp. rijkelijk geïllustreerd in zw/w en met ingekleefde kleurplaten, 30cm., groen linnen uitgeversband, geïllustreeerde stofwikkel, in foedraal, mooie staat, S83762‎

‎Sint-Martens-Latem, gezegend oord van de Vlaamse kunst‎

‎Brussel, Arcade 1974 543pp. rijkelijk geïllustreerd in zw/w en met ingekleefde kleurplaten, 6e uitgave, 30cm., groen linnen uitgeversband, geïllustreeerde stofwikkel, in foedraal, mooie staat, gewicht: 4.7kg., S107557‎

‎SINT MARTENS LATEM. GEZEGEND OORD VAN DE VLAAMSE KUNST,‎

‎, Brussel, Arcade, 1976, Gebonden, moskleurig linnen met opdruk op rug, geillustreerde stofomslag, cassette, ingekleefde frontispice in kleur, 260 x 305mm., 543pp., meer dan overvloedige illustratie in kleur en z/w.‎

‎Standaardwerk over Albijn Van den Abeele, George Minne, Karel Van de Woestijne, Valerius De Saedeleer, Gustave Van de Woestijne, Albert Servaes, Constant Permeke, Gustave De Smet, Frits Van den Berghe e. a. In goede staat.‎

‎James Ensor.‎

‎Tielt / Utrecht, Lannoo, 1973 Gebonden, zwarte linnen hardcover met goudopdruk, 28.9x26 cm., 176 pp., geillustreerd in z/w en in kleur, opgeluisterd met meer daqn 50 kleurplaten. Goede staat. ISBN 902090454.‎

‎Aan het eind van dit rijkelijk geillustreerde boek, geeft Haesaerts een volledige bibliografie van de geschriften van en over Ensor, die het mogelijk maken de kennis van James Ensors leven en werk verder uit te diepen.‎

‎Jacob Smits‎

‎Anvers, De Sikkel 1948 16pp.(texte) + 25 ills.hors-texte, cart., dans la série "Monographies de l'art belge", [texte en français]‎

‎ateliers van Octave Landuyt.‎

‎, Venlo, Van Spijk, 1980.**, softcover , originele geillustreerde uitgeversomslag in kleur, 28,5x28,5cm, 96pp, geillustreerd in kleur en z/w.‎

‎ANDRE GAILLIAERDE. MONOGRAFIE.‎

‎, Maarkedal, Ceres, 1983., Gebonden, kunstleder, vergulde titel op de voorplat en rug, originele geillustreerde omslagwikkel in kleur, geillustreerde schutbladen, 21,5x24,5cm, 57pp + 47 buitentekstplaten in kleur en z/w.‎

‎ANDRE GAILLIAERDE. MONOGRAFIE.‎

‎FRANS HAEST..‎

‎, Kapellen, DNB/Pelckmans, 1988., softcover;geillustreerde (foto) uitgeversomslag z/w, 21x29,5cm, 132pp, ge llustreerd in kleur en z/w. ISBN 9028913920.‎

‎monografie Kunstschilder te Antwerpen 1902-1977. Met een opdracht en gesigneerd door de auteur.‎

‎DANIEL SPOERRI ‎

‎Paris Flammarion 1990 in 4 carré (25,5x26) 1 volume broché, couverture à rabats illustrée en couleurs, 190 pages |1], avec de nombreuses photographies en noir et blanc et en couleurs. Collection ''La Création contemporaine''. Bel exemplaire ‎

‎Très bon ‎

‎Harvey Miller. The Thornham Parva Retable,‎

‎Turnhout, Brepols, 2004 Hardback, 232 p., 109 b/w ill. + 263 colour ill., 24 x 28. ISBN 9781872501079.‎

‎The Thornham Parva Retable is Britain's largest and best preserved medieval altarpiece. It was found in a loft above a stable at Thornham Hall in Suffolk in 1927. Soon afterwards it was installed in the small thatched church of St Mary, Thornham Parva. Despite being extensively repainted some time before the end of the eighteenth century, its importance was immediately recognised. In 1987 a detailed study of the Retable in-situ and the Cluny Frontal, now in the Musee National du Moyen Age, Paris, established that both were parts of the altar which was probably made for the Dominican Priory at Thetford. It was saved from destruction after the dissolution of the monasteries in the early 16th century by a local family who adapted it for use as a private altar. The authors hoped that in time further examination and analysis of the Retable would be possible, and suggested a date of 1335-40 on stylistic grounds. After a sustained period of fund raising, the Parochial Church Council entrusted the examination and conservation of the Retable to theHamilton Kerr Institute, University of Cambridge. It was moved from the church in 1994.This book documents that project. The results of the technical examination are complemented by a series of articles placing the Retable in a technical and art historical context. It was decided to remove the later repaint as the only means to preserve the original paint lying beneath. Far more original paint was found, confirming the results of the initial examination and proposal. Dating of the wooden support suggested that the earliest date of production was probably 1336-40. The altarpiece can now be seen to be of the highest quality and has provided new insights into the sophisticated practice of oil painting in England before the fifteenth century. Languages : English.‎

‎VINCENT VAN GOGH,‎

‎, Paris, O. D. E. J., 1962,, relie en toile noir, jacquette d?? editeur, frontispice, 240 x 270mm., 40pp., 48 tableaux en couleurs et 9 dessins en noir et blanc.‎

‎Mr. Hammacher est le conservateur du Musee Kroller - Muller, Amsterdam. Texte francais de E. Zaccar. Bon etat.‎

‎Un millénaire d'art grec, 600-1600.‎

‎1980, Office du Livre/ Société française du livre. In-4, relié avec jaquette. 306 pp. Nombreuses images en n&b‎

‎Excellent exemplaire, d'infimes frottements ainsi que quelques rousseurs sur la page de garde. Sinon interieur très frais et complet.‎

‎Hans Bellmer.‎

‎Paris, Filipacchi, 1971 (coll. "Septième face du dé"). In-4°, Relié, toile et jaquette d'éditeur. 87 pp. Illustré en couleurs et noir et blanc.‎

‎Livre en très bon état, intérieur frais et complet. Une légère déchirure sur la jaquette, sinon un excellent exemplaire‎

‎WATER-COLOUR PAINTING IN BRITAIN.‎

‎, London, Batsford, 1975., Bound, cloth, gilt title on spine, with original dust-jacket illustrated in color, 22,5x30,5cm, 243pp. ISBN 9780713407167.‎

‎I. The Eighteenth Century.‎

‎Archaeology of Colour. Technical Art History Studies in Greek and Roman Painting and Polychromy‎

‎, Brepols, 2024 Hardback, 450 pages, Size:216 x 280 mm, Language: English. ISBN 9789603710899.‎

‎Summary Ancient polychromy speaks a language of ?the visible? and ?the invisible?, through signs of pigments, brushstrokes and forms. Another reminder of our classical past, colour is an inherent component of artistic creation, inspiration and imagination. New sophisticated technologies, as well as the development of interdisciplinary studies over these past decades, have stimulated the collection and evaluation of numerous scientific data from in-situ investigation of polychrome and painted documents, and have challenged our understanding of the complexity and function of ancient painting materials and techniques. The present volume is another contribution to the ongoing exploration of the rich history of colour in the classical world; an exploration which builds on previous knowledge and opens up new horizons for a more extended understanding of the aesthetics and meaning of Greek and Roman art. It includes fifteen papers that move from Archaic and Classical Greece to the Hellenistic and Roman periods, and deal with colour on monumental architecture, marble statues and reliefs, wooden and terracotta statuettes, stone sarcophagi, paintings on stone and plaster, and pigments as raw materials. TABLE OF CONTENTS INTRODUCTION Hariclia Brecoulaki ARCHAIC / CLASSICAL PERIOD 1. Physicochemical Characterization of Colours and Plasters of an Archaic Sarcophagus from Chiliomodi, Corinth Yannis Maniatis, Eleni Korka, Melina Fotopoulou, Chara Sakellari, Nikos Minos, Safaa Abd El Salam, Alessia Andreotti, Maria Perla Colombini, Stefano Legnaioli and Hariclia Brecoulaki 2. The Revelation of the Decorative Pattern on the Coffered Ceiling of the Porch of the Karyatids in the Erechtheion Giasemi Frantzi, Anastasia Maridaki, Eleni Papakonstantinou, Giovanni Verri, Sophia Sotiropoulou and Hariclia Brecoulaki 3. Technical Investigation of the Polychromy of the Northwest Raking Sima of the Parthenon Eleni Aggelakopoulou, Anastasia Panou, Ioannis Kotsifakos, ?nastasia P. Moutsatsou, Asterios Bakolas, Maria Karoglou and Elisavet P. Sioumpara 4. Two Polychrome Ionic Capitals from the Athenian Agora: Documentation and Experimental Reconstruction Vinzenz Brinkmann, Ulrike Koch-Brinkmann and Heinrich Piening LATE CLASSICAL / HELLENISTIC PERIOD 5. A Pilot Technological Investigation of the Aigai (Vergina) Hunt Frieze: Retrieving Ancient Colours, Rethinking Modern Reconstructions Hariclia Brecoulaki, Andreas G. Karydas, Giovanni Verri and Kalliopi Tsampa 6. The Figured Stelai from the ?Great Tumulus? of Aigai Revisited: New Findings on the Distribution of Pigments and Aspects of their Iconography Myrina Kalaitzi and Giovanni Verri 7. Organic Binders and Painting Techniques of Funerary Wall-paintings from Ancient Macedonia Lydia Avlonitou, Maria Perla Colombini and Anna Lluveras-Tenorio 8. Greek Gilded Wood: an Exceptional Polychrome Peplophoros from Kerch (Mus e du Louvre) Brigitte Bourgeois, Violaine Jeammet and Sandrine Pag s-Camagna 9. The Spectrum of Skin Colours in Hellenistic Sculptures and Other Media. A wide range with different meanings Clarissa Blume-Jung ROMAN PERIOD 10. New Research on the ?Monochromes on Marble? from Herculaneum and Pompeii Susanna Bracci, Roberta Iannaccone, Sara Lenzi and Paolo Liverani 11. Identification of Pigments on Ancient Sculptures from the Collections of the Archaeological Museum of Thessaloniki Polyxeni Adam-Veleni, Katerina Tzanavari, Christos S. Katsifas, Dimitris Karolidis and Orestis Kourakis 12. Roman Sarcophagi Use and Reuse: Colour Application Techniques and Ancient Repainting Eliana Siotto ON COLOURS 13. Eclectic Uses of Egyptian Blue in Greek Painting: a Versatile Painting Material Hariclia Brecoulaki, Giovanni Verri, Anne-Marie Guimier-Sorbets and Lydia Avlonitou 14. In Search of Mineral Pigments Described by Theophrastus of Eressos: Cyanus from Scythia, Miltos from Sinope and Ochre from Cyprus Thomas Katsaros 15. Did Colour and Colouring in Greek Art Confer Prestige? Elena Walter-Karydi INDEX‎