‎Rall : Master of the Town of Consuls‎

‎, Lier, Antilope Art Books, 2003 Bound, with illustrated slipp - case, bleu cloth, gilt on board, gilt title on spine, with original illustrated dust - jacket, 25,5x29,5cm, 160pp, illustrated in color, with several folding plates.Cassette ! ISBN 9789075463507.‎

‎Texte english/ franccais. Ralle, Maitre de la Cite des Consuls. Ralee rallies the art of Acient Europe to that of the New World/ Ralle associe l' art de la Vieille Europe a celui du Nouveau Monde.‎

‎ARISTIDE BRUANT. LA MAITRE DE LA RUE.‎

‎, Paris, Editions France-Empire, 1989., Broche, couverture d' editeur illustre en couleur, 15,5x24cm, 174pp, illustre n/b.‎

‎On decouvre un homme petri de contradictions: injuste et genereux, timide et volubile, violent et sentimental, attire autant par la nature que par le Paris de la "Belle Epoque", en compagnie d' amis illustres tels que Yvette Guilbert, Georges Courteline, Henri de Toulouse-Lautrec, ect.‎

‎Chagall: The Art of Dreams (New Horizons S.)‎

‎Thames & Hudson Ltd 1998 176 pages 12x1 2x17cm. 1998. Broché. 176 pages.‎

‎Les peintres de nus‎

‎Bruxelles, Cercle d'Art 1946 106pp.+ 48 planches hors-texte en n/bl, 25cm., br.orig., jaq. ill., dans la série "L'art en Belgique", bon état, S91859‎

‎LES PEINTRES DE NUS,‎

‎Bruxelles, Editions du Cercle d' Art, 1946 Broche, couverture carton, 170 x 240mm., 106pp., XLVIII planches n/b.‎

‎L'Art en Belgique. Bon etat.‎

‎THEO VAN RYSSELBERGHE, NL‎

‎Anvers, De Sikkel, 1948 Broche, ***zonder stofomslag / couverture papier illustree n/b, 185 x 245mm., 16pp. et 24 planches n/b.‎

‎Serie Monographies de l'Art Belge. Bon etat. ****tekst in het Nederlands ‎

‎Jan Massys : Renaissance Painter of Flemish Female Beauty.‎

‎, Brepols - Harvey Miller, 2024 Hardback, 239 pages, ENG. edition; 305 x 220 x 20 mm; llustrations: 82 b/w, 223 col., 2 tables b/w., 1 tables col. . ISBN 9782503607207.‎

‎This book rediscovers the Antwerp painter Jan Massys (c.1510-1573) and his artistic milieu. / The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals ? both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique. TABLE OF CONTENTS Chapter 1 Johannes Massiis alias Quintens Chapter 2 A career of ups and downs Chapter 3 Jan Massys and female beauty Chapter 4 A varied painting technique for depicting beauty, lechery, and luxury Chapter 5 Inside Jan Massys? Workshop: good and not-so-good workshop practices Chapter 6 Inside Jan Massys Workshop: known and unknown assistants Chapter 7 ConclusionBIO Maria Clelia Galassi graduated in art history at the University of Genoa and obtained her PhD from the University of Milan. Since 2000 she is professor at the University of Genoa, where she teaches History of collecting and Technical Art History. She focused her researches on Flemish and Italian painting technique during the Early Modern Age, and in the artistic relationship between Genoa and the Netherlands in the 15th and 16th centuries.‎

‎VICTOR STUYVAERT. HOUTSNIJDER EN MINIATURIST. ‎

‎, Gent, Snoeck - Ducaju, 1942., originele uitgeversomslag ge llustreerd, frontispice (gesigneerd door Stuyvaert), 17x22,5cm, 153pp, geillustreerd z/w.‎

‎De faunreeks: bibliotheek voor literaire, artistieke en cultuurhistorische werken. ‎

‎VICTOR STUYVAERT. HOUTSNIJDER EN MINIATURIST. ‎

‎, Gent, Snoeck - Ducaju, 1942., herbonden in linnen , frontispice (gesigneerd door Stuyvaert), 17x22,5cm, 153pp, geillustreerd z/w.‎

‎met opdracht van Paul Rogghe aan Jo Battor = directeur van uitgeverij Snoeck. De faunreeks: bibliotheek voor literaire, artistieke en cultuurhistorische werken. ‎

‎Bruegel, het volledig oeuvre. Breugel, Brueghel‎

‎, Antwerpen, Mercatorfonds, 1988 , Gebonden In linnen met goudopdruk,Omslagwikkel in kleur, 420pp, rijkelijk geillustreerd ISBN 906153190X.‎

‎Alle werken van de kunstenaar, vormen een mooi decoratief ensemble. Alle werken, met uitzondering van enkele spreekwoorden, zijn aanwezig.‎

‎WERKEN VAN BRUEGEL UIT NEDERLANDS EN BELGISCH OPENBAAR BEZIT.‎

‎Amsterdam/Brussel, Nederlandse Stichting Openbaar Kunstbezit/Openbaar Kunstbezit in Vlaanderen/Prins Bernhardfonds, 1969 Ingenaaid, beige linnen hardcover met goudopdruk, 27.4x23.8 cm., 88 pp., 55 illustraties in kleur en in z/w.‎

‎HIERONYMUS BOSCH‎

‎, Brussel, Arcade, Gebonden, donkerblauw linnen met goudopdruk op rug, geillustreerde stofomslag, 265 x 305mm, 565pp., meer dan overvloedige illustratie in kleur en z/w; sommige platen uitplooibaar.‎

‎Foto's van M. Seidel. Boek is in prima staat.‎

‎Hieronymus Bosch‎

‎Brussel, Arcade 1972 565pp. rijkelijk geïllustreerd in kleur en zw/w, linnen band met geïll.stofwikkel, in zwart linnen etui, 30cm., mooie staat, [text in dutch], S52253‎

‎Hieronimus Bosch. (Jheronimus Bosch). (Edition francaise)‎

‎, ARCADE, 1972, text in French, Hardcover Fort in-4 pleine toile noire sous jaquette illustree en couleurs, 561 pages, tres nombreuses illustrations en heliogravure, en noir et en couleurs. Bibliographie, index‎

‎Monografie., het volledig oeuvre. Bevat een overzicht van de archivalia betreffende het leven van Bosch, een kritische catalogus, een overzicht van de interpretaties sinds de zestiende eeuw. TEXT IN FRENCH.‎

‎Hieronimus Bosch. (Jheronimus Bosch). (Edition francaise)‎

‎, ARCADE, 1972, Hardcover Fort in-4 pleine toile noire sous jaquette illustree en couleurs, 561 pages, tres nombreuses illustrations en heliogravure, en noir et en couleurs. Bibliographie, index, dans un manteau solide !!‎

‎ Monographie., L'?uvre compl te. Contient un aper u des archives concernant la vie de Bosch, un catalogue critique, un aper u des interpr tations depuis le XVIe si cle. ‎

‎BRUEGEL, Arcade, 1969 FR‎

‎, Brussel, Arcade, 1969**, Reli , avec couverture, titre dor et cachet dor sur la planche avant, dos d cor de titre dor , couverture originale illustr e en couleur, 27x30,5cm, 387pp, illustr e n / b et en couleur.‎

‎Biographie. Le temps et le travail de Bruegel. Tableau synoptique. Le livre est en bon tat.‎

‎BRUEGEL, Arcade, 1969 NL.‎

‎, Brussel, Arcade, 1969**, Gebonden, vergulde titel en vergulde bandstempel op de voorplaat, rug versierd met vergulde titel, originele geillustreerde stogomslag in kleur, 27x30,5cm, 387pp, geillustreerd z/w en in kleur.‎

‎Biografie. Bruegels Tijd en Werk. Synoptische tabel. Boek is in prima staat.‎

‎Jérôme Bosch - Tout l'oeuvre peint et dessiné‎

‎Anvers, Fonds Mercator (& Albin Michel) 1987 513pp., avec de nombreuses illustrations dont la plupart en couleurs, reliure d'éditeur, jaquette illustrée, 34cm., très bon état, poids: 4kg., S107558‎

‎IL VALORE DEI DIPINTI DELL' OTTOCENTO E DEL PRIMO NOVECENTO XV EDIZIONE ( 1997-98 ),‎

‎Milano, Umberto Allemandi, 1997 Bound, green cardboard cover, green dustwrapper illustrated in colour, 210 x 310mm., 684pp., illustration in colour and b/w. . ISBN 9788844207243.‎

‎The celebrated annual of nineteenth- and twentieth-century painting in Italy, with the latest prices for paintings by 1100 artists. Carefully researched, in-depth information about market values and artistic worth for all the most important figurative painters of the nineteenth and twentieth centuries. This is the key guide to the fortunes of each painter among critics and collectors, with evaluations by period, subject, technique and format, and with the results of all the leading international auctions. Complete, top-quality, and up-to-date critical, historical and economic analyses make this work an internationally acclaimed classic trusted by scholars, collectors, dealers and experts. Acknowledged as the essential reference book for all those who need clear, up-to-date, objective, and fully verified information, it includes trends and projections for the future of collecting. Text in Italian. Good condition.‎

‎Caspar Netscher and late seventeenth-century Dutch painting / catalogue raisonn of the paintings ‎

‎, Aetas Aurea, Vol. XVI , Cloth bound with dusjacket, as new !!, 2002. 4to., 542 pp. text, 378 ill. (33 full-page colourplts). ISBN 9070288370.‎

‎Caspar Netscher (1635/6-1684) was one of the most acomplished and successful artists active in the Netherlands during the latter part of the seventeenth century. Paradoxically, however, the same factors that made him so successful during his lifetime and into the eighteenth century also occasioned his exclusion from the modern canon of seventeenth-century Dutch painting, for his art represents a decisive move away from the hearty egalitarian aesthetic that prevailed during the earlier part of the century. Responding to (and helping define) his patrons' desire for international style and sophistication, Netscher's exquisite portraits and subject pieces are unmistakably Dutch, yet are imbued with an elegance more in keeping with progressive pan-European tastes.This is the first full-length study to examine the work of this important Dutch artist The text is complemented by an appendix of documents relevant to the artist (most previously unpublished), and concludes with an exhaustive catalogue raisonne of the paintings. The latter contains detailed information on 220 accepted paintings by the artist, 44 problematic attributions (including some compositions known only through copies and works that involve a significant amount of studio assistance); 470 rejected works; and 388 paintings mentioned in the literature prior to 1800 but presently untraced. ‎

‎ANTHONIS MOR VAN DASHORST ( ANTONIO MORO ).‎

‎Bruxelles, Palais des Academies, 1934 Broche, couverture papier bleue, 230 x 295mm., 119pp., plusieurs planches n/b.‎

‎Edition bilingue Fr/Nl. Academie Royale de Belgique. Classe des Beaux-Arts - Memoires. Collection in-4? . Deuxieme serie. Tome III - Fascicule 2. Etat satisfaisant.‎

‎Jan Stobbaerts 1838-1914‎

‎Bruxelles, De Lage Landen 1944 127pp. avec 35 ills. en n/bl, texte en français, 30cm., reliure toile d'éditeur, jaq., peu de rousseurs, bon état, S91940‎

‎JAN STOBBAERTS 1838 - 1914,‎

‎Bruxelles, De Lage Landen, 1944 Relie en toile couleur sable, titre en rouge, frontispice, 215 x 290mm., 127pp., illustrations en noir.‎

‎Premiere partie : Anvers. Deuxieme partie : Bruxelles. Table des illustrations. Bon etat.‎

‎R flexions d'un vieux veneur sur la chasse du cerf.‎

‎Paris, Bibliotheqe des Introuvables, 2008 Relie, toile verte au vignette et a l'impression dore, 135 x 230mm., 218pp., illustration abondante en couleurs et en n/b. ISBN 9782845752016.‎

‎Cette ?uvre a t s lectionn e par les chercheurs comme tant culturellement importante et fait partie de la base de connaissances de la civilisation telle que nous la connaissons. Cette ?uvre a t reproduite partir de l?artefact original et reste aussi fid le que possible l??uvre originale. Par cons quent, vous verrez les r f rences originales du droit d'auteur, les cachets de la biblioth que (car la plupart de ces ?uvres ont t h berg es dans nos biblioth ques les plus importantes travers le monde) et d'autres annotations dans l'?uvre. Cette ?uvre est dans le domaine public aux tats-Unis d?Am rique et ventuellement dans d?autres pays. Aux tats-Unis, vous pouvez librement copier et distribuer cette ?uvre, car aucune entit (individu ou entreprise) ne d tient de droit d'auteur sur le corps de l'?uvre. En tant que reproduction d'un artefact historique, cette ?uvre peut contenir des pages manquantes ou floues, des images de mauvaise qualit , des marques errantes, etc. Les chercheurs estiment, et nous sommes d'accord, que cette ?uvre est suffisamment importante pour tre pr serv e, reproduite et mise la disposition du public. publique. Nous appr cions votre soutien au processus de pr servation et vous remercions de jouer un r le important dans le maintien de ces connaissances vivantes et pertinentes.‎

‎Andrea Mantegna‎

‎, Olivetti/ Electa 1992 xi + 499pp.with numerous illustrations, text in English, hardcover (editor's grey cloth binding), illustrated dustwrapper, Exhibition catalogue (The Metropolitan Museum of Art New York & Royal Academy of Arts London, 1992), very good, S85339‎