‎zotte schilders. Moraalridders van het penseel rond Bosch, Bruegel en Brouwer,‎

‎Mechelen, 't Vliegend Peert/ Snoeck, 2003 Softcover, omslag geillustreerd in kleur en met flapjes, 29,5 x 24cm., 255pp., rijke illustratie in kleur en z/w. ISBN 9789053494233.‎

‎Gepubliceerd ter gelegenheid van de gelijknamige tentoonstelling 4 april 2003 - 4 mei 2003.‎

‎ZO WAS JAN BOON,‎

‎, Antwerpen, Artistenfonds, Rockoxhuis, 1962, Gebonden in blauw linnen, wit opdruk op platen en rug, geillustreerde papieromslag, 15x23cm, 241pp., geillustreerd (foto 's) z/w.‎

‎Huldealbum onder redactie van Denijs Peeters. In goede staat.‎

‎JOS HENDRICKX.‎

‎, oostende 1977, expo catalogus met z/w illustraties. 64pp 22x20cm‎

‎expo museum voor moderne religieuze kunst‎

‎NA & NAAR VAN DYCK. DE ROMANTISCHE RECUPERATIE IN DE 19e EEUW, Na & naar Van Dyck de romantische recuperatie in de 19de eeuw.‎

‎, Stad Antwerpen, Hessenhuis, 1999, Hardcover onder geillustreerde kartonomslag, 240 x 300 mm., 335 pp., zeer uitgebreide illustratie in kleur en z/w. ISBN 9058460169.‎

‎Verscheen naar aanleiding van de gelijknamige tentoonstelling die liep in het Hessenhuis van 15 mei - 31 oktober 1999.‎

‎MARAM NAJD. PHANTASMAGORIA.‎

‎BE, VdH Books, 2010 Hardback, 240 x 340mm., 80 pp., profoundly colour illustrated. . ISBN 9789088810244.‎

‎De Iranese schilderes Maryam Najd (? 1965) volgde een artistieke opleiding in haar geboortestad Teheran, en kwam in 1992 naar Antwerpen om haar opleiding te vervolmaken. Maryam Najd ontpopte zich sindsdien als een schilderes die emoties en ervaringen verwerkt en sublimeert in autonome doeken, dat het onderscheid tussen figuratie en abstractie overstijgen. Ze gebruikt daarbij vooral beelden uit de digitale media (tv, video, dvd, internet) die gaan over de machts(on)evenwichten tussen Oost en West, de culturele verschillen, de glamour ‎

‎ANGELIKA KAUFFMANN,‎

‎Ostfildern, Hatje Cantz, 2007 Paperback, 245 x 300mm., 288S., illustriert. ISBN 3901802282.‎

‎Angelika Kauffmann (1741?1807) war zu ihrer Zeit eine in ganz Europa gefeierte Kunstlerin. Wer sein Bild verewigt haben wollte, seien es gekronte Haupter oder beruhmte Dichter und Denker, liess sich von ihr portratieren. Johann Wolfgang von Goethe nannte sie ein ? Weib von ungeheurem Talent? ; die Bezeichnung Genie aber behielt er Mannern vor ? eine Einstellung, gegen die die Kunstlerin ein Leben lang kampfte. Selbstbewusst setzte sie sich dennoch erfolgreich in der Mannerwelt durch und schuf ihre eigene Marke. ‎

‎Verdwenen gezichten uit het Antwerpse. Tekeningen van Franck Mortelmans.‎

‎, Antwerpen, Museum Plantin-Moretus, 1987., softcover , originele geillustreerde uitgeversomslag z/w., 29x21cm, 67pp, geillustreerd z/w.‎

‎Publicaties van het Museum Plantin-Moretus en het Stedelijk Prentenkabinet ; vol. 5‎

‎JACOB JORDAENS. DESIGN FOR TAPESTRY.‎

‎, Brepols, 1998., Hardcover, cloth with golden imprint and illustrated jacket, 19x25,5cm., 376 pp., 66 figures in black and white. ISBN 9782503505787.‎

‎Pictura Nova. Studies in 16th - and 17th- Century Flemish Painting and Drawing‎

‎GUSTAV KLIMT 1862 - 1918,‎

‎Koln, Taschen/ Librero, 2007 Gebonden onder geillustreerde kartonomslag in kleur, 180 x 235mm., 96pp., uitgebreide illustratie in kleur en z/w. ISBN 9789077686218.‎

‎In goede staat.‎

‎MICHEL-ANGE 1475-1564‎

‎LE MONDE, 2005. In-8, broché couverture illustrée, 96 pp. Nombreuses illustrations ‎

‎Excellent exemplaire, comme neuf‎

‎VINCENT VAN GOGH. AQUARELLES, GOUACHES ET DESSINS,‎

‎, Paris, Editions Cercle d?? Art, 1987,, Relie en toile grise, jacquette d?? editeur, frontispice, 240 x 310mm., 201pp., illustrations en b/n et en couleur, ISBN 9782869010284.‎

‎Bon etat.Traduction du tcheque par Francoise Tabery avec la collaboration de Hannelore Louis.Collection Ars Mundi.,‎

‎BEELDEN VAN VROEGER.‎

‎Velp (Nl.)., Van Dobbenburgh, 1981 Gebonden, kartonnen hardcover met zilveropdruk, originele uitgeversomslag met flappen in kleur, 16.8x21.7 cm., pagina's niet genummerd, geillustreerd in kleur. ISBN 9065770054.‎

‎LOOK AT ME. ARTY GRIMM,‎

‎Onbekend, QuA Book, 1996 Illustrated cardboard cover : silver with print, 240 x 330mm., 80pp., profound colour illustration. ISBN 9074145078.‎

‎In good condition.‎

‎LA PEINTURE DES VASES GRECS,‎

‎Paris/ Bruxelles, Vanoest, 1926 Broche, couverture carton et page de titre aux vignettes, 190 x 250mm., 48pp. et LXIII planches sepia.‎

‎Bibliotheque de l'Histoire de l'Art. Formes des vases - Epoque prehellenique - La ceramique a l'age du fer - Style orientalisant - Style attique - Vases attiques - Vases de l'Italie meridionale. Table des planches. Etat satisfaisant.‎

‎La merveille de l'art religieux, ou Tableau original, inconnu, de Raphaël annoncé dans le no.119 de l'Osservatore Romano‎

‎Paris, Paul Dupont 1862 20pp., 4e édition, 21cm., br.orig. (dos peu restauré), bon état, S93755‎

‎GEORGES DE LA TOUR,‎

‎, Brussel, Arcade, 1976, Gebonden, oranjebruin linnen onder geillustreerde stofomslag, frontispice in kleur, 260 x 300mm., 387pp., meer dan uitvoerig geillustreerd aan de hand van z/w- en ( ingekleefde ) kleurillustraties. ISBN 9782800501062.‎

‎Het boek poogt, enerzijds, een duidelijk chronologisch overzicht van de kunstenaar 's werken vast te stellen en, anderzijds, diens geheimzinnige persoonlijkheid te benaderten en te belichten. Boek is in prima staat.‎

‎Study Heads. Corpus Rubenianum Ludwig Burchard PART XX.2 in 2 volumes / Study Heads Part XX, 2‎

‎, Brepols - Harvey Miller, 2020 Hardcover with dusjacket, 2 volumes ., 680 pages ., 340 b/w ill. + 150 colour ill., 180 x 265 mm,. ISBN 9781912554652.‎

‎This book is devoted to a remarkable aspect of Rubens painted production. It investigates and catalogues not only works that Ludwig Burchard (1886?1960) gathered into the category of Study Heads, but also head studies by artists closely connected to Rubens's workshop which were demonstrably used in his paintings. The existence of a stock of study heads or tronies allowed Rubens and his collaborators to exploit the same figures in many different contexts and create satisfying variety among the numerous characters involved in mythological, biblical or historical scenes. In Rubens?s work, study heads constitute an exceptional type of painting in that they were created not as autonomous works of art, but as a means to an end, an indispensable part of his artistic practice. Yet, even in this marginal category of work, Rubens achieves maximum artistic expression with an economy of means, as for example in the iconic Four Studies of the Head of an African Man in the Brussels Museum. The originals of the study heads remained together until the sale of Rubens?s possessions at his death in 1640. Over the centuries, many of Rubens?s tronies have undergone transformation. Panels featuring several heads were cut up quite early on to be sold as separate pictures on the art market, and some tronies were converted by later artists into specific characters or even genre scenes by adding extra planks of wood and giving the heads distinctive clothes and attributes. This book aims to reconstruct as far as possible the original appearance of Rubens?s tronies, aided by the evidence of copiesand technical research on the works themselves.‎

‎Ernst Lindemann 1869-1943 Leben und Werk‎

‎Münster, 2008 151pp. + added in rear-pocket: CD-Rom, 30cm., Doctoral Dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Westfälischen Wilhelms-Universität zu Münster Westf.), softcover, stamp at verso of title age, text is clean and bright, S111750‎

‎Die Madonna in der Malerei‎

‎München, Algemeinen Vereinigung für Christlichen Kunst 1926 44pp.with 63 ills., re-edition of the 1912-edition, 29cm., spine bit repaired, G‎

‎FRAGMENTS OF SOME HERMITAGE PAINTINGS.‎

‎, Leningrad, Aurora Art Publishers, 1971., Bound, cloth, original dust-jacket illustrated in color, 24x28,5cm, n.p. (+/- 240pp), illustrated richly full - page plates in color and b/w, 1 plate dammaged.‎

‎15th - 16th centuries.‎

‎German and Austrian Painting in the Hermitage. ‎

‎Leningrad, Aurora Art Publishers, 1986 Bound in red cloth with gilt lettering and ornamentation, orig. pict. dustjacket, 423pp., 26x33.5cm., 316 plates in col. and b/w., good cond.‎

‎Early Gothic Manuscripts (2)‎

‎, Brepols - Harvey Miller, 1988 Hardcover. 374 p., incl. 472 ills., with 8 in colour, 235 x 335 mm, languages: English, Including an index. Fine copy. ISBN 9780905203539.‎

‎This is a survey of early Gothic manuscripts illuminated in the British Isles, setting them in a historical framework, describing the influences at work, defining the types of books and their decoration, and discussing evidence for dating and localization. In England the art of illumination flourished widely in the second half of the 13th century - a time in which the connections with the continent, particularly France, where strong. Artists moved away from the monastic scriptorium to professional workshops in urban centres, and the rise of the Universities resulted in the production of new types of illustrated text. As with cross-fertilization of ideas from Paris to London, Oxford, and Cambridge, so with the styles and techniques of illumination. The magnificent examples catalogued here include the Lambeth, Metz, Douce and Trinity Apocalypses; their relationships are examined and detailed iconography is described. Many of the Bibles and - notably - the Amesbury, Oscott and Rutland Psalters are some of the greatest works of the period, and among surviving religious manuscripts the earliest examples of Books of Hours reveal the increasing range of devotional interests of lay people. Astrological, legal, medical, topographical and historical works are also included, and the volume ends with the remarkable Hereford Mad which summarizes many of the ideas of Earth and Heaven prevailing at the time. The Introduction sets the manuscripts in a historical framework, describes the influences at work, defines the types of books and their decoration, and discusses evidence for dating and localization.‎

‎A loan exhibition of works by Peter Paul Rubens, Kt. Held under the auspices of the Royal Empire Society, Oct. 4th - November 11th, 1950‎

‎London, Wildenstein & co. 1950 xvi + 63pp., with some bl/w ills., 25cm., softcover, good condition, S108246‎

‎Dipinti Fiamminghi di collezioni Romane (Roma, Palazzo Barberini 26 marzo - 30 aprile 1966)‎

‎Roma, 1966 47pp.texte + 42pp.planches, [texte en italien], bel état‎

‎Fresco's uit Florence‎

‎Amsterdam, 1969 219pp.geïllustreerd met 119 afbeeldingen, 24cm., Catalogus van tentoonstelling (Amsterdam, Rijksmuseum, 19 dec.1968-9 maart 1969)‎