2008, ed Micro Application / Femme Actuelle. in-12 br. rose de 288 pages, couv ill en couleurs. Illustré de schémas et captures d'écran nb, et de dessins nb par Pénélope Bagieu. | Etat : Bon état général. Occasion. Tampon du bouquiniste en page de garde. (Ref.: KB572)
Femme Actuelle, Micro Application
, Brepols, 2019 Hardback, xvi + 500 pages, Size:156 x 234 mm, Illustrations:21 b/w, 7 col., Language: German. ISBN 9782503579740.
Summary Die Untersuchung stellt sich die Frage, weshalb die ,Periegesis Hellados' des Pausanias aus dem 2. Jahrhundert n. Chr. so häufig Siedlungen und Gebäude im Zustand der Zerstörung thematisiert. Die ,Periegesis Hellados' unternimmt eine räumlich organisierte Zusammenstellung von Wissen, insbesondere zur myth-historischen Vergangenheit sowie zu den Kulten der Griechen, und schreibt sich auf diese Weise in zentrale Diskurse der Zweiten Sophistik ein. Die prominente Rolle, die zerstörte Architektur im Werk des Pausanias spielt, wurde bislang nicht systematisch analysiert. Hier setzt die Untersuchung an. Alle einschlägigen Textpartien werden vorgelegt und innerhalb zweier entscheidender Bezugshorizonte ausgewertet: zum einen im Rahmen der inhärenten Logik der ,Periegesis Hellados', zum anderen im Verhältnis zum zeitgenössischen Ruinendiskurs. Welch essenziellen Stellenwert die Ruine für die Programmatik und das Selbstverständnis des Textes einnimmt, kann auf diese Weise erstmals umfassend nachgezeichnet werden. TABLE OF CONTENTS Vorwort 1. Einleitung 2. Der Ruinendiskurs im zeitlichen Umfeld von Pausanias' Periegesis 3. Die Periegesis des Pausanias 4. Ruinen bei Pausanias 5. Zusammenfassung English Summary Bibliographie
, Brepols, 2022 Hardback, 2 vols, approx. 460 pages, Size:225 x 295 mm, Illustrations:140 b/w, Language: French. ISBN 9782503575643.
Summary Rédigé en grande partie en 1909 en parallèle avec le Cahier 6, le Cahier 7 fait partie du projet précoce d'un « Contre Sainte-Beuve » à la fois narratif et critique. On y trouve ainsi, outre des descriptions de l'église de Combray et de l'abbaye de Guermantes, les premières rédactions d'épisodes qui deviendront centraux dans À la recherche du temps perdu - présentation du « petit noyau des Verdurin », rencontre du héros et de Guercy (le futur Charlus), soirée chez la princesse de Guermantes, tirade sur la « race maudite » - mais aussi une conversation entre le héros et sa mère sur Guermantes, puis sur « Sainte-Beuve et Baudelaire ». L'édition critique et génétique sans fac-similé est également disponible. Voir Cahier 7: Cahier'>https://www.brepols.net/products/IS-9782503575629-1 (ISBN 978-2-503-57562-9)
, Brepols, 2024 Hardback, 350 pages, Size:216 x 280 mm, Illustrations:5 b/w, 139 col., Language: English.* NEW ISBN 9782503611235.
Summary This book examines the production, patronage, and use of sculptures made in the Low Countries between 1400 and 1600. Two questions frame the book: 'Why did Sculpture from the Low countries matter' and 'Why will Sculpture from the Low Countries matter for future research'. Answers to these questions will be offered in a coherent and richly illustrated study which considers Sculpture as a pivotal subject field within Art Historical discourse. TABLE OF CONTENTS Preface Julie Beckers and Hannah De Moor Introduction Ethan Matt Kavaler Chapter 1: Use and Function of Sculpture Accommodating Altarpieces: The Impact of Circumstantial Factors on the Design of Altar Decorations in Medieval Churches Justin Kroesen Working Sculpture: The Forms and Functions of Netherlandish Brass Lecterns Douglas Brine The Church's a Stage: Late Medieval Altarpieces as Part of an Ever-Changing Environment Wendy Wauters The Stem of a Once Ornate Fountain: The Use of a Table Fountain Fragment at Museum Mayer Van den Bergh in Antwerp Julie Beckers Chapter 2: Patronage of Sculpture Patronage Jeffrey Chipps Smith Noble Expectations of Memorial Sculpture: Commissioning the Jauche Monuments in Brugelette (c. 1527-1573) Ruben Suykerbuyk The Chapel Space and Interiority in the Ringsaker Altarpiece Lynn F. Jacobs Prestige and Display: Noble Patronage of Sculpture in the Low Countries Elizabeth Rice Mattison Chapter 3: Production and Workshop Continuity and Discontinuity in the Sculpture Workshop Practice Aleksandra Lipi?ska The Leuven Connection: A New Look at the Social and Artisanal Network of Leuven Late Gothic Sculptors (c. 1475-1525) Marjan Debaene Te maken ende te leveren: The Transport of Netherlandish Carved Altarpieces Hannah De Moor Epilogue: Seeing Sculpture Stephanie Porras
1831, à la direction de l'Union encyclopédique, Paris. In-32, pleine toile, dos original recollé sur la toile, VIII-312pp, frontispice sous serpente et figures dans le texte. Ratures et annotations sur la toile. Intérieur bon. Exemplaire satisfaisant
[Julien et Mège] - JULIEN et Mège (ancienne Maison Julien & Prat )
Reference : 46074
(1930)
1 fasc. gr. in-8 br., ill. noir et blanc, Julien et Mège, Lyon, 1930, 16 pp.
Etat très satisfaisant (rouss. sur couv., bon état par ailleurs). La société Julien et Mège était une société spécialisée dans la fabrication de moteurs et pompes électriques. Peu courant.
LA NOUVELLE ENCYCLOPEDIE. 1965. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 125 pages illustrées de nombreuses photos et dessins en couleurs et en noir et blanc in texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Chez les Frères Bernard | à Amsterdam [Lyon] 1746 | 12 x 18.50 cm | relié
Édition originale parue anonymement à Lyon et non à Amsterdam comme le stipule la page de titre. La seconde édition parue à la même date chez le même éditeur posséde une pagination différente et un format plus petit (in-12); elle ne doit pas être confondue avec la véritable originale (64 pp. pour la nôtre contre 96 pp. pour l'autre). Reliure en plein parchemin. Gardes changées. Il s'agit d'un pamphlet dans lequel l'auteur attaque et ridiculise les principaux médecins de l'époque, et expose les grands traits de sa doctrine matérialiste. Le livre fut condamné à être lacéré et brûlé par arrêt du Parlement du 9 juillet 1746. On oublie trop souvent que La Mettrie fut lui-même médecin militaire avant d'être contraint d'abandonner son poste et de s'expatrier en raison de ses publications. Au travers d'une fiction dans laquelle un voyageur s'embarque pour la Chine pour y étudier la médecine et les médecins chinois, satire de la médecine contemporaine et de ses médecins; l'ouvrage est censé être une traduction du chinois d'un grand manuscrit de médecine. Toutes les éditions anciennes de ce texte sont aujourd'hui devenues rares. Notre exemplaire présente en marge, à la plume, les «clés» de tous les portraits des prétendus médecins chinois composant l'ouvrage. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
JULIEN, Paul (Docteur) - Traduit du néerlandais par Gérard De Brux
Reference : 108004
(1952)
1952 Editions Plon - 1952 - In-8, cartonnage postérieur à l'édition, dos toilé, couverture d'origine conservée - 253 p. - Avec une carte et 22 gravures hors-texte d'après les photographies de l'auteur
Bon état malgré frottements sur les bords du cartonnage - Mots au stylo sur le troisième plat - Tampon sur la page de grand titre et table des matières
Julien van Remoortere ; Hugo Maertens ; Pascal Moens ; Gerrit Op de Beeck
Reference : 55300
, France Loisirs, 1997 Hardcover, 239 pages, FR. edition, 305 x 240 x 25 mm, jaquette illustreé, Tres belle exemplaire , illustrations en couleur. ISBN 9782744105944.
, COB , 1980 Hardcover, 176 pages, Texte en Francais, 295 x 220 x 27 mm, illustrations en couleur / n/b. Tres belle exemplaire. ISBN 9789031004911.
COB] guide illustré pour un voyage de découverte, une réserve naturelle, richesse du folklore, conserver le passé, verdure, richesses archéologiques, in-4 175
, Tervuren, Koninklijk Museum voor Midden - Afrika,, 2018 HB, 260 x 215 mm, 176 pages, English edition. FINE. ISBN 9789085867760.
This book, which is being published to mark the opening of the museum, unveils an ensemble of 77 important works from the collection held by the Royal Museum for Central Africa. A range of academics, conservators, and experts on African art provides an examination and analysis of each of these pieces. Many of the works brought together here can be found in the gallery assigned to the temporary exhibition Unrivalled Art. Others can be encountered in the rooms devoted to the permanent exhibition. And some of the works afford a glimpse behind the scenes at the RMCA, in the hushed atmosphere of the depots, about which the general public is largely unaware. Researcher and curator Julien Volper has selected pieces that come not only from the Congo, but also from other countries, such as Angola or Gabon. Sometimes they are physical testaments to lost cultures dating from the eighth to tenth century, or even dating to tens of thousands of years ago! However, most of the works belong to the more recent period of the nineteenth and twentieth centuries. All of these masks, statuettes, ivories, weapons, receptacles and other artefacts express a genuine creativity - a creativity described so aptly in 1919 by the theorist Vladimir Markov: '[.] this [African] art is unrivalled anywhere else in the world.'
, MER Paper Kunsthalle, 2011 Oorspronkelijk uitgevers omslag, groot formaat, 48 pages, ill. 42 x 30 cm. ISBN 9789490693251.
Een belangrijk deel van zijn oeuvre bestaat uit architecturale installaties, gebaseerd op bestaande ruimtes: van een architectenkantoor ('re-flex/ flex/re-flection', Sint-Niklaas, 2010) tot een anonieme doorgangsruimte in een kunstencentrum ('Who Framed this House?', Leuven, 2010) of de Kortrijkse Broeltoren ('Shifting Grounds', Kortrijk, 2010). Die ruimtes analyseert en meet de kunstenaar eerst meticuleus op om ze op hun mogelijkheden te onderzoeken. Daarna realiseert hij een veranderde, verschoven of geconverteerde reproductie. Gipswanden en houten latten, balken en panelen vormen daarbij zijn voornaamste materiaal.''
Paris, Editions Dilecta, , 2015 Hardcover , 144 pages , 19 x 24 cm, text ENG / FR. ISBN 9791090490710.
Martial Raysse: Dessins/Drawings aantalIn winkelmand New Realistic France, a close friend of the artists of Pop Art in New York and Los Angeles, director of psychedelic films? Raysse is a major artist of the contemporary scene. While his portraits of women of the sixties are become icons and its allegorical frescoes surprise again, Dilecta Publishing has released a book presenting a selection of his drawings, from its beginnings to the present. Still little known, these works on paper are fraught with the same audacity and impertinence that his paintings, eroticism haloed and mythologies updated. One hundred selected drawings constitute this publication, showing the practice of drawing, not as one preparatory step to his paint job, but especially as plastics experiences, very free, allowing him to explore techniques as diverse as mine graphite, pastel or watercolor. After literary studies, in 1959 Martial Raysse made his first assemblages by enclosing small toys and toiletries in transparent boxes, in order to foreground, unfussily, the charge of emotion and visual intensity these cold little objects can hold. In 1960, his Visual Hygiene series of household implements hung around a long-handled scrubbing brush, or sunscreen products and beach toys crowned by an advertising dummy, ushered into the realm of art «a world that is new, antiseptic and pure», that of the supermarkets and advertising for the consumer society. This reappropriation of objects that are supremely banal aligned him with the experiments of Arman, Spoerri and Tinguely, with whom he founded the New Realists group in 1960. Soon regarded as the young French artist who came closest to American Pop Art, between 1961 in 1966 Raysse participated in numerous artistic events throughout Europe and the United States. After 1968, Raysse underwent a shift which led him to make a sudden break with the circuit of dealers and galleries, and to withdraw to the south of France. Within the community he formed with a number of friends, he made works using craft techniques, and subsequently returned to the most traditional modes of painting. «Martial Raysse», monographic exhibition dedicated to French artist Martial Raysse. Curated by Caroline Bourgeois in collaboration with the artist. From 12 April 2015 to 31 November 2015, Palazzo Grassi, Venice (It.)
, ludion, 2022 Hardcover, 280 x 230 mm, 192 pages, throughout colour illustrations, ENG edition only. fine!. ISBN 9789493039735.
Paper was a source of pleasure for Magritte. Where his oil paintings demanded meticulousness and patience, this was a medium in which he could give his ideas free rein. Fresh approaches were tried out first on paper - in his correspondence as well as in drawings, collages and gouaches. Magritte's many sketches, grid drawings, scribbles in letters and book illustrations demonstrate the extent to which drawing lay at the core of his work. While this aspect of the artist's oeuvre has rarely been examined, it nevertheless underpins all his painting. His drawings help us understand how his ideas evolved. For the first time, this comprehensive publication brings together more than 200 works on paper by René Magritte, many of which have not previously been published.
Julio Escalona Monge, Alvaro Carvajal Castro, Cristina Jular Pérez-Alfaro (eds)
Reference : 63332
, Brepols, 2024 Hardback, 678 pages, Size:156 x 234 mm, Illustrations:5 b/w, 3 tables b/w., 1 maps b/w, Language: English. ISBN 9782503603896.
Summary Isabel Alfonso is one of the finest scholars on the rural and political history of the European Middle Ages. She is widely known for her contributions to the study of the peasantry, social conflict, and political discourses. Her research has transcended the boundaries of medieval studies, incorporating insights from disciplines beyond including legal anthropology, philology, and discourse analysis, among others. Over her academic career Isabel Alfonso has made a continued effort to make the work of international scholars known in Spain and to communicate advancements in Spanish historiography to international audiences; and yet most of her own research has only been published in Spanish. As a means to acknowledge her long-standing commitment to bridge different historiographies and overcome national boundaries, this unusual Festschrift offers a selection of her most relevant publications, many of which appear in English for the very first time. Each paper is preceded by commentaries by leading scholars that discuss the enduring relevance of Isabel Alfonso,s work, its richness and complexity, and its potential to inspire further research along a vast array of lines. Commentaries by Jean Birrell, François Bougard, Warren Brown, Peter Coss, Wendy Davies, Chris Dyer, Ros Faith, François Foronda, Paul Freedman, Piotr Gorécki, John Hudson, André Evangelista Marques, Jesús Rodríguez-Velasco, Phillipp Schofield, Stephen D. White, Chris Wickham. TABLE OF CONTENTS Abbreviations, Foreword Introduction: Dealing with the Past, Dealing with the Present: Yet another talk with Isabel Alfonso Part I: Medieval Minds: Language and Concepts Chapter 1: On Friendship, with a Commentary by François Foronda Amicitia: Early Writings, a Revelation, and the Identity of a Historian On Amicitia in Medieval Spain: A Document that Merits Study Chapter 2: On the Language and Practice of Negotiation, with a Commentary by Wendy Davies Commentary The Language and Practice of Negotiation in Medieval Conflict Resolution (Castile-León, Eleventh-Thirteenth Centuries) Chapter 3: On Judicial Rhetoric and Political Legitimation, with a Commentary by John Hudson Justice, Power, and Legitimation Judicial Rhetoric and Political Legitimation in Medieval León-Castile Chapter 4: On Memory and Identity, with a Commentary by Piotr Górecki Words, Again? Memory and Identity in Judicial pesquisas in Medieval Leon-Castile Chapter 5: Two Approaches to Justice and Vengeance, with a Commentary by Stephen D. White Commentary Vengeance, Justice, and Political Struggle in Castilian Medieval Historiography Vengeance and Justice in the Poem of the Cid Part II: Community Ties and Social Differenciation 200 Chapter 6: On Social Differentiation in Rural Communities, with a Commentary by Christopher Dyer Middlemen and Intermediaries in Medieval Village Society Local Power and Internal Differentiation in the Rural Communities of Galicia Chapter 7: On Social Differentiation within Rural Communities, with a Commentary by Phillipp R. Schofield Commentary Exploring Difference within Rural Communities in the Northern Iberian Kingdoms, 1000-1300 Part III: Conflict and Competition: from Local Disputes to Political Struggles Chapter 8: On Violence, with a Commentary by André Evangelista Marques The Social Logic of Vengeance: Towards a Reading of Isabel Alfonso,s Work on Conflict Resolution Death without Vengeance? The Regulation of Violence in Local Settings (Castile-León 13th c.) Chapter 9: On Peasants and the Law, with a Commentary by Paul Freedman The Historiography of Peasant Resistance to Seigneurial Authority Peasants and the Law: Legal Avenues in their Struggle (Castile and León, 10th-13th Centuries) Chapter 10: On Rural Churches and Peasant Struggles, with a Commentary by Chris Wickham On Rural Churches and Peasant Struggles Rural Churches in the North of Castile: A Religious Dimension to Peasant Struggles during the Middle Ages Chapter 11: Two Anthropological Approaches to Peasants and Lords, with Commentaries by Jean Birrell and Rosamond Faith A Commentary on ?Peasant Opposition to Labour Services, and ?The Rhetoric of Seigneurial Legitimation, Pacts, Conventions and Contracts between Lords and Peasants in Anglo-Norman England Peasant Opposition to Labour Services in Castile and León. Forms and Symbolic Significance The Rhetoric of Seigneurial Legitimation in the Fueros of León (11th to 13th centuries) Chapter 12: On Punishment and Exemplary Violence, with a Commentary by Warren C. Brown Commentary Corpus Delicti and Exemplary Violence Chapter 13: On Disputes and Wrongdoings, with a Commentary by François Bougard Written Disputes: Just the Tip of the Iceberg Land Disputes and malfetrías among the Medieval Nobility in Castile and León Chapter 14: On Revolting Noblemen, with a Commentary by François Foronda Questioning the Evidence: Political History and Social Mentality Desheredamiento and Desafuero, or the Alleged Justification of a Revolt of the Nobility Part IV: Historians, Minds. Concepts, Language and Debates Chapter 15: On Cistercians and Feudalism, with a Commentary by Peter Coss Commentary Cistercians and Feudalism Chapter 16: Three Review Articles, with a Commentary by Jesús Rodríguez Velasco How to Read Continuity and Documentary Revelation, or Mutation and Feudal Revolution? Historical Discourse as History Naming Violence and Controlling its Legitimation Appendix: Full List of Publications by Isabel Alfonso
, Benno Filser verlag 1921, 1921 Hardcover, 184 seiten, 128 abbildungen, Deutsche sprache, 100 jahre alt aber in guten zustand,.
Dieses Buch versucht die Stilwandlungen der deutschen Bildnerkunst des 14. Jahrhunderts an dem Beispiele schwäbischen Kunstschaffens darzulegen. Das individuelle Gestalten der einzelnen Künstlerpersönlichkeit wird durch zwei Triebkräfte entscheidend beeinflußt. (aus dem Buch) aus dem Inhalt: Die Wandlungen der Formgestaltung - Zum Verständnis des Inhaltes - Kunstgeschichtliche Nachweise - Verzeichnis der Abbildungen - Quellennachweis der Abbildungen
, Taschen, 2024 Hardcover, 15.6 x 21.7 cm, 1.24 kg, 576 pages, Multilingual (English, French, German). ISBN 9783836599931.
Discover the latest and the greatest of Japan?s manga scene. This extensive overview features classic maestros like Osamu Tezuka (creator of Astro Boy) and Katsuhiro Otomo (creator of Akira) as well as the most exciting newcomers and, of course, their fictional superstars. rom Astro Boy to Akira, the superstars of the manga scene Since the original TASCHEN edition of Manga Design, Japan?s comic phenomenon has produced yet more captivating characters and a whole host of hot new talents. This revised edition delivers the lowdown on the latest and the greatest makers and shapers of the manga scene. Through an A?Z directory, we discover the superstars?both human and fictional?of what is now a vast global industry, inspiring advertisers, filmmakers, creative professionals, millions of avid fans, not to mention an entire cosplay lifestyle, in which manga devotees in elaborate costume meet to celebrate the existence of their characters at huge conventions from Los Angeles to Leipzig. From classic maestros?like Osamu Tezuka (creator of Astro Boy) and Katsuhiro Otomo (creator of Akira)?to newcomers such as Hajime Isayama, each entry includes biographical and bibliographical information, descriptions of main characters, and, of course, plenty of examples of the artist?s finest manga spreads and covers.
, MER Paper Kunsthalle, 2012 SC / 168 pages / 24 x 12 cm. ISBN 9789490693411.
This little Polaroid Atlas is pretty much self explanatory: for many years Sarmento has used Polaroid photographs to work on his pieces, as ?crutches? for his paintings, his drawings and other projects. Sometimes the polaroids were used as artworks by themselves. Other times they were used as portraits of friends or memories of glimpses. Sarmonto gathered all the polaroids he could find in his studio, just randomly lying around or pinned up on walls or wherever... He found 95 of them and organized them in this book. There are no polaroids left in Sarmento's studio now!...
, MER. Paper Kunsthalle, 2013 HC / 112 pages / 27 x 21 cm. ISBN 9789490693428.
The artist Julião Sarmento grew up with a somewhat complicated background. This book is a testimony to his 'real' biological family and his 'other' foster family. The first part of the book; 'Bloodline', has all the photographs the artist could find of his biological family up to his birth, they show persons he often doesn't feel connected to or hardly knows. 'Heartline' has all the photographs he could find of the two people in his foster family. They are close to his heart, far from his blood. The book is signed and numbered by the artist in an edition of 250 copies.
P., Delagrave, sans date (fin XIXe), fort in 12 relié demi chagrin olive, paginations diverses ; petits frottis.
Arithmétique - Algèbre - Géométrie plane - Géométrie dans l'espace - Géométrie descriptive - Mécanique - Cosmographie - Trigonométrie. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Roret Paris In-8 ( 255x150 mm ) demi basane verte. Titre doré sur dos lisse orné de filets dorés en place des nerfs. Guirlandes dorées en tête et queue.Atlas.Essai sur un point de départ à adopter dans les perfectionnements dont ces moteurs sont susceptibles.1 tableau dépliant de dimensions.12 planches dépliantes hors-texte ( erreur dans le numérotage des planches d'ailleurs stipulée dans la page d'explication des planches ).
Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1873 1 vol. relié in-16, relié demi-basane tabac, dos lisse orné de filets dorés, IV + 316 pp. Nouvelle édition refondue et augmentée. Manque l'atlas de 20 planches.
In-4 broché, Noblet et Baudry, 1865, 32 pp. Frotté, déchirures avec manques, dos abîmé.. Fait son âge. Intérieur propre, malgré quelques rousseurs. Peu courant. Poids 100 g. Frais d'envoi 3,05 euros sur la France, 4,50 euros UE et Suisse, 6,50 euros pour le reste du monde (tarifs de base hors envois suivis). Possibilité de remise en mains propres sur Paris, n'hésitez pas à me contacter avant de passer commande.
Paris, , Impr. Rignoux, , Paris, , Impr. Rignoux, 1827 ; Plaquette in 8° , sans couverture. 20 pp., Envoi à l'Académie des Sciences de Lyon.