‎Loanwords and Native Words in Old and Middle Icelandic. A Study in the History and Dynamics of the Icelandic Medieval Lexicon, from the Twelfth Century to 1550‎

‎, Brepols, 2022 Hardback, 332 pages, Size:156 x 234 mm, Illustrations:1 b/w, 5 col., 36 tables b/w., Language: English. ISBN 9782503598154.‎

‎Summary Anyone familiar with the Modern Icelandic language will know that the country's policy is to avoid borrowing lexemes from other languages, and instead to draw on their own vocabulary. This often results in the formation of a word pair, consisting of a loanword and its respective native equivalent, as the process of borrowing systematically eludes the tight tangles of language policy. But how did this phenomenon develop in the Middle Ages, before a purist ideology was formed? This volume offers a unique analysis of a previously unexplored area of Old Norse linguistics by investigating the way in which loanwords and native synonyms interacted in the Middle Ages. Through a linguistic-philological investigation of texts from all medieval Icelandic prose genres, the book maps out the strategies by which the variation and interplay between loanwords and native words were manifested in medieval Iceland and suggests that it is possible to identify the same dynamics in other languages with a comparable literary tradition. In doing so, new light is shed on language development and usage in the Middle Ages, and the gap between case-study and general linguistic theory is bridged over. TABLE OF CONTENTS List of Figures List of Tables Preface Abbreviations Languages Icelandic Prose Works, Skalds, and Poems Other Abbreviated Bibliographical Sources Abbreviated Dictionaries, Lexica, and Corpora Other Introduction Aim and Scope Review of Previous Research Research Hypothesis Loanwords in Old and Middle Icelandic: A Brief Sketch Theoretical Framework and Methodology of Analysis Corpus, Rationale, and Data Elicitation Terminology Structure of the Present Work Chapter 1: Religious Texts Introduction The Icelandic Homily Book The Old Norse Translation of Honorius Augustodunensis's Elucidarius Stj rn I Oddur Gottsk lksson's Translation of the New Testament Comparative Analysis and Conclusions Chapter 2: Law Texts and diplomata Introduction Gr g s J nsb k and Relative r ttarboetr Diplomata Comparative Analysis and Conclusions Chapter 3: Treatises Introduction Grammatical Treatises (1-4) Medical Texts Algorismus Astronomical and Computistic Texts Comparative Analysis and Conclusions Chapter 4: Historiographical Texts Introduction slendingab k Veraldar saga Kristni saga Comparative Analysis and Conclusions Chapter 5: Hagiographical Texts Introduction Hungrvaka orl ks saga helga Laurentius saga byskups Nikul ss saga af T lent n Comparative Analysis and Conclusions Chapter 6: Sagas of the Icelanders Introduction Egils saga Droplaugarsona saga G sla saga Gunnlaugs saga Grettis saga V glundar saga Comparative Analysis and Conclusions Chapter 7: Kings' Sagas Introduction Sverris saga lafs saga helga (Heimskr.) Kn tlinga saga Comparative Analysis and Conclusions Chapter 8: Chivalric and Legendary Sagas Introduction Alexanders saga Erex saga Fl res saga ok Blankifl r Gibbons saga Sigur ar saga ?gla Sigrgar s saga froekna D nus saga drambl ta V?lsunga saga orsteins saga V kingssonar Hr lfs saga kraka Comparative Analysis and Conclusions Conclusions General Results Word Pair Dynamics Lexical Strategies through the Centuries Word Pairs from 1550 Onwards General Bibliography Manuscripts Primary Sources Dictionaries, Lexica, and Corpora Secondary Works Index verborum‎

‎Iesu (Chris)ti passionis et resurrectionis ere signata monume(n)ta Ad modu(m) ill(ustrissimi) et R.P.D. Evangelista Ballato Montis Olivieti Abbati meretissimo Mattheus Florimus D. D.-‎

‎Slnd. Probablement début XVIIe. Petit in-4 (175 x 222 mm) ensemble de 14 gravures légendées représentant la Passion du Christ, découpées à la cuvette et remontées sur feuilles blanches. Auteurs Andreas Boscolus Pictor, Petro De Iode, scalat. Mattheus Florimus fecit. Dos remonté, première page poussiéreuse, plusieurs taches brunes dans les marges. Ouvrage en assez mauvais état mais fort peu courant.‎

‎Reading Dante with Images: A Visual Lectura Dantis‎

‎, Brepols - Harvey Miller, 2021 Hardback, 416 pages, Size:220 x 280 mm, Illustrations:8 b/w, 224 col., Language: English. ISBN 9781912554508.‎

‎Summary This volume contains an unprecedented meeting of two major traditions, each of which are forms of careful engagement with Dante's Commedia: the Lectura Dantis, and the illustrations of this work. The Lectura Dantis, initiated by Giovanni Boccaccio in the fourteenth century, consists of a canto by canto study of Dante's poem. The history of Commedia illustration has equally deep roots, as illuminated manuscripts of the text were being produced within decades of the work's completion in 1321. While both of these traditions have continued, mostly uninterruptedly, for more than six hundred years, they have never been directly brought together. In this volume, Dante scholars take on a single canto of the Commedia of their choosing, reading not just the text, but also exploring the illustrations of their selected text to form multifaceted and multi-layered visual-textual readings. In addition to enlivening the Lectura Dantis, and confronting the illustrated tradition of the poem in a new fashion, these studies present a variety of approaches to studying not just the Commedia but any illustrated literary work through a serious inquiry into the words themselves as well as the images that these words have inspired. TABLE OF CONTENTS MATTHEW COLLINS Experimenting with Traditions K.P. CLARKE Inferno 1: Openings and Beginnings GIANNI PITTIGLIO Inferno 6: Una fiera crudele e tanto diversa. Cerberus Illustrated in the Early Manuscripts and Incunabula of the Divine Comedy MICHAEL PAPIO Inferno 10: Heretics in Fiery Tombs PETER S. HAWKINS Inferno 26: Tongues on Fire CHRISTIAN Y. DUPONT Inferno 33: The Power of Grief SILVIA ARGURIO Purgatorio 2: The Angel on the Water DARIO DEL PUPPO Purgatorio 5: An Experimental Visual Interpretation ARIELLE SAIBER Paradiso 28: Entruthing the Image SANDOW BIRK Accidental Dantista: Los Angeles is Not Hell, New York is Not Paradise ROBERT BRINKERHOFF Una selva oscura: Midlife and Metaphor BARRY MOSER On Illustrating the Divine Comedy‎

‎Pierre Bonnard Die Farbe der Erinnerung‎

‎, Hirmer / Kunstforum Wien, 2019 Hardcover 239 pages; Deutsch. 240 Seiten, 200 Abb. (davon 200 farbig). 24,5 x 26,4 cm. 1,5 kg. ISBN 9783777431987.‎

‎Pierre Bonnard (1867?1947) ist einer der geheimnisvollsten Maler des Postimpressionismus. In ber 100 Beispielen von 1900 bis 1947 wird die Vielfalt seines Werks vorgestellt: von den fr hen, im Geiste der Nabis entstandenen Arbeiten bis zu den sp ten, rein aus Farbe aufgebauten Kompositionen, die bis an die Grenze zur Abstraktion gehen. Der Band verdeutlicht die Entwicklung des herausragenden Koloristen zum Meister der Moderne. Bonnards Bilder, komponiert aus den subtilen Mitteln der Farbe, bleiben der Gegenst ndlichkeit verhaftet. Das raffinierte Spiel der Farbwerte ist f r ihn Mittel, um eine ? berwindung der Natur durch die Kunst? zu finden. In seinen farbenfrohen Landschaften und intimen Szenen scheint er die Harmonie der Natur zu preisen ? und stellt sie durch seine differenzierte Auseinandersetzung mit ihr wieder und wieder in Frage. Bonnard wird neu und im Kontext seiner Zeit verstanden. Die Auseinandersetzung mit seinen Malerfreunden und seine Reaktionen auf das politische Geschehen pr sentieren ihn als aktuellen K nstler des 20. Jahrhunderts.‎

‎Carolingian Experiments‎

‎, Brepols, 2022 Hardback, 298 pages, Size:156 x 234 mm, Illustrations:17 col., Language: English. ISBN 9782503594101.‎

‎Summary Carolingian Experiments presents essays exploring how the Carolingians (ca. 700-ca. 900 CE) ? a regime known especially for concerns over imperial power, order, and moral correction ? fostered a remarkable era of experimentation in medieval Europe. The scholars featured here ask new questions and conduct their own methodological experiments to uncover some of the many ways that people innovated within the Carolingian world. To that end, numerous themes are covered in this volume: culture and society, family and politics, religion and spirituality, literature and historiography, law and hierarchy, epistemology and science. This array of scholarly experiments reveals some of the range and depth of Carolingian invention. Furthermore, the essays consider how Carolingian innovation can be found in places both more and less known today, employing novel approaches to unearth some unexpected, even uncanny phenomena. This volume consequently offers a defamiliarizing view of the Franks, unveiling them as a people whose seemingly straightforward imperialism and reform were effective precisely because they stimulated and nurtured potent, creative impulses. In fact, one might argue that the Carolingian world's conservative, moralizing authorities ? despite, or perhaps at times because of, their determination to instil correct thought and behaviour in their subjects ? fostered many varieties of experimentation. Collectively, the authors of this volume seek to inspire new thinking about the Carolingians, while modelling alternative approaches and potential avenues for future research. Carolingian Experiments overall encourages readers to see that much remains unexplored, unknown and even unexpected about the Carolingians and their world. TABLE OF CONTENTS Introducing: Carolingian Experiments ? Matthew Bryan Gillis Part One: Structures Familiar and Otherwise Carolingian Boyhoods ? Valerie Garver Carolingian Experiments with Family ? Paul Edward Dutton The Paper Chase: The Pursuit of Carolingian Legal Innovations ? Abigail Firey Carolingian Imperial Biography and the Memory of Spain ? Anne Latowsky The Historian Hrabanus Maurus & the Prophet Haimo of Auxerre: Experiments, Exegesis, and Expectations Emerging from the Ninth Century ? Matthew Gabriele Strange Natures: Theodulf's Letter to Moduin In Context ? Andrew Romig Part Two: The Struggle Against Sin The Call of the Siren: Sex, Water, and Salt in the Sacramentary of Gellone ? Lynda Coon By the Body Betrayed: Blushing in the Penitential State ? Courtney Booker Why the Carolingians Didn't Need Demons ? Martha Rampton Pleasures of Horror: Florus of Lyons's Querela de divisione imperii ? Matthew Bryan Gillis‎

‎Manuscripts of Leo the Great?s Letters. The Transmission and Reception of Papal Documents in Late Antiquity and the Middle Ages‎

‎, Brepols, 2022 Hardback, 516 pages, Size:156 x 234 mm, Illustrations:36 tables b/w., Language: English. ISBN 9782503589664.‎

‎Summary This book explores the transmission of the letters of Leo the Great (pope, 440-461). After setting out the contours of Leo's papacy and the factors contributing to the sending and subsequent transmission of his letters to posterity, it deals in detail with around sixty collections of Leo's letters and over 300 manuscripts ranging in date from the sixth up to the sixteenth century. Each period of the Middle Ages is introduced as the context for collecting and copying the letters, and the relationships between the letter collections themselves are traced. The result is a survey of the impact of Leo the Great upon Latin Christendom, an impact that was felt in theology and canon law, especially from the age of the Emperor Justinian to the Council of Ferrara-Florence, and moving through the major monasteries of Europe from Corbie to Clairvaux. At every cultural Renaissance, Leo was a presence, being copied, rearranged, interpreted, and eventually printed. This book is a testament to the legacy of one of the mid-fifth century's most influential figures. TABLE OF CONTENTS Introduction Chapter 1: Leo's Letters in History, Canon Law, and Theology 1.1 Leo's Letters in History and Canon Law; 1.2 Leo's Letters and the History of Theology Chapter 2: Editing Leo's Letters 2.1 Giovanni Andrea Bussi; 2.2 The Sixteenth Century; 2.3 The Seventeenth Century; 2.4 Pasquier Quesnel; 2.5 Giacomo and Pietro Ballerini; 2.6 Epistolae Arelatenses genuinae (MGH Epist. 3), ed. Gundlach; 2.7 Collectio Avellana I (CSEL 35), ed. G nther; 2.8 The Tome of Pope Leo the Great, by Blakeney; 2.9 Eduard Schwartz; 2.10 Carlos Silva-Tarouca; 2.11 Hubert Wurm; 2.12 Benedikt Vollmann; 2.13 Corpus Fontium Manichaeorum Series Latina 1; 2.14 The Case for a New, Complete, Critical Edition Chapter 3: Pre-Carolingian Canonical Collections 3.1 The Earliest, Unknown Period of Transmission 3.2 Pre-Carolingian Canonical Collections and the renaissance g lasienne: a. Collectio Frisingensis Prima (F); b. Collectio Diessensis (Di); c. Collectio Quesnelliana (Q); d. Collectio Vaticana (L); e. Collectio Sanblasiana (Sa); f. Collectio Dionysiana (D); g. Collectio Dionysiana Bobiensis (D-b); h. Cresconius, Concordia canonum; i. Collectio Teatina (Te); j. Collectio Corbeiensis (C); k. Collectio Pithouensis (P); l. Collectio (ecclesiae) Thessalonicensis (T); m. Collectio Avellana; n. Collectio Arelatensis (Ar); o. Collectio Albigensis (Al); p. Collectio Remensis (Re); q. Collectio Coloniensis (K); r. Collectio Sancti Mauri (M); s. Collectio Vetus Gallica; t. Epitome Hispana; u. Collectio Hispana (S); v. Collectio Hispana Systematica; w. Ragyndrudis Codex (Codex Bonifatianus II) Chapter 4: Chalcedonian Collections Context of the Collections; 4.1 Latin Chalcedonian Collections: a. Ballerini Collection 17 (Early Latin Acta; Ac); b. Collection of Vat. lat. 1322 (A); c. Rusticus' Acta (Ru); d. Versio Gestorum Chalcedonensium antiqua correcta (Ch); e. Collectio Novariensis (N); f. Collectio Casinensis (Ca); g. Collectio Grimanica (G); h. Codex Encyclius; i. Verona LIX (57); j. A Carolingian fragment of the Tome 4.2 The Greek Transmission of Leo's Letters: a. Collection M; b. Collection B; c. Collection H Chapter 5: The Carolingian Tradition of Manuscripts 5.1 The Carolingian Context 5.2 Carolingian Canonical Collections: a. Collectio Dionysio-Hadriana (D-h); b. Collectio Hadriano-Hispanica (H-s); c. Collectio Dionysiana adaucta (D-a); d. Collectio Hispana Gallica (S-g); e. Collectio Hispana Gallica Augustodunensis (S-ga); f. Pseudo-Isidorus Mercator, Decretales (I); i. Context; ii. Hinschius' Classification System; iii. Hinschius A/B & B (Ballerini Collection 10; I-b); iv. Hinschius A1 (I-a); v. The Cluny Recension, or Yale Pseudo-Isidore (Y); vi. Hinschius Class C (I-c); g. The canon law manuscript Vat. Reg. lat. 423; h. Systematic as well as Unorganised Collections of Extracted Canons 5.3 Other Carolingian Collections; a. Collectio Bobbiensis (B); b. Collectio Ratisbonensis (E); c. Ep. 28 in the Roman Homiliary; d. Ep. 28 in the Homiliary of Agimond Chapter 6: Post-Carolingian Collections and the Age of Reform 6.1 Introduction to the High and Late Mediaeval Contexts 6.2 Post-Carolingian Canonical Collections: a. Collectio Lanfranci; b. Collectio Britannica; c. The Collection of William of Malmesbury; d. Systematic as well as Unorganised Collections of Extracted Canons Before Gratian; e. The Concordia discordantium canonum (Decretum) of Gratian 6.3 Other Post-Carolingian Collections: a. Ballerini Collection 20; b. Ballerini Collection 21 (Y-a); c. Ballerini Collection 22 (22); d. Ballerini Collection 23 (23); e. Ballerini Collection 24 (24); f. Collectio Florentina (Ballerini Collection 13; m); g. Collection of 73 Letters (73); h. Ashburnham 1554; i. Collection of Vat. Reg. lat. 293; j. An eleventh-century pair of Leo's letters; k. Milanese Sermon Collection D; l. Ambrosiana C.50.inf.; m. Vat. Ross. 159; n. Eugenius IV's collection; o. Later Manuscripts of the Tome; p. Other high and late medieval manuscripts with only one Leo letter Chapter 7: Conspectus of the Letters of Pope Leo the Great Conclusion Appendix: Proto-Collections Analysed in this Book Bibliography of Primary Sources Bibliography of Secondary Works‎

‎Préparer autrement les sandwichs et amuse-gueule . Par les rédacteurs des éditions Time-Life‎

‎ ,Amsterdam, Editions Time-Life Collection 'La bonne cuisine santé' 1988, 144 pp., 1 vol. in 4 relié cartonnage éditeur avec couverture illustrée, nombreuses illustrations in texte en couleurs.‎

‎DIX PRELUDES A LA BIOLOGIE‎

‎F. Rouge & Cie S.A.. 1945. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 226 pages. Illustré de dessins et photos en noir et blanc dans et hors texte. Annotations en page de garde.. . . . Classification Dewey : 570-Sciences de la vie‎

‎Sciences et Médecine, Série des Sciences Naturelles, Dir. par Robert Matthey. Classification Dewey : 570-Sciences de la vie‎

‎Dix préludes à la biologie‎

‎masson. 1945. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 221p, illustré de planches noir et blanc hors texte, de schémas dans le texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎2 ème tirage., collection Sciences et medecineLa cellule, détermination des sexes, les jumeaux, parthogénèse.. Classification Dewey : 570-Sciences de la vie‎

‎Douze Préludes à la biologie- 2ème édition‎

‎F. Rouge et cie S.A.. 1947. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 280 pages. Quelques illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎ENCORE LES HETEROCHROMOSOMES DES APODEMUS‎

‎Druck und Verlag: Art. Institut Orell Füssli A.-G.. 1947. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Plaquette paginée de 86 à 92, illustrée de dessins en noir et blanc sur planches hors texte. Légère tache et annotation sur le 1er plat.. . . . Classification Dewey : 570-Sciences de la vie‎

‎Separatabdruck aus: 'Archiv der Julius Kaus-Stiftung fue Vererbungsforschung, Sozialanthropologie und Rassenhygiene, Band XXII, 1947, Heft 1/2. Classification Dewey : 570-Sciences de la vie‎

‎Christoph Steinmeyer : The Long Goodbye‎

‎, Snoeck Verlaggesellschaft 2008, 2008 Paperback, 50 seiten , Deutsch, in guten zustand, . ISBN 9783936859805.‎

‎The D?sseldorf artist born in 1967 and who also resides in Berlin belongs to a generation of painters who question the authenticity of the medium as much as the provenance of its pictorial compositionality. Since the mid-1990s Christoph Steinmeyer has devoted himself to a magical symbolism, which leads both his subject matter and style of his painting into an area of hybridism, yet creating a dangerous but well-founded liaison. One might say that the surfaces of the luxurious interiors or the surfaces with their synthetic effect or the bold, colour-field still lifes of flowers look as though they have been melted in the flame of a Bunsen Burner. However, they aren't amalgamations in which mass-media images are merely transformed into painting or the ?stories? are faded out, but rather the artist refers to collective ideas of medially transmitted patterns and models that he transfers into a new and likewise imagined ideal type. nIn the most recent group of works this brand of magical symbolism takes an astonishing turn. The film sets that are made up of scenery from different scenes are embellished with symbolic props. These pointed image-within-an image constellations interrupt the time-space continuum of the interiors after having been additionally charged with titles such as ?Gilda?, ?Rebecca? or ?Violet?. Christoph Steinmeyer counters the apparent authenticity of his filmic black and white painting with grisalle, which upon closer inspection reveals a fine and detailed chromaticism. This style of painting convulses the beautiful appearance of the compositions like peristalsis- as if we were dealing with dream sequences that can only occur in films or indeed in the way Christoph Steinmeyer shows them to us. It is indeed a rarity to find such fantastical potential in painting. nThe book complete with its unusual format is the first publication to date on Christoph Steinmeyer's work.‎

‎DE VLAAMSE MEESTERS Van Eyck tot Bruegel.‎

‎, ludion, 2023 HB, 290 x 235 mm, 280 pagina's, 200 illustraties,NL edition nieuw!. ISBN 9789493039919.‎

‎Het rijk ge llustreerde kunstboek De Vlaamse meesters: van Van Eyck tot Bruegel beslaat bijna anderhalve eeuw schilderkunst, van omstreeks 1430 tot de dood van Pieter Bruegel de Oude in 1569. In die tijdspanne kwam de schilderkunst in de Nederlanden tot een ongekende bloei. De Vlaamse Meesters: Van Van Eyck tot Bruegel biedt een representatief overzicht van de belangrijkste en meest invloedrijke schilders van die periode en van alle schildergenres die ontwikkeld of vernieuwd in de regio. Soms, als iets heel vertrouwd lijkt, verlies je uit het oog wat het zo bijzonder maakt: Vlaamse Meesters. Van van Eyck tot Bruegel wil dit effect tegengaan en opent opnieuw de ogen voor de revolutie die in de 15e en 16e eeuw in de Lage Landen plaatsvond en de koers van de Europese kunst bepaalde. In 48 rijkelijk ge llustreerde analyses onderzoekt Matthias Depoorter hoe schilders als Van Eyck, Van der Weiden, Massys, Bosch en Bruegel ongekende hoogten bereikten en tot op de dag van vandaag met recht als vernieuwers worden beschouwd. De bepalende factor was hun perfectionering en beheersing van de olieverftechniek, evenals hun baanbrekende aandacht voor optische lichteffecten. De nieuwe technische mogelijkheden boden een andere manier van kijken naar de wereld en uiteindelijk een nieuwe manier van schilderen. Niet minder vernieuwend was het detailniveau. Deze schilders kenden elkaars werk door en door - dit boek toont de fundamentele artistieke kruisbestuiving. Een must-read voor iedereen die opnieuw verliefd wil worden op de oude meesterwerken. MATTHIAS DEPOORTER (*1980) is schrijver en kunsthistoricus. Hij was een van de curatoren van de baanbrekende tentoonstelling Van Eyck: een optische revolutie in het Museum voor Schone Kunsten in Gent en co rdineerde de bijbehorende wetenschappelijke publicatie. In deze publicatie onderzoekt hij wat deze schilderijen zo nieuw en bijzonder maakte. Deze benadering is zowel genre- als thematisch, en onthult iets over de verschillende artistieke stijlen, formats, functies en stromingen, evenals de artistieke en maatschappelijke context waarin ze zijn ontstaan. Deze schilders kenden elkaars werk goed. Ze leenden regelmatig elementen van een collega en deden er iets nieuws mee. Artistieke kruisbestuiving was fundamenteel.‎

‎Transcultural Approaches to the Bible. Exegesis and Historical Writing across Medieval Worlds‎

‎, Brepols, 2021 Hardback, viii + 254 pages, Size:156 x 234 mm, Illustrations:19 col., Language: English. ISBN 9782503592855.‎

‎Summary This volume, the first in the new series Transcultural Medieval Studies, draws together scholars from around the world to offer new insights into the importance and role of the Bible across the varied cultures of medieval Europe. The papers gathered here take a comparative and multidisciplinary approach to the subject, focusing on the biblical background of perceptions of the religious and cultural 'Self ' and 'Other' in the Mediterranean, in Latin Europe, and in the Baltic. In doing so, the contributions identify commonalities and differences of the 'uses of the Bible' in these various worlds, combining and contrasting studies on Bible manuscripts, their exegesis, and their use for historical writing. TABLE OF CONTENTS Scientific Challenges in a Changing World: Transcultural Medieval Studies in the Twenty-First Century - MATTHIAS M. TISCHLER Bible, Exegesis and Historiography in the Medieval Worlds: Crossing Histories from a Transcultural Point of View - MATTHIAS M. TISCHLER AND PATRICK S. MARSCHNER Part I: The Iberian World Reframing Salvific History in a Transcultural Society: Iberian Bibles as Models of Historical, Prophetic and Eschatological Writing - MATTHIAS M. TISCHLER The Bible of Vic (1268): Textual and Theological Value of its Glosses in the Context of the Barcelona Disputation (1263) - EUL LIA VERNET I PONS The Chronicle of Sampiro, the Arabs, and the Bible: Eleventh-Century Christian-Iberian Strategies of Identifying the Cultural and Religious 'Other' - PATRICK S. MARSCHNER Part II: Latin Europe and the Near East Scripture, Hierarchy, and Social Control: The Uses of the Bible in the Twelfth- and Thirteenth-Century Chronicles and Chansons of the Crusades - SINI KANGAS Condemned Sisters, Effeminate Brothers, and Damned Heretics: Ezekiel 23 and the Negotiation of Clerical Sexuality in the Thirteenth Century - LYDIA M. WALKER Part III: The Baltic World How to Fit the 'Livs' into Sacred History? Identifying the Cultural 'Other' in the Earliest Latin Sources Depicting the Livonian Crusade - PETER FRAUNDORFER Wolves in the Wilderness: Biblical Typology and the Envisioning of Lithuanian Pagans in the Thirteenth and Fourteenth Centuries - STEFAN DONECKER‎

‎British Royal Weddings: From the Stuarts to the Early Twentieth Century‎

‎, Brepols, 2022 Hardback, xv + 367 pages, Size:216 x 280 mm, Illustrations:32 b/w, 40 col., Language: English. ISBN 9782503596969.‎

‎Summary This generously illustrated volume is the first in-depth study of the history and ceremonial at British royal weddings from the late sixteenth century onwards. With its over 70 illustrations it is also the most complete pictorial record of these ceremonies. Focusing on the actual wedding service, it follows the three main aspects of the choice of venue, the structure of the ceremonial, and especially the music of these events up to the early twentieth century. Being so closely linked with the performance of these ceremonies, music presents itself as an intriguing aspect for discussing the ceremonial details. Since the eighteenth century, at least some royal weddings have also been notable musical occasions and since Victorian times they have influenced the choices at other weddings. Many newly discovered sources have allowed for new insights and conclusions about the historical facts and interpretations of these ceremonies. Overall, this study presents the most complete account to date of how these magnificent occasions were celebrated. With its holistic approach and interdisciplinary character, replete with numerous illustrations and tables, this study is an extensive resource for historians and musicians alike - and for all those with a wider range of interest in British royal ceremonies. A second volume "British Royal Weddings: The House of Windsor" is scheduled to appear in 2023 by the same author and is the first in-depth discussion of how the British Royal Weddings since 1919 have been celebrated. TABLE OF CONTENTS Illustrations and Figure Preface Acknowledgments Abbreviations and Conventions 1 Setting the Scene 2 From Elaborate to Modest: The Seventeenth Century 3 The 'Concert' Weddings I: The Children of George II 4 The 'Concert' Weddings II: The Later Eighteenth-Century Georgians 5 Home Weddings: The Early Nineteenth Century 6 'State Marriages': The Early Victorians 7 The 'Windsor Castle' Weddings: The Mid-Victorians I 8 Routine and Innovation: The Mid-Victorians II 9 The Choral Weddings: The Late-Victorians 10 The Last 'of the Old Age': The Early Twentieth Century 11 The 'Pomp of Old Days': Three Centuries of Royal Weddings Appendices A Chronological List of British Royal Weddings B Texts and Transcriptions C Royal Weddings and their Music Sources and Bibliography Printed Orders of Service and Ceremonials Manuscript and Archival Material Published Material (including Dissertations) Index‎

‎Roem, hoop en tegenslag. Verhalen uit de wielergeschiedenis van Deurne ‎

‎, District Deurne , 2021, softcover, 318 pag. met afbeeldingen. ISBN 9789081874816.‎

‎Sebastiano del Piombo and Michelangelo: The Compass and the Mirror. An Anthology‎

‎, Brepols, 2022 Paperback, 344 pages, Size:210 x 297 mm, Illustrations:10 b/w, 150 col., Language(s):English, Italian. ISBN 9782503580265.‎

‎Summary The collaboration between Michelangelo Buonarroti (1475-1564) and Sebastiano del Piombo (1485-1547), is among the most extraordinary artistic partnerships of the early modern period. It produced works of startling originality, crucial to the development of the so-called High Renaissance in the first decades of the sixteenth century. It was arguably Michelangelos most creative collaboration, helping him refine motifs and narrative strategies, and it proved determining for Sebastianos development of a monumental, spiritually invested idiom whose influence became a touchstone for religious art deep into the following century, and for principles of painterly abstraction beyond. Inspired by the exhibition Michelangelo & Sebastiano, mounted at The National Gallery in London in 2017, this book unites a group of international scholars in reflection on the two artists, their collaboration and its wider significance. TABLE OF CONTENTS Matthias Wivel ? The Compass and the Mirror Elena Calvillo ? Friendship, Medium and the Diverging Lives of Sebastiano del Piombo and Michelangelo Piers Baker-Bates ? Copies and Versions in Sebastiano's Art? The Christ Carrying the Cross Sheryl E. Reiss ? A Word Portrait of a Medici Maecenas: Giulio de' Medici (Pope Clement VII) as Patron of Art Arnold Nesselrath ? Raphael: Of Heirs and Pretenders Matthias Wivel and Rachel Billinge ? Sebastiano's Vich Triptych Carlo Piga ? Da Michelangelo a Sebastiano: antiche suggestioni e moderne invenzioni nel ciclo decorativo della Cappella Borgherini in San Pietro in Montorio a Roma Stefania Pasti ? Aperietur in tempore: Sebastiano del Piombo and the Borgherini Chapel in the Light of Prophetic Readings Paul Joannides ? A New Drawing by Sebastiano del Piombo for the Semi-Dome of the Borgherini Chapel Costanza Barbieri ? Sebastiano as Portraitist and a Case Study: The Portrait of Michelangelo Pointing at His Drawings Oriana Sartiani ? A Portrait of Michelangelo Attributed to Sebastiano del Piombo: Technical Examination, Discoveries, and Treatment Simonetta Antellini ? L'originalit compositiva della Nascita della Vergine di Sebastiano del Piombo Daniela Luzi ? 'Il bel secreto': La pittura sperimentale sulla pietra di Sebastiano nella Cappella Chigi Morten Steen Hansen ? The Readings of Angels: Sebastiano del Piombo and the Politics of the Immaculate Conception Andrea Donati ? Marcello Venusti, Michelangelo and the Legacy of Sebastiano del Piombo Charles Robertson ? Michelangelo's Last Judgement: Sebastiano del Piombo's Contribution‎

‎Latin Anonymous Sermons from Late Antiquity and the Early Middle Ages (AD 300-800). Classification, Transmission, Dating‎

‎, Brepols, 2021 Hardback, 288 pages, Size:156 x 234 mm, Illustrations:4 b/w, 2 tables b/w., Language(s):English, French, Latin. ISBN 9782503591223.‎

‎Summary This volume contains the proceedings of the international conference on anonymous sermons, funded by the F.R.S.-FNRS and held on 16 May 2019 at the Universit de Namur (Belgium), within the Faculty of Philosophy and Letters and the research centre Pratiques M di vales de l' crit (PraME). It brings together scholars working on late antique and early medieval Latin preaching, and follows on previous volumes on Augustine and African sermons published in the Ministerium Sermonis subseries. The focus here is on Christian Latin preached texts, thought to date from the period c. 300-800 AD, which are not currently attributed to a known author. Long neglected because of their uncertain attribution, these sermons offer new material for the study of late antique and early medieval Christianity. The contributions assembled here provide an essential entry point to the study of these little-known sermons: after an introduction which sets the aims of the book, discusses the state of the art and describes main avenues for research, individual papers present future tools to classify sermons and explore their medieval transmission in manuscripts, offer new critical editions of previously unknown sermons, and develop methods and reliable criteria to shed new light on their historical context of composition. Both engaging with current issues and challenges and offering innovative case studies, this book opens up new ground for future research on late antique and early medieval Latin Christian preaching in general. TABLE OF CONTENTS List of Abbreviations Introduction: Past and Current Research on Latin Anonymous Sermons (Matthieu Pignot) The Medieval Transmission and Reception of the Pseudo-Augustinian AU s 382/PS-AU s Bou 1. Notes on Converting a Scholarly Tradition into a Digital Network (Shari Boodts) Le corpus du pseudo-Eus be Gallican et l'essor de la pr dication en Provence aux Ve et VIe si cles (Ra l Villegas Mar n) Patchwork Sermons: An Understudied Genre of Late Antique Latin Literature (Clemens Weidmann) Un sermon pseudo-augustinien pour la f te de P ques, confront ses sources (Fran ois Dolbeau) Le Sermon Mai 53 (CPPM I 1218, Nutritos hirundo pullos) propos de la marche de Pierre sur les eaux (Matth. 14, 22-33), un pseudo-augustinien africain ? (Marie Pauliat) Two Anonymous Preachers on the "Woman Taken in Adultery": S. Mai 8 and an Unedited Homily in a Manuscript from Moissac (Gert Partoens & Andr s Handl) propos du sermon De laudibus Mariae (PS-AU s 123; PS-FU s 36) : sa tradition dans les imprim s de Fulgence (Pierre-Maurice Bogaert & Matthieu Pignot) Un tractatus sur Prou. 30, 15-20 (CPPM I 5027) et la question de son attribution Gr goire d'Elvire (J r my Delmulle) Indices‎

‎Hieronymus Bosch Visons of genius ‎

‎, Fonds Mercator/ Mercatorfonds , 2016 Paperback, 270x225mm, 192p, 140 colour illustrations, English edition ISBN 9789462301184.‎

‎Expo: 13/2/2016 - 8/5/2016, Noordbrabants Museum, ?s-Hertogenbosch Hieronymus Bosch (1450-1516) lived and worked in 's Hertogenbosch, The Netherlands, where he created enigmatic paintings and drawings full of bizarre creatures, phantasmagoric monsters, and terrifying nightmares. He also depicted detailed landscapes and found inspiration in fundamental moral concepts: seduction, sin, and judgment. This beautiful book accompanies the largest exhibition ever held on Bosch's work, and will feature important new research on his 25 known paintings and 20 drawings. The book, divided into six sections, covers the entirety of the artist's career. It discusses in detail Bosch's Pilgrimage of Life, Bosch and the Life of Christ, his role as a draftsman, his depictions of saints, and The Garden of Earthly Delights, among other topics, and is handsomely illustrated by new photography undertaken by the Bosch Research and Conservation Project Team. Matthijs Ilsink is project coordinator of the Bosch Research and Conservation Project and teaches at Radboud University, Nijmegen. Jos Koldeweij is professor in art history of the Middle Ages at the University of Nijmegen, the Netherlands. The authors are the curators of the's-Hertogenbosch exhibition.‎

‎Jerome Bosch Visions de genie.‎

‎, Fonds Mercator/ Mercatorfonds , 2016 Paperback, 270x225mm, 192 pages, 140 colour illustrations, French edition ISBN 9789462301177.‎

‎Expo: 13/2/2016 - 8/5/2016, Noordbrabants Museum, s-Hertogenbosch Jerome Bosch (1450-1516) a vecu et travaille a Bois-le-Duc, ou il a cree des ?uvres enigmatiques peuplees d'etres etranges, de monstres fantastiques et de cauchemars inquietants inspires de ses themes de predilection : la seduction, le peche et le Jugement dernier. Ce magnifique ouvrage parait en marge de la plus grande exposition jamais dediee a son travail. Les six chapitres du livre retracent sa carriere, traitant en details des themes varies comme la Perigrinatio vitae de Bosch, Bosch et la vie du Christ, son role en tant que concepteur d'estampes, ses peintures de saints ou le Jardin des delices. Ce livre, qui a ete supervise par l'equipe du BRCP, est magnifiquement illustre grace a de nouvelles photographies. Hieronymus Bosch (1450-1516) lived and worked in 's Hertogenbosch, The Netherlands, where he created enigmatic paintings and drawings full of bizarre creatures, phantasmagoric monsters, and terrifying nightmares. He also depicted detailed landscapes and found inspiration in fundamental moral concepts: seduction, sin, and judgment. This beautiful book accompanies the largest exhibition ever held on Bosch's work, and will feature important new research on his 25 known paintings and 20 drawings. The book, divided into six sections, covers the entirety of the artist's career. It discusses in detail Bosch's Pilgrimage of Life, Bosch and the Life of Christ, his role as a draftsman, his depictions of saints, and The Garden of Earthly Delights, among other topics, and is handsomely illustrated by new photography undertaken by the Bosch Research and Conservation Project Team. Matthijs Ilsink is project coordinator of the Bosch Research and Conservation Project and teaches at Radboud University, Nijmegen. Jos Koldeweij is professor in art history of the Middle Ages at the University of Nijmegen, the Netherlands. The authors are the curators of the's-Hertogenbosch exhibition.‎

‎Jheronimus Bosch Visioenen van een genie.‎

‎, Fonds Mercator/ Mercatorfonds , 2016 Paperback, 270x225mm, 192p, 140 colour illustrations, Dutch (NL) edition . NIEUW ISBN 9789462301160.‎

‎Expo: 13/2/2016 - 8/5/2016, Noordbrabants Museum, s-Hertogenbosch Hieronymus Bosch (1450-1516) leefde en werkte in 's Hertogenbosch waar hij raadselachtige schilderijen en tekeningen vol bizarre wezens, fantastische monsters en angstaanjagende nachtmerries schiep. Hij schilderde ook gedetailleerde landschappen. Zijn inspiratie vond hij in fundamentele morele begrippen: bekoring, zonde en oordeel. Dit prachtige boek verschijnt naar aanleiding van de grootste tentoonstelling die ooit aan zijn werk werd gewijd. Hiervoor werd belangrijk nieuw onderzoek verricht over de 25 schilderijen en 20 tekeningen die van hem bekend zijn. In de zes secties van het boek komt de hele carriere van de kunstenaar aan bod. Het behandelt op gedetailleerde wijze thema's als Bosch' Peregrinatio Vitae, Bosch en het leven van Christus, zijn rol als ontwerper van prenten, zijn schilderijen van heiligen, en de Tuin der Lusten. Het boek is prachtig geillustreerd met nieuwe foto's, gemaakt in opdracht van het Bosch Research and Conservation Project Team. Kenmerkend voor Bosch zijn de beroemde monsters, duivelse figuren, engelen en heiligen die zijn tekeningen en panelen bevolken. Zijn karakteristieke werk, vol illusies en hallucinaties, wonderlijke gedrochten en nachtmerries, verbeeldt onnavolgbaar de grote thema's van zijn tijd: verleiding, zonde en rekenschap. Werkend in de periode rond 1500, de overgang tussen middeleeuwen en renaissance, weerspiegelen Jheronimus' schilderijen en tekeningen op raadselachtige wijze de relatie tussen de mens, zijn omgeving en zijn schepper. Jheronimus Bosch geldt als een geniale kunstenaar, die in zijn werk werelden toonde die zijn tijdgenoten niet voor mogelijk hielden. Het is een kunstenaar die tot de absolute wereldtop behoort, wiens werk navolging kreeg bij generaties na hem en die tot op de dag van vandaag ook nieuwe kunstenaars weet te inspireren. "Jheronimus Bosch is de belangrijkste en meest oorspronkelijke middeleeuwse kunstenaar die ons land heeft voortgebracht. Het is fantastisch dat in 2016 het overgrote deel van zijn oeuvre in zijn geboortestad 's-Hertogenbosch te zien zal zijn. Geweldig ook dat een nieuwe generatie kennis kan maken met dit in alle opzichten unieke werk." Charles de Mooij, directeur van Het Noordbrabants Museum ‎

‎Jerome Bosch peintre et dessinateur. HIERONYMUS BOSCH CATALOGUE RAISONN ‎

‎, Fonds Mercator/ Mercatorfonds , 2016 Hardback, 325x240mm, 592 pages, 450 colour illustrations, French edition neuf. ISBN 9789462301122.‎

‎Le 500e anniversaire de la mort de Jerome Bosch sera l'occasion de la publication, en 2016, de trois ouvrages sur ce grand maitre a l'imagination foisonnante. Le premier sera un nouveau catalogue raisonne, complet et definitif, de ses 25 tableaux et 20 dessins. Il s'agit de l'aboutissement de six ans de recherches menees par le Bosch Research and Conservation Project. A travers de splendides photographies prises apres restauration, tres detaillees et entierement nouvelles, les auteurs y examinent en details chacun des tableaux et dessins conserves, rendant hommage a l'incroyable creativite de cet artiste de l'extreme fin du moyen age qui en est arrive a changer les regles de la peinture. Compiled by members of the Bosch Research and Conservation Project and published on the 500th anniversary of Hieronymus Bosch's death, this is the definitive new catalogue of all of Bosch's extant paintings and drawings. His mastery and genius have been redefined as a result of six years research on the iconography, technics, pedigree and conservation history of his paintings and on his life. This stunning volume reproduces all new photography, as well as up-to-date research on the individual works. For the first time the incredible creativity of this late medieval artist, expressed in countless details, is reproduced and discussed in this book. Special attention is being paid to Bosch as an image maker, a crafty draughtsman and a brutal painter, changing the game of painting around 1500 by his innovative way of working. Matthijs Ilsink is project coordinator of the Bosch Research and Conservation Project and teaches at Radboud University, Nijmegen. Jos Koldeweij is professor in art history of the Middle Ages at the University of Nijmegen, the Netherlands. Published on the 500th anniversary of Hieronymus Bosch's death, this book represents the most definitive catalogue of the artist's iconic works. Authors: Bosch Research and Conservation Project: Matthijs Ilsink, Jos Koldeweij, Ron Spronk, Luuk Hoogstede, Robert G. Erdmann, Rik Klein Gotink, Hanneke Nap, Daan Veldhuizen ‎

‎Jheronimus Bosch Schilder en tekenaar. Catalogus raisonne.‎

‎, Fonds Mercator/ Mercatorfonds , 2016 Hardcover, 607 pag. NL editie, 330 x 255 x 45 mm, NIEUW !!, in een stevig foedraal, stofomslag, 450 illustraties in kleur, ISBN 9789462301115.‎

‎Vijfhonderd jaar na de dood van de kunstenaar verschijnt de nieuwe en definitieve catalogus van al zijn bewaard gebleven schilderijen en tekeningen, samengesteld door leden van het Bosch Research and Conservation Project. Zes jaar wetenschappelijk onderzoek over zijn leven en over de iconografie, de technieken, de pedigree en de bewaringsgeschiedenis van zijn schilderijen resulteren in een nieuwe definitie van zijn genie en meesterschap. De recentste gegevens over de afzonderlijke werken zijn in het boek verwerkt, samen met nieuwe foto's. De ongelooflijke creativiteit van deze laatmiddeleeuwse kunstenaar die in ontelbare details tot uiting komt, wordt hier voor het eerst uitvoerig toegelicht. Er wordt speciale aandacht besteed aan Bosch als inventor, als geraffineerd tekenaar en als vrijmoedig schilder, die rond 1500 door zijn vernieuwende werkwijze de spelregels van de schilderkunst veranderd heeft. Auteurs: Bosch Research and Conservation Project: Matthijs Ilsink, Jos Koldeweij, Ron Spronk, Luuk Hoogstede, Robert G. Erdmann, Rik Klein Gotink, Hanneke Nap, Daan Veldhuizen ‎

‎Schaduw over Brugge‎

‎Antwerpen , De Sikkel, 1940 Oorspronkelijk uitgevers omslag, 233 pagina's, met illustraties van Jozef Cantr . 21.5x16cm.‎

‎Mooi exemplaar. ‎

‎Valentino. A Grand Italian Epic‎

‎, Taschen, 2025 hardcover, dusjacket, 25 x 33.4 cm, 4.56 kg, 576 pages full colors. Englsh text. *new. ISBN 9783754400692.‎

‎Genius, Glamour, And Magnificent Gowns Valentino Garavani: the greatest name in Italian couture For almost half a century Valentino dominated Italian haute couture, dressing the world?s wealthiest and most glamorous women. Only a few years after opening his fashion house in Rome in 1959, Valentino could already count Elizabeth Taylor, Jackie Kennedy, and Audrey Hepburn among his devotees. Despite his retirement in 2007 little has changed; his brand continues to thrive and prosper, and is worn by celebrities like Gwyneth Paltrow and Jennifer Lopez. Valentino has always designed magnificent gowns, never wavering from his signature style despite fads like grunge, deconstruction, and minimalism. This book traces Valentino?s illustrious career through copious images from his archives, including drawings, magazine editorial shoots, advertisements, portraits, and documentary photographs. Presented chronologically, the visual material is accompanied by a vast array of newspaper and magazine articles about Valentino throughout the years. Combined, they provide an in-depth look at the man, his lifestyle, and his genius.‎