‎Samleren. En vejledning for Samlere. 1.-2. deel.‎

‎Kbhvn., (1899-90). Et orig. komponeret helshirtbd. med guldtryk. Ryg lidt slidt, særligt ved kapitæl. 287,169 pp. Rigt tekstillustr. samt 9 farvetavler.‎

‎Bulletin de la Fédération française des sociétés de sciences de la vie. 23 bulletins entre le N° 2 (janvier 1956) et le N° 28 (octobre 1961).‎

‎Couverture souple. 23 fascicules 13 x 22 cm.‎

‎Livre. Série incomplète. Paris, 1956-1961.‎

‎São Paulo Agrícola / Agriculture‎

‎São Paulo, Spala, 1981. First and only edition. One of the 3000 copies printed. Bilingual book in Portuguese and English, published by the Federation of Agriculture of the State (Estado) de São Paulo (FAESP). A square 30.5 x 30.5 cm volume, 198 pp. hardbound with no dust jacket as issued. Title written in dark green on front cover and spine. Dark green endpapers. This volume showcases the agricultural production of the Brazilian state of São Paulo with numerous maps beautifully printed. Widely illustrated, rich in numbers and tables/diagrams. Pages on beef cattle, poultry cattle, rice, soja beans, coffee, feijão beans and many other crops and cattle animals.‎

9 Images

‎A very interesting document for the student of agriculture, agricultural production and a prime example of South American economy.‎

‎Giacinto Scelsi: Music across the Borders‎

‎, Brepols, 2019 Hardback, 448 pages, Size:220 x 280 mm, Illustrations:3 b/w, 30 musical examples, Languages: English, French, German. ISBN 9782503586441.‎

‎Summary The work of the Italian composer Giacinto Scelsi (1905-1988) brings a special urgency to the main questions of musical thought. These questions concern subjectivity in composition and music making; the relationship between sound, structure, and form; the relationship between improvisation and composition; and the role of musical writing in terms of composition and performance. This is undoubtedly also the product of his complex working method, in which improvisation, composition, musical writing, and performance follow one another, each imposing their own, often divergent, mark on the end result. The opening of the Isabella Scelsi Foundation archive in Rome in 2009 highlighted the significance of the composer while facilitating new research perspectives on his work. Now is the right time for a larger publication to document and propagate recent results and new approaches. TABLE OF CONTENTS Federico Celestini, Preface Federico Celestini, Introducing Giacinto Scelsi Genesis, Analysis and Performance Sandro Marrocu, Il compositore fu una cooperativa. Ri?essioni su un processo creativo Christian Utz, Analyzing Scelsi Elisabetta Piras, Essere per interpretare, interpretare per essere: prospettive esecutive della musica di Giacinto Scelsi Works Andrea Di Giacomo, Molti pezzi su 88 tasti. Indagine su un catalogo pianistico costruito a posteriori Ian Dickson, Small Ensemble and Solo Instrumental Works Francesca Placanica, Ritual and Embodiment in Giacinto Scelsi's Solo Works for Voice: A Performance Studies Approach Alessandro Cecchi, Giacinto Scelsi compositore di quartetti per archi: un approccio discorsivo Friedrich Jaecker, Works for Orchestra and Chorus Reception Alessandra Montali, La ricezione scelsiana in ambito musicologico, interpretativo e compositivo Pierre Albert Castanet, Giacinto Scelsi et la France: Le champ des nébuleuses Markus Bandur, Vom «Innern des Tones» und «sakralen Sehnsüchten». Zur Rezeption von Giacinto Scelsis Musik in Deutschland Thomas Peattie, Giacinto Scelsi in the USA and in the UK Elfriede Reissig, Scelsi in Austria Resources Alessandra Carlotta Pellegrini, «Do Not Diminish the Sense Which You Do Not Understand»: Giacinto Scelsi's Archive, Library, Museum Friedrich Jaecker, Catalogue of the Works of Giacinto Scelsi Abstracts Biographies Index of Names‎

‎Les CONCEPTS FONDAMENTAUX de la SCIENCE‎

‎Un ouvrage de 311 pages, format 120 x 185 mm, broché, publié en 1919, Ernest Flammarion Editeur, collection "Bibliothèque de Philosophie Scientifique", bon état‎

‎Leur signification réelle et leur acquisition psychologique. Traduit par L. Rougier‎

‎Haydn's Last Creative Period‎

‎, Brepols, 2021 Hardback, xiv + 365 pages, Size:210 x 270 mm, Illustrations:15 b/w, 87 musical examples, Language(s):English, German.*new ISBN 9782503594880.‎

‎Summary This volume focuses on one of the most crucial parts of Haydn's career-a key era in which the experiments of the 1770s arrived at the consolidation and definition of new compositional forms and practices in the 1780s. The 'mature' Haydn represents a musician marked by full creative ferment in all musical genres and reveals the profile of a composer at the peak of his career. Through new research, this book examines the views of Haydn's compositional practice as both self-aware and as adaptations based on the public's changing tastes. Such was an achievement that Haydn obtained without betraying the principles of balance, solidity and expressiveness that he developed during decades of musical practice at the Esterházy court. TABLE OF CONTENTS Introduction, Federico Gon Biography and Reception János Malina, Orfeo and Armida, Don Juan and Figaro: New Light on the Busiest Decade of Haydn's Career Sterling E. Murray, Haydn and the Oettingen-Wallerstein Court: A Study in Musical Patronage and Stylistic Intent Nancy November, Late Haydn for the Home: Arrangements of the London Symphonies in the Nineteenth Century Bryan Proksch, Age, Infirmity, and Oldness in the Early Biographies of Haydn Christian Speck, Ein Haydn-Gemälde von Julius Schmid im Kontext der Korrektur der Haydn-Rezeption durch Guido Adler Musical Form and Analysis L. Poundie Burstein, Paths and Pauses within Haydn's Piano Trio No. 16 Lauri Suurpää, New Path to Conventional Goals: Formal Reinterpretation in the First-Movement Recapitulations of Haydn's Symphonies Nos. 94 and 98 Floyd Grave, Convention, Reinvention, and the Play of Contraries in the First Movement of Haydn's Concerto for Keyed Trumpet Halvor K. Hosar, Sonata/Fugue Mixtures in Haydn's Late Masses: History and Form James S. MacKay, Baroque Polyphony and Intelligent Conversation: Joseph Haydn's String Quartets from Opus 20 to Opus 76 Rhetoric and Intertextuality Stephanie Klauk - Rainer Kleinertz, Haydn's String Quartet Production after Opus 33 Anatole Leikin, Performing Expressive Rhetorical Devices in the First Movement of Haydn's Piano Sonata in E-flat Major, Hob. xvi:49 Federico Gon, «A Time for War and a Time for Peace»: The Symphony No. 100 by Joseph Haydn and the Revolutionary Events of 1793 Balázs Mikusi, The Spider and the Bee, or How Does Mozart Come into Haydn's The Seasons? John A. Rice, The Bergamasca Schema in Late Haydn‎

‎Sound of Empire. Soundscapes, Aesthetics and Performance between «Ancien régime» and Restoration‎

‎, Brepols, 2024 Hardback, xv + 351 pages, Size:210 x 270 mm, Illustrations:16 b/w, Language(s):English, French, Italian. ISBN 9782503608495.‎

‎Summary The second half of the eighteenth century and the first half of the nineteenth century was a time of great historical and social upheavals ? a melting pot of events whose repercussions are still felt. The first industrial revolution, the American Revolution, the French Revolution, and the Napoleonic wars: such were events that gradually undermined the status quo of the Ancien régime. Napoleon Bonaparte is the keystone of this period, given his role as an innovator of aspects of the military, political, civil, artistic and cultural life of his time. This book explores the musical changes brought on by the multifaceted pre- and post-Napoleonic sonic world. It focuses on the politicised dramaturgy at the Paris Opera, on the incredible diffusion of French opera in the German-speaking world, and on the question of national identity in Italian, Polish, Spanish and Portuguese contexts during this politically critical period. Beyond operas and cantatas in praise of Napoleon, this book also highlights the mechanical soundscape of the Empire, the repertoire of incidental music and the varied fortunes of the music business at that time. Finally, it analyses the place of female singers or composers from a gendered perspective. TABLE OF CONTENTS FEDERICO GON - EMMANUEL REBEIL, Preface POLITICS AND NATIONAL IDENTITY 1. GALLIANO CILIBERTI, Francesco Morlacchi, Napoleone I e il sound imperiale tra Italia e Germania 2. MAGDALENA OLIFERKO-STORCK, Napoleonic Warsaw: The Emperor's Sojourns and the French Culture in the Soundscape of the Capital of Poland before Chopin 3. ERIC BOARO, «Non essendovi più capelle in veruna chiesa?». Finanziamento e impiego musicale nella Modena giacobina e la stagione al Teatro Rangone tra il 1798 e il 1799 4. FEDERICO GON, 'Feast, Flour, and Gallows': Haydn's Creation in Naples (1821) and the Politics of Restoration 5. MATTHIEU CAILLIEZ, Étude des transferts musicaux franco-allemands à l'époque napoléonienne à travers le prisme de l'«Allgemeine musikalische Zeitung» OPERA, THEATRE AND PERFORMANCE 6. MARIA BIRBILI, The Sound of Empire: Politicised Dramaturgy in French Opera from the French Revolution to Napoleon 7. MARTIN BARRÉ, Dans l'ombre de Paris. Circulation et diffusion de la musique de scène sous l'Empire: l'exemple du théâtre de Versailles 8. ANNELIES ANDRIES, Caroline Branchu: A Model of Nineteenth-Century Womanhood? 9. CLAUDIA CHIBICI-REVNEANU, Moving towards Exclusion: A Case Study of the 'Female Viennese School' MUSIC PUBLISHING AND TEACHING 10. HENRI VANHULST, Les relations entre Jean-Jérôme Imbault et ses compositeurs d'après des lettres de Jean-Louis Duport et Ferdinando Paër 11. DAVID ROWLAND, Music Publishing and Markets c. 1750-1830 SOUNDSCAPES AND AESTHETICS 12. EMMANUEL REIBEL, The Empire's Mechanical Musics: From Soundscape to Reception 13. INES THOMAS ALMEIDA, Imaginary Soundscapes: The Sounds of Portuguese Music as Captured by German Travellers at the End of the «Ancien Régime» 14. ALBAN RAMAUT, Le Napoléon d'Hector Berlioz, proposition de lecture ‎

‎DICTIONNAIRE PITTORESQUE D'HISTOIRE NATURELLE ET DES PHENOMENES DE LA NATURE en 9 tomes. CONTENANT L'HISTOIRE DES ANIMAUX, DES VEGETAUX, DES MINERAUX, DES METEORES, DES PRINCIPAUX PHENOMENES PHYSIQUES ET DES CURIOSITES NATURELLES, AVEC DES DETAILS...‎

‎AU BUREAU DE SOUSCRIPTION. 1833-1839. In-4. Relié demi-cuir. Etat d'usage, Couv. défraîchie, Dos frotté, Intérieur acceptable. Environ 640 pages par tomes. Dos cuir noir, titres, tomaisons, filets et roulettes dorés. Papier tons bleus et rouges. Nombreuses planches de gravures sur acier en noir et blanc. Tranches marbrées jaune et bleu. Etat général usé, coins bords et plats frottés, épidermures aux dos. Tome 1: 5 premières pages légèrement détachées, manque coiffe en pied / tome 2: 1 planche déchirée / tome 3: coiffe en pied légèrement abîmée / tome 6: une page détachée /. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎...sur l'emploi des productions des trois règnes dans les usages de la vie, les arts et métiers et les manufactures. Rédigé par une Société de Naturalistes sous la direction de F.-E. GUÉRIN. Avec planches gravées par M. BEYER sur les dessins de M. DE SAINSON, dessinateur du Voyage de l'Astrolabe. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Ossip Zadkine Mens, Mythe & Metamorfose - Man, Myth & Metamorphosis ‎

‎, Waanders Uitgevers, 2025 Paperback, 270 x 240 mm, 70 Illustrations col.ill. 96 Pages, Language(s) Nederlands / English ed. *New. ISBN 9789462626348.‎

‎De Russisch-Franse beeldhouwer Ossip Zadkine (1888-1967) onderhield sterke banden met Nederland. In dit boek beschrijft kunsthistoricus Feico Hoekstra de innige relatie tussen de beeldhouwer en ons land. De betekenis van Zadkine voor Nederland was ontegenzeggelijk groot, maar het omgekeerde is ook waar. Mede door zijn goede Nederlandse contacten groeide Ossip Zadkine uit tot een van de invloedrijkste beeldhouwers van het internationale modernisme. ------- The work of Russian-French sculptor Ossip Zadkine (1888-1967) is full of mythological figures, including Diane, Narcissus and Orpheus. Zadkine particularly identified with the latter. Just as Orpheus managed with his music to prompt animals, plants and even rocks to dance, so the artist brought material to life with his hands. Zadkine therefore referred to this creative metamorphosis as ?the Orphic event?. He also turned his own life story into a myth. The idea of becoming an artist had been revealed to him as a child, he said, when he had fallen with his hand in the clay. From that point on, Zadkine allowed himself to be guided by nature, which he regarded as a source of perpetual change.‎

‎L'islam en Asie, du Caucase à la Chine‎

‎La Documentation Française, coll. « Etudes De La Df » 2001 In-8 broché 24,0 cm sur 16,0. 248 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Lob der Schweizer Reben. Eloge des vignes Suisses. Elogio dei Vitigni Svizzeri. Herausgegeben von der Abteilung für Landwirtschaft des Eidgenössischen Volkswirtschaftsdepartementes.‎

‎Bern, Eidg. Druck- u. Material-Zentrale, 1958. Folio. (f2), 15 (1) S., 7 (1) S. Mit 15 farb. Tafeln. Hefte u. lose Tafeln in neutralem Umschlag.‎

‎Le songe de Minerve - le cerveau artificiel et les sciences de l'artificiel‎

‎Lieu Commun. 1987. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 390 pages. Annotations au stylo sur page de garde et page de titre.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎Le songe de minerve. Le cerveau et les sciences de l'atificiel‎

‎Lieu commun / Sciences. 1987. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 390 pages.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎The Nobel Prize - A History of Genius, Controversy, and Prestige‎

‎Arcade Publishing, New York Malicorne sur Sarthe, 72, Pays de la Loire, France 2000 Book condition, Etat : Bon hardcover, editor's full grey clothes, no dust-jacket grand In-8 1 vol. - 500 pages‎

‎8 plates with black and white illustrations 1st edition Contents, Chapitres : Contents, Preface, xi, Text, 489 pages - Introduction - The founding father - The Nobel Prize invents itself - The Nobel Prize in literature - The Nobel Prize in sciences - The Nobel Prize in physics - The Nobel Prize in chemistry - The Nobel Prize in physiology or medicine - The Peace prize - The economics memorial prize - Chronology of prizes - Appendix : Value of prizes - Prizes by nation - Women laureates - Family laureates - Jewish laureates - Notes - Selected bibliography, index no dust-jacket, else fine copy, no markings‎

‎Encyclopédie ou dictionnaire universel raisonné des connoissances humaines. (Encyclopédie d’Yverdon). 3 Volumes regroupant les 10 volumes de planches, et un DVD-Rom (PC) regroupant les 58 volumes de l’encyclopédie.‎

‎ Yverdon - Genève, Fondation de Félice - Slatkine 2003, 270x205mm, reliure d'éditeur sous jaquette. Sous emboîtage. Exemplaire à l'état de neuf.‎

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‎Physique. ‘Encyclopédie ou Dictionnaire Universel raisonnée des Connoissances Humaines’. VI . Mis en ordre par M. De Felice.‎

‎Yverdon, s.d. (1780), gr. in-8vo, 1 f. + 21 p. + 1 p. blanche + 22 planches + 1 double planche ‘Termometre Universel de Comparaison, brochure originale.‎

‎ROPS cent legers croquis sans pretention pour rejouir les honnetes gens / Félicien Rops.‎

‎Namur, Musee Felicien Rops, 1998., 1998 Reliure pleine toile d'éditeur sous jaquette illustrée. 279 pages, Texte en Francais, 305 x 243 mm, *bon etat.‎

‎expo Musée provincial Félicien Rops [Namur] [Provinciaal Museum Félicien Rops [Namen]] ROPS cent legers croquis sans pretention pour rejouir les honnetes gens / Félicien Rops.‎

‎Crime and Illusion. The Art of Truth in the Spanish Golden Age‎

‎, Brepols - Harvey Miller, 2019 Hardback, 336 pages, Size:220 x 280 mm, Illustrations:11 b/w, 118 col., Language: English. ISBN 9781912554096.‎

‎Summary According to an old historiographic tradition, the Spanish Golden Age placed the imitation of nature at the service of religion: its radical naturalism responded to the deep faith of that culture and moment. Crime & Illusion argues the opposite. It defends the thesis that the fundamental problem artists of the Golden Age confronted was not imitation but Truth. Moreover a large part, maybe the best part, of Spanish Baroque religious imagery is better understood as a complex exercise in addressing the spectators' doubts. Hovering on the horizon of an emerging empiricism, artists created their images as pieces of evidence, arguments for belief. Crime & Illusion reconstructs and interprets this judicial or forensic aspect of early modern visual culture at the center of a political, religious, and scientific triangle. Finally, the book explores the artists' skeptical reflection on the problematic relationship of painting and sculpture to the art of truth.‎

‎Images of Discord. Poetics and Politics of the Sacred Image in Fifteenth-Century Spain‎

‎, Brepols - Harvey Miller, 2019 Hardback, 312 pages, Size:220 x 280 mm, Illustrations:12 b/w, 62 col., 3 tables b/w., Languages: English, Spanish, Latin. ISBN 9781909400337.‎

‎Summary Felipe Pereda reconstructs the history of religious art in Spain between two crucial dates in the "politics of the image" enforced by the "Reyes Católicos": 1478 and 1501. By focusing first on Seville, then on Granada Pereda evokes the first moments of the institution of the "Santo Oficio" and its later developments. In both cities, the local authorities had established the obligation for citizens to keep religious images within their houses. In Seville, the authorities in particular targeted the "marranos" (Jewish converts); in Granada, the new "moriscos" (converted Muslims). In both cases, the edicts emanated from the confessor of Queen Isabella of Castile, Fray Hernando de Talavera, himself of "converso" origin. At the intersection of social history and intellectual history, Images of Discord shows in which ways religious and social conflicts determined the status and development of sacred art in late fifteenth- and early sixteenth-century Castile and Andalusia and, more broadly, the history of Spanish art in the early modern period.‎

‎Eléments d’arithmétique. Cours complet de mathématiques.‎

‎ Genève, H. Temblay 1884, 220x135mm, 308pages, reliure demi-basane. ‎

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‎Gold in the Sanctuary. Reassessing Notker of St Gall?s Liber Ymnorum‎

‎, Brepols, 2022 Hardback, 328 pages, Size:152 x 229 mm, Illustrations:16 col., Language: English. ISBN 9780888442284.‎

‎Summary The ninth-century monk and poet Notker of St Gall played a seminal role in the history of the sequence, a distinctly medieval poetic genre of liturgical chant, through his Liber Ymnorum. Notker harkens back beyond the classical Latin and Greek tradition, drawing on Hebrew models; his texts combine theological complexity with poetic invention of extraordinary reach. Despite the opposition his innovations provoked in traditionalist circles, Notker's sequences were widely adopted. Promotion by the monastery of St Gall and posthumous idealization of the poet ensured the Liber Ymnorum would become a prototypical model for a wide array of imitations in the genre until the late sixteenth century.‎

‎FAUNE D EUROPE.‎

‎GRUND.. 1974. In-4. Cartonnage d'éditeurs. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 313 pages. Nombreuses planches photos en couleurs. Nombreuses illustrations en couleurs dans le texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Illustrations de KVETOSLAV HISEK, VLASTIMIL CHOC, VLADIMIR JAVOREK ET FRANTISEK SEVERA. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎FAUNE ET FLORE D EUROPE‎

‎GRUND. 1986. In-4. En feuillets. Etat du neuf, Couv. convenable, Dos satisfaisant, Intérieur frais. 342 pages augmentées de nombreuses illustrations en couleur dans le texte. Premier contre-plat désolidarisé. Manque la jaquette.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎FAUNE ET FLORE D'EUROPE.‎

‎"GRUND. 1985. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 342 pages illustrées de nombreux dessins en couleurs et photos in et hors texte - Jaquette corre""cte et illustrée en couleurs.. Avec Jaquette. . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES"‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Peter Lindbergh. Untold Stories‎

‎, TASCHEN, 2024 Hardcover, 192 pages, 5.51 x 0.63 x 7.68 inches, English text, NEW. ISBN 9783836583800.‎

‎The first-ever exhibition curated by Peter Lindbergh himself, shortly before his untimely death, Untold Stories at the Düsseldorf Kunstpalast served as a blank canvas for the photographer?s unrestrained vision and creativity. Given total artistic freedom, Lindbergh curated an uncompromising collection that sheds an unexpected light on his colossal oeuvre. This book offers an extensive, firsthand look at the highly personal collection. Renowned the world over, Lindbergh?s images have left an indelible mark on contemporary culture and photo history. Here, the photographer experiments with his own oeuvre and narrates new stories while staying true to his lexicon. In both emblematic and never-before-seen images, he challenges his own icons and presents intimate moments shared with personalities who had been close to him for years, including Nicole Kidman, Uma Thurman, Robin Wright, Jessica Chastain, Naomi Campbell, Charlotte Rampling and many more. This volume presents more than 100 photographs?many of them unpublished or short-lived, often having been commissioned by monthly fashion magazines such as Vogue, Harper?s Bazaar, Interview, Rolling Stone, W Magazine, or The Wall Street Journal. An extensive conversation between Lindbergh and Kunstpalast director Felix Krämer, as well as an homage by close friend Wim Wenders, offer fresh insights into the making of the collection. The result is an intimate personal statement by Lindbergh about his work.‎