Paris, Rivière, 1960 in-8, 498 pp., index, broché.
- - ACTUELLEMENT EN CONGÉS, DE RETOUR LE 17 AOÛT - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.
P., Marcel Rivière, 1960, in-8°, 498 pp, index, broché, bon état. Peu courant
"Cette longue étude est divisée en deux parties à peu près égales : la « rupture avec le passé », « la tradition retrouvée », c'est-à-dire qu'il analyse d'abord l'aspect destructif de l'oeuvre révolutionnaire, ensuite son oeuvre constructive. (...) Un gros et utile livre. Il manquait. Et cet ouvrage est une incontestable réussite." (D. Ligou, Revue d'histoire économique et sociale, 1961) Désormais les frais d'envoi sont de 6 € seulement pour les livres jusqu'à 1 kg (colissimo suivi), pour la France métropolitaine.
M nchen, Fribourg, Klinkhardt & Biermann, Office du Livre, 1986 Leinen gebunden mit Schutzumschlag, 241 Seiten, Illustriert, Deutsch. *NEU. ISBN 9783721500134.
Franz sische Fayencen des 18 Jahrhunderts
IMP. GUINAMARD. 1962. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 79 pages. Nombreuses illustrations en noir et blanc dans le texte et hors texte. Quelques rousseurs sur la couverture.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Paris. Les Éditions de France. (1941). In-8 (120 x 187mm) broché couverture imprimée, titre encadré de rouge, 2ff., II, 119, (1) pages. Bon état.
Noord-Hollandsche uitgevers maatschappij 1942 96 pages in8. 1942. Broché. 96 pages.
Bon état général tampon et annotations sur le premier plat intérieur propre étiquette sur le 4e plat
ALBIN MICHEL. 1954. In-8. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 254 pages - quelques tâches brunes sur les plats.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
, Brussel, Paleis der Academien, 1962., Gebrocheerd, originele uitgeversomslag, 18x26cm, 118 p., 55 fig.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 69.
, Brussel, Paleis der Academien, 1971., Gebrocheerd, originele uitgeversomslag, 18x26cm, 95 p., fig., tab.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 120.
Alfred Mame et Fils. 1887. In-4. Cartonnage d'éditeurs. Etat d'usage, Coins frottés, Dos satisfaisant, Mouillures. 398 pages - cartonnage monochrome - tranches dorées - nombreuses gravures sur bois en noir et blanc dans et hors texte - rousseurs et traces de mouillures à l'intérieur de l'ouvrage sans conséquence sur la lecture .. . . . Classification Dewey : 570-Sciences de la vie
Classification Dewey : 570-Sciences de la vie
1832 demi-basane époque (dos un peu passé). in-8, (2ff.), 592pp., Paris Marchand de nouveautés 1832,
ALBIN. 28 JANVIER 1970. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 444 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Introduction géographique à l'histoire. Avec le concours de LIONEL BATAILLON. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
ALBIN MICHEL. 1970. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 444 pages. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Kbhvn., (1899-90). Et orig. komponeret helshirtbd. med guldtryk. Ryg lidt slidt, særligt ved kapitæl. 287,169 pp. Rigt tekstillustr. samt 9 farvetavler.
FEDERATION FRANCAISE DES SOCIETES DE SCIENCES de la vie 1956-1961
Reference : 109964
(1961)
Couverture souple. 23 fascicules 13 x 22 cm.
Livre. Série incomplète. Paris, 1956-1961.
Federação da Agricultura do Estado São Paulo
Reference : 0234
(1981)
ISBN : 8570480032
São Paulo, Spala, 1981. First and only edition. One of the 3000 copies printed. Bilingual book in Portuguese and English, published by the Federation of Agriculture of the State (Estado) de São Paulo (FAESP). A square 30.5 x 30.5 cm volume, 198 pp. hardbound with no dust jacket as issued. Title written in dark green on front cover and spine. Dark green endpapers. This volume showcases the agricultural production of the Brazilian state of São Paulo with numerous maps beautifully printed. Widely illustrated, rich in numbers and tables/diagrams. Pages on beef cattle, poultry cattle, rice, soja beans, coffee, feijão beans and many other crops and cattle animals.
A very interesting document for the student of agriculture, agricultural production and a prime example of South American economy.
, Brepols, 2025 Hardback, Pages: 324, Size:160 x 240 mm, Languages: Italian, Latin. ISBN 9782503581460.
Summary Perse, auteur satirique latin du Ier si cle ap. J-C., eut la faveur des lecteurs partir des premi res phases de sa r ception et durant la p riode humaniste, en raison de son style original et exigeant et de la moralit de sa po sie. En 1481 le commentaire des Satires de Perse par Giovanni Britannico, humaniste et imprimeur italien du XVe si cle, venait d' tre publi dans la ville de Brescia. Britannico fit deux r visions en 1486 et en 1500, ce qui lui permit de proposer un regard global sur l'ex g se de Perse faite partir des ann es Quatre-vingts du Quattrocento, gr ce son dialogue avec la production de ses coll gues (Politien, Fonzio, Merula, Barbaro etc). Le commentaire jouit d'une norme diffusion au Nord des Alpes durant le XVIe si cle, en particulier dans la r gion du Rhin, en influen ant les tudes post rieures sur Perse. L' dition critique du commentaire, accompagn e d'une introduction importante, augmente nos connaissances sur l'Humanisme italien et sa grande influence, en fournissant des l ments nouveaux sur la r ception du genre litt raire de la satire romaine en Italie et au-del . Persio, autore satirico latino del I secolo d.C., ebbe una grossa fortuna fin dalle prime fasi della sua ricezione e soprattutto nel periodo umanistico, grazie all'originalit e alla raffinatezza del suo stile, nonch alla forte impronta morale della sua poesia. Nel 1481, nella citt di Brescia, fu pubblicato il commento alle Satire di Persio redatto da Giovanni Britannico, umanista e tipografo italiano del XV secolo. Britannico realizz due revisioni del suo lavoro, nel 1486 e nel 1500, riuscendo cos a offrire una visione d'insieme sull'esegesi persiana sviluppatasi a partire dagli anni Ottanta del Quattrocento, anche attraverso il confronto con la produzione dei suoi contemporanei (Poliziano, Fonzio, Merula, Barbaro, ecc.). Il commento conobbe un'ampia diffusione al di l delle Alpi nel corso del XVI secolo, in particolare nella regione renana, esercitando una notevole influenza sugli studi successivi su Persio. L'edizione critica di questo commento, accompagnata da un'approfondita introduzione, contribuisce ad ampliare le nostre conoscenze sull'Umanesimo italiano e sulla sua influenza in Europa, offrendo nuovi elementi per comprendere la ricezione del genere della satira romana sia in Italia che in ambito europeo. TABLE OF CONTENTS Avant-propos Ringraziamenti Introduzione Capitolo I. Giovanni Britannico. Maestro, commentatore ed editore di classici Capitolo II. Il commento a Persio di Giovanni Britannico Capitolo III. La ricezione del commento nel Cinquecento europeo Bibliografia Nota critica Indice dei nomi Indice degli autori e dei passi citati
, Brepols, 2019 Hardback, 448 pages, Size:220 x 280 mm, Illustrations:3 b/w, 30 musical examples, Languages: English, French, German. ISBN 9782503586441.
Summary The work of the Italian composer Giacinto Scelsi (1905-1988) brings a special urgency to the main questions of musical thought. These questions concern subjectivity in composition and music making; the relationship between sound, structure, and form; the relationship between improvisation and composition; and the role of musical writing in terms of composition and performance. This is undoubtedly also the product of his complex working method, in which improvisation, composition, musical writing, and performance follow one another, each imposing their own, often divergent, mark on the end result. The opening of the Isabella Scelsi Foundation archive in Rome in 2009 highlighted the significance of the composer while facilitating new research perspectives on his work. Now is the right time for a larger publication to document and propagate recent results and new approaches. TABLE OF CONTENTS Federico Celestini, Preface Federico Celestini, Introducing Giacinto Scelsi Genesis, Analysis and Performance Sandro Marrocu, Il compositore fu una cooperativa. Ri?essioni su un processo creativo Christian Utz, Analyzing Scelsi Elisabetta Piras, Essere per interpretare, interpretare per essere: prospettive esecutive della musica di Giacinto Scelsi Works Andrea Di Giacomo, Molti pezzi su 88 tasti. Indagine su un catalogo pianistico costruito a posteriori Ian Dickson, Small Ensemble and Solo Instrumental Works Francesca Placanica, Ritual and Embodiment in Giacinto Scelsi's Solo Works for Voice: A Performance Studies Approach Alessandro Cecchi, Giacinto Scelsi compositore di quartetti per archi: un approccio discorsivo Friedrich Jaecker, Works for Orchestra and Chorus Reception Alessandra Montali, La ricezione scelsiana in ambito musicologico, interpretativo e compositivo Pierre Albert Castanet, Giacinto Scelsi et la France: Le champ des n buleuses Markus Bandur, Vom Innern des Tones und sakralen Sehns chten . Zur Rezeption von Giacinto Scelsis Musik in Deutschland Thomas Peattie, Giacinto Scelsi in the USA and in the UK Elfriede Reissig, Scelsi in Austria Resources Alessandra Carlotta Pellegrini, Do Not Diminish the Sense Which You Do Not Understand : Giacinto Scelsi's Archive, Library, Museum Friedrich Jaecker, Catalogue of the Works of Giacinto Scelsi Abstracts Biographies Index of Names
Un ouvrage de 311 pages, format 120 x 185 mm, broché, publié en 1919, Ernest Flammarion Editeur, collection "Bibliothèque de Philosophie Scientifique", bon état
Leur signification réelle et leur acquisition psychologique. Traduit par L. Rougier
Phone number : 04 74 33 45 19
, Gallimard, 1967 Reliure plein simili cuir dans cassette, 336 pages, 23 x 18.5 cm, FR. En bon tat.
Th atre de Federico Garcia Lorca, illustr e par G. Wakhevitch
, Brepols, 2021 Hardback, xiv + 365 pages, Size:210 x 270 mm, Illustrations:15 b/w, 87 musical examples, Language(s):English, German.*new ISBN 9782503594880.
Summary This volume focuses on one of the most crucial parts of Haydn's career-a key era in which the experiments of the 1770s arrived at the consolidation and definition of new compositional forms and practices in the 1780s. The 'mature' Haydn represents a musician marked by full creative ferment in all musical genres and reveals the profile of a composer at the peak of his career. Through new research, this book examines the views of Haydn's compositional practice as both self-aware and as adaptations based on the public's changing tastes. Such was an achievement that Haydn obtained without betraying the principles of balance, solidity and expressiveness that he developed during decades of musical practice at the Esterh zy court. TABLE OF CONTENTS Introduction, Federico Gon Biography and Reception J nos Malina, Orfeo and Armida, Don Juan and Figaro: New Light on the Busiest Decade of Haydn's Career Sterling E. Murray, Haydn and the Oettingen-Wallerstein Court: A Study in Musical Patronage and Stylistic Intent Nancy November, Late Haydn for the Home: Arrangements of the London Symphonies in the Nineteenth Century Bryan Proksch, Age, Infirmity, and Oldness in the Early Biographies of Haydn Christian Speck, Ein Haydn-Gem lde von Julius Schmid im Kontext der Korrektur der Haydn-Rezeption durch Guido Adler Musical Form and Analysis L. Poundie Burstein, Paths and Pauses within Haydn's Piano Trio No. 16 Lauri Suurp , New Path to Conventional Goals: Formal Reinterpretation in the First-Movement Recapitulations of Haydn's Symphonies Nos. 94 and 98 Floyd Grave, Convention, Reinvention, and the Play of Contraries in the First Movement of Haydn's Concerto for Keyed Trumpet Halvor K. Hosar, Sonata/Fugue Mixtures in Haydn's Late Masses: History and Form James S. MacKay, Baroque Polyphony and Intelligent Conversation: Joseph Haydn's String Quartets from Opus 20 to Opus 76 Rhetoric and Intertextuality Stephanie Klauk - Rainer Kleinertz, Haydn's String Quartet Production after Opus 33 Anatole Leikin, Performing Expressive Rhetorical Devices in the First Movement of Haydn's Piano Sonata in E-flat Major, Hob. xvi:49 Federico Gon, A Time for War and a Time for Peace : The Symphony No. 100 by Joseph Haydn and the Revolutionary Events of 1793 Bal zs Mikusi, The Spider and the Bee, or How Does Mozart Come into Haydn's The Seasons? John A. Rice, The Bergamasca Schema in Late Haydn
, Brepols, 2024 Hardback, xv + 351 pages, Size:210 x 270 mm, Illustrations:16 b/w, Language(s):English, French, Italian. ISBN 9782503608495.
Summary The second half of the eighteenth century and the first half of the nineteenth century was a time of great historical and social upheavals ? a melting pot of events whose repercussions are still felt. The first industrial revolution, the American Revolution, the French Revolution, and the Napoleonic wars: such were events that gradually undermined the status quo of the Ancien r gime. Napoleon Bonaparte is the keystone of this period, given his role as an innovator of aspects of the military, political, civil, artistic and cultural life of his time. This book explores the musical changes brought on by the multifaceted pre- and post-Napoleonic sonic world. It focuses on the politicised dramaturgy at the Paris Opera, on the incredible diffusion of French opera in the German-speaking world, and on the question of national identity in Italian, Polish, Spanish and Portuguese contexts during this politically critical period. Beyond operas and cantatas in praise of Napoleon, this book also highlights the mechanical soundscape of the Empire, the repertoire of incidental music and the varied fortunes of the music business at that time. Finally, it analyses the place of female singers or composers from a gendered perspective. TABLE OF CONTENTS FEDERICO GON - EMMANUEL REBEIL, Preface POLITICS AND NATIONAL IDENTITY 1. GALLIANO CILIBERTI, Francesco Morlacchi, Napoleone I e il sound imperiale tra Italia e Germania 2. MAGDALENA OLIFERKO-STORCK, Napoleonic Warsaw: The Emperor's Sojourns and the French Culture in the Soundscape of the Capital of Poland before Chopin 3. ERIC BOARO, Non essendovi pi capelle in veruna chiesa? . Finanziamento e impiego musicale nella Modena giacobina e la stagione al Teatro Rangone tra il 1798 e il 1799 4. FEDERICO GON, 'Feast, Flour, and Gallows': Haydn's Creation in Naples (1821) and the Politics of Restoration 5. MATTHIEU CAILLIEZ, tude des transferts musicaux franco-allemands l' poque napol onienne travers le prisme de l' Allgemeine musikalische Zeitung OPERA, THEATRE AND PERFORMANCE 6. MARIA BIRBILI, The Sound of Empire: Politicised Dramaturgy in French Opera from the French Revolution to Napoleon 7. MARTIN BARR , Dans l'ombre de Paris. Circulation et diffusion de la musique de sc ne sous l'Empire: l'exemple du th tre de Versailles 8. ANNELIES ANDRIES, Caroline Branchu: A Model of Nineteenth-Century Womanhood? 9. CLAUDIA CHIBICI-REVNEANU, Moving towards Exclusion: A Case Study of the 'Female Viennese School' MUSIC PUBLISHING AND TEACHING 10. HENRI VANHULST, Les relations entre Jean-J r me Imbault et ses compositeurs d'apr s des lettres de Jean-Louis Duport et Ferdinando Pa r 11. DAVID ROWLAND, Music Publishing and Markets c. 1750-1830 SOUNDSCAPES AND AESTHETICS 12. EMMANUEL REIBEL, The Empire's Mechanical Musics: From Soundscape to Reception 13. INES THOMAS ALMEIDA, Imaginary Soundscapes: The Sounds of Portuguese Music as Captured by German Travellers at the End of the Ancien R gime 14. ALBAN RAMAUT, Le Napol on d'Hector Berlioz, proposition de lecture
, Brepols, 2026 Paperback, 486 p., 178 x 254 mm, Illustrations:7 b/w, 25 col., 11 tables b/w., 4 tables col., 75 music examples, Italian text. *New . ISBN 9782503622927.
Musicista audace e poliedrico, Carlo Ambrogio Lonati stato protagonista negli ultimi decenni di una discontinua quanto disorganica riscoperta. Questa monografia propone la prima indagine a tutto tondo sulla figura e sull?opera del compositore, violinista e cantante, attivo nella seconda met del Seicento, e affronta le problematiche storiografiche e critico-interpretative che ne hanno ostacolato fino ad oggi la rivalutazione. Alla ricostruzione del percorso biografico e dell?avvincente carriera internazionale si accosta un approfondito esame della produzione musicale del compositore tramite nuovi approcci analitici e interpretativi. Le tematiche e gli interrogativi proposti non solo offriranno una prospettiva inedita su Lonati, ma forniranno anche nuovi strumenti critici e innovative prospettive metodologico-concettuali per lo studio e l?analisi della musica del Grand Si cle e per la sua contestualizzazione storica e culturale. Il testo include un ricco corredo di figure ed esempi musicali, oltre al primo catalogo tematico delle opere di Lonati, indispensabile punto di partenza per future indagini.
Quatre cours ,51 explications de texte . 2011 Editions Lettrege , In 8° br. 472 pp.Comme neuf .