‎Un académicien, curé d'Andouillé au XVIIe siècle. Messire Daniel Hay du Châtelet. Abbé de Chambon, official du Mans, prieur de Sainte-Marie de Vitré, doyen de Saint-Tugal de Laval, curé d'Andouillé et membre de l'académie française (1596-1671)‎

‎Laval, Goupil, 1891 in-8, 27 pp. et 7 pages volantes de Notes complémentaires, broché. ‎

‎ - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎KEES VAN DONGEN De Weg Naar Succes‎

‎, Waanders Uitgevers, 2023 HB, 280 x 230 mm, 192 pagina's, 125 Kleurenillustraties , NL edition nieuw. ISBN 9789462624597.‎

‎Hoe lukt het de jonge kunstenaar Kees van Dongen (1877-1968) om door te breken in Parijs en in korte tijd uit te groeien tot één van de meest beroemde kunstenaars van de twintigste eeuw? Deze vraag staat centraal in dit boek. Van Dongen behoorde tot de voorhoede van Nederlandse kunstenaars die rond 1900 vernieuwing zochten in Parijs. Daar omarmde hij de avant-garde en in 1905 nodigde Picasso hem uit om in atelier Le Bateau-Lavoir, in Montmartre, een ruimte te betrekken. In deze omgeving ontwikkelde hij zich tot schilder van figuur en vernieuwer door kleur en toets. Dit boek toont hoogtepunten en sleutelstukken uit het oeuvre van Van Dongen: in totaal 75 schilderijen en 30 tekeningen. De focus ligt op de periode die zou leiden tot de wereldfaam van Kees van Dongen.‎

‎BRAM BOGART Schilder van formaat‎

‎, Waanders Uitgevers, 2022 softcover, 270 x 230 mm, 64 p, 50 Kleurenillustraties. NL edition / Expo: 18/02/22 - 09/08/22, Museum Prinsenhof, Delft. ISBN 9789462624085.‎

‎Honderd jaar na zijn geboorte eert Museum Prinsenhof Delft de internationaal gerenommeerde Delftse kunstenaar Bram Bogart (1921-2012) met een overzichtstentoonstelling en een boek. Bogart is als abstract expressionistisch materieschilder, de grondlegger van de Nederlandse informele schilderkunst en inspiratiebron voor Delftse kunstenaars als Jan Schoonhoven en Jan Henderikse. Bogarts eigenzinnige oeuvre is in de publicatie kleurrijk verbeeld en verwoord. Van zijn vroege figuratieve stillevens en landschappen tot zijn late abstracte werk waarin hij op steeds groter formaat gaat werken en de verf zwaarder, dikker en bonter van kleur wordt. Een persoonlijk interview met zoon Bram van den Boogaart jr. en foto's uit het privéarchief van de familie, geven een uniek en intiem kijkje in de wereld van deze schilder van formaat..‎

‎Daniel Colin, expostition Boycott art Gallery,‎

‎Bruxelles, Boycott gallery, 1991 cartonnage illustre de l'editeur, 332 pages Illustrated.couleur.‎

‎Daniel Colin was born in 1963 and was primarily influenced creatively by the 1980s growing up. The 1980s were a tumultuous period culturally, and were marked by growing global capitalism, global mass media, significant discrepancies in wealth, alongside a distinctive sense of music and fashion, epitomised by electronic pop music and hip hop. Artists growing up during this time were heavily influenced by this cultural atmosphere. The 1980s were a significant decade politically, marked by the African Famine and the end of the Cold War, which was signified by the fall of the Berlin Wall in 1989. Neo Geo and The Pictures Generation became leading art movements during the decade, alongside Neo-Expressionism which became well-known in Germany, France and Italy (where it was known as Transavanguardia). Artists such as Anselm Kiefer, Jörg Immendorf, Enzo Cucchi, Francesco Clemente and Julian Schnabel were leading artists of the era, alongside Jean-Michel Basquiat, Keith Haring and Kenny Scharf, who established the street art and graffiti movements.‎

‎Albrecht Durer : Masters of German Art ‎

‎, Konemann 1999, 1999 Hardcover, 140 pages, English, 320 x 280 mm, book in fine condition, with illustrations in colour, . ISBN 9783829025874.‎

‎Albrecht Durer embodied a new type of artist, one who represented a different attitude to art and enjoyed high social status. With his revolutionary innovations in painting he introduced the Renaissance to German art.‎

‎World of David Morris The London Jeweler‎

‎, Rizzoli, 2024 Hardback with dust jacket, s 304 x 228 mm,200 Illustrations col.ill. ,256 Pages, Language; English ed *new. ISBN 9780847833955.‎

‎by Annabel Davidson, Phoebe Morris, Cecily Morris, Jeremy Morris Specializing in the most-prized gemstones, from Colombian emeralds to sapphires found in the remote hills of Kashmir, David Morris celebrates color, flawless craftsmanship, and unique creativity in jewelry design. This is the jewelry house's first major book. This monograph debuts some of the house's latest, most innovative designs as well as a large selection of its most famous pieces, and beautifully showcases the sophistication and creativity of one of the most masterful jewelers working today.‎

‎"Itinéraire du savoir en Tunisie; les temps forts de l'histoire tunisienne."‎

‎Paris, Alif/CNRS Editions/Institut du Monde Arabe, 1995. 24 x 30, 182 pp., nombreuses illustrations en N/B et en couleurs, broché, bon état (cachet d'ex-propriétaire).‎

‎Henri de Fromantiou : Royal Illusions , ENG.‎

‎, Bonnefanten Museum, 2015 Hardback, 120 pages, English edition FINE! ISBN 9789082296525.‎

‎Along with the first exhibition on Henri de Fromantiou, looks on this occasion also the first monograph on the artist's light. The book you have before you want it Bonnefantenmuseum fill this gap in art history. There are several chapters included that allow discussed together all aspects of this broad-based man come, as his apprenticeship, his appointment as court painter in Potsdam, his work and his role as an art dealer. After his birth in Maastricht and its nebulous apprenticeship was the Fromantiou based in The Hague and Amsterdam. Samen met de eerste tentoonstelling over Henri de Fromantiou, ziet bij deze gelegenheid ook de eerste monografie over de kunstenaar het licht. Met het voor u liggende boek wil het Bonnefantenmuseum deze kunsthistorische lacune opvullen. Er zijn verschillende hoofdstukken opgenomen die samen alle aspecten van deze breed georienteerde man aan bod laten komen, zoals zijn leertijd, zijn aanstelling als hofschilder in Potsdam, zijn oeuvre en zijn rol als kunsthandelaar. Na zijn geboorte in Maastricht en zijn in nevelen gehulde leerperiode was De Fromantiou werkzaam in Den Haag en Amsterdam.‎

‎Angela Burdett-Coutts Collection of Greek Manuscripts‎

‎, Brepols, 2021 Hardback, 472 pages, Size:216 x 280 mm, Illustrations:80 b/w, 102 col., Language: English. ISBN 9782503593760.‎

‎Summary Baroness Angela Burdett-Coutts (1814-1906), descendant of a wealthy and well-known family of bankers, inherited quite young, through a series of unpredictable circumstances, the enormous fortune of Thomas Coutts, her maternal grand-father. She spent most of her long life in London, where she occupied a prominent position in society, becoming well-known not only for her splendid life-style and her important literary and political acquaintances, as, for instance, Charles Dickens and Admiral Nelson, but also for her active role as a philanthropist. This book explores a little-known side of her life; although she did not know Greek, she became the owner of ca. 100 Greek manuscripts, mostly theological, datable between the tenth and the sixteenth century, a part of which she donated to Highgate School. The manuscripts, with all the Baroness's possessions, were dispersed at auction in 1921 and in 1987 and are now mainly divided between American and European University Libraries. This book has identified for the first time the Baroness's Greek manuscripts, located and described them in detail, with special attention to their script style and their origin, adding to their description one or two plates of each codex. TABLE OF CONTENTS Part I: History of the collection Chapter 1: Angela Burdett-Coutts' life. The formation of her collection of Greek manuscripts Chapter 2: The sale of Angela Burdett-Coutts collection of Greek manuscripts Chapter 3: Angela Burdett-Coutts Greek manuscripts Chapter 4: Provenance of the Burdett-Coutts manuscripts Chapter 5: List and description of Burdett-Coutts manuscripts from Epirote monasteries or churches Chapter 6: Burdett-Coutts manuscripts from the Meteora. Their present location in various libraries Chapter 7: Two Burdett-Coutts manuscripts with plaques from the Russian monastery of Solovki applied to the bindings Chapter 8: Ann Arbor, University of Michigan Library, SCRC, Mich. Ms. 15 (B.-C. III. 5), a manuscript belonging to the Ferrar Group ('Family 13') Chapter 9: Burdett-Coutts manuscripts with a decoration Chapter 10: Burdett-Coutts manuscripts with a remarkable decoration Part II: Description of the Burdett-Coutts manuscripts Description of the Burdett-Coutts manuscripts in Ann Arbor Description of the Burdett-Coutts manuscripts in Athens Description of the Burdett-Coutts manuscripts in various libraries The lost manuscripts Appendix Index of Manuscripts and Illustrations Index of Names‎

‎From Gypsy to Bohemian: A Study of the Musical Rhapsody‎

‎, Brepols, 2021 Hardback, xxii + 247 pages, Size:210 x 270 mm, Illustrations:15 b/w, 13 musical examples, Language: English. ISBN 9782503594873.‎

‎Summary This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that 'rhapsody' and 'Gypsiness' can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called 'Gypsies') as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications. TABLE OF CONTENTS Acknowledgements Prolegomenon Chapter One Gypsy Musicians as Rhapsodes of the Nineteenth Century Chapter Two Gypsy Improvisation and the Idea of Rhapsody Chapter Three The Gypsy Character of Musical Rhapsody Chapter Fourth Gypsy, Hungarian, Romanian ? The National Element in Rhapsodies Chapter Five Between Rhapsody and Ballad Postscript: Continuations and Reactivations Bibliography Index of Names‎

‎HANS MEMLING IN BRUGES.‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 p, throughout color illustrations, ENG edition ISBN 9789464666892.‎

‎Breathtaking work by Hans Memling, the Flemish Primitive in Bruges The Flemish Primitive artist Hans Memling (c. 1435-1494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this fifteenth-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum. This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. In a series of accessible essays, Anna Koopstra, curator of early Netherlandish painting at Musea Brugge, explores Memling's imagination, his technical brilliance and the cultural context in which the artist lived and worked. ‎

‎HANS MEMLING IN BRUGGE‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, met illustraties in kleur nieuw! NL tekst. ISBN 9789464666885.‎

‎Het adembenemende werk van Hans Memling, de Vlaamse primitief in Brugge De Vlaamse primitief Hans Memling (ca. 1435-1494), die een cruciale rol speelde in de vroege Nederlandse schilderkunst, is onlosmakelijk verbonden met Brugge. Tot zijn indrukwekkendste creaties behoren ongetwijfeld het Johannesaltaar en het Ursulaschrijn, die hij maakte in opdracht van het Sint-Janshospitaal. Daarnaast zijn nog zeven andere topwerken van de oude meester te bewonderen in het Brugse Museum Sint-Janshospitaal en het Groeningemuseum. Dit boek toont Memlings adembenemende kunstwerken tot in de kleinste details en biedt een unieke gelegenheid om zijn werk beter te leren kennen of te herontdekken. Anna Koopstra, conservator vroeg-Nederlandse schilderkunst van Musea Brugge, vertelt in toegankelijke essays over Memlings verbeeldingskracht, zijn technische meesterschap en de culturele context waarin de schilder leefde en werkte. ‎

‎HANS MEMLING À BRUGES‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte .FR edition neuf. ISBN 9789464666908.‎

‎Ouvre époustouflante de Hans Memling, le Primitif flamand à Bruges Hans Memling (vers 1435-1494), artiste clé parmi les Primitifs flamands, est inextricablement lié à la ville de Bruges. Le Retable des deux saints Jean et la Châsse de sainte Ursule, qu'il a réalisés pour l'hôpital Saint-Jean, figurent parmi ses oeuvres les plus impressionnantes. Sept autres chefs-d'oeuvre de ce maître du xve siècle sont encore exposés à Bruges, au Musée Hôpital Saint-Jean et au Musée Groeninge, où l'on peut toujours les admirer. Cet ouvrage présente les peintures époustouflantes de Memling et les décrit dans leurs moindres détails. Il offre une occasion unique de mieux connaître ou de redécouvrir l'ensemble de son oeuvre. Anna Koopstra, conservatrice de la peinture flamande ancienne à Musea Brugge, explique, dans des textes accessibles à tous, la puissance de l'imagination de Memling, sa maîtrise technique et le contexte culturel dans lequel le peintre a vécu et travaillé. ‎

‎Jean Bellegambe (c. 1470-1535/36) Making, Meaning and Patronage of his Works‎

‎, Brepols - Harvey Miller, 2023 Hardback,Pages: 160 pages, Size:210 x 297 mm Illustrations:10 b/w, 105 col.Language(s):English. ISBN 9782503574370.‎

‎The book by Anna Koopstra about Jean Bellegambe adds an extremely careful, thorough, and beautifully produced study to the monographs on early Dutch painters. (...) More traditional art historical research?iconographic, stylistic, archival, and historiographic?is combined with modern technical research and a keen eye for drawings and graphics as visual sources for the artist. (?) The beautifully produced and clearly written book represents excellent and versatile art historical research that, through in-depth analysis of a small group of characteristic artworks, offers a new perspective on an important artist, his work and methods, as well as the impact of that distinctive body of work." Drs. Lidewij de Koekkoek (VNK, Frans Hals Museum) - Jury President - 2023 Karel van Manderprijs BIO Anna Koopstra (1980) studied art history at the University of Groningen (MA, 2004) and obtained her doctorate from the Courtauld Institute of Art (PhD, 2016). She has held curatorial positions and research fellowships at the Suermondt-Ludwig Museum (2005-08), The Metropolitan Museum of Art (Slifka interdisciplinary Fellow, 2008-10), The National Gallery (2015-17), and the Courtauld (Associate Caroline Villers Research Fellow, 2016/17). Her research focuses on the technical investigation of paintings, and in particular on the making and meaning of early Netherlandish paintings. SUMMARY Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use. This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works. TABLE OF CONTENTS INTRODUCTION CHAPTER I The Artist?s Life and Career Life Works Posthumous legacy CHAPTER II Oeuvre and Patrons The Anchin Polyptych Similar patrons, similar commissions Other works CHAPTER III Preliminary Observations on Materials and Working Methods Panels and frames Underdrawing and painting technique Technical evidence and questions of attribution Workshop CHAPTER IV Jean Bellegambe and the Convent of Flines: Reconsidering The Cellier Altarpiece Monastic reform and the convent of Flines The evolution of the composition Interpreting the iconographic program Location, audience, date CHAPTER V Clerical Devotion and the Monastic Milieu: The Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk The Virgin and child as an object of clerical devotion The abbess as exemplar CHAPTER VI Self-Representation and Piety for the Here and the Hereafter: Abbot William of Brussels and the Triptych of the Annunciation William of Brussels as a patron Function and location CHAPTER VII Painting as a Moral Compass: Triptych of the Last Judgment The Last Judgment, the Four Last Things, and visions of heaven and hell Function and audience CHAPTER VIII Civic Duty, Charitable Giving, and the Wish to Be Commemorated: The Pottier Triptych and the Pottier Family Reviewing the archival evidence Iconography and meaning Scenes of the life of Saint Anne, demi-grisaille, and the reality of giving CONCLUSION Bibliography ‎

‎Tributes to Maryan W. Ainsworth Collaborative Spirit: Essays on Northern European Art, 1350?1650‎

‎, Brepols - Harvey Miller, 2022 Hardback, Pages: 346 pages, Size:210 x 275 mm Illustrations:250 col. Language(s):English. ISBN 9781912554751.‎

‎This volume honors Maryan W. Ainsworth, curator emerita at The Metropolitan Museum of Art and former adjunct professor at Barnard College, whose work as a scholar, curator, and teacher has profoundly impacted the study of early northern European painting. Contributions by leading specialists from museums and academia, including former interns and fellows, reflect Ainsworth?s emphasis on the centrality of the object and on the interdisciplinary methods of technical art history, while also paying homage to the variety of Ainsworth?s research interests as a whole. The essays explore topics such as the working methods of individual artists, workshop practice, artistic collaboration, and patronage across a range of media?mainly painting, but also manuscript illumination, drawing, tapestry, sculpture, and stained glass. TABLE OF CONTENTS Acknowledgments Anna Koopstra, Christine Seidel, and Joshua P. Waterman Maryan W. Ainsworth: An AppreciationChronological Bibliography of Maryan W. Ainsworth Keith Christiansen The Fourteenth-Century Bohemian Virgin and Child Enthroned at The Met: Some Preliminary Thoughts Till-Holger Borchert Collaborator or Follower of Jan van Eyck? The Painter of the Simpson Carson Virgin Reconsidered Stephan Kemperdick Petrus Christus?s Altarpiece of 1452: A New Reconstruction Ron Spronk Jan Provoost before c.1500: The Documentary Evidence Molly Faries Maarten van Heemskerck?s Early Lamentation of Christ: The Beginning of a Long Career Maximiliaan P. J. Martens A Christ as the Man of Sorrows by Quinten Massys Julien Chapuis and Sophie Hoffmann From Wood to Silver: Michel Erhart and Heinrich Hufnagel at the Bode Museum Dagmar Eichberger The Cult of Mary Magdalene and Jacques de Saint-Nectaire?s Tapestry Series for the Abbey Church of La Chaise-Dieu (1518) Diane Wolfthal The Color of Money and Other Temporary Natural Alterations in Silver-Stained Windows Sandra Hindriks Optical Illusion as Epistemological Challenge: Konrad Witz?s Saint Christopher Peter Parshall Ad vivum: Observations on Hugo van der Goes?s Monforte Altarpiece in Berlin Alice Hoppe-Harnoncourt ?PRIMA TABVLA HABET IMAGINES?: A Reconsideration of Bernhard Strigel?s Family Portrait of Emperor Maximilian I Thomas Kren On the Role of an Early-Sixteenth-Century Drawing in Netherlandish Luxury Manuscript Production Daantje Meuwissen A Portable Artistic Resource: The Practical Uses of the Pocket-Size Sketchbook of Cornelis Anthonisz (c.1505?1553) Dan Ewing A Tale of Two Altarpieces: Jan de Beer?s Birmingham and Madrid Paintings Peter van den Brink The Stigmatization of Saint Francis by Joos van Cleve: A New Discovery Sophie Scully The Examination and Treatment of the Annunciation by Joos van Cleve at The Metropolitan Museum of Art Ronda Kasl Things They Do Not Have: Royal Spanish Gifts for the Emperor of China Melanie Gifford Rembrandt and the Rembrandtesque: The Experience of Artistic Process and Its Imitation ‎

‎Sources et méandres des lettres grecques. Textes, manuscrits et éditions de sources patristiques et byzantines‎

‎, Brepols, 2025 Paperback, Pages: 234, Size:170 x 240 mm, Languages: French, English, Greek. ISBN 9789603710950.‎

‎Summary On the occasion of the eighty-year anniversary of the founding of the Sources Chrétiennes series, the authors of the present volume deal with various aspects of the dissemination of patristic and Byzantine texts. They discuss translation as an expression of cultural transfer, with particular interest in the role of mediators. Different forms of reception of the texts are also examined. The manuscript tradition and the compilation of collections provide information on the dissemination, circulation and use of texts. From a literary point of view, the revision and rewriting of texts is examined through the lens of intertextuality. Through philological analysis, linguistic elements of particular interest are highlighted. Covering a wide range of topics, from patristics to hagiology and epistolography, and employing different approaches, the authors of this volume make us rethink how texts are born, interact, change and circulate through the centuries. TABLE OF CONTENTS Sigles et abréviations bibliographiques Stéphane Gioanni La collection « Sources Chrétiennes » : une collaboration d'excellence entre le Centre National de la Recherche Scientifique (CNRS) et l'Association des Amis de Sources Chrétiennes (AASC) Eleonora Kountoura Galaki Awakening of the Late Antiquity Literature: "Sources Chrétiennes" and the revival of Patristic Studies Anna Lampadaridi ?nteractions et évolutions textuelles : des aventures d'une légende à une réflexion Générale Dominique Gonnet, s.j. L'apport des Pères grecs à la langue et à la littérature syriaques Jean Reynard Johannes Vaz Motta (Ioão Vaz da Mota), traducteur de Grégoire de Nysse Marie-Gabrielle Guérard, L'Épitomé sur le Cantique des cantiques de Procope : quelques remarques à propos de copistes grecs actifs à Venise au milieu du xvie s. et de leurs commanditaires ????? ?????????? ??????? ????????? ??? ????????? ???????? ?? ??? ??????? ??? 14?? ????? Guillaume Bady Les Lettres du prêtre Constance (ou Constantin) accompagnant le recueil épistolaire de Jean Chrysostome Theodora Antonopoulou A Note on the Life of Saint John Chrysostom by George of Alexandria: The Tradition of Chrysostomic Lives, Textual Criticism, and the Contribution of the Life by Nicetas David the Paphlagonian Stéphanos Efthymiadis Langage et discours spirituels dans la Correspondance de Barsanuphe et Jean de Gaza ???? ?????????? ? ???? ??? ????? ??????? (BHG 760) ??? ????? ???????????: ???????????? ??????? ?? ?? ?????? ??? ??? ???????? ??? ??????????????? ????? Charis Messis Littérature et sainteté : les Vies de femmes à Byzance (ixe-xiie s.) Index général Index des manuscrits grecs Index græcitatis‎

‎DE LA SOCIETE DES SCIENCES NATURELLES DE PROVENCE]‎

‎Marseille Au siège de la société 1907 In-8 de 752 pp., demi chagrin. Tome premier. ‎

‎Important volume dans lequel on trouve Henri CAILLOL "Catalogue des Coléoptères de Provence" qui occupe 511 pages, précédé et suivi de textes de Valabrègue, Jacquemet, Raphélis (catalogue des algues de Cannes). ‎

‎Littérature grecque, latine, française. Première année - N° 2.‎

‎Couverture souple. Revue brochée. 143 pages.‎

‎Périodique. Les Belles Lettres, Quatrième trimestre 1967.‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 4. 1971.‎

‎Abidjan: Université d'Abidjan, 1972 in-8, broché. 198 pages.‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 4. 1971. (Abidjan, 1972) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 5. 1972.‎

‎Abidjan: Université d'Abidjan, 1972 in-8, broché. 243 pages.‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 5. 1972. (Abidjan, 1972) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 7. 1974.‎

‎Abidjan: Université d'Abidjan, 1975 in-8, broché. 313 pages.‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 7. 1974. (Abidjan, 1975) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 8. 1975.‎

‎Abidjan: Université d'Abidjan, 1976 in-8, broché. 323 pages.‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 8. 1975. (Abidjan, 1976) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 15. 1982.‎

‎Abidjan: Université d'Abidjan, 1982 in-8, broché. 237 pages.‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 15. 1982. (Abidjan, 1982) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 2. 1969 - Bernard MOURALIS. Individu et collectivité dans le roman négro-africain d'expression française.‎

‎Abidjan: Université d'Abidjan, 1969 in-8, broché. 165 pages, bibliographie, index.‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 2. 1969 - Bernard MOURALIS. Individu et collectivité dans le roman négro-africain d'expression française. (Abidjan, 1969) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 3. 1970 - Actes du colloque Situation et perspectives de la littérature négro-africaine.‎

‎Abidjan: Université d'Abidjan, 1970 in-8, broché. 143 pages.‎

‎Annales de l'Université d'Abidjan. série D. Lettres et Sciences Humaines. Tome 3. 1970 - Actes du colloque Situation et perspectives de la littérature négro-africaine. (Abidjan, 1970) [M.C.: revue, Afrique noire, Côte d'Ivoire, littérature, lettres, sciences humaines]‎