1985 New York Delorenzo, Paris Christine et Alan Counord, 1985, 238x238mm, 170pp., broché sous couverture illustrée.Catalogue de l’exposition de New York mai 1985 et Paris automne 1985.Petit pli au dos de la couverture. (105793)
Assez bon
Phone number : +33 1 48 01 02 37
Zürich - New York, Graphis Press - Graphis U.S. no year, 310x185mm, 218pages, editor's binding with jacket. Exemplar as new.
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Filipacchi 2006 1 vol. broché gr. in-8, broché, couverture à rabats illustrée en couleurs, 254 pp., nombreuses reproductions en noir et en couleurs. En très bonne condition.
Paris Filipacchi 2006 1 vol. broché in-8, broché, couverture illustrée, 254 pp., nombreuses reproductions en noir et en couleurs. Bonne condition.
Nippon Telegraph and Telephone Public Corporation 1964 Soft Cover Fine
Phone number : +86 15321757631
International Designers Network - Systems Design Limited, Hong Kong 2007 In-8, broché couv. illustrée, photographies et illustrations en couleurs,, Tranche supérieure massicotée en vague. 174 pp. En anglais. Etat neuf.
Ouvrage présentant des oeuvres d’artistes graphistes japonais actuels. Très bon état d’occasion
CREATION MAGAZINE - Le magazine de la création publicitaire et du design - NIJDAM, Henri J. (Directeur)
Reference : 113286
(1988)
1988 N° 35 - Mars 1988 - Revue illustrée - In-4, broché couverture illustrée sous une autre couverture transparente - 66 pages - Très nombreuses illustrations et reproductions photographiques en couleurs et en N&B
Bon état - Menus frottements sur les couvertures
Paris, Broché, 104 pages. Bon état.
Paris, Broché, 98 pages. Bon état.
Ediciones del Serbal S.A 1991 133 pages in8. 1991. Cartonné jaquette. 133 pages.
Bon état jaquette un peu ternie 10 premières pages marquées d'un léger pli
Eyrolles 1988 162 pages in-8. 1988. Broché. 162 pages. Avec figures et reproductions photographiques en noir
Très bon état
Editions du Rouergue 1999 1 vol. broché in-4, broché, couverture en couleurs à rabats, 168 pp., nombreuses photographies en couleurs par Pierre Servera. En très bon état.
Bruxelles, AAM, 2002 softcover Broche, couverture carton illustree, 185 x 210mm., 120pp., illustration profonde en couleurs. ISBN 287143123X.
Architecte, decorateur, createur de mobilier, de tapis, d'argenterie, de bijoux..., eleve et collaborateur de Victor Horta, stagiaire dans la maison de decoration Mercier Freres a Paris puis chez Tony Garnier a Lyon, disciple de Frank Lloyd Wright, Antoine Courtens (1899-1969) est le principal representant de l'Art Deco en Belgique. A Bruxelles, plusieurs de ses immeubles ,comme l'hotel Haerens ou le Palais de la Folle Chanson, sont classes monuments historiques. Au cours de sa carriere, Courtens realise plusieurs commandes pour le financier Louis Empain dont la plus spectaculaire est un ensemble residentiel et sportif, le domaine de l'Esterel, dans les Laurentides au Canada. Simenon le definira comme un village, ou plutot un hameau et, autour d'un grand lac gele, des bungalows en rondins comme on les chante dans "ma cabane au Canada". L'ecrivain y residera d'octobre 1945 a mai 1946, c'est la qu'il ecrira Trois chambres a Manhattan et Maigret a New York. Nouveau livre.
, Zwolle, Waanders, 1992., Bound, bleu cloth, with original illustrated dust - jacket, 25x29,5cm, 160pp, richly illustrated in color and b/w, bibliographical notes, catalogue, select bibliography. ISBN 9789066303904.
Industry and art. The Glasgow School of Painting. The Glasgow Style.
, Silvana, 2025 Flexibound (Luxe paperback) Dimensions 270 x 210 mm, Illustrations throughout col.ill., 982 Pages, Language English ed. *new. ISBN 9788836661176.
The accompanying catalogue to the 19th International Architecture Exhibition, curated by Carlo Ratti, to be held from 10 May to 23 November 2025 in Venice, is titled Intelligens. Natural. Artificial. Collective. The 19th International Architecture Exhibition, curated by Carlo Ratti, to be held from 10 May to 23 November 2025 in Venice, is titled Intelligens. Natural. Artificial. Collective. The Exhibition, as the Curator himself explains, ?will search for a path forward, proposing that intelligent solutions to pressing problems can take many forms? and ?will present a collection of design proposals and many other experiments, exploring a definition of ?intelligence? as an ability to adapt to the environment with limited resources, knowledge, or power? (Carlo Ratti). The Catalogue is printed in two volumes and follows the Exhibition itinerary accompanying visitors and art lovers through the exhibition spaces of the Giardini and the Arsenale and presenting other projects on display in various locations around the city of Venice and Forte Marghera, in Mestre. Volume I of the Catalogue is dedicated to the International Exhibition, curated by Carlo Ratti. The first pages of the volume open with the statement by President Pietrangelo Buttafuoco and the presentation by the Artistic Director of the Architecture Department Carlo Ratti, and then presents the Circularity Manifesto. Volume I is then divided into two parts. Part one, titled Intelligens, is dedicated to presenting the sections of the International Exhibition, Natural Intelligence, Artificial Intelligence, Collective Intelligence, and Out. Each project on display in the Exhibition is accompanied by a critical text and a rich apparatus of photographs. Part two of the volume, titled Venice as a Living Lab, presents ?a number of special projects that will leverage Venice and the outdoor areas of the Biennale Exhibition venues as a Living Lab, merging interacting forms of intelligence?. The volume is enriched with a series of critical essays and interesting ?Impossible Conversations? that explore the themes of the Exhibition in depth. Volume I ends with the biographies of the participants and a detailed register of the projects on exhibit. The National Participations and the Collateral Events participating in the 19th International Architecture Exhibition are gathered in Volume II and presented with illustrated texts that explore the projects proposed by the National Pavilions and the Collateral Events at the Giardini, the Arsenale and in various spaces throughout Venice.
S.l., Armand Colin, (1992). Un vol. au format pt in-4 carré (253 x 223 mm) de 160 pp. Reliure d'édition de plein cartonnage, sous jaquette illustrée.
L'ouvrage s'agrémente d'une abondante iconographie en couleurs. ''S'adressant aux collectionneurs et aux amateurs, ce livre constitue un guide indispensable traitant es problèmes d'identification et de datation, de conservation et de restauration, ainsi que de la cote des meubles en Lloyd Loom (Lusty en Angleterre)''. Quelques rousseurs affectant les gardes. Du reste, très belle condition.
Broché, 175 pages, paru le 23 août 2016 chez Racine Be, livre en très bon état général, quasi général.
BRILL ACADEMIC PUB 1997 214 pages 16 26x2 03x24 13cm. 1997. Cartonné jaquette. 214 pages.
Bon état avec sa jaquette intérieur propre bonne tenue
BRILL ACADEMIC PUB 1997 214 pages 16 26x2 03x24 13cm. 1997. Cartonné jaquette. 214 pages.
Très bon état intérieur propre bonne tenue avec sa jaquette
Gent, Assen en Zwolle., Design Museum Gent/Drents Museum Assen en Waanders Uitgevers Zwolle., 2009 Paperback, originele uitgeversomslag in kleur, 20x20 cm, 84 pp., illustraties in kleur. ISBN 9789040086441.
Uitgegeven ter gelegenheid van de tentoonstelling in het Drents Museum Assen 6 oktober 2009 t/m 24 januari 2010.
1994 / 226 pages. Relié avec jaquette. Editions Carlssons.
Very good condition.
Dag Widman / Stritzler-Levine, Nina (editor); Winter, Karin (editor)
Reference : 63556
, Yale University, 2006 Hardcover with dusjacket 224 Pages, Illustrated. ISBN 9780300121919.
A complete survey of the life and work of master designer Bruno Mathsson, whose archetypal Modernist chair is admired worldwide The sensuously undulant lines of Bruno Mathsson's furniture designs made him one of the leading figures of Swedish modernism in the 1930s. Chairs that adapted to their occupant with graceful natural curves became his trademark and have been in continuous production for more than fifty years. In his less familiar architectural work, Mathsson (1907-1988) applied the same principles of innovative comfortable living. Throughout his work the connections between design and ergonomics, aesthetics and innovative materials, energy saving and environmental concerns resonate for designers today. This book surveys Mathsson's output as an architect and designer as well as his relationships with American architects and designers including Frank Lloyd-Wright, Charles and Ray Eames, and Hans Knoll. Extensive illustrations include unpublished photographs of his Mathsson's work in situ.
Dai Nippon printing 1956 Soft Cover Fine
Phone number : +86 15321757631
Dai Nippon printing 1959 Soft Cover Fine
Phone number : +86 15321757631