Couverture souple. Revue. 23 x 30 cm. 96 pages.
Périodique. French and english texts. Intramuros, Paris, Juin-Juillet-Août 2017.
Couverture souple. Revue. 23 x 30 cm. 96 pages.
Périodique. Michel Anastassiades designer et artiste, Inga Sempé, Yves Michaud... French and english texts. Intramuros, Paris, Septembre-Octobre 2017.
Couverture souple. Revue. 23 x 30 cm. 96 pages.
Périodique. French and english texts. Intramuros, Paris, Novembre-Décembre 2017. Janvier 2018.
Couverture souple. Revue. 23 x 30 cm. 128 pages.
Périodique. French and english texts. Intramuros, Paris, Mars-Avril 2018.
Couverture souple. Revue. 23 x 30 cm. 128 pages.
Périodique. French and english texts. Intramuros, Paris, Mai-Juin 2018.
Couverture souple. Revue. 23 x 30 cm. 128 pages.
Périodique. French and english texts. Intramuros, Paris, Juillet-Août 2018.
Couverture souple. Revue. 23 x 30 cm. 128 pages.
Périodique. French and english texts. Intramuros, Paris, Septembre-Octobre 2018.
Couverture souple. Revue. 23 x 30 cm. 130 pages.
Périodique. French and english texts. Intramuros, Paris, Décembre 2018. Janvier-Février 2019.
Couverture souple. Revue. 23 x 30 cm. 130 pages.
Périodique. French and english texts. Intramuros, Paris, Avril- Mai-Juin 2019.
Couverture souple. Revue. 23 x 30 cm. 130 pages.
Périodique. French and english texts. Intramuros, Paris, Octobre-Novembre-Décembre 2019.
Couverture souple. Revue. 23 x 30 cm. 130 pages.
Périodique. French and english texts. Intramuros, Paris, Janvier-Février-Mars 2019.
Couverture souple. Revue. 23 x 30 cm. 130 pages.
Périodique. French and english texts. Intramuros, Paris, Avril- Mai-Juin 2020.
Couverture souple. Revue. 23 x 30 cm. 98 pages.
Périodique. French and english texts. Intramuros, Paris, Janvier-Février-Mars 2021.
Paris, in-folio, agrafé, Ensemble en bon état. Le numéro 33 est accompagné du Fascicule n°2 et le numéro 38 du supplément "Le mobilier dans l'entreprise".
Couverture souple. 2 catalogues 23 x 30 cm de chacun 12 pages.
Périodique. Intramuros, Paris, 2013-2014.
Couverture souple. Revue. 23 x 30 cm. 32 pages.
Périodique. Galerie des Gobelins. Novembre 2014-Janvier 2015. Intramuros, Paris, Novembre 2014.
Couverture souple. Revue. 23 x 30 cm. 24 pages.
Périodique. Intramuros, Paris, Vers 2012.
[Japan] 1984 1 vol. broché in-4, broché, jaquette illustrée, 127 pp., nombreuses photos en couleurs. Texte en japonais. Très bon état.
Ravensburg, Otto Maier Verlag, 1963. 4°. 195 S. mit viel ganzseitigen schwarz/weiss Illustrationen. Leinenband mit illustriertem Schutzumschlag.
Mit Widmung des Autors: «Gustav Zumsteg mit freundlichen Grüssen. II.XI.63 Johannes Itten».
Les éditions du Toucan Cartonné avec jaquette 2009 In-4 (24 x 31 cm), cartonné avec jaquette illustrée, 256 pages, riche iconographie, très belles photos d'intérieurs japonais contemporains ; jaquette un peu frottée, intérieur très frais, bel état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Couverture souple. Broché. 303 pages.
Livre. Editions Dunod, 2018.
, Scheidegger and Spiess, 2014 Hardcover with dusjacket, 512 pages, very richly illustrated with coloured illustrations, *brandnew, text in English. ISBN 9783858817464.
Charlotte Perriand is one of the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators Pierre Jeanneret and Le Corbusier, she created many pieces of furniture we now consider classics, including the instantly recognizable LC4 chaise. Her pioneering work with metal was particularly instrumental in paving the way for the machine-age aesthetic popular throughout the 1920s and ?30s. The first volume in a planned four-part series, this lavishly book looks at Perriand?s early life: her education, her work in photography, her early interest in pre-fab residential architecture, and her years spent working with Le Corbusier at his studio on the Rue de Sèvres in Paris. While most are familiar with Perriand?s game-changing design work, the book also documents her less widely known involvement with leftist groups and her desire for social change that drove her to create affordable and appealing furniture for the masses. Influenced by this and her participation in the International Congresses of Modern Architecture, Perriand turned in the 1930s to more inexpensive natural materials like cane and wood. Complete with annotations and a bibliography for further research, Charlotte Perriand offers the first comprehensive book in English on this key figure.
, Scheidegger & Spiess, 2015 Hardcover with dusjacket, 528 pages, very richly illustrated with coloured illustrations, text in English, *Brandnew. ISBN 9783858817471.
Charlotte Perriand is among the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators Pierre Jeanneret and Le Corbusier, she created many pieces of furniture we now consider classics, including the instantly recognizable LC4 chaise. Her pioneering work with metal was particularly instrumental in paving the way for the machine-age aesthetic popular throughout the 1920s and ?30s. The second volume in a planned four-part series, this lavish book covers the years between 1940 and 1955. Beginning in the 1940s, Perriand traveled extensively in Japan by invitation of the Japanese government with whom she worked as an advisor to modernize the country?s design. During this period, she took many photographs documenting traditional Japanese culture, many of which are published here for the first time. From 1952 to 1955, a fruitful collaboration with the Ateliers Jean Prouvé provided for the first time the technical means for Perriand to mass-produce her designs while also further improving Prouvé?s own work both aesthetically and practically. A number of emblematic masterpieces came about as a result of this collaboration, including the Tunisian and Mexican dormitories at the Cité internationale universitaire de Paris.
, Scheidegger and Spiess, 2017 Hardcover with dusjacket, 528 pages, very richly illustrated with coloured illustrations, *brandnew. text in English. ISBN 9783858817488.
Charlotte Perriand is one of the foremost figures in twentieth-century interior design. Together with her contemporaries and collaborators Pierre Jeanneret and Le Corbusier, she created many pieces of furniture we now consider classics, including the instantly recognizable LC4 chaise. Her pioneering work with metal was particularly instrumental in paving the way for the machine-age aesthetic popular throughout the 1920s and ?30s. The third volume in a planned four-part series, this lavish book covers the years between 1956 and 1968. During this period, Perriand established a relationship with the Galerie Steph Simon, which exhibited and published some of her most iconic work, as well as that of renowned contemporaries Serge Mouille, Georges Jouve, and Jean Prouvé. Perriand also completed several high-profile projects throughout the 1960s, most of which are published here for the first time, including comprehensive branding and designs for Air France?s offices around the world and the renovation of the Palais des Nations, where many of her designs for furniture and the assembly halls she decorated remain in use and relatively unchanged to this day. The new volume also documents comprehensively her close, yet little-known, links to Brazil.