Vetero-Pragae (Prague), Wolfgang Wickhart, 1708 ; in-4 ; cartonnage de papier marbré, pièce de titre havane (reliure fin XVIIIe - début XIXe siècle) ; (4) ff., 167 pp., (1) p. d'errata ; 8 magnifiques planches hors-texte de Johann Leonhard Winkelman, gravées par Antoine Kohl.
J.L. Winkelman, dessinateur originaire de Westphalie, travaillait à Prague au début du XVIIIe siècle (Bénézit). Ouvrage de controverse théologique sur les miracles et guérisons opérés par la Vierge Marie avec en gravure les différents lieux de pélerinage : Waldrast en Tyrol, en Carinthie, en Hongrie, Autriche, Bohème et Bonn en Allemagne.Exemplaire en bel état avec un très bon tirage des gravures.
Phone number : 06 60 22 21 35
Petit-Jean Isabelle Ruf Fabrice Cazes Witta Micheline Hollings Marian Roux de Luze Clémence
Reference : 500298186
(2019)
ISBN : 9782091932941
NATHAN 2019 192 pages 20 1x27 6x1 7cm. 2019. Broché. 192 pages.
Bon état
"PETIT-VANDIN, M. DU. - HOW TO MAXIMIZE THE ENRGY EFFECT OF WATER-MILLS.
Reference : 45043
(1750)
(Paris, L'Imprimerie Royale, 1750). 4to. Extract from ""Mémoires de Mathematique et de Physique, Présentés à l'Academie des Sciences par divers Savans"", Tome I. Pp. 261-282 and 2 engraved plates. A small tear to lower margin of first leaf, no loss.
First printing of an importent memoir in hydraulics in which Petit-Vandin demonstrated that - contrary to the long held belief that float-boards on water-mills ought to be so proportioned, that when one of them was in vertical position, or at the middle of its immersion, the next one should be just entering the water - the more float-boards such a wheel has, the greater and more uniform will be the effects.
, Balassi kiad 2009, 2009 Softcover, 231 pages, NL , 290 x 240 mm, richly illustrated with coloured illustrations, fine copy. ISBN 9789635068210.
Lajos Vajda (Hungarian: Vajda Lajos; 1908, Zalaegerszeg ? 1941, Budakeszi) was a Hungarian painter. He was a student of Istv n Cs k at the Hungarian Academy of Fine Arts in 1927-30. He studied together with Dezs Korniss at Fernand L ger in Paris in 1930-34 where he was introduced to cubism and surrealism. He lived and worked in Szentendre, Hungary. Following the method of composers B la Bart k and Zolt n Kod ly he collected folk art motifs in Szentendre and Szigetmonostor for his artworks.
St.-Petersburg, Palace Editions, 2002 Bound, hardback in dust jacket, original editors cover in colour, 25x31 cm., 400 pp., illustrated throughout in colour and monochrome. ISBN 9783935298384.
Nikolai Khardzhiev (1903-1996) is a legendary figure in the history of the Russian avant-garde. He was an outstanding and authoritative researcher and personally acquainted with many of the artists, poets, writers and philosophers. He was also the first biographer of Vladimir Maiakovsky & Kazimir Malevich. His personal archives included works of art, manuscripts, his own correspondence with artists, exhibition catalogues and other priceless information on the Russian avant-garde.
, Brepols, 2020 Hardback, 550 pages, Size:155 x 245 mm, Illustrations:4 col., Languages: Latin, English. ISBN 9782503578057.
Summary Peter the Chanter's Distinctiones Abel displays the multiple senses of some eleven hundred biblical terms and arranges the terms in alphabetical order. Preserved in nearly ninety manuscript copies, it stands at the head of a series of similar aids for preachers and students of the Bible. Its immediate context is the practice of "distinguishing" the senses of terms in a biblical text as the backbone of a sermon, a novel practice employed by several masters of the late twelfth century, notably by Peter's colleague in Paris, Peter Comestor. The Distinctiones Abel was compiled in an age of organization and may be compared with such searchable reference works as Gratian's Decretum, the Glosa Ordinaria, the new Latin dictionaries, and Peter Lombard's Sentences. It is among the first scholarly works to use the alphabet as a technique of information retrieval. Only selections of the work have been printed before; this editio princeps will be of interest to intellectual historians and those interested in medieval biblical studies, homiletics, popular imagery, and allegory. The Introduction itself is a major work of scholarship in a new field. It includes a brief account of Peter the Chanter's life and work, a survey of the genre 'distinctiones,' an extensive desciption of the manuscripts, many of them treated in print for the first time, along with a thorough exposition of the sophisticated methodology of textual criticism employed.
, Brepols, 2020 Hardback, 704 pages, Size:155 x 245 mm, Languages: Latin, English. ISBN 9782503590400.
Summary Peter the Chanter's Distinctiones Abel displays the multiple senses of some eleven hundred biblical terms and arranges the terms in alphabetical order. Preserved in nearly ninety manuscript copies, it stands at the head of a series of similar aids for preachers and students of the Bible. Its immediate context is the practice of "distinguishing" the senses of terms in a biblical text as the backbone of a sermon, a novel practice employed by several masters of the late twelfth century, notably by Peter's colleague in Paris, Peter Comestor. The Distinctiones Abel was compiled in an age of organization and may be compared with such searchable reference works as Gratian's Decretum, the Glosa Ordinaria, the new Latin dictionaries, and Peter Lombard's Sentences. It is among the first scholarly works to use the alphabet as a technique of information retrieval. Only selections of the work have been printed before; this editio princeps will be of interest to intellectual historians and those interested in medieval biblical studies, homiletics, popular imagery, and allegory. The Introduction itself is a major work of scholarship in a new field. It includes a brief account of Peter the Chanter's life and work, a survey of the genre 'distinctiones,' an extensive desciption of the manuscripts, many of them treated in print for the first time, along with a thorough exposition of the sophisticated methodology of textual criticism employed.
PETRUS VENERABILIS [PETER THE VENERABLE] (& FRIEDMAN Yvonne, ed.)
Reference : R118864
(1985)
Turnhout, Brepols 1985 lxxvi + 221pp., 25cm., in the series "Corpus Christianorum Continuatio Mediaevalis" volume LVIII (58), publisher's hardcover binding in orange cloth with gilt lettering, ISBN 2-503-03581-9, (introduction in English, text in Latin), text is clean and bright, small ex-libris stamp on blanco endpaper and at verso of title page, else in very good condition, R118864
PETRUS VENERABILIS [PETER THE VENERABLE] (FRIEDMAN Yvonne, ed.)
Reference : R67858
(1985)
Turnhout, Brepols 1985 lxxvi + 221pp., 25cm., in the series "Corpus Christianorum Continuatio Mediaevalis" volume LVIII (58), publisher's hardcover binding in orange cloth with gilt lettering, ISBN 2-503-03581-9, (introduction in English, text in Latin), very good condition, R67858
Soline 1997 In-8 Cartonnage éditeur sous jaquette insolée, 192 pp. Nombreuses illustrtations en couleurs.
Plus de 70 variétés présentés et illustrés, des précieux conseils sur les variétés de thé et leurs lieux de vente, des suggestions sur la façon de préparer et de déguster le thé... Bon état d’occasion
CENTRE POMPIDOU 2001 21 2x1 8x28 2cm. 2001. Broché.
Très bon état
Hoëbeke 1999 197 pages in-4. 1999. Broché. 197 pages. Nombreuses illustrations en noir et en couleurs
Etat correct. Couverture un peu salie avec une coupure de 1 cm à un mors. Une ligne manuscrite sur la page de faux-titre sinon intérieur propre
Peyrefitte Gerard Martini Marie-Claude
Reference : 500273488
(2018)
ISBN : 9782294757853
Educa Books 2018 464 pages 21 2x26 9x2 2cm. 2018. Broché. 464 pages.
Bon état
Turnhout , Brepols, 1986 Paperback, 286 p., + 24 pl. + 7 pl., 210 x 270 mm. ISBN 9782503780030.
In September 1982 a symposium of 'The Role of the Book in Medieval Culture' was held at Christ Church in Oxford. The present two volumes collect papers and chairmen's introductions. Languages: French.
Turnhout , Brepols, 1986 Paperback, 134 p., 210 x 270 mm. ISBN 9782503780047.
Languages: French.
London, Sherry Buchanan, Asia Ink, 2005, in-8, cartonnage éditeur sous jaquette, 192 pages. Envoi de l'éditeur. Bon état.
NB : En ces derniers jours de l'année, les questions et commandes sont traitées dans les 24h et les envois reprendront à partir du 5 janvier. Merci.
Turnhout, Brepols, 2011 Hardback, XIV 247 p., 95 b/w ill., 2 b/w tables, 1 b/w line art, 156 x 234 mm. ISBN 9782503528809.
Love play or playing dead, wordplay or playing games - the notion of play inhabits all spheres of human activity. This collection of essays brings together international scholars from a range of disciplines to explore aspects of playfulness in the later European Middle Ages. From manuscript to performance and from the domestic to the doctrinal, the exuberance and ambiguity of verbal and visual play is interrogated in order to decode layers of meaning in texts and artefacts. These twelve papers celebrate the work of Elaine C. Block, whose dedicated study of misericords has, through countless articles and books, made the riches of this dizzying iconographic resource easily available to scholars for the first time. Her monumental Corpus on Medieval Misericords volumes will no doubt inform medieval scholars for generations to come, and those included in the present collection are both proud and grateful to be of the first generation to benefit from her work on this body of carvings which challengingly - and playfully - straddles the sometimes invisible line between the sacred and profane. Languages: English, French.
Studyrama 2010 1 pages 15 2x1 4x11 6cm. 2010. Broché. 1 pages.
Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France
H&o 2008 216 pages 13 6x2 2x21cm. 2008. Broché. 2 volume(s). 216 pages.
Très Bon Etat de conservation intérieurs propres bonne tenue
Philippe R. Hupp, Fanny Bruno, brochard gilles
Reference : RO20250436
(2001)
ISBN : 2845670656
TANA EDITIONS. 2001. In-8. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Coffret cartonné rigide de 15,5 cm x 21 cm contenant un livret agrafé de 30 pages illustrées en couleurs + 33 fiches présentant les marques et les terroirs de cigares et 8 fiches concernant les boissons (champagne, cognac, eau de vie, porto, whisky, armaganc, rhum, the cafe chocolat) - Isbn/prix barré au feutre noir sur le 2e plat. . Sous Emboitage. . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
Textes de Philippe R. Hupp - Photographies de Fanny Bruno Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
BE, MER.paperkunsthalle , 2010 Hardback, 270x210mm, 120 pages, 60 gekleurde illustraties, NL/ENG text. FINE. ISBN 9789076979236.
Deze publicatie biedt een overzicht van het schilderkunstig oeuvre van de Belgische kunstenaar Karin Hanssen ( Antwerpen 1960). Ze begon te schilderen in 1985 maar toen ze in 1994 de film 'The Thrill of it All' zag, een screwball comedy (amusementsfilm met in de hoofdrol Doris Day-1963) besloot ze om haar werk toe te spitsen op het thema van het sociaal determinisme en te werken met de flashback. Het boek behandelt deze periode van 1994 tot en met 2009, De auteurs, Philippe Van Cauteren (artistiek directeur S.M.A.K., Gent, Belgie), Gregory Salzman (onafhankelijk curator en schrijver over hedendaagse kunst, Amherst, MA, V.S.) en David Broker (artistiek directeur CCAS, Canberra, Australie) bekijken op een diepgaande manier Hanssens werk vanuit uiteenlopende culturele en theoretische invalshoeken. De belangrijkste aspecten van haar werk worden onderzocht, zoals de toepassing van tijdsdesorientatie, sociale semiotiek en 'de geleende blik'. Karin Hanssens werk was te zien in verschillende internationale tentoonstellingen. Ze vertegenwoordigde Belgie op de 7e Sharjah Biennale (V.A.E.) en nam deel aan de 2e Yokohama Triennale (Japan) in 2005. In 2009 werd haar werk getoond in de tentoonstelling UN-SCR-1325, Chelsea Art Museum, New York (V.S.). In 2010 nam ze deel aan de internationale tentoonstelling over mode en kunst in 800 Show Art Space, Shanghai tijdens de Shanghai Fashion week, China. Karin Hanssen leeft en werkt in Antwerpen, Belgie.
SUD OUEST 2014 64 pages 10 8x0 4x16 2cm. 2014. Broché. 64 pages.
Très bon état
SUD OUEST 2014 64 pages 10 8x0 4x16 2cm. 2014. Broché. 64 pages.
Très bon état
SUD OUEST 2014 64 pages 10 8x0 4x16 2cm. 2014. Broché. 64 pages.
Très bon état