‎Robert & Nathan - Grammaire de l'Anglais‎

‎NATHAN 2018 384 pages 14 4x23 2x1 8cm. 2018. Relié. 384 pages.‎

‎Bon état‎

‎Chairs. Catalogue of the Delft Faculty of Architecture Collection‎

‎Rotterdam, 010 Publishers, 2008 Softcover, b/w cardboard dito paperjacket in colour, 170 x 240mm., 270pp., all colour illustration. **Little stain on top of front** ISBN 9789064506192.‎

‎Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection of over 240 chairs is presented for the first time. Each object is accompanied by images and a thorough description. Also, the book offers comprehensive texts on key designs in the collection, showing the diversity of the collection which consists of world famous designs, 17th, 18th and 19th century designs, everyday household chairs and rare pieces of furniture that have never been published before. Among the designers presented are Verner Panton, Gerrit Th. Rietveld, Hendrik Petrus Berlage, Jean Prouve, Marcel Breuer and Droog Design. New book.‎

‎Les Savoirs de l'école : Français Cycle 3 : CE2 - CM1 - CM2 (Manuel): Orthographe vocabulaire grammaire conjugaison‎

‎Hachette Collections 2003 160 pages 17 4x1x24 2cm. 2003. Broché. 160 pages.‎

‎Bon état‎

‎VICTOR SCHERTZINGER‎

‎SALABERT. 1930. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages dont 2 de partition avec textes. Photographie de Maurice Chevalie, en première page.. . . . Classification Dewey : 780.26-Partitions‎

‎"Paroles de Léo LELIEVRE. Extrait du deuxième filmù parlant de Maurice CHEVALIER, ""PARADE D'AMOUR"" (Love parade). Classification Dewey : 780.26-Partitions"‎

‎Chagall: The Art of Dreams (New Horizons S.)‎

‎Thames & Hudson Ltd 1998 176 pages 12x1 2x17cm. 1998. Broché. 176 pages.‎

‎All 18 Soviet submarines The March Vol.13= March 13 History of Japanese Submarines Japanese Book‎

‎March Publishing 1980 Soft Cover Fine‎

‎Japanese Navy Submarine Ballistic Missile The March Vol.12= March 12 History of Japanese Submarines Japanese Book‎

‎March Publishing 1980 Soft Cover Fine‎

‎Special issue: air launched cruise missile. Battle of US strategic missile submarine. The March Vol.28= March 28 History of Japanese Submarines Japanese Book‎

‎March Publishing 1980 Soft Cover Fine‎

‎Hoards from the European Bronze and Iron Ages. Current Research and New Perspectives‎

‎, Brepols, 2025 Paperback, 175 pages, Size:216 x 280 mm, Illustrations:42 b/w, 72 col., 6 tables b/w., 17 maps b/w, 3 maps color, Language: English. *new ISBN 9782503607511.‎

‎Summary Hoards are among the most enigmatic of archaeological finds. The term 'hoard' itself has been applied to different assemblages across space and time, from the Stone Age into the modern era, with an inventory that typically includes artefacts made of valuable raw materials, to which significant symbolic meanings can also be assigned. Archaeologists have been trying to understand this phenomenon for much of the last century, sometimes emphasizing the universal nature of hoards, but more typically focusing on specific regions, chronologies, and finds. They have, for the most part, used results derived from typolo-chronological methods. Contemporary archaeology has, however, developed a broad spectrum of paradigms and methods, and hoardresearch in the twenty-first century draws on an increasingly wide range of approaches. This volume presents examples of research that make use of these multi-faceted approaches through a focus on European hoards of metal objects dating to the Bronze and Iron Ages. The contributors to this volume make use of diverse methods, among them archaeometallurgical analyses, studies of use- and production-wear, destruction patterns, and landscape archaeology, but together, their common denominator is the search for a methodological toolkit that will allow researchers to better understand the phenomenon of hoard-deposition more broadly. TABLE OF CONTENTS List of Illustrations 1. Hoards Research - Past, Present, Future. A Few Words of Introduction Marcin Maciejewski, J nos G bor Tarbay, and Kamil Nowak 2. In an Interpretive Triangle. Main Trends in Research on Hoards in the Nineteenth and Twentieth Centuries: A Central European Perspective Wojciech Blajer 3. The Cognitive Development of Prehistoric Wetland Deposition Tradition Through Mnemonics. Case Studies of Iron Age Wales and Scotland Tiffany Treadway 4. There is a Light that Never Goes Out! New and Old Hoards from the Northern Adriatic Martina Ble?i? Kavur 5. The Urnfield Period Metal Hoards in South Bohemia. Find Circumstances, Topography, and Analyses Ond?ej Chvojka, Jan John, Ji? Kmo?ek, and Tereza ? lkov 6. An Active Search for Hoards? Contributions of a Systematic Field Survey to the Knowledge of Bronze Age Metal Hoarding. The Case Study of Salins-les-Bains, Jura, France Estelle Gauthier and Jean-Fran ois Piningre 7. Ice-marginal Valleys and Hoards. Natural Landscapes, Cultural Practices and their Amazing Convergence in Different Regions of Central Europe (Poland) Marcin Maciejewski 8. Twin Hoards and Hoard Selections from the Late Bronze Age Transdanubia J nos G bor Tarbay 9. Late Bronze Age Hoard from Nowe Kramsko. Is there a Method in Fragments? Kamil Nowak and Nicola Ialongo 10. Comparative Technological Analysis of Middle Bronze Age Bronze Objects from Hoards and Burials Szilvia Gy ngy si, P ter Bark czy, Julianna Cseh, Laura Juh sz, and G za Szab 11. Re-theorizing Deposition in Bronze Age Europe Kristian Kristiansen‎

‎Hoards from the European Bronze and Iron Ages Current Research and New Perspectives‎

‎, Brepols - Harvey Miller, 2025 paperback, Pages: 175 pages, Size:216 x 280 mm,Illustrations:42 b/w, 72 col., 6 tables b/w., 17 maps b/w, 3 maps color. Language(s):English. *new. ISBN 9782503607528.‎

‎Hoards are among the most enigmatic of archaeological finds. The term ?hoard? itself has been applied to different assemblages across space and time, from the Stone Age into the modern era, with an inventory that typically includes artefacts made of valuable raw materials, to which significant symbolic meanings can also be assigned. Archaeologists have been trying to understand this phenomenon for much of the last century, sometimes emphasizing the universal nature of hoards, but more typically focusing on specific regions, chronologies, and finds. They have, for the most part, used results derived from typolo-chronological methods. Contemporary archaeology has, however, developed a broad spectrum of paradigms and methods, and hoardresearch in the twenty-first century draws on an increasingly wide range of approaches. This volume presents examples of research that make use of these multi-faceted approaches through a focus on European hoards of metal objects dating to the Bronze and Iron Ages. The contributors to this volume make use of diverse methods, among them archaeometallurgical analyses, studies of use- and production-wear, destruction patterns, and landscape archaeology, but together, their common denominator is the search for a methodological toolkit that will allow researchers to better understand the phenomenon of hoard-deposition more broadly.‎

‎""Note on a Magnetic Detector of Electrical Waves, which can be employed as a receiver for Space Telegraphy."" (+) ""A Note on the Effect of Daylight upon the Propagation of Electromagnetic Impulses over Long Distances."" (2 papers).‎

‎(London, Taylor and Francis, 1902). No wrappers, as extracted from ""Proceedings of the Royal Society of London."", Vol. LXX. Pp. 341-344 a. pp. 344-347.‎

‎First printing of these two importent papers on wireless telegraphy, describing the inventions which made it possible to make the first wireless transmissions across the Atlantic in 1901. Maconi's apparatus was built on a magnetic detector invented by Rutherford, and was called Marconi's ""Maggie"". A powerfull transmitter was built at Poldu, Cornwall, England, and a large receiving antenna placed at Cape Cod, Massachusetts. Marconi succeeded to receive (on Dec. 12) three code dots, signifying the letter ""S"". ""Already well known, Marconi, et twenty-seven, became world famous overnight.""(DSB).Marconi and K.F. Brown were jointly awarded the Nobel Price in 1909 ""in recognition of their services in the development of wireless telegraphy.""‎

‎Historical and Cultural Memory of the Babylonian World. Collecting Fragments from the 'Centre of the World'‎

‎, Brepols, 2022 Paperback, viii + 193 pages, Size:216 x 280 mm, Illustrations:28 b/w, 5 col., 2 tables b/w., 2 maps b/w, 1 maps color, Language: English. ISBN 9782503595368.‎

‎Summary In the study of the ancient world, Babylon can be considered as the most impressive representation, historically, archaeologically, and in literature, of urbanism in the Near East. This first example of an urban centre and its cultural heritage ? both tangible and intangible ? provides a focal point for discussions of historical and cultural memory in the region. The eleven contributions gathered here draw together multidisciplinary research into Babylonian culture, exploring the epistemic foundations, contacts, resilience, and cultural transmission of the city and its milieu from ancient times up until the modern day. Through this approach, this volume is able to support conversations concerning the historical and cultural memory of Babylon and promote a dialogue that cuts across, and unites, both cultures and academic disciplines. TABLE OF CONTENTS Section I. The Epistemic Foundation of the Historical and Cultural Memory of Babylon The Historical and Cultural Memory of Babylon: Collecting Fragments of the 'Centre of the World' ? MARCO RAMAZZOTTI Babylon as Seen by Babylonians ? FRANCIS JOANN S Traces of Babylon in the Old Testament ? ALESSANDRO CATASTINI Section II. Semantic Waves in the Historical and Cultural Memory of Babylon The View of Babylon in Hittite Texts ? RITA FRANCIA The Perception of Babylonia in the Historical Memory of the Assyrians between Evocation and Negation, and its Reflections in the Urbanization of the Imperial Seats ? RITA DOLCE From Plains to Mountains: Literary and Cultural Models between Mesopotamia and Urar?u ? ROBERTO DAN and MARIE-CLAUDE TR MOUILLE The 'Mesopotamian Connection': An Overview of South Arabian Data Relating to Mesopotamia (1st Millennium BCE) ? ALESSIO AGOSTINI A 'Persian conception of urbanism' as Seen from the Results of New Field Researches in Fars (Southern Iran) ? PIERFRANCESCO CALLIERI Section III. The Literary Form of Cultural Memory of Babylon Reversing and Reinventing the Centre of the World: Iranian and Zoroastrian Perception of the Old Babylon ? GIANFILIPPO TERRIBILI Receiving Knowledge of the Past: Narratives of Babylon in the Medieval Arabic Culture ? LEONARDO CAPEZZONE Untranslatable Babel: A Quick Glance at the Contemporary Reception of the Biblical Myth ? GIOVANNI GRECO‎

‎Athenagorae Qui Fertur: de Resurrectione Mortuorum (Vigiliae Christianae Supplements)‎

‎BRILL ACADEMIC PUB 2000 76 pages in8. 2000. Cartonné jaquette. 76 pages.‎

‎proche du très bon état intérieur propre bonne tenue textes en grec et anglais‎

‎americans. New Art.‎

‎London, Booth-Clibborn, 2001 Softcover with flaps, 303pp., 21x25cm., illustr. trhoughout in col., fine condition. ISBN 9781861542229.‎

‎Exhibition organised by Barbican art. This catalogue surveys the most recent wave of American contemporary art. Texts by Bruce Hainley, Katy Siegel, Bennett Simpson, Mark sladen and John Slyce.‎

‎Citroen GS & GSA - Citroen's avant-garde mid-range cars ‎

‎, citrovisie, 2018 hardcover / Couverture reliee , 22 x 24 cm, 276 pages Langue Anglais/ Language English ; . ISBN 9789082814729.‎

‎Citroen est tout simplement en retard pour la creation d'un modele de classe moyenne. La concurrence a longuement et largement explore ce segment quand Citroen presente la GS en Aout 1970. Mais avec son style elegant, sa superbe suspension, son tableau de bord complet et son coffre spacieux, la GS devient immediatement la nouvelle reference dans sa categorie. Certes, tout n?est pas parfait, mais si y on regarde de plus pres, l'ensemble est homogene. Citroen augmente rapidement sa gamme avec un Break, une version Service tres pratiques et coiffe son haut de gamme avec la Birotor: une GS a moteur rotatif. A partir de Septembre 1979, la GS est remplacee par la GSA, un modele modernise et desormais pourvu de la cinquieme porte tant attendue. Au milieu de l?annee 1986, la derniere GSA sort des chaines et ainsi se terminent, apres 16 ans, les carrieres reussies de la GS et GSA. Dans ce livre, l'auteur, Marc Stabel retrace l'histoire de la Citroen GS et GSA. Le developpement et le contexte historique ainsi que l'evolution de tous les types annee apres annee sont largement racontes par de nombreux faits et de nombreuses photos inedites, qui en font un ouvrage de reference indispensable pour les amateurs. Par rapport au livre neerlandais sur les GS et GSA, publie par Citrovisie en 2016, cette version anglaise a ete enrichie et completee.Citroen was late with a mid-range model. The competition had had models in this segment for a long time, but when Citroen presented the GS in August 1970 with its streamlined design, fantastic suspension, avant-garde dashboard and spacious boot, it immediately set a new standard in its class. Admittedly, there were some weaknesses, but despite this, the car represented a particularly well-balanced whole. Citroen rapidly expanded the GS range with an estate car and the practical Service van. The top model was the Birotor, a GS with a Wankel rotary engine. In September 1979, the GS was succeeded by the GSA, a thoroughly modernised car and now with the addition of a long-awaited fifth door. In mid-1986, after sixteen years of successful production, the final GSA left the factory. In this book author Marc Stabel describes the history of the Citroen GS and GSA. Through numerous facts and additional photos, some of which have never been published before, the development, background and historical context are explained extensively, as well as the evolution of all types from year to year. Building on the book?s success when originally published in Dutch in 2016, this updated and expanded English version is the essential reference work for the real enthusiast. Beautiful and original books about the history of Citroen, full of information and surprising images. ‎

‎Citroen GS & GSA - Citroen's avant-garde mid-range cars (2016)‎

‎, citrovisie, 2016 hardcover / Couverture reliee , 22 x 24 cm, 276 pages Langue Anglais/ Language English ; . ISBN 9789083141701.‎

‎Citroen est tout simplement en retard pour la creation d'un modele de classe moyenne. La concurrence a longuement et largement explore ce segment quand Citroen presente la GS en Aout 1970. Mais avec son style elegant, sa superbe suspension, son tableau de bord complet et son coffre spacieux, la GS devient immediatement la nouvelle reference dans sa categorie. Certes, tout n?est pas parfait, mais si y on regarde de plus pres, l'ensemble est homogene. Citroen augmente rapidement sa gamme avec un Break, une version Service tres pratiques et coiffe son haut de gamme avec la Birotor: une GS a moteur rotatif. A partir de Septembre 1979, la GS est remplacee par la GSA, un modele modernise et desormais pourvu de la cinquieme porte tant attendue. Au milieu de l?annee 1986, la derniere GSA sort des chaines et ainsi se terminent, apres 16 ans, les carrieres reussies de la GS et GSA. Dans ce livre, l'auteur, Marc Stabel retrace l'histoire de la Citroen GS et GSA. Le developpement et le contexte historique ainsi que l'evolution de tous les types annee apres annee sont largement racontes par de nombreux faits et de nombreuses photos inedites, qui en font un ouvrage de reference indispensable pour les amateurs. Par rapport au livre neerlandais sur les GS et GSA, publie par Citrovisie en 2016, cette version anglaise a ete enrichie et completee.Citroen was late with a mid-range model. The competition had had models in this segment for a long time, but when Citroen presented the GS in August 1970 with its streamlined design, fantastic suspension, avant-garde dashboard and spacious boot, it immediately set a new standard in its class. Admittedly, there were some weaknesses, but despite this, the car represented a particularly well-balanced whole. Citroen rapidly expanded the GS range with an estate car and the practical Service van. The top model was the Birotor, a GS with a Wankel rotary engine. In September 1979, the GS was succeeded by the GSA, a thoroughly modernised car and now with the addition of a long-awaited fifth door. In mid-1986, after sixteen years of successful production, the final GSA left the factory. In this book author Marc Stabel describes the history of the Citroen GS and GSA. Through numerous facts and additional photos, some of which have never been published before, the development, background and historical context are explained extensively, as well as the evolution of all types from year to year. Building on the book?s success when originally published in Dutch in 2016, this updated and expanded English version is the essential reference work for the real enthusiast. Beautiful and original books about the history of Citroen, full of information and surprising images. ‎

‎Of Planes and Men. From Eole to Hermes, 100 years of aeronautical history in Toulouse‎

‎ 1990 Editions Loubatières - 1990 - In-4, cartonnage bleu imitation cuir - 123 pages - Nombreuses illustrations et reproductions photographiques en couleurs et en N&B in et hors texte - Ouvrage en anglais‎

‎Bon état ‎

‎Abelard's Collationes (Oxford Medieval Texts)‎

‎Oxford University Press 2001 368 pages 14 22x3 05x21 84cm. 2001. Cartonné jaquette. 368 pages.‎

4 Images

‎livre en tres bon état intérieur propre bonne tenue avec sa jaquette (dos légèrement insolée une déchirure en haut du premier plat)‎

‎Loi qui préside à la fréquence des battements du coeur.‎

‎(Paris, Gauthier-Villars), 1861. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 53, No 3. Pp. (77-) 128. (Entire issue offered). Marey's paper: pp. 95-98. Faint marginal brownspots.‎

‎First printing of the paper in which Marey formulates the law, named after him and stating that heart rate is related inversely to arterial blood pressure.Marey contributed greatly to the development of experimental physiology. In 1860 he invented the modern sphygmograph, an instrument for recording the features of the pulse and variation in blood pressure on a graph. In 1861 he formulated Marey's law. He was the first to realize the relationship between blood pressure and heart rate.Garrison & Morton: 813.‎

‎Des variations électriques des muscles et du coeur en particulier, étudiées au moyen de l'électromètre de M. Lippmann.‎

‎(Paris, Gauthier-Villars), 1876. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 82, No 17. Pp. (927-) 1006. (Entire issue offered). Marey's paper: pp. 975-77‎

‎First printing of a founding paper in electrocardiography where Marey recorded the first electrocardiogram, using the mercury capillary electrometer, the electrical activity of an exposed frog's heart.‎

‎Analyse du méchanisme de la locomotion au moyen d'une série d'images photographiques recueillies sur une même plaque et représentant les phases successives du mouvement (Séance 3 Juillet 1882). (+) Emploi de la photographie pour déterminer la tr...‎

‎Paris, Gauthier-Villars, 1882, 1888, 1892. 4to. No wrappers. 7 entire issues. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 95, No 1, 6 a. 14. Tome 107, No 16, 17 a. 18, Tome 114, No 18. (7 entire issues offered). With halftitles and titlepages to Vol. 95, 107 a. 114. The papers: pp. 14-16 (No1), 267-270 (no 6), 583-585, 2 textillustr. (no 14) - pp. 607-609 (No 16), 643-645, 1 textillustr. (No 17), 677-678 (No 18) - pp. 989-990 (No. 18). Stamps on verso of titlepages.‎

‎First printing of the main papers CONSTITUTING THE INVENTION OF MODERN CINEMATOGRAPHY -- from his invention of 1888 of the ""Chronophotograph"" followed the modern ""Cinematograph"" (first described here in the offered papers of 1888).It started with his invention of the chronographic apparatus with stationary plates and chronographic disk schutter... the paper of August 7, 1882, later in 1882 his description of the photographic gun, and in the 1892 paper ""Marey constructs, according to the reversible principle of the chronophotograph, an apparatus for the projection on a screen of series of pictures taken by the afore-mentioned apparatus and thus realizes the photographic synthesis of motion"" (Joseph Maria Eder ""History of Photography"", p.510).Marey (1830-1904) was a French physician, and his inventions sprang from his investigations in the physiology of the motion of men and animals.""In 1882, Marey, often claimed to be the 'inventor of cinema,' constructed a camera (or ""photographic gun"") that could take multiple (12) photographs per second of moving animals or humans - called chronophotography or serial photography, similar to Muybridge's work on taking multiple exposed images of running horses. [The term shooting a film was possibly derived from Marey's invention.] He was able to record multiple images of a subject's movement on the same camera plate, rather than the individual images Muybridge had produced. Marey's chronophotographs (multiple exposures on single glass plates and on strips of sensitized paper - celluloid film - that passed automatically through a camera of his own design) were revolutionary. He was soon able to achieve a frame rate of 30 images. Further experimentation was conducted by French-born Louis Aime Augustin Le Prince in 1888. Le Prince used long rolls of paper covered with photographic emulsion for a camera that he devised and patented. Two short fragments survive of his early motion picture film (one of which was titled Traffic Crossing Leeds Bridge).The work of Muybridge, Marey and Le Prince laid the groundwork for the development of motion picture cameras, projectors and transparent celluloid film - hence the development of cinema. American inventor George Eastman, who had first manufactured photographic dry plates in 1878, provided a more stable type of celluloid film with his concurrent developments in 1888 of sensitized paper roll photographic film (instead of glass plates) and a convenient ""Kodak"" small box camera (a still camera) that used the roll film. He improved upon the paper roll film with another invention in 1889 - perforated celluloid (synthetic plastic material coated with gelatin) roll-film with photographic emulsion."" (Tim Dirks ""The History of Film. The Pre-1920s"").‎

‎Hugo van der Goes and the Procedures of Art and Salvation.‎

‎Turnhout, Brepols, 2008 Hardback, original editor's jacket, english, IV+178 pp., 42 b/w ill. + 95 colour ill., 220 x 280 mm. ISBN 9781905375158.‎

‎Studies in Medieval and Early Renaissance Art History (HMSAH 49). Hugo van der Goes is a towering figure in the history of art. Hugely original, he exerted a massive influence, pushing the portrayal of volume, motion and light to its limits while exploring an inherited Christian iconography in profoundly new ways. This book identifies the artist?s painterly procedures as well as the religious practices and hopes his painting served. Focusing on Hugo?s masterpiece, the Portinari Altarpiece, Koster pictures the painter, his patron, and the wider public as a set of diverse forces fuelling this artist?s achievements. Painted in the Netherlands for a Florentine chapel, the altarpiece also reflects artistic exchange in the Fifteenth Century. Koster presents a ground-breaking technical examination of Hugo?s triptych and for the first time, readers can access all of the evidence in a high-resolution and easily-navigable form ? and for a work of supreme historical importance. But this book also studies the work?s origins in the Modern Devotion movement, Hugo?s personality, the machinations of a wealthy Italian donor, and the patterns of response within a church setting. Rich in information, wide-ranging in its sources, and original in its understanding of Hugo?s aims, this book also places ? uniquely ? the tools of its analysis in the hands of specialists and general readers alike. ‎

‎Examen des Parties qui constituent cette Espece de Pierres, qui, après avoir été calcinées par les moyen ds Charbons, acquierent la Propritté de devenir lumineuses, quand on les expose à la Lumiere"" avec L'Exposé de la Composition artificielle des Pie...‎

‎(Berlin, Haude et Spener, 1752). 4to. No wrappers, as issued in ""Memoires de L'Academie Royale des Sciences et Belles Lettres"" tome VI (1750), pp.144-162.‎

‎First printing of Marggraf's importent investigation of the so-called ""Bologna-Stone"" in which he found that its base is different from lime, it is heavier and more soluble. In this memoir he anticipated Lavoisier’s conclusions by identifying the constituents of gypsum as water,lime, and vitriolic acid.Bologna stone, any of the dense, silvery white stones first found (1603) on Mount Paderno, near Bologna, by an Italian cobbler-alchemist, Vicenzo Cascariolo, who synthesized from them a luminescent material that glowed at night after being exposed by day to the Sun. Originally thought to be the philosopher’s stone that was believed capable of transmuting base metals into gold, Bologna stone ultimately was shown to be the mineral barite, barium sulfate.‎

‎Eloge de la cuisine au thé. 40 recettes salées et sucrées.‎

‎Paris, Hachette, 2002, pt. in-4, cartonnage couv. photo coul. éd., 96 pp., très nb. photos coul. et reproductions de doculents anciens en coul., Sommaire, Index des recettes, Des recettes originales à base de thé, depuis l'entrée jusqu'au dessert. Belle iconographie ancienne dans sa première partie historique. Pas courant. Très bon état ‎

‎Librairie spécialisée en gastronomie , œnologie et tabagie‎

‎L'art français du thé.‎

‎Paris, éd. Mariage frères, 2006, in-8, cartonnage souple à rabats éd., couv. ill. avec texte en jaune sur fond noir éd., (2) - 108 pp., papier crème, très nb. photos et dessins en noir, cartes en noir, nb. reproductions de documents anciens en noir, table des matières, Tout savoir sur le thé : l'origine, la culture, la favrication, la préparation et la dégustation. Une vrai "bible" pour les amateurs et les amoureux du divin breuvage. Très bon état ‎

‎Librairie spécialisée en gastronomie , œnologie et tabagie‎