‎DISQUE VINYLE 33T : DOPPELGANGER - The Lifeboat Party, Underachiever, If You Wanna Be Happy, Distractions, Survivors, Call Me The Entertainer, There's Something Wrong In Paradise, It's A Wonderful Life, Bongo Eddie's Lament, Broadway Rhythm, Back In...‎

‎ZE RECORDS / ISLAND. 1983. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs. The Lifeboat Party, Underachiever, If You Wanna Be Happy, Distractions, Survivors, Call Me The Entertainer, There's Something Wrong In Paradise, It's A Wonderful Life, Bongo Eddie's Lament, Broadway Rhythm, Back In The Field Again, The Seven Year Itch.. . . . Classification : 410-33 Tours‎

‎Disque n° 814445 1. Classification : 410-33 Tours‎

‎DISQUE VINYLE 33T THE BEGINNING / SO FAR SO GOOD / BOXED OUT / CALL IT A DAY / EL HIJO / COLD WAVE...‎

‎SIRE. non daté. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Déchirures sur la pochette mais le disque est en bon état. Photo du groupe sur le dos de la pochette.. . . . Classification : 410-33 Tours‎

‎ Classification : 410-33 Tours‎

‎DISQUE VINYLE 33T : TROPICAL GANGSTERS - Annie, I'm not your daddy, I'm a wonderful thing, baby, Imitation, I'm corrupt, Loving you made a fool out of me, Stool pigeon, The love we have, No fish today‎

‎ZE RECORDS. 1982. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, décollée.. . . . Classification : 410-33 Tours‎

‎Disque n°6313 357 Classification : 410-33 Tours‎

‎DISQUE VINYLE MAXI 45T : JONATHAN - Annie, I'm not your Daddy, Stool Pigeon, Endicott, My Male Curiosity, What a Work of Art is Man‎

‎ATOLL MUSIC - SONY. 1992. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs. Annie, I'm not your Daddy, Stool Pigeon, Endicott, My Male Curiosity, What a Work of Art is Man.. . . . Classification : 420-45 Tours‎

‎Disque n° 2711326 CB 181. Classification : 420-45 Tours‎

‎Friedenspreis des Deutschen Buchhandels - Peace Prize of the German Book Trade - Prix de la Paix des éditeurs et libraires allemands.‎

‎Paris Editions du Regard 2008 In-12 Broché, couverture à rabats ‎

‎Texte en allemand, français et anglais. Illustrations en noir. 64 pp. Très bon 0‎

‎Eloge de la ville de Moukden et de ses environs ; poeme composé par Kien-Long, empereur de la Chine & de la Tartarie, actuellement régnant. Accompagné de notes curieuses sur la géographie, sur l'histoire naturelle de la Tartarie Orientale, & sur les anciens usages des Chinois ; composées par les éditeurs Chinois & Tartares‎

‎Paris, chez N.M. Tilliard 1770 [Suite du titre: " On y joint une pièce de vers sur le Thé, composé par le même empereur. Traduit en françois par le p. Amiot, missionnaire à Peking et publié par m. Deguignes], xxiv + xxxviii + 381 + [iii] pp., avec table de matières détaillée aux pages 339 à 381, première et seule édition, 20cm., reliure plein-cuir d'époque (titre et décorations dorées au dos, vague trace de trois étiquettes enlévées, coins peu fatigués), feuilles de garde marbrées, tranches rouges, cachet d'une bibliothèque de Scheut (congrégation missionnaire très active en Chine) sur la page de titre et au verso de la première feuille de garde, texte frais avec très peu de rousseurs, bon exemplaire de cet ouvrage bien rare et curieux, [AMIOT Joseph Marie, Toulon 1718 - Péking 1793, "partit pour la Chine en 1740, il eut bientôt gagné l'estime et la confiance de l'empereur Kien-Long et il apprit en perfection la langue chinoise et celles des Tatars que parlait l'empereur " (voir De Backer-Sommervogel I-295-6) / KIEN-LONG ou bien CHING KAO-TSUNG, 1710-1786, empereur de Chine en succession de son père en 1736 jusqu'à sa mort], X83682‎

‎De la Situation la plus avantageuse des Planetes pour Découvrir les Irrégularités de leurs Mouvemens. (+ Kies:) Sur les Eclipses des Etoileas fixes par la Lune. (+ Cassini de Thury:) Memoire, dans lequel on examiné, si l'on peut esperer la meme Pre...‎

‎(Berlin, Haude et Spener, 1751). 4to. No wrappers, as issued in ""Mémoires de l'Academie Royale des Sciences et Belles-Lettres"", tome V, Année 1749, pp. 339-372, 1 folded geometrical plate (to the first paper) and 3 fine double-page folded engraved plates showing the quadrant.‎

‎Kies was one of the first to propagate Newton's discoveries in Germany, and dedicated two of his works to the Englishman. The crater Kies on the Moon is named after him.The paper on the instrument describes and depicts the large quadrant in the Berlin observatory invented by Hadley (described in Transactions of the Royal Society in 1732).""From 1742 to 1754, at the recommendation of the mathematician Leonhard Euler, he (Kies) was made professor of mathematics at Berlin's Academy of Sciences and astronomer at its observatory. His reports from this time include De la Situation la plus avantageuse des planètes pour découvrir les irrégularités de leurs mouvemens, Sur les Éclipses des étoiles fixes par la lune, and Description d'un instrument qui se trouve .""‎

‎DISQUE VINYLE 33T CARO NOME, OPERATURE 1, LARGO ET FACTOTUM, CHANSON BOHEME, J'AI PERDU MON EURYDICE, COUPLETS, OPERATURE, AIR DES CLOCHETTES, PREPRISE CARO NOME, OPERATURE 2, COUPLETS, J'AI PERDU MON EURYDICE, COUPLETS, CHANSON BOHEME, OPERATURE 2....‎

‎ARIOLA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, disque en anglais. The London symphony orchestre. Une petite photo en couleurs derrière la pochette. Produit par STEVE ROWLAND.. . . . Classification : 410-33 Tours‎

‎Disque n° 601417 Classification : 410-33 Tours‎

‎DISQUE VINYLE 33T CARO NOME, OPERATURE1, OVERTURE MADAME BUTTERFLY, AH NON GIUNGE, NUN'S CHORUS, LA DONNA E MOBILE, EXCERPT VESTI LA GIUBBA, HOLLE RACHE, LARGO ET FACTOTUM, OPERATURE 3, SEMPRE LIBERA, THE HUMMING CHORUS, L'AMOUR EST UN OISEAU....‎

‎ARIOLA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, The London Symphony Orchestra. Disque en anglais.. . . . Classification : 410-33 Tours‎

‎Disque n° 206083 Classification : 410-33 Tours‎

‎DISQUE VINYLE 33T THE LOST OPERA.‎

‎ARIOLA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, The London Symphony Orchestra, direction d'Orchestre: FRANK POURCEL.. . . . Classification : 410-33 Tours‎

‎Disque n° 601 417 Classification : 410-33 Tours‎

‎Reponse de S.M. le Roi de Prusse a Mr. de Voltaire - Svar fra H.M. Kongen af Preussen til Mr. de Voltaire.‎

‎(No place, nor printer, ca. 1757). 4to. In contemporary full calf with six raised bands and gilt lettering and ornamentation to spine. Boards with miscolouring and a hole in the leather to front board. Ex-libris pasted on to pasted down front end-paper. Bi-lingual text in French and Danish. Printed on good paper. A nice copy. (8) pp.‎

‎First appearance of this correspondence between Frederick the Great, King of Prussia, and Voltaire, the famous French Enlightenment philosopher and writer. The relationship between Voltaire and Frederick the Great is one of the most celebrated of the Age of Enlightenment. It was initiated by the young Prussian crown prince in August 1736 and they met for the first time in September 1740, a few months after Frederick succeeded his father as King. In a period Voltaire resided at Frederick's court in Potsdam. OCLC only list three copies, all in Denmark.‎

‎Seven Happy Days ‎

‎Une série de dessins par Jessie M.King avec Citation de John Davidson et autre.A Series of Drawings by Jessie M. KIG with Quotation from John Davidson & Other.In 4 broché, couverture blanche,muette,rempliée,titre 15 pages,15 illustrations pleine page dont 7,superbes,en couleurs, avec des petits rehauts d’or ou d’argent.Christmas supplement To the STUDIO 1913.Très bon état.L’ensemble(y compris la couverture )sur papier beau papier couché.RARE.Jessie Marion King est connue pour son style Art Nouveau(école de GLASGOW)elle a également conçu des bijoux,des cartes de vœux,tissus,céramiques et textiles batik,et en particulier, des peintures murales. Jessie Marion KING est née à Bearsden,Glasgow,et,malgré la désapprobation de sa famille,a étudié à la Glasgow School of Art de 1892 à 1899 avec l'intention de devenir professeur d'art.Entre 1899 et 1907,elle a enseigné à l'école de Glascow.Elle a vécu à Paris.Quintessence du Style ART NOUVEAU ‎

19 Images

‎artist by himself. Self-portraits from youth to old age.‎

‎London, Granada publishing, 1980 Bound, green cloth, dustjacket, 224pp., 19.5x25.5cm., b/w. ills., fine copy. ISBN 0236401602.‎

‎Dr. Brook Taylor's method of perspective, made easy, both in theory and practice. In two books. Being an attempt to make the art of perspective easy and familiar; to adapt it intirely to the arts of design; and to make it an entertaining study to any gentleman who shall chuse so polite an amusement.‎

‎Ipswich, W. Craighton for the author, 1754. In-4 de [4]-IV-XVI-[2]-78-[2]-84 pages, plein veau brun, dos à nerfs orné de filets dorés, pièce de titre en maroquin rouge, double filet d'encadrement doré sur les plats, roulette à froid sur les coupes.[]4; A4-[a4]-errata-B-L4; A-K4; L2. ‎

5 Images

‎Illustré de 50 planches hors-texte dont un joli frontispice dessiné par William Hogarth et gravé par L. Sullivan dont la légende est la suivante: "Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shewn in this frontispiece". Édition originale publiée au frais de l'auteur. Son succès fut énorme et elle fut immédiatement épuisée, nécéssitant une seconde édition en 1755. Le texte est divisé en deux parties, la première consacrée à la théorie, la seconde à la pratique. L'ouvrage est dédicacé à William Hogarth. Ou l'on apprend, grâce à la liste des souscripteurs que ce dernier avait acquis 6 exemplaires du volume, mais on peut également voir Thomas Gainsbourough, qui a contribué à l'ouvrage par un paysage finement gravé, l'une des trois seules eaux-fortes que Gainsbourough ait jamais exécutées. Kirby lui-même était le dessinateur du prince de Galles, le futur roi George III. Bien complet du feuillet d'errata qui est relié entre la table des matière et le début du texte. ‎

‎Recherches sur le Spectre solaire et sur les Spectres des Corps Simples. Traduit de l'allemand, par M.L. Grandeau. (Premier-) Seconde Partie. (2 Papers).‎

‎Paris, Victor Masson et Fils, 1863 a. 1864. Boundin 2 contemp. hcalf. Gilt spines, raised bands, light wear along edges. In: ""Annales de Chimie et de Physique"", 3e Series - Tome 68 a. 4e Series, tome 1. 512 pp. a. 5 large folded engraved plates. + 512 pp. a. 3 large folded engraved plates. Kirchhoff's papers: pp. 5-45 a. pp. 396-411. 5 plates belongs to K's papers, 4 showing spectra and 1 plate (double page) depicts the famous spectroscope invented by K. and used by K. and Bunsen in their importent analysis of the spectra of the elements.‎

‎First edition in French of Kirchhoff's milestone papers on the interpretation of the dark D lines - noticed by Fraunhofer in 1814 - in the spectrum of the sun, the papers that inspired Max Planck to his theory of quanta (1900). The papers are the French translations of his papers published in Abhandl. d. königl. Akad. d. Wissenscchaften in Berlin in 1861 and 1862.In the course of his preparatory work in the autumn of 1859, Kirchhoff made an unexpected observation. It had long been known that the dark D lines, noticed in the solar spectrum by Fraunhofer (1814), coincided with the yellow lines emitted by flames containing sodium.....Kirchhoff's unexpected discovery was that if the intensity of the solar spectrum increased above a certain limit, the dark D lines were made much darker by the interrposition of the sodium flame. He instantly felt that he had got hold of ""something fundamental"", even though he was at a loss to suggest an explanation. On the day following the surprising observation, Kirchhoff found the the correct interpretation, which wass soon confirmed by new experiments: a substance capable of emittiing a certain spectral line has a strong absorptive power for the same line....The dark D lines in the solar spectrum could accordingly be ascribed to absorption by a solar atmosphere containing sodium. Immense prospects thus opened up of ascertaining the chemical composition of the sun and other stars from the study of their optical spectra. A few more weeks sufficed for Kirchhoff to elaborate a quantitative theory of the relationship between emissive and absorptive poweer.""(DSB VII, pp. 381-82).PMM, 278 b. - Barchas, 1169-70 - Sparrow, 117 - Horbli, 59 - Dibner, 153 (the note).‎

‎Du Rapport entre le pouvoir émissif et le pouvoir absorbant des Corps pou la Chaleur et la Lumière. Traduit de l'allemand par Georges Leclanche.‎

‎Paris, Victor Masson et Fils, 1861. Without wrappers. In: ""Annales de Chimie et de Physique"", 3e Series - Tome 62, Cahier Juin 1861. Titlepage to vol. 62. Pp. 129-256. (The entire issue offered). Kirchhoff's paper: pp. 160-192. Small stamps to verso oftitlepage.‎

‎First French edition of a milestone paper by ""The Grandfather of Quantum Theory"" in which he formulates the law named after him, ""KIRCHHOFF'S LAW"", which was the ""key to the whole thermodynamics of radiation. In the hands of Planck, Kirchhoff's successor to the Berlin chair, it proved to be the key to the new world of the quanta, well beyond Kirchhoff's conceptual horizon.""(DSB, VII, p.382).""Kirchhoff's Law of Thermal Emission was formulated in 1859 (Über das Verhältnis....) - the paper offered here in the first French version. It is at the same time the simplest and least understood law in physics. Kirchhoff's law states that given thermal equilibrium with an enclosure, the radiation inside will be always black, or normal, in a manner which is independent of the nature of the walls, or the objects they contain. This is known as the concept of universality. That is, that radiation within an enclosure can always be described by a universal function dependent only ontemperature and frequency. This universal function was first given us by Max Planck, in 1900. Kirchhoff's law STANDS AT THE HEARTH OF ALL MODERN ASTROPHYSICS. It is the basis for setting the temperature of the stars, for the gaseous model of the Sun, and for believing that we now know the temperature of the entire universe.""(Pierre-Marie Robitaille)..The research background for the paper was his unexpected observation that if the intensity of the solar spectrum increased above a certain limit, the dark D lines were made much darker by the interposition of the sodium flame. he instantly felt, that he had got hold of ""something fundamental"". Another notable, and importent paper in the development of photography, is in the same issue ALPHONSE POITEVIN ""De l'Action chimique de la Lumiere sur les Substances organiques. Son emploi à l'impression photographique.""Pp. 192-210.‎

‎Über das Verhältnis zwischen dem Emissionsvermögen und dem Absorptionsvermögen der Körper für Wärme und Licht. (On the relation between the radiating and the absorbing powers of different bodies for light and heat). (+) Über die Frauenhofer'schen Lin...‎

‎Leipzig, Johann Ambrosius Barth, 1860. Contemp. hcalf, raised bands, gilt spine. A few scratches to spine. In ""Annalen der Physik und Chemie. Hrsg. von J.C. Poggendorff"", Bd. 109. X,660 pp. and 4 folded engraved plates. Kirchhoff's papers: pp. 275-301 and pp. 148-150. Internally clean and fine. Small stamps to verso of titlepage and plates.‎

‎First printing of a milestone paper by ""The Grandfather of Quantum Theory"" in which he formulates the law named after him, ""KIRCHHOFF'S LAW"", which was the ""key to the whole thermodynamics of radiation. In the hands of Planck, Kirchhoff's successor to the Berlin chair, it proved to be the key to the new world of the quanta, well beyond Kirchhoff's conceptual horizon.""(DSB, VII, p.382).""Kirchhoff's Law of Thermal Emission was formulated in 1859 (Über das Verhältnis....) - the paper offered. It is at the same time the simplest and least understood law in physics. Kirchhoff's law states that given thermal equilibrium with an enclosure, the radiation inside will be always black, or normal, in a manner which is independent of the nature of the walls, or the objects they contain. This is known as the concept of universality. That is, that radiation within an enclosure can always be described by a universal function dependent only ontemperature and frequency. This universal function was first given us by Max Planck, in 1900. Kirchhoff's law STANDS AT THE HEARTH OF ALL MODERN ASTROPHYSICS. It is the basis for setting the temperature of the stars, for the gaseous model of the Sun, and for believing that we now know the temperature of the entire universe.""(Pierre-Marie Robitaille)..The research background for the paper was his unexpected observation that if the intensity of the solar spectrum increased above a certain limit, the dark D lines were made much darker by the interposition of the sodium flame. he instantly felt, that he had got hold of ""something fundamental"". These observations are described in the second paper offered here ""Über die Frauenhofer'schen Linien..."" which was published first in 1859 in Monatsschrift der Berliner Academie.The volume contains many other importent papers in physics and chemistry, by C.F. Schönbein, Zöllner, H. Fizeau, Eisenlohr, W. Heine, Knoblauch, K.G. Neumann, W. Siemens etc.‎

‎Ueber die Bewegung der Elektricität in Drähten.‎

‎Leipzig, Johann Ambrosius Barth, 1857. Without wrappers. In ""Annalen der Physik und Chemie. Hrsg. von J.C. Poggendorff"", Bd. 100, No 2 . Pp. 177-252 a. 1 plate. (Entire issue offered). Kirchhoff's paper: pp. 193-217. With titlepage to volume 100.‎

‎First printing of an importent papers on the theory of electricity in conductors, telegraph-cables etc., determining the velocity of the electrical propagation. He found that the propagation velocity of electricity to be ""very close to the velocity of light in empty space"".""The work of Thomson on signalling along cables was followed in 1857 (the paper offered) by a celebrated investigation by Kirchhoff's, on the propagation of electrical disturbance along a telegraph wire of circular cross-section. (Whittaker ""A History of the Theories of Aether and Electricity"", pp. 230 ff.).""The field was still open (the nature of the electric current) when Kirchhoff entered it in 1857 with his own general theory of the motion of electricity in conductors. His first paper, in which he treated linear conductors from the same premises as Weber, turned out to coincide in all essentials with an investigation carried out by Weber shortly before but delayed in publication. Both physicists noticed a remarkable implication of their theory: in a perfectly conducting circuit, oscillating currents could be propagated with a constant velocity, independent of the nature of the conductors, and numerically equal to the velocity of light. Both Kirchhoff and Weber, however, pointing to the extreme character of the condition of infinite conductivity, dismissed this result as a mere accidental coincidence.""(DSB)‎

‎A World Fit for People: Thinkers from Many Countries Address the Political Economic and Social Problems of Our Time‎

‎New York University Press 1994 504 pages in8. 1994. Cartonné jaquette. 504 pages.‎

6 Images

‎Très Bon Etat de conservation intérieur propre bonne tenue avec sa jaquette‎

‎DISQUE VINYLE 33T TU CHE LE VANITA CONOSCESTI / TIMOR DI ME D'AMOR SULL' ALI / SE COME VOI / VISSI D'ARTE / QUANDO M'EN VO' SOLETTE / IN QUELLE TRINE MORBIDE...‎

‎CBS. 1983. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Par le London Philharmonic Orchestra sous la direction de John PRITCHARD. Photo de KIRI TE KANAWA sur la couverture.. . . . Classification : 410-33 Tours‎

‎ Classification : 410-33 Tours‎

‎The new grove : IVES - THOMSON - SESSIONS - COWELL - GERSHWIN - COPLAND - CARTER - BARBER - CAGE - BERNSTEIN‎

‎ 1988 Ed. W.W. Norton & Company - 1988 - In-12 broché - Texte en anglais - illustrations N&B - 311 pages‎

‎Bon état ‎

‎Teaching and Impact of the 'Doctrinale' of Thomas Netter of Walden (c. 1374-1430) ,‎

‎Turnhout, Brepols, 2011 Hardback, XVI 298 p., 4 b/w tables, 156 x 234 mm. ISBN 9782503531793.‎

‎The first full-scale study of theologian Thomas Netter of Waldens Doctrinale, a work whose important response to the threat of Lollardy remained invaluable to later Counter-Reformation polemicists and apologists. Thomas Netter of Walden (c. 1374?1430) was a Carmelite friar, royal confessor, diplomat, religious superior, and theologian. His only extant theological work, the Doctrinale antiquitatum fidei catholicae ecclesiae contra Wiclevistas et Hussitas, was written with the purpose of combating the errors of Wyclif and his followers. For this reason, Netter's name and work are familiar mainly to those engaged in the study of Lollardy. Outside this field, Netter is almost unknown today, yet in his lifetime he was a highly regarded churchman who, it was said, could have had the pick of any diocese in England. From his death in 1430 until the middle of the eighteenth century Netter was a much-quoted and copied author whose exposition of Catholic teaching on subjects such as the Church, religious life, and the sacraments proved useful to many Counter-Reformation polemicists and apologists. This book is the first survey of the whole of the Doctrinale and it argues that there is more to Netter than anti-Lollard polemic. The author examines the principal topics in Netter's work : God, humanity, Christ, the Church, religious life, prayer, the sacraments ... and he makes the case that there is a definite plan which links the various parts of the Doctrinale into a whole giving it a certain theological unity. Medieval Church Studies (MCS 7). Languages: English, Latin. New.‎

‎The Organ Stoplist [ First Edition ]‎

‎1 vol. in-4 br., The Praestant Press, 1975, 136 pp. with a large folding plate‎

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‎Good copy (spind slightly rubbed, otherwise a very good copy)‎

‎Grain of Sand, Aleph Temple.‎

‎ Important tirage photographique en couleurs monté dans un encadrement carré en bois, ajouré en cercle au centre. Très rare épreuve, peut-être tirée pour un essai de couleurs lors de la commercialisation d’une affiche en 1969. Mentions Mati Klarwein, Grain of Sand, Robert Crandall Assoc., 1968 sur le côté avec échelles chromatiques, petits manques de pigmentation dans la partie basse (111,5/117,2 cm dans un cadre de 122/122 cm). ‎

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‎Initialement conçue en 4 quarts de plan entre 1963 et 1965 pour décorer le plafond d’un temple de méditation de 3 m3, la fresque fut baptisée Grain of Sand en référence à un poème des Chants de l’innocence de William Blake (« To see a world in a grain of sand, and a heaven in a wild flower, hold infinity in the palm of your hand and eternity in an hour. ») A son sujet l’artiste écrivait lui-même : « Pendant longtemps, j'ai voulu peindre un tableau que l'on pourrait accrocher au mur dans n'importe quel sens, un univers en rotation sans haut ni bas. Je l'ai projeté comme une sorte de comédie musicale peinte avec des milliers d'acteurs, orchestrés en sanskrit avec Marilyn Monroe, Anita Ekberg, Ray Charles, Pablo Picasso, Brigitte Bardot, Roland Kirk, Cannonball Adderley, Ahmed Abdul Malik, Wonderwoman, la fille du cimetière de Delacroix, (…). » Achevées en 1970, l’ensemble des fresques de l’Aleph Temple furent présentées à l’exposition itinérante Summer of Love : Art of the Psychedelic Era, organisée en 2007 par la Tate Liverpool. Dans la lignée des productions d’Abdul Mati Klarwein pour Miles Davis (Bitches Brew, Live/Evil) ou Carlos Santana (Abraxas), l’image fut reprise pour illustrer la pochette du disque New Generation des Chambers Brothers en 1971. ‎

‎Peter Klasen. Le Mur de Berlin. The Wall. Die berliner mauer.‎

‎Paris Galerie Boa 2019 In-8 Broché, couverture illustrée Dédicacé par l'illustrateur‎

‎Catalogue de l'exposition organisée du 1er novembre au 30 décembre. Texte de Renaud Faroux et extraits de l'entretien d'Alin Avila avec l'artiste. 27 reproductions en couleurs et photo en noir. Biographie in fine. 68 pp. >Exemplaire portant un ENVOI autographe de Peter Klasen, signé et daté. Très bon 0‎