‎Le Livre du thé‎

‎Dervy 1999 In-8 broché 21,4 cm sur 14,9. 135 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Le livre du thé.‎

‎Derain Lyon 1964 In-12 à l'italienne ( 135 X 195 mm ) de 109 pages, pleine toile avec décor à froid rouge ( boîtes à thé ). Croquis, photographies, 1 planche couleurs tirée à part et contrecollée. Bel exemplaire sur papier bouffant. µµµ‎

‎Le Livre du Thé - Nouvelle édition.‎

‎Dervy Livres. 1969. In-12. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur acceptable. 124 pages - tampon sur la page de faux titre - couverture contrepliée - quelques planches en noir et blanc .. . . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎Traduit de l'anglais par Gabriel Mourey. Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎The Book of Tea Classic Edition‎

‎Tuttle Publishing 1989 160 pages 12 4968x19 7104x2 3876cm. 1989. Relié. 160 pages.‎

‎emboitage en bon état ouvrage frais‎

‎DISQUE VINYLE 33T / HIGHLIGHTS SUNG IN GERMAN / VIENNA STATE OPERA CHORUS AND ORCHESTRA CONDUCTED BY HANS HAGEN‎

‎SAGA. 1966. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. PREMIERE : JOHANN STRAUSS THEATER, VIENNA, NOVEMBER 17TH 1915 / FIRST LONDON PRODUCTION : PRINCE OF WALES THEATRE, MAY 20TH 1921 / AVEC FRIEDL LORR, KARL TERKAL ET MIMI COERTSE / TEXTES DES ACTES EN ANGLAIS, ALLEMAND ET FRANCAIS. . . . Classification : 410-33 Tours‎

‎ERO8003 Classification : 410-33 Tours‎

‎En Resa til Norra America, på Kongl. Swenska Wetenskaps Academiens befallning, och Publici kostnad. Tome I (af 3).‎

‎Stockholm, Lars Salvius, 1753. Lille 8vo. Samtidigt blåt, falmet og slidt papirsomslag, ryg mangler. (22),484,(20) pp., træstukne illustrationer i teksten. 10 blade i midten med lidt papir i nedre margin bortrevet, tab af enkelte bogstaver på 2 blade. Med brugsspor og spredte brunpletter. Titelbladet brunplettet og med lille stempel. På indersiden af foromslaget med egenhændig tilskrift ""Pehr Kalm""‎

‎Originaludgaven, dog kun første bind, som tilsyneladende har tilhørt forfatteren selv. I dette første bind beskriver Kalm rejsens start i Sverige med beskrivelsen af hans færd fra Uppsala til Strömstad (pp. 1-43), herefter rejse i Norge (pp. 47-138, Grimstad - Arendal - Christianssand). Resten af bindet omhandler England, som sidenhen blev udgivet separat.This first volume of the first edition deals with the travels in Sweden (pp. 1-43), Norway (pp. 47-138) and England (pp. 138-484).Sabin 36986 - Schiötz ""Itineraria Norvegica"", 511a. + Supplement p. 393.‎

‎Holy Kama!‎

‎, Stichting Kunstboek , 2011 Hardback, 170x120mm, 896p, 1000 bw and col. illustrations, English edition ISBN 9789058563996.‎

‎Multitalent Kamagurka begon zijn carriere als cartoonist bij het Belgische weekblad HUMO. Vandaag publiceert hij in talloze media in verschillende landen zoals Nederland (NRC Handelsblad, HP de tijd), Frankrijk (Charlie Hebdo, Hara Kiri, Le Canard enchaine), UK (Squib, The Spectator, Deadpan), Duitsland (Titanic, Suddeutsche Zeitung, Zitty, Eulenspiegel), Oostenrijk (Die Presse), USA (The New Yorker, National Lampoon, RAW). De feilloze tekenpen, het messcherpe inzicht en de speelse geest van cartoonist en kunstenaar Kamagurka staan garant voor een vlijmscherpe kijk op de wereld. Het grote publiek kent hem vooral als performer op radio, televisie of in het theater, vaak samen met Herr Seele, zijn levenslange metgezel. Kamagurka heeft meer dan 25 stripboeken op zijn naam, van Bert en Bobje tot Cowboy Henk. Tegenwoordig tekent Kamagurka niet alleen op papier en doek, maar ook op zijn iPad. The Holy Kama! is een 'best of' met meer dan 1000 tekeningen van de meester van het absurdisme. Een onuitputtelijke bijbel voor iedere Kamaliefhebber, voor op iedere hotelkamer en op elk nachtkastje. All-round artist Kamagurka started his career as a cartoonist for the Belgian magazine HUMO. Soon after, his multi-talent, discernable style, razor-sharp pen and absurdist humor attracted the attention of other media, resulting in a worldwide exposure in newspapers and magazines including NRC Handelsblad, Playboy, Esquire (the Netherlands), Charlie Hebdo, Hara Kiri ‎

‎World tour of Tomomi Hamada The World of HAMADA Chimei: Elegy and Humor in Prints and Sculptures Hamada Chimei Japanese Book‎

‎Kanagawa Prefectural Museum of modern art 2010 Soft Cover Fine‎

‎1 DISQUE AUDIO 33 TOURS N°ADRIA 417 449-1 - MESSIAH ARIAS ET CHORUSES‎

‎. 1986. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 disque audio 33 tours - pochette en bon état. . . . Classification : 410-33 Tours‎

‎DECCA Disques - P1985 - C1986 / Chicago Symphony Orchestra et chorus - Sir Georg Solti Classification : 410-33 Tours‎

‎Arius and Athanasius: Two Alexandrian Theologians (Collected Studies Series)‎

‎Variorum 1991 350 pages 3x23x15cm. 1991. Cartonné. 350 pages.‎

7 Images

‎bonne tenue intérieur propre ex-libris quelques rares notes au stylo noir (voir photographie) petit accroc au niveau de la charnière du premier plat‎

‎Monde Romain (le)‎

‎BREAL 2014 312 pages 15 6x1 8x23 4cm. 2014. pocket_book. 312 pages.‎

‎Comme neuf - ouvrage issu de destockage jamais lu mais pouvant présenter d'infimes marques de stockage et/ou de manipulation - expédié soigneusement dans emballage adapté‎

‎Monde Romain (le)‎

‎BREAL 2014 312 pages 15 6x1 8x23 4cm. 2014. pocket_book. 312 pages.‎

‎Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France‎

‎Ludwig van beethoven. concertos pour piano no3 no4 et no5 "empereur".tome 5. co‎

‎STE DU FIGARO 2010 48 pages 14 2x1x25 4cm. 2010. Relié. 48 pages.‎

‎Neuf sous emballage‎

‎Messe en si mineur BWV 232 (2CD audio)‎

‎STE DU FIGARO 2011 48 pages 14 2x1x30 4cm. 2011. Relié. 48 pages.‎

‎Neuf sous emballage‎

‎ABC du BAC Réussite Physique-Chimie 1re - Le Bac efficace - Nouveau Bac 2020‎

‎NATHAN 2019 256 pages 13 8x18 8x1 4cm. 2019. Broché. 256 pages.‎

‎Comme neuf - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté‎

‎ABC du BAC Réussite Physique-Chimie 1re - Le Bac efficace - Nouveau Bac 2020‎

‎NATHAN 2019 256 pages 13 8x18 8x1 4cm. 2019. Broché. 256 pages.‎

‎ABC du BAC Réussite Physique-Chimie 1re - Le Bac efficace - Nouveau Bac 2020‎

‎NATHAN 2019 256 pages 13 8x18 8x1 4cm. 2019. Broché. 256 pages.‎

‎Très bon état‎

‎Faith and Knowledge in Late Medieval and Early Modern Scandinavia‎

‎, Brepols, 2020 Hardback, 306 pages, Size:156 x 234 mm, Illustrations:19 col., 6 tables b/w., Language: English. ISBN 9782503579009.‎

‎Summary This book investigates the interface between faith and knowledge in Scandinavia in the centuries before and after the Reformation, a period in which the line between belief and knowledge was often blurred, and local traditions remained influential. While Scandinavia was undoubtedly an integral part of Latin Christendom before the arrival of Lutheranism, the essays gathered together in this volume demonstrate that religious discourse still took a unique form in this region. Faith was influenced by magical practices centred on remnants of Nordic paganism, local wisdom literature, and metaphoric language about the divine that diverged considerably from that of the Judeo-Christian tradition. Texts, motifs, and practices that were common throughout Europe were also transformed and altered within this northern setting. Covering the late medieval up to the early modern period, this volume offers new insights into intellectual culture in Scandinavia, and the remarkable longevity of local beliefs even into the early post-Reformation period. TABLE OF CONTENTS Introduction: Learning the Truth - KAROLINE KJESRUD AND MIKAEL MALES The European Challenges of Faith & Knowledge in the Late Middle Ages: The Concepts of Nature and Knowledge - AKSEL HAANING The Distribution of Authority as Reflected in Literary Transmission - KAROLINE KJESRUD 'Apparuit ei Christus in eodem loco': Physical Presence and Divine Truth in Birgitta of Sweden's Revelations from the Holy Land - MARIA H. OEN Mapping Hagiographical Literature in Medieval and Early Modern Iceland - NATALIE?M. VAN DEUSEN AND KIRSTEN WOLF How Do We Know, How Did They Know? The Cult of Saints in Iceland in the Late Middle Ages -MARGARET CORMACK Denoting the Holy in Skaldic Tradition - MIKAEL MALES 'A allra or a undirsta an sie riettlig fundin': The Virgin Mary and the Holy Spirit in Lilja 90 - MARTIN CHASE Faith and Knowledge in Nordic Charm Magic - STEPHEN A. MITCHELL Christian Knowledge in Late Medieval Norway - ELISE KLEIVANE The Cross before Christ: Ecclesiastical History and Esotericism in the Antiquarian Scholarship of Johannes Bureus - MATTHEW NORRIS Biblical Magic as a Manifestation of Folk Belief in the North - ALESSIA BAUER‎

‎An account of experiments for determining the ariation in the lenght of the pendulum vibrating seconds, at the principal stations of the Trigonometrical Survey of Great Britain. Read June 24, 1819.‎

‎London, W. Bulmer & Co., 1819. 4to. No wrappers as issued in ""Philosophical Transactions of the Royal Society of London for the Year MDCCCXIX."", Part III. With titlepage to Part III. (4), pp. 337-508. Clean and fine.‎

‎First appearance of Kater's great paper, a report of his results as member of ""The Survey of Great Britain"", using his invention, ""Kater's Pendulum"".""On the basis of the principle enunciated by Huygens that the centers of suspension and oscillation are interchangeable, Kater devised a reversible pendulum (which became known as ""Kater’s pendulum"") with knife edges accurately adjusted to lie at the conjugate points. By using the distance between these points as the ""length"" in the formula for a simple pendulum, he was able to determine with great accuracy the length of a pendulum beating seconds under specified conditions. He thereby obtained accurate values for g, the acceleration due to gravity, at several stations of the Trigonometrical Survey of Great Britain and estimated the ellipticity of the earth. Kater performed these experiments as a member of a committee appointed by the Royal Society in response to a request by the governmnet for assistance in standardizing weights and measures.""(DSB).‎

‎Notice respecting a volcanic appearance in the Moon, in a Letter addressed to the President. Read February 8, 1821.‎

‎(London, W. Bulmer and W. Nicol, 1821). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1821 - Part II. Pp. 130-132 and 1 engraved moon-plate. Offsetting from the plate to the last leaf.‎

‎This paper represent the first observation of volcanic-like activity on the Moon, taken place the 4th, the 6th and the 7th Februar 1821. The next year it was confirmed by Olbers. ""I observed a luminous spot in the dark part of the moon, which I was inclined to ascribe to the eruption of a volcano.""(Kater).‎

‎Co-production of Judaism, Christianity, and Islam Artefacts, Rituals, Communities, Narratives, Doctrines, Concepts‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: 364 pages, Size:156 x 234 mm, Illustrations:19 b/w, 12 col., Language:English , *new. ISBN 9782503616148.‎

‎Judaism, Christianity, and Islam have always formed, re-formed, and transformed themselves in conversation. That is, these religions have come to exist in all their varieties by interacting with, thinking about, and imagining each other. In this sense they are co-produced, linked by a dynamic and ongoing inter-dependence. The fifteen essays collected in this volume explore moments of such religious coproduction from the second to the twenty-first century, from early pilgrimage sites to social media. The case studies range across textual and material cultures, showing how a variety of artefacts, coins, rituals, communities, narratives, theological doctrines, and scholarly concepts, were all co-produced across the three religious traditions. In so doing they present a panorama of possibilities from the past, as well as a taxonomy that can help us think about the future of religious co-production. An introductory essay describes the advantages of approaching the past, present, and future of these religions through the lens of co-production, and reflects on crucial methodological issues related to the understanding of Judaism, Christianity, and Islam as co-produced religions. TABLE OF CONTENTS Introduction: The Co-production of Judaism, Christianity, and Islam KATHARINA HEYDEN and DAVID NIRENBERG Artefacts Jewish Printers and Christian Artists Designing a Book for the Sephardi Community of Naples, 1492 KATRIN KOGMAN-APEL From pre-Reform Umayyad Solidi to the ?morabitino alfonsino?: A Full-Circle Case of Co-production PAUL NEUENKIRCHEN Co-produced Legal Documents: Compliance and Resistance in Fatimid Jewish Debt Acknowledgements in the Cairo Geniz SARAH ISLAM Rituals The Life of Jeremiah: A Co-produced Window into a Jewish Cult of the Martyrs during the Early Roman Period MAUREEN ATTALI Moments of Religious Co-production in a Super-Diverse Community in Germany: An Ethnographic Reconstruction of an Interreligious Prayer for Peace ANDREA BIELER Communities ?The Jews of this Nation?: The Co-production of Sectarian Identity in the Fatimid Caliphate, ca. 1120 MOHAMAD BALLAN Embrico of Mainz: Re-Inventing Muhammad for the Christian Simony Controversy VOLKER LEPPIN Religion as a Function of Social Circumstances? Co-production in Shlomo ibn Vergas Shevet Yehuda WOLFRAM DREWS Narratives The Other One Who Curses the Fig Tree: A Jewish Counter Narrative to Christian Missionary Endeavours SUSANNE TALABARDON The ?Livre de Sidrac? and the Co-Production of a Mediterranean Encyclopedia URI ZVI SHACHAR Contemporary Media as Space for Religious Co-production: Some Reflections on Mass Media and Digital Media as Spaces for Imagining and Contacting ?the Other? ANNA NEUMAIER Doctrines The Doctrine of Alteration Leading to the Doctrine of Sticking to the Text: Muslim Attitudes to the Qur'an in Opposition to Accusations against Jews of Changing the Torah AMIR DZIRI A Christology Sensitive to Jewish and Muslim Concerns REINHOLD BERNHARDT Concepts The Concepts of Migration and Alienation in the Twelfth-Century Maghreb: Intramural Co-production MIRIAM FRENKEL Lex Abrahae. The Co-production of a Qur?an-Inspired Concept in Renaissance Christendom DAVIDE SCOTTO‎

‎WIJ: VAN ZALIG TOT ZOT: VLAAMSE MEESTERS‎

‎, Hannibal Publishing, 2021 Hardcover , 290 x 250 mm, 304 pages, NL edition.* nieuw ISBN 9789463887434.‎

‎Wij - Van zalig tot zot is een unieke rollercoaster ride door drie eeuwen kunst- en cultuurgeschiedenis. Honderd adembenemende topstukken uit de collectie van The Phoebus Foun dation, van onder meer Hans Memling, Quinten Metsys, Peter Paul Rubens en Antoon Van Dyck, nemen de lezer mee langs een wereld vol zotheid en zonde, fascinatie en ambitie. Ze vertellen over rijke burgers en arme heiligen, over kunstenaars en wijnkelders, en over Antwerpen als Hollywood aan de Schelde. Dit boek is een meeslepend verhaal over het beeld en zijn betekenis, en over de band tussen cultuur en maatschappij. Want bovenal gaat dit over ons en over wie wij vandaag zijn - als mensen. Publicatie bij de grote tentoonstelling From Memling to Rubens - The Golden Age of Flanders in het Kadriorg Art Museum in Tallinn, Estland, en in het MAS in Antwerpen.‎

‎Perception and Awareness: Artefacts and Imageries in Medieval European Jewish Cultures‎

‎, Brepols, 2024 Paperback, 360 pages, Size:216 x 280 mm, Illustrations:57 b/w, 65 col., 1 tables b/w., Language: English. ISBN 9782503583945.‎

‎Summary What did the world look like for Jews living in medieval Europe? How did they perceive and make use of the elements of their daily life, from items on the street to religious iconography within holy spaces ? in particular synagogues and at the exterior of churches ? and profane elements from the home? And how did they experience the visual and material cultures of their non-Jewish neighbours? These questions form the core of this volume, which explores pre-modern Jewish approaches to images and material objects from a variety of perspectives. From clothing to manuscripts, and from lighting devices to the understanding of the invisible, the chapters gathered together in this multifaceted volume combine analyses of images and artefacts together with in-depth analyses of texts to offer fresh insights into the visual cultures that informed the world of European Jews in the Middle Ages. TABLE OF CONTENTS Preface and Acknowledgements List of Illustrations Introduction Elisheva Baumgarten, Elisabeth Hollender, Katrin Kogman-Appel, and Ephraim Shoham-Steiner Part One: The Perception of the Visual, the Material, and the Tangible in Shared Public Spaces 1. The Writing on the Wall ? A Mahzor, a Bimah, and a Privilege. A Look at Social Processes in the 13th-Century Jewish Community of Cologne Ephraim Shoham-Steiner 2. Illuminations: Lights, Identities, and the Society of Spectacle in the Late Middle Ages Eleazar Gutwirth 3. Materialization of Memoria Memory and Remembrance of Benefactors in Building Inscriptions in Medieval Ashkenaz Rainer Josef Barzen 4. Differing Perceptions of Church Garments and Worship Implements in the Writings and Thought of the Tosafists Ephraim Kanarfogel 5. Not Black and White Clothes and Difference in Medieval Ashkenaz Elisheva Baumgarten Part Two: Utilizing the Faculties of Visual Means 6. Jewish Chivalry in Late Medieval Illuminated Manuscripts Sara Offenberg 7. The Handling of Diagrams in Medieval Scientific Manuscript Transmission The Sefer ha-mar?im le-Eqlides and its First Proposition Sabine Arndt 8. Non-Verbal Aspects of Astrolabe Knowledge (Fifteenth- to Eighteenth-Century Hebrew Manuscripts) Josefina Rodr guez-Arribas 9. Artifacts that Desire Medieval Perspectives Kalman P. Bland (OBM) 10.The Agency of Images The Temple Vessels in Hebrew Bibles from Roussillon (c. 1300) Katrin Kogman-Appel 11.Visualizing the Invisible: Portrayals of Elijah the Prophet in Fifteenth-Century Ashkenazi Haggadot Chana Shaham-Rosby 12.Visualizing Divine Communication in Medieval Jewish Art Shulamit Laderman Index About the Authors‎

‎Premodern Jewish Books, their Makers and Readers in an Era of Media Change‎

‎, Brepols, 2024 Hardback, 464 pages, Size:216 x 280 mm, Illustrations:106 col., Language: English. ISBN 9782503604633.‎

‎Summary This volume brings together studies about books as artefacts within transitional zones. The history of the book from the handwritten to the printed medium is understood as a process marked by innovation and social change, but also by disorientation and bewilderment. The journey of a book from production to use was determined by a complex set of factors: communication among authors, makers of books, patrons, and readership; the emergence of publishers; and decisions to be made concerning production and publication. These factors underwent tremendous changes during the fifteenth and sixteenth centuries owing to the spread of printing and the rise of Humanism in Europe. Particular focus is put on the physical evidence of books, both handwritten and printed, and what it can tell us about a book's production and its reception. TABLE OF CONTENTS Introduction Katrin Kogman-Appel and Ilona Steimann Part One: Media Change Chapter 1: Changes in Bookmaking: Joel ben Simeon's Manuscripts in the Transition from Customized to Mass Production? Rodica?Herlo-Lukowski Chapter 2: Joel ben Simeon in Transition Evelyn M. Cohen Chapter 3: Jewish Books between Portugal to the Early Sefardi Diaspora.? D bora Marques de Matos Chapter 4: The Emergence of the Printing Self: Egodocuments and Micro-Egodocuments in Jewish Paratexts from Manuscript to Print Avriel Bar-Levav Chapter 5: From Manuscript to Print and Back Again. Two Case Studies in Late Sixteenth-Century Jewish Book Culture Pavel Sl dek Chapter 6: Lishmah Qedushat Sefer Torah or the Impossibility of Printing a Kosher Torah Scroll from Rabbinic Perspectives Annett Martini Part Two: The Craft of Editing Chapter 7: The 1514 'Grace after Meals and Sabbath Hymns and Qiddush' and the Experimental Beginnings of Woodcut Illustrations in Prague Sarit Shalev-Eyni Chapter 8: Hayyim Shahor and Jewish Life in Sixteenth-Century Ashkenaz Lucia Raspe Chapter 9: Of Roots and Signs: Printing Ashkenazi Responsa in Sixteenth-Century Venice Tamara Morsel-Eisenberg Part Three: Reading Chapter 10: The Masorete and His Readers: A Relationship Obscured Now Rediscovered Dalia-Ruth Halperin Chapter 11: Early Hebrew Printing and the Quality of Reading: A Praxeological Study Hanna Liss Chapter 12: Hegemonies of Reading. Layout, Materiality, and Authorship in Early Hebrew Prints Federico Dal Bo ? Part Four: Confiscation and Destruction Chapter 14: Burning the Talmud. Before and After Print David Stern Chapter 15: The Bookless Talmud and the Talmud Book: The Loss of Books in the Medieval and Early Modern World? Yakov Z. Mayer ? Part Five: Christian Collections Chapter 16: A Medieval Hebrew Psalter with Latin Glosses (MS Paris, BnF h breu 113) and Its Cambridge Connection ? Judith Olszowy-Schlanger Chapter 17: A Forced Journey between Two Faiths. The Hebrew Manuscripts of the University of Vienna Ilona Steimann? Chapter 18: 'Ben Hacane Liber qui dicitur Pelia'. Egidio da Viterbo's Kabbalistic Excerpts Saverio Campanini? Chapter 19: Alfonso de Zamora and Hebrew Manuscripts on Grammar and Exegesis in Sixteenth-Century Spain Javier del Barco Chapter 20: On the Beginnings of Christian Hebraist Bibliography in the Sixteenth Century Maximilian de Moli re Manuscript Index General Index‎

‎Pius VI, Pius VII, Pius IX en de vervolging‎

‎Tilburg, E. Goewie Jr. 1862 61pp., 23cm., blinde contemporaine omslag, enkele roestplekjes, deels nog onopengesneden, goed, zeldzaam, R96079‎