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Hoogsteder exhibition of Rembrandt's Academy.
Zwolle, Waanders, 1992 Bound, blue cloth, gilt lettering with dustjacket, 304pp., 25x29cm., num. col. and. b/w ills., good cond. ISBN 9789066303348.
The Hoogsteder exhibition of Rembrandt's Academy.
"JANSSEN, PIERRE JULES CÉSAR - THE DISCOVERY OF HELIUM IN THE SUN.
Reference : 44231
(1878)
Éclipse de Soleil du 18 Aout 1868. Rapport adressé par M. Janssen au Maréchal de France Président du Bureau des Longitude.
Paris, G. Masson, 1878. 8vo. Contemp. hcalf, raised bands, gilt spine. Light wear along edges. Small stamps on verso of titlepage. In: ""Annales de Chimie et de Physique"", 4e Series - Tome 15. 512 pp. a. 3 folded engraved plates. (The entire volume offered). Janssen's memoir: pp. 414-426.
First appearance of this milestone paper in chemistry, physics and astronomy, announcing the discovery of the helium lines in the spectrum of the sun. It was Lockyer in the same year that named it 'helium' for Helios, the Greek God of the Sun. Helium was not discovered on the earth before 1895 by William Ramsay, and it was Crookes who established its identity with the helium Janssen and Lockyer observed in the spectrum of the sun.""He Janssen) met immortality by travelling to India in 1868 to study the total eclipse. It was then that he observed the helium line and forwarded the spectral data to ockyer. He also noted the size of the solar prominences. The day after the eclipse he attempted to take their spectra again and succeeded despite the absence of the obscuring moon. he then announced jubilantly that it was the day after the eclipse that was the real eclipse day for him. Lockyer also reported this method of studying prominences without an eclipse....Like Lockyer he lived to see his observation of the helium line vindicated by Ramsay's discovery of that element on earth.""(Asimov).""This (the discovery of helium lines in the sun by Lockyer) was announced on the same day by the French astronomer Janssen, who was in India observing a total eclipse. As a result, the French government some ten years later struck a medallion showing the heads of both scientists.By that time, the two men had made a much more dramatic discovery at the same time, this time in cooperation. Janssen, studying the spectrum ofthe sun during the eclipse, had noted a fine line he did not recognize. he send a report on this to Lockyer, an acknowledges expert on solar spectra. Lockyer compared the reported position of the line with lines of known elements, concluding that it must belong to a yeat unknown element, possibly not even existing on the earth. He named the element, from the Greek word for the sun.""(Asimov).Parkinson ""Breakthroughs"" 1868 A. - The volume contains other notable papers by Dumas, Berthelot et al.
"JANSSEN, PIERRE JULES CÉSAR. - THE PHOTOGRAPHIC REVOLVER AND THE ""FIRST FILM"".
Reference : 49205
(1873)
Passage de Vénus"" Methode pour obtenir photographiquement l'instant des contacts, avec les circonstances physiques qu'ils présentent. (+) Présentation de quelques spécimens de photographies solaires obtenues avec un appareil construit pour la mis...
Paris: Gauthier-Villars, 1873, 1874, 1874 a.1882. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Seances de l'Academie des Sciences"", Vol. 76, No 11, Vol. 78, No 25, Vol. 79, No 1, Vol. 94, No 14. (3 entire issues offered). Pp. (677-) 732, pp. (1721-) 1780, pp. (5-) 72 and pp. (901-) 996. Janssen's papers: pp. 677-679, pp. 1730-31, pp. 6-7 and pp. 909-911. (The main paper having the title-page to the volume (vol. 79), stamp to title-page).
First printings of this series of epoch-making papers in which Janssen introduced the ""PHOTOGRAPHIC REVOLVER"" and its first successfull use leading to the ""First Film"" and hereby ""realized one of the operations necessary for cinematography""(DSB).In the first papers he conceived the idea of a device of historical interest, the photographic revolver, the technique of short exposures, which is announced here. The third paper is the epoch-making paper in which he specifically describes the ""revolver"" and its results, the ""first film"". The fourth paper is his responce to Marey's famous expriments with the ""revolver"" recording the flight of birds.""A long barreled canon-like automatic camera was invented in 1874 by an outstanding pioneer of modern astronomical photography, Jules Janssen. Janssen used the revolving plate technique and called his camera a 'pistol'. Janssen's method used the forerunner of a number of 'gun' cameras with a slowly revolving plate and shutter operated by clockwork. The photos were taken every 70 seconds along the margin of the negative and he used his pistol to record a 48 image sequence of the transit of Venus across the sun at an exposure rate of 1.5 seconds.""""In planning for the observation of the transit of Venus, which he was to observe in Japan on 9 Deembe 1874, Janssen decided to substitute for visual observation at the time of transit a series of photographs taken in rapid succession, which would permit him to measure the successive positions of the planet in relation to the solar limb. He ordered the construcion of an apparatus consisting of three circular disks with the same axis: the first, pierced by twelve slits, served as the shutter"the second contained a window" the photographic plate, which was circular, was fixed to the third. The first two disks turned with a synchronized movement, the shutter disk continuously and the other irregularly in the intervals of time in which the window was not swept by a slit. A series of separate images laid out on a circle was thus obtained on the plate. In a general manner the apparatus provided an analysis of a motion on the basis of the sequence of its elemental aspects. Here Janssen realized one of the operations necessary for cinematography, which was invented twenty years later, and which required, besides analysis, the synthesis of images."" (DSB).
"JANSSEN, PIERRE JULES. - DISCOVERY OF THE FIRST ALIAN ELEMENT, HELIUM.
Reference : 59086
(1869)
Observations spectrales prises pendent l'éclipse du 18 août 1868, et methode d'observation des protubérances des éclipses... Calcutta, 3 octobre 1868.
(Paris, Gauthier-Villars), 1869. 4to. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 68, No 7. Pp. (349-) 408. (Entire issue offered). Janssen's paper pp. 367-376.
First printing of the paper in which Janssen announced the discovery of a new element. On August 18, 1868, Janssen managed to do just that. He became the first person to observe helium, an element never before seen on Earth, in the solar spectrum. At the time, though, Janssen didn’t know what he’d seen""just that it was something new""""Helium, the second most abundant element in the universe, was discovered on the sun before it was found on the earth. Pierre-Jules-César Janssen, a French astronomer, noticed a yellow line in the sun's spectrum while studying a total solar eclipse in 1868. Sir Norman Lockyer, an English astronomer, realized that this line, with a wavelength of 587.49 nanometers, could not be produced by any element known at the time. It was hypothesized that a new element on the sun was responsible for this mysterious yellow emission. This unknown element was named helium by Lockyer.""
Printing images in Antwerp. The introduction of printmaking in a city: fifteenth century to 1585.
Rotterdam, Sound and Vision Interactive, 1998 Bound in black cloth with orange lettering, illustr. editor's dustjacket, 508pp., 17x24.5cm., 18 col. and 110 b/w ills., as new. ISBN 9789075607130.
This book discusses the production and consumption of printed images in an urban environment in the fifteenth and sixteenth centuries, up to 1585. The story begins in the fifteenth century. At some point - no one knows exactly when - prints were suddenly being offered for sale in Antwerp. Initially they may have been brought from other cities by merchants and travellers, but at length the first printmaker established himself in the city. In the sixteenth century Antwerp fast developed into one of the main centres of print making in the western world. The author explores the complex way in which the printed image secured a place for itself in the urban fabric. He reconstructs the different traditions from which the print producers evolved, and explains how existing institutions in the city related to the new medium. He traces the way in which the traditional guilds tried to bring practitioners of this 'singular skill', as it was labelled in 1452, into their ranks, and shows how the government tried to gain control of the new medium. He discusses the interplay between printmakers seeking strategies to market their wares, and a public confronted with an interesting array of cheap new products.The reader is given an impression of the variety of prints produced, which have thus far received little attention in art history. Archival research has generated a good deal of detailed new information on the prices of prints, the numbers of impressions made, the costs of printing and colouring, and so forth. Printing Images in Antwerp is an exploration of the impact of print making in the sixteenth century. It contains an abundance of new information, not only for print historians but for anyone interested in cultural history.
Yokohama shashin ou Album de 50 photographies tirées sur papier albuminé contrecollées sur carton (recto et verso), sous plats épais en bois laqué décoré, peint à la main, avec grande scène incrustée sculptée d'ivoire, nacre et corail (feuillages, fleurs et oiseau sur la branche).
[Japon, Yokohama ?, vers 1890] Très beau spécimen en grand format (36 x 27 cm environ pour l'album et 26,5 x 20,5 cm pour les tirages). Complet. Très bel album très bien conservé malgré quelques chocs sur quelques bords et le dos de l'album manquant (bande de cuir), parfaitement solide et très décoratif. Très belle esthétique d'ensemble, superbe décor sur le premier plat (rare aussi beau et fin). Intérieur d'une grande fraîcheur. Beau coloris au pinceau à la main.
"Ces photographies – appelées Yokohama shashin car elles étaient proposées à Yokohama aux voyageurs à leur arrivée, marquèrent les esprits de l’époque pour la qualité exceptionnelle de leur mise en couleur. Elles sont un témoignage inestimable d’un Japon s’ouvrant alors au monde et riche d’un savoir-faire pictural unique. Dès la période Meiji, le Japon fut surnommé « the Land of Photography » et les photographies coloriées à la main étaient particulièrement appréciées en Occident. Produites pour les touristes, elles avaient alors bien plus de valeur que les estampes japonaises qui n’intéressaient guère la plupart des visiteurs." (Présentation de l'Exposition YOKOHAMA SHASHIN 横浜写真 LE JAPON MIS EN COULEUR, Claude Estèb, avril-juin 2022). "Des centaines d’ateliers ont participé à cette aventure dont de nombreux restent encore anonymes. Les plus connus étant ceux de Kusakabe Kimbei, Yamamoto, Suzuki, Tamamura, Farsari, Ogawa et leurs précurseurs Felice Beato, Stillfried et Shimooka Renjô. Ces images ont largement circulé en Occident au XIXe siècle et forment une inspiration peu connue de l’iconographie du japonisme." (Maison de la culture du Japon à Paris). Il y avait, selon les prix, des albums de 12, 24, 48 ou encore 50 photographies, parfois plus, de divers formats. Voici la liste des 50 sujets présents dans cet album : 1. Miyajima inland sea at Aki. 2. View of Miyajima. 3. Garden at Okayama 4. Gathering Shell (Hommoku, Yokohama) 5. Takaboko (Pappenberg) Nagasaki 6. Ujikawa, Yamashiro 7. Matsushima, inland sea three view 8. Tea House Garden at Hikone 9. Nunobiki waterfall at Kobé 10. Garden at Hikone, Omi. 11. Asakusa park at Tokyo 12. View of Kioto 13. Pagoda at Tokio 14. Dainichi-do Nikko. 15. Jinkyo, Nikko 16. Yomeimon gate at Nikko 17. Karamon Iyemitsu Temple Nikko 18. Kyo-Do, Nikko 19. Yomeimon, Nikko 20. Nagoya Castle 21. Oji Tokyo Maple 22. The Garden of sweat flac in Horikiri at Tokyo 23. Haruna Temple at joshu 24. Mino Maple near Kobé 25. Japanese Sanpan 26. Japanese Jank 27. kameido, Tokyo Wistaria Flowers 28. Sendai Park, Spring 29. Yokohama Park 30. Yokohama Park 31. Tea House at Mayebashi 32. Chigogafuchi Enoshima 33. Shinobadzu Tokyo, Lotus Pond 34. Daibutsu Kamakura (Bouddha) 35. Transplantig Rice 36. Waxing the tree 37. The Farmer taking off the stalk of wheat 38. Crinding Hunhulled rice 39. Second Hand Cloth Store 40. chinese Music 41. Group of Girls 42. Singer Tokyo 43. Girls dusting in room 44. Singers playing at garden 45. Drawing up the water frome the well 46. Dancing girls 47. The kichen work 48. Musicians (girls) 49. Singing Girls 50. Palanquin Notre album contient comme à l'habitude pour ce genre d'albums, des photographies de paysages, scènes de la vie quotidienne (marché, fêtes, scènes de rue), vues de villes (Tokyo, Kobé, Yokohama, etc.) et des vues de femmes et filles en costumes (jeunes filles, geisha, cérémonies, etc.), mais l'ensemble regroupé ici est d'une qualité assez exceptionnelle avec des sujets peu communs et d'une très belle conservations (netteté, contraste, coloris). Cet album grand format était un exemplaire de grand luxe à l'époque, réservé aux touristes étrangers fortunés. Magnifique et rare spécimen grand format dans une très belle condition presque parfaite.
Phone number : 06 79 90 96 36
Le caféier et le café - Monographie, historique, scientifique et commerciale de cette rubiacée - Suivie d'un index bibliographique - INCOMPLET
Ernest Leroux. 1895. In-12. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Papier jauni. IV + 144 pages - quelques illustrations en noir et blanc hors texte et en frontispice - 1 carte dépliante. Plats manquants. Livre incomplet : 144/413 pages ; 4 premiers chapitres complets : Chap. 1 : Histoire du caféier ; Ch.2 : Littérature du caféier et du café ; Ch.3 : Géographie du Caféier ; Ch.4 : Botanique.. . . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
[The Oriental Institute of the University of Chicago] - JASNOW, Richard
Reference : 59549
(1992)
A late period Hieratic Wisdom Text (P. Brooklyn 47.218.135)
4to, paperback, The Oriental Institute of the University of Chicago, Studies in Ancient Oriental Civilization, n°52, Chicago, Illinois, 1992, 217 pp. and plates
Good. Bon état (qq. traces d'usage, très bon état par ailleurs).
Au Turf (The Tramphers)
N° 340 - cartonnage éditeur avec sa jaquette - 1956 - 247p - Ed. nrf. Gallimard - coll. Série Noire
bon état (jaquette légèrement frottée avec petit trait au stylo bille)
GUIDE DU TABAC
CHEZ L'AUTEUR. 1984. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 250 pages illustrées de photos en noir et blanc.. . . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
Silver Stained Roundels and Unipartite Panels before the French Revolution Flanders, Vol. 1: The Province of Antwerp
, Brepols Publishers, 2007 hardcover, XXV 436 pages., 510 b/w ill. 470 colour ill., 230 x 315 mm, english. ISBN 9781905375257.
This checklist is the first in a series of volumes describing the silver-stained glass roundels and unipartite panels from the 15th to the 18th centuries to be found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium); as well as documented roundels and unipartite panels whose whereabouts are presently unknown or which have been moved to other locations or collections in the past. The checklist also mentions all known related material, and where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. The related material includes direct designs, like drawings or engravings, and drawings and roundels which belong to either the same series or which are copies of these series.The present volume covers the Province of Antwerp. The publication of the checklists for the provinces of West Flanders, East Flanders (Vol. 2) and Limburg and Flemish Brabant (Vol.3) are planned for the near future. An inventory of the roundels in The Netherlands is also foreseen. "This handsomely produced and expensively illustrated volume is proof of the fact that Flemish roundels and unipartite panels have now regained the place of honour that they have always deserved." (Penny Hebgin-Barnes, Journal of the British Society of Master Glass Painters and The Journal of Stained Glass, vol. XXXII, 2008, p. 193-194)
Silver-Stained Roundels and Unipartite Panels before the French Revolution Flanders, Vol. 2: The Provinces of East and West Flanders.
, Brepols Publishers, 2011 hardcover, Corpus Vitrearum, Belgium, Checklists (CVBC 2) 631 pages C.J. Berserik, J. Caen Silver-Stained Roundels and Unipartite Panels before the French Revolution Flanders, Vol. 2: The Provinces of East and West Flanders XIV+631 p., 300 b/w ill. + 900 colour ill., 230 x 315 mm, 2011 ISBN: 978-1-905375-31-8 Languages: English ISBN 9781905375318.
This checklist is the second in a series of volumes describing the silver-stained glass roundels and unipartite panels from the Middle Ages to the 18th century found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium). It also includes documented roundels and unipartite panels whose whereabouts are presently unknown and those which have been removed to other locations or collections in the past. The checklist also mentions all known related material. Where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. This material includes models, drawings, engravings, and roundels which belong either to the same series or to those which are copies of these series. The present volume covers the Provinces of East and West Flanders (more or less the former County of Flanders). The first checklist, concerning the Province of Antwerp, was published in 2007. Additional volumes for the Provinces of Flemish Brabant and Limburg (Vol. 3), and the one with Addenda (Vol. 4) are in the planning stage. The former County of Flanders, with the cities of Bruges and Ghent, must once have displayed huge quantities of stained glass, which for the most part have been lost or relocated. The causes and reasons for this loss include natural calamities, fires, deliberate destruction and neglect. Most of the surviving roundels are now in foreign collections: on the continent; in Great Britain; or in the United States of America. It is worthy of note that great efforts have been made in the USA and Great Britain to compile and publish checklists of silver-stained roundels and other small panels, originating from the Low Countries, whilst here, where they were produced, this series is the first genuine overview that has ever been published. During the 15th and 16th centuries roundels and small panels played an important role as 'public relations' gifts among the upper classes, the church and its associated religious orders. As these gifts played a very significant role in social life, demand for these items was very high. It is clear that the manufacture of roundels and small panels was a substantial part of the earnings of these glass workshops, which also produced monumental windows. The most popular themes were predominantly religious, but also included heraldic, secular, mythological and allegorical subjects. The seasons and months and labours of the year were also commonly found. In the late 16th and the 17th centuries the range of iconographical subjects became more secular with, among other themes, representations of professions. Heraldry also remained very important, and in the second half of the 17th and the beginning of the 18th centuries nearly all roundels and panels depicted armorials and included the name of their donors.
Silver-Stained Roundels and Unipartite Panels before the French Revolution Flanders, Vol. 3: The Provinces of Flemish Brabant and Limburg.
, Brepols Publishers, 2014 hardcover, Corpus Vitrearum, Belgium, Checklists (CVBC 2)XIV+548 pages., 230 x 315 mm; English ISBN 9789079528240.
This book gives an extensive description of the silver-stained glass roundels and unipartite panels from the 15th to the 18th century to be found in public buildings, museums and private collections in the Flemish Provinces Limburg and Flemish Brabant. This checklist is the first in a series of volumes describing the silver-stained glass roundels and unipartite panels from the 15th to the 18th centuries to be found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium); as well as documented roundels and unipartite panels whose whereabouts are presently unknown or which have been moved to other locations or collections in the past. The checklist also mentions all known related material, and where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. The related material includes direct designs, like drawings or engravings, and drawings and roundels which belong to either the same series or which are copies of these series. The present volume covers the Provinces Limburg and Flemish Brabant. An inventory of the roundels in The Netherlands is also foreseen.
Silver Stained Roundels and Unipartite Panels before the French Revolution Flanders, 5 volumes complet; Vol 1: + Vol. 2: + Vol. 3: + Vol. 4: Addenda + Vol. 5:
, Brepols Publishers, 2007 -2021 Set of 5 volumes of this monumental work; hardcovers, XXV 2703 pages , 1807 colour ill., 230 x 315 mm, English.FINE. ISBN 9781905375257.
5 volumes describing the silver-stained glass roundels and unipartite panels from the 15th to the 18th centuries to be found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium); as well as documented roundels and unipartite panels whose whereabouts are presently unknown or which have been moved to other locations or collections in the past. The checklist also mentions all known related material, and where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. The related material includes direct designs, like drawings or engravings, and drawings and roundels which belong to either the same series or which are copies of these series.The present volume covers the Province of Antwerp. The publication of the checklists for the provinces of West Flanders, East Flanders (Vol. 2) and Limburg and Flemish Brabant (Vol.3) are planned for the near future. An inventory of the roundels in The Netherlands is also foreseen. "This handsomely produced and expensively illustrated volume is proof of the fact that Flemish roundels and unipartite panels have now regained the place of honour that they have always deserved." (Penny Hebgin-Barnes, Journal of the British Society of Master Glass Painters and The Journal of Stained Glass, vol. XXXII, 2008, p. 193-194) volumes; Vol. 1: The Province of Antwerp + Vol. 2: The Provinces of East and West Flanders + Vol. 3: The Provinces of Flemish Brabant and Limburg + Vol. 4: Addenda + Vol. 5: Medium-Sized Panels and Fragments of Large Stained-Glass Windows .
kasteel van de hertogen van Brabant. Geschiedenis en restauratie van het Gerechtshof te Turnhout.
, Brepols, 2000 Gebonden, linnen, stofomslag, 212 pag., 240 x 300 mm, afb. in kleur en z/w., *goede staat. ISBN 9789056220280.
Het kasteel van de hertogen van Brabant. Geschiedenis en restauratie van het gerechtshof te Turnhout. Dit prachtige album geeft een breed overzicht van de geschiedenis van het Kasteel van de hertogen van Brabant in Turnhout, nu Gerechtsgebouw, sinds de oudste naspeurbare oorsprong van de site tot vandaag. In enkele boeiende hoofdstukken komen zowel de historische achtergronden van de stad en van de regio aan bod, als het gebouw zelf en haar schitterende restauratie. Van het ontstaan in de 12e eeuw tot vandaag worden de vele rijke facetten van dit uniek gebouw belicht: de rol van het kasteel in de Blijde Inkomsten van de landsvorsten, haar steeds groter belang onder de Bourgondische en Habsburgse prinsen, haar betekenis als versterking tijdens de Tachtigjarige Oorlog, de verwaarlozing tijdens het Ancien Regime, de geleidelijke herwaardering en de heropleving in de 19e en 20e eeuw.
Beowulf and Lejre,
Turnhout, Brepols, 2007 Hardback, XIV+495 p., 100 b/w ill. + 48 colour ill., 10 b/w line art, 175 x 255 mm. ISBN 9782503527345.
On the basis of legendary analogues, specialists in the Old English poem Beowulf have long inferred that the action of the main part of that poem is situated at the village of Gammel Lejre on the island of Zealand, Denmark. Archaeological excavations undertaken from 1986 to 1988 under the direction of Tom Christensen of Roskilde Museum yielded spectacular confirmation of that inference by uncovering the remains of two great halls at Lejre dating from ca. AD 680 to 990, one built on the site of the other. At that time, this discovery had little impact upon Beowulf scholarship, in part because the chief monograph reporting on the excavations was available only in Danish. In 2004?05, however, a new round of excavations revealed that a still earlier hall had once stood elsewhere at Lejre. This hall has been dated to the mid-sixth century, very close to the time when the action of Beowulf is set. The question of the Danish origins of the Beowulf story is thus now highlighted. New.
martyrologes du moyen age latin
, Brepols - Harvey Miller, 1978 Hardcover. 98 p., incl. 7 p. updating, 160 x 240 mm, Languages: French, Fine copy. Including an index. ISBN 9782503360263.
Les martyrologes sont des documents complexes qui melent etroitement des notices vieilles de plusieurs siecles a des notations contemporaines qui font echo a des faits recents.<br>L?essentiel du volume de la Typologie a ete de definir et d?analyser les martyrologes types, ceux qui peuvent etre consideres comme des ?uvres en majeure partie originale, et qui, en droit ou en fait, ont ete a l?origine de familles de manuscrits.
source sans fin. La Bible chez Jean Chrysostome
, Brepols, 2021 Paperback, 276 pages, Size:148 x 210 mm, Illustrations:2 tables b/w., Language: French. ISBN 9782503596983.
Summary Il est impossible d' puiser jamais le sens des critures : c'est une source qui n'a pas de fin. , crit Jean Chrysostome (v. 350 - 407). Auteur du plus vaste corpus ex g tique de l'Antiquit grecque, ce th ologien semble intarissable lui aussi. Mais est-il seulement ex g te, ou bien pasteur avant tout ? Qu'est-ce que ses ?uvres r v lent des critures et de leur utilisation chez celui qui a influenc apr s lui tant de lecteurs, Byzance et ailleurs ? Neuf tudes sont ici r unies pour interroger le corpus chrysostomien et sa terminologie ex g tique (Jean-No l Guinot), sa position sur le r le de la femme d'apr s la Gen se et Paul (Monique Alexandre), son utilisation parfois contrast e de la figure de Ca n (Pierre Molini ), sa condamnation de la trompette juive (Guilhem Girard), son regard sur des paraboles et passages de Luc (Laurence Brottier), son utilisation apolog tique de l' pisode de Paul Ath nes (Marie- ve Geiger), son texte biblique, qui s'av re loin d' tre invariablement byzantin (Peter Montoro), son art du tissage scripturaire dans ses hom lies (J r me Drouet), ou ses utilisations de l' crit et des critures dans ses ex g ses suivies (Guillaume Bady). Ces tudes sur l'oeuvre de Jean Chrysostome renouvellent en profondeur la connaissance de l'?uvre ex g tique et homil tique de ce grand lecteur et interpr te des critures. TABLE OF CONTENTS Jean-No l Guinot, L'ex g se de Jean Chrysostome Monique Alexandre, Ex g se et discours patristique sur la nature et le r le des femmes : l'exemple de Jean Chrysostome Pierre Molini , Esclave du d mon ou pauvre diable ? La figure de Ca n chez Jean Chrysostome Guilhem Girard, La salpinx chez Jean Chrysostome. La condamnation d'un objet rituel Laurence Brottier, L'importance de l' vangile de Luc dans l'?uvre de Jean Chrysostome Peter Montoro, ?Invariablement byzantin??? Le texte de la Lettre aux Romains dans le manuscrit 20 de Saint-Sabas et la transformation textuelle de l'h ritage ex g tique de Chrysostome Marie- ve Geiger, Capturer toute pens e : l' pisode de Paul Ath nes selon Jean Chrysostome et Didyme l'Aveugle J r me Drouet, L'art du tissage scripturaire dans la pr dication de Jean Chrysostome : l'exemple des hom lies Peccata fratrum non evulganda et Non esse desperandum Guillaume Bady, Le calame d'or : Jean Chrysostome crivain selon le Pseudo-Georges d'Alexandrie
Jean-Claude Goyon Jean-Claude Golvin Claire Simon-Boidot Gilles Martinet
Reference : 19631
(2026)
ISBN : 9782708405035
La construction Pharaonique du Moyen Empire à l'époque gréco-romaine : Contexte et principes technolohiques
Editions A & J Picard 2026 456 pages in-4. 2026. Cartonné/Jaquette. 456 pages. Nombreuses illustrations en noir et en couleurs
Très bon état
Jean-Claude Lasserre Odile Contamin
Reference : 500143350
(2026)
ISBN : 9782915262346
Villa Arnaga. Musée Edmond Rostand
Le Festin 2026 64 pages 13 6x0 6x22 4cm. 2026. Broché. 64 pages.
Très bon état
Bouquechardi re de Jean de Courcy. Tome IV : La diaspora des Troyens
, Brepols, 2021 Hardback, 327 pages, Size:156 x 234 mm, Languages:French, Middle French. ISBN 9782503586243.
Summary Jean de Courcy, seigneur de Bourg-Achard en Normandie, crit partir de 1416 la Bouquechardi re, une histoire de l'Antiquit moralis e en six livres, o sont privil gi s la Gr ce et les territoires europ ens et asiatiques qui lui sont li s. Apr s avoir consacr le premier livre au r cit des origines de la Gr ce et le deuxi me livre la guerre de Troie, l' crivain s'attache dans ce troisi me livre raconter la geste d'En e et des survivants troyens qui essaiment partout en Europe et y fondent de nombreuses cit s, dont Venise, Rome, Paris, Londres. Dans chaque chapitre, le r cit historique, qui s'ach ve au moment de la fondation de l'Angleterre, est prolong par une glose valeur difiante selon le mod le de l' criture homil tique. Cette dition critique se fonde sur un examen de tous les manuscrits connus (31). TABLE OF CONTENTS Introduction litt raire au livre III Les manuscrits de la Bouquechardi re dans le livre III Principes de l' dition Langue du manuscrit de base Bibliographie Tables des rubriquesdu livre III dition critique Variantes Commentaire Index des noms propres Glossaire
Jean-François Chanet Jacques Demougin Alain-Gérard Slama Paul Vannier Jean-Pierre Debaere Jean-Michel Gaillard Daniel Meiller
Reference : 500046805
(1999)
ISBN : 9782080126566
L'ABCDaire de l'école de la France
FLAMMARION 1999 119 pages 12 2x0 8x21 8cm. 1999. Broché. 119 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
L'EMPIRE NOCTURNE
Un ouvrage de 360 pages, format 130 x 215 mm, broché, publié en 1990, Editions Olivier Orban, bon état
Roman
Phone number : 04 74 33 45 19
Jean-François Silvain Hélène Soubelet-Juillie Jean-Louis Etienne
Reference : 500104521
(2026)
ISBN : 9782815314107
Sauvons la biodiversité ! : 10 actions pour réagir: Les 10 actions pour (ré)agir
RUSTICA 2026 64 pages 13x18 6x0 8cm. 2026. Broché. 64 pages.
Très bon état - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté
Jean-François Silvain Hélène Soubelet-Juillie Jean-Louis Etienne
Reference : 500105293
(2026)
ISBN : 9782815314107
Sauvons la biodiversité ! : 10 actions pour réagir: Les 10 actions pour (ré)agir
RUSTICA 2026 64 pages 13x18 6x0 8cm. 2026. Broché. 64 pages.
Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France
