ANDERSSON (J.G.) - [THE MUSEUM OF FAR EASTERN ANTIQUITIES BULLETIN]
Reference : 7904
Stockholm, 1939. 1 volume in-8, 118 pp., reliure moderne plein cuir, couvertures conservées, orné de 56 planches et 9 cartes dépliantes, très bon état général.
Table of Contents: The Malan Terraces of Northern China - Glaciological and archaelogical researches in His Kang - Archaelogical research in the Fai Tsi Long Archipelago (Tonkin) - Topography of the Hongkong sites.
, Brepols, 2025 Paperback, 189 pages, Size:216 x 280 mm, Illustrations:31 b/w, 39 col., 1 maps b/w, Language: English. *new ISBN 9782503608853.
Summary Between the thirteenth and the sixteenth centuries, the cult of the Virgin Mary underwent significant changes, a shift clearly revealed by an increase in artistic representations of Mary, as well as a flourishing devotional literature in her honour, written in both Latin and the vernacular. One aspect of this change was a broader attention to Mary's genealogical line, and in particular to her relationship with St Anne. The result was not only a renewed focus on the vita Annae, but also a significant overlap in how these two women were represented, juxtaposed, and perceived. This volume traces the often significant iconographic flexibility in terms of both how the Virgin Mary and Saint Anne were presented and perceived, and what can be termed a permeability between visual representations of the two saints. Focusing on the multiple readings, layers of meaning, and the visual interplay between the vita Mariae and the vita Annae, the chapters gathered here explore the overlap and influence between different iconographic motifs, and how these were used to advance political, religious, and social ideologies at the time of their creation, as well as exploring representations across a range of different media, from sculptures and frescoes to panel paintings, and manuscript illuminations. TABLE OF CONTENTS List of Illustrations List of Contributors List of Abbreviations Representations of the Virgin Mary and Saint Anne from the Middle Ages to the Early Modern Period: Iconographic Flexibility and Permeability Andrea-Bianka Znorovszky 1. The Panel of the Virgin and Saint Anne from the Church of the Archangels in Iprari: Iconographic and Ideological Aspects Nina Chichinadze 2. The Anna Selbdritt and the Cult of the Three Maries: An Early Fourteenth-Century Wall Painting in the Medieval Kingdom of Hungary Mihnea Alexandru Mihail 3. The Pregnancies of Mary-Anne in Fifteenth- to Sixteenth-Century Franco-Flemish Manuscript Illuminations: Between Iconographic Appropriation and Iconographic Development Andrea-Bianka Znorovszky 4.'Worthy Vestment for the Sovereign Priest': Matriarchal Priesthood, Marian Allegory, and the Amiens Confraternity of Notre-Dame de Puy Elliott D. Wise 5. In Mente Dei, in Gremio Annae: The Source and the Receptacle of Marian Immaculacy in Sixteenth-Century Piacenza Fiammetta Campagnoli 6. Moving with Saint Anne: Representations of Anna Selbdritt between Central Europe and the Tyrolean Region Stefanie Paulmichl 7. Images of Saint Anne in the Ionian Islands (Fifteenth - Eighteenth Centuries) Eirini Panou 8. Arbor Anna Fructuosa. Apropos of an Image of Saint Anne and the Fruits of Redemption Let cia Martins de Andrade Conclusions Andrea-Bianka Znorovszky Appendix 1: Saint Anne - Primary Sources Appendix 2: Family Tree Appendix 3: Map Appendix 4: Short Timeline of Mariological Doctrines and Debates
, Arnoldsche, 2021 Paperback, 96 pages, GER, 240 x 170 mm, NEU, ca 50 ill. in farbe. ISBN 9783897906389.
Heidi Kippenberg studied ceramics under Walter Popp, the legendary teacher at the Kassel Art Academy whose avant-garde work opened up new dimensions of form and expression for ceramic vessels. She internalized the aesthetic of Popp?s vessels and simultaneously gave them her own distinctive touch. Strongly twisted, thick-walled, sometimes mounted stoneware vessels, further enlivened by thick monochrome glazes and augmented with sign-like contrasting glazed accents, characterize her oeuvre. Later she was inspired by East Asian ceramics and began to build her vessels, assembling them from slabs, giving their surfaces a lively structure, and transforming them into decorative landscapes. An oeuvre spanning more than half a century can be admired!
1960 Perpetua books 1960 In4 reliure éditeur couverture illustrée 127 pages illustrations à toutes les pages
très bon étatintroduction ronald searle
(London, Taylor and Francis, 1870). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1869 - Vol. 159 - Part II. Pp. 575-590 and 1 plate. Clean and fine.
First apperance of the paper in which Thomas Andrews announces his discovery of the ""CRITICAL POINT"", which states that for every gas there was a temperature above which pressure alone could not liquefy it.""This was a crucial discovery for it pointed the way toward the liquefaction of the permanent gases by demonstrating the necessity of dropping the temperature below the critical point before exerting pressure. This new view led within half a century to the work of Dewar and Kammerlingh-Onnes and the liquefaction of all known gases.""(Asimov).Magie: A Source Book in Physics, pp. 187-192. - Parkinson, Breakthroughs: 1869 C.
(London, Taylor and Francis, 1870). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1869 - Vol. 159 - Part II. Pp. 575-590 and 1 plate. Clean and fine.
First apperance of the paper in which Thomas Andrews announces his discovery of the ""CRITICAL POINT"", which states that for every gas there was a temperature above which pressure alone could not liquefy it.""This was a crucial discovery for it pointed the way toward the liquefaction of the permanent gases by demonstrating the necessity of dropping the temperature below the critical point before exerting pressure. This new view led within half a century to the work of Dewar and Kammerlingh-Onnes and the liquefaction of all known gases.""(Asimov).Magie: A Source Book in Physics, pp. 187-192. - Parkinson, Breakthroughs: 1869 C.
(London, Taylor and Francis, 1856). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1856 - Vol. 146 - Part I. Pp. 1-13 a. 1 lithographed plates.
First printing of Andrew's paper in which he shows, that ozone is oxygen in allotropic form.Andrews subsequently turned his attention to the problem of the constitution of ozone. This had been investigated by a number of chemists, including Schöonbein, its discoverer. Its nature was still unknown, however, and it was by no means certain that the ozone obtained from different sources was one and the same substance" it was thought by some to contain hydrogen. Andrews says his researches extended over four or five years, and he finally reached the conclusion that all the supposed varieties of ozone were identical and that it was in fact oxygen in an altered or allotropic condition.
, Brepols - Harvey Miller, 2025 Hardback, Pages: vi + 454 pages, Size:216 x 280 mm, Illustrations:2 col., 25 tables b/w., 1 tables col., Language:English, *New. ISBN 9782503607573.
The world of Byzantine liturgical book types is fascinating but also confusing. While they are central to the study and celebration of Byzantine Liturgy, no one work offers an overview of their history, contents, and structure. This volume offers for the first time an introduction to the major types of Byzantine liturgical books, their taxonomy, origins, development, and contents. TABLE OF CONTENTS Preface The Typikon: An Overview Job GETCHA The Ensemble of Liturgical Books in a Byzantine Liturgical Context: The Case of the Evergetis Typikon Joan LENA The Typikon of M r S b and its Interactive Function in the Byzantine Liturgical Context, Diego R. FITTIPALDI Liturgical Gospel Codices of the Byzantine Church Chris JORDAN The Impact of Byzantine Lectionary Readings on the Selection of Texts for Illustration in Two Byzantine Gospel Books: Athos, Iviron 5 and Paris, BnF, gr. 54 Kathleen MAXWELL The Byzantine Apostolos in Codico-Liturgical Context Samuel GIBSON Prophetologion Sysse G. ENGBERG Perspectives on the History and Theology of the Prophetologion Alexandru MIH?IL? Psalters, Georgi R. PARPULOV Euchologion Michael ZHELTOV The Palestino-Byzantine Horologion: A First Attempt at Historical Overview and Typology Stig Simeon R. FR YSHOV Triodion and Pentekostarion: Liturgical Books for the Paschal Cycle, Damaskinos OLKINUORA Menaion Apostolos SPANOS The Liturgical Book of the Oktoechos: Function, Forms and Manuscript Tradition Luigi D?AMELIA Byzantine Musical Manuscripts: A Chrono-Typological Overview Christian TROELSG RD The Panegyrikon as a Liturgical Book: a General View through the Lens of the Evergetis Typikon and the Saviour?s Typikon, with a New Typology Joan LENA Menologia and Synaxaria: Hagiographical Collections in Byzantium Christian H GEL Toward a Taxonomy of Liturgical Codices Stefano PARENTI and Gabriel RADLE Towards a History of Printed Liturgical Books in the Modern Greek State: An Initial Survey Stefanos ALEXOPOULOS and Dionysios BILALIS ANATOLIKIOTES
Paris, Jean-Baptiste Coignard, 1713 2 vol. in-12, [6] ff. n. ch. (titre, avertissement, table des articles), 519 pp., [14] ff. n. ch. de table des chapitres et de privilège ; [4] ff. n. ch. (titre, table des articles), 402 pp., [11] ff. n. ch. de table des chapitres et d'additions, basane brune marbrée, dos à nerfs cloisonnés et fleuronnés, pièces de titre et de tomaison, tranches mouchetées de rouge (reliure de l'époque). Restaurations aux charnières et aux coiffes.
La première édition est de 1710, mais elle ne comportait qu'un seul volume. L'ouvrage concerne à la fois la médecine, l'observance quadragésimale et la préparation des mets.Nicolas Andry de Boisregard (1658-1742), médecin lyonnais, avait touché à la philosophie et à la théologie avant de s'engager dans l'art de guérir, ce qui explique son intérêt pour la diététique et l'hygiène du Carême. Il est par ailleurs plus connu comme l'un des fondateurs de la parasitologie (ce qui lui valut le surnom de "docteur Vermineux").Vicaire, 24-25. Absent de Bitting. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.
Phone number : 06 46 54 64 48
Ides et Calendes 1951 119 pages in12. 1951. broché. 119 pages. Ce volume rassemble deux textes autobiographiques d'André Gide : 'Nunc manet in te' un récit poignant sur sa relation conjugale difficile et la découverte posthume du journal de sa femme Madeleine suivi d'extraits de son propre 'Journal intime' offrant un regard complémentaire sur sa vie et sa pensée
Bon état
André Patrick Chesne Corinne Mourton Guillaume
Reference : 500233133
(2009)
ISBN : 9782844169242
Editions Artémis 2009 17 6x0 6x27 2cm. 2009. Broché.
Bon état
STEREO. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, biographie de RALPH HARVEY dérrière la pochette. B.B.C Symphony Orchestra, direction: SIR MALCOLM SARGENT.. . . . Classification : 410-33 Tours
Disque n° STP 602 Classification : 410-33 Tours
, Brepols - Harvey Miller 2019, 2019 Hardcover,232 pages ., 3 b/w ill. + 136 colour ill., 220 x 280 mm , English, , . ISBN 9781912554225.
The essays collected in this volume meet at a point of convergence between costume, art, and history, and focus on the seventeenth-century Southern Netherlands. Undressing Rubens looks at the significance of costume in life and art in the age of Rubens, confirming that, as is increasingly recognised by scholars of many aspects of early modern European culture, this is hardly an insular topic. Cloth and clothing in seventeenth-century Flemish paintings lead the contributing scholars north of the border to the United Provinces, south to courts in Florence, Mantua, Madrid and elsewhere, and east to Cologne and, ultimately, to Japan. Stretching back several centuries to provide critical context and points of origin for many seventeenth-century practices and ideas, the innovative research presented here also points forward in time, dealing with implications in later centuries but also, in many cases, engaging directly with questions of historiography still quite relevant today.
Antwerpen, Vereniging der Antwerpse Bibliofielen, 2023 softcover, 16.2x24.8 cm., 314 pages, Text in English / FR. illustr.
Jaarboek van de vereniging der Antwerpse Bibliofielen. nr. 100:2 Competition in the European book market . prices and priveleges (fifteenth - seventeenth centuries) DE GULDEN PASSER. The golden Compasses 100:2
Direction de l'agriculture, de l'élevage et des forêts. 1955. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 206 pages. Quelques illustrations en noir et blanc, dans le texte. Coiffes en tête et en pied abîmées.. . . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
Sommaire : La production cacaoyère dans les territoires d'Outre-mer, par Y. Poupart - Les conditions climatologiques de la production dans nos territoires d'outre-mer, par G. Alègre - Observations sur quelques caractères des sols à cacaoyers de la Côte d'Ivoire, par G. Aubert et H. Moulinier. Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
[Anglican–Roman Catholic International Commission on the Theology of Mariage and its Application to Mixed Marriages]
Reference : 48029
, London [Londres] / Abbots Langley [Hertfordshire County], Church Information Office/ Catholic Information Office 1975, in-8, br., impression en anglais, bon état, [Cet ouvrage provient de la bibliothèque personnelle du professeur Jean Carbonnier (1908-2003)], VIII-31p.
Phone number : 01 43 29 46 77
IERO 2012 120 pages 13 4x1 4x21 2cm. 2012. Broché. 120 pages.
Bon état
Studyrama 2011 256 pages 16 8x1 6x23 8cm. 2011. Broché. 256 pages.
Très bon état - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté
Studyrama 2011 256 pages 16 8x1 6x23 8cm. 2011. Broché. 256 pages.
Très bon état
Studyrama 2011 256 pages 16 8x1 6x23 8cm. 2011. Broché. 256 pages.
Très bon état
Annales islamologiques - Institut Français d’Archéologie Orientale du Caire
Reference : 9292
(1986)
Annals of the Astrophysical Observatory of the Smithsonian Institution - Abbot (Charles G.), Aldrich (L.B.) and Fowle (F.E.), eds.
Reference : 66840
(1932)
Annals of the Astrophysical Observatory of the Smithsonian Institution , Smithsonian Institution Malicorne sur Sarthe, 72, Pays de la Loire, France 1932 Book condition, Etat : Bon paperback, original editor's grey printed wrappers In-4 1 vol. - 304 pages
11 plates out-of-text in black and white (complete) and 33 figures, few tables Contents, Chapitres : Preface, Contents, List of Illustrations, ix, Text, 295 pages - Annals : Fiscal year 1920-21, 1922-23, 1923-24, 1924-25, 1925-26, 1926-27, 1927-28, 1928-29, 1929-30 - Stations and instruments - Methods of observation and reduction - Pyrheliometry and pyranometry - Bolometry - Discussion of results - Appendix : Bibliographical references - Index ex-library, a stamp on the front part of the wrappers and on the title-page, else very good copy, no other markings inside, light wear on the wrappers, the top of the spine is lightly torn
Annals of the Astrophysical Observatory of the Smithsonian Institution - Abbot (Charles G.), Aldrich (L.B.) and Hoover (W.H.), eds.
Reference : 66841
(1942)
Annals of the Astrophysical Observatory of the Smithsonian Institution , Smithsonian Institution Malicorne sur Sarthe, 72, Pays de la Loire, France 1942 Book condition, Etat : Bon paperback, original editor's grey printed wrappers In-4 1 vol. - 215 pages
7 plates out-of-text in black and white (complete) and 18 figures, few tables Contents, Chapitres : Preface, Contents, List of Illustrations, viii, Text, 207 pages - Annals : Fiscal year 1931, 1932, 1933, 1934, 1935, 1936, 1937, 1938, 1939, 1940 - Nature of the investigation - Reasons for the revision of solar-constant values and a resume of the principles involved - Detailed discussion of the measurement of solar radiation - Revised results of solar-constant observing 1923 to 1939 - Discussion of solar-constant values - Index ex-library, a stamp on the front part of the wrappers, else very good copy, no other markings inside, light wear on the wrappers, the top of the spine is lightly torn, wrappers lightly dusties
, Taschen, 2025 Hardcover in slipcase, XL, 24.3 x 30.4 cm, 3.78 kg, 600 pages, Multilingual (English, French, German). *NEW. ISBN 9783836581516.
The Soul of Spain, The entirety of the artist?s etchings and lithographs collected in one volume; With acute powers of observation and artistic innovation, Francisco de Goya captured the soul of the Spanish nation in turmoil, around the dawn of the 19th century. In this complete collection of his 287 etchings and lithographs, we see into the mind of an artist unafraid to navigate the depths of human folly, hypocrisy, violence, and power. Francisco de Goya was one of the most innovative peintre-graveurs of the late 18th and early 19th centuries, his etchings and lithographs masterpieces of modern printmaking. Trained in Spain and Italy, and appointed First Court Painter to Charles IV early in his career, he brought the sensibilities of the Enlightenment into uneasy dialogue with the brutal realities of his time. Whether working in single sheets, like the harrowing The Garrotted Man or the sublime Seated Giant, or across his celebrated series?the satirical Caprichos, the unflinching Desastres de la Guerra, the dynamic Tauromaquia, and the nightmarish Disparates?Goya chronicled both the spirit and the shadows of a world in upheaval, where the individual was often crushed by violence, superstition, or power. These weren?t just reflections on Spanish society. They were indictments, meditations, and warnings, etched in copperplates. This landmark collection of 287 etchings and lithographs gathers Goya?s complete printed ?uvre, including editions produced under his direct supervision, as well as rare state proofs from unpublished series, giving uncommon insight into his restless experimentation and meticulous control over the printmaking process. With a detailed commentary on each image and commanding essays by Jos Manuel Matilla and Anna Reuter, this volume is the culmination of more than two centuries of scholarly research, and is a searing visual narrative. Goya did not simply depict his world. He dissected it, laying bare the eternal tensions between reason and madness, justice and cruelty, hope and despair.
, Brepols, 2019 Hardback, xvii + 194 pages, Size:205 x 255 mm, Illustrations:94 b/w, Language: English. ISBN 9780888442154.
Summary This is not a book about miraculous images of the Virgin Mary (be they icons, sculptures, altarpieces, or reliquaries) but about their representations in French illuminated manuscripts from ca. 1250 to ca. 1450. Most of these depictions of the Virgin Mary cannot be identified even tangentially with particular surviving images (such as the Virgins of Rocamadour, Soissons, Chartres, and Laon). Rather, these illustrations point to the ubiquity of local miraculous Marian images in devotional practices from the thirteenth to the fifteenth century in French-speaking regions. This book analyzes depictions of material images and the animated miracles they perform, and traces their evolution from the earliest narratives of Marian miracles written in Old French to texts and images produced at the Burgundian court of the late Middle Ages. Beginning with the most extensive compilation of Gautier de Coinci's Miracles de Nostre Dame, the study then examines lesser-known anonymous works such as the Vie des P res and encyclopedic collections including the French version of Vincent of Beauvais' Speculum historiale and the Ci nous dit, as well as a theatrical production of the Miracles de Nostre Dame par personnages, before concluding with the prose rendering of the Miracles by Jean Mi lot. Imagining the Miraculous explores the ways in which these works depict physical images, such as panel paintings and sculptures, on the manuscript page. Each chapter provides a detailed iconographical analysis of the miniatures and the diverse techniques of visual narrative they harness, serving also to show how attentive reading of their reception can help us understand how the miniatures themselves might have led viewers to imagine the miraculous moment when an image comes to life.