OUEST FRANCE 2018 144 pages 19 5x25 6x1 7cm. 2018. Broché. 144 pages.
Très bon état
Londres, 1908 594 p., carte; 600 p., index, 2 volumes reliés. 16 x 22,5
Occasion
London, Macmillan and Co, 1908. 2 vol. in-8, rel. à la bradel d'éd. pleine toile verte, dos lisse orné de filets dorés, titre doré, filets à froid en tête et en queue des plats, XVIII-594 et XIV-600 pp., portrait de l'auteur au front., une carte dépliante, chronologie et index, texte en anglais. Ex-libris armorié contrecollé (Laurentii Aurrin).
Bel exemplaire. -
Cronier Aurélie Grécourt Sylvie Larivière Pierre Richard Cyril
Reference : 500093059
(2021)
ISBN : 2820812554
RUE DES ECOLES 2021 300 pages 17 2x22 4x1 8cm. 2021. Broché. 300 pages.
Très bon état
Titre : Les Clés du Royaume (The Keys of the Kingdom) Auteur : Cronin A.-J. Éditeur : Éditions Athéna Lieu d'édition : Paris Collection : Athéna-Luxe Date d'édition : 1950 Traducteur : G. de Tonnac-Villeneuve Illustrateur : Pierre Noël Tirage : Exemplaire n° 532 sur 2500 sur vélin (tirage total 3000 ; 500 ex. sur Annam avec suite de planches) Reliure : Demi-chagrin vert à coins, dos à nerfs, titre doré, plats marbrés verts Illustrations : Planches et têtes de chapitres en couleurs rehaussées de pochoirs, d'après Pierre Noël ; encadrements typographiques imprimés en bleu Langue : Français État : Bon - frottements d'usage aux coins et aux coiffes, dos patiné ; intérieur propre, papier légèrement jauni Description : Roman d'A.-J. Cronin relatant la destinée d'un prêtre écossais envoyé en mission en Chine. Édition Athéna-Luxe illustrée et numérotée, bel exemplaire sur vélin.
Titre : La Citadelle Auteur : Cronin Archibald Joseph Traducteur : Rémon Maurice Illustrateur : Michaud René (frontispice en couleurs) Éditeur : Éditions du Madrigal Lieu : Annemasse (9, rue de la Gare) Date : 1946 Achevé d’imprimer : 15 mars 1946, Imprimerie Charles Plancher, Bonneville - Haute-Savoie Langue : Français Reliure : Demi-cuir rouge à dos à nerfs, pièces de titre et d’auteur dorées, plats de papier marbré rouge et beige, tête et pieds de nerfs soulignés de filets dorés État du livre : Bon état d’usage. Coiffe supérieure usée avec petit manque, frottements et traces d’usage au dos et aux coupes, mors solides. Intérieur propre, papier uniformément jauni, rousseurs éparses sans gravité. Sans jaquette. Description : Édition française du célèbre roman de A.-J. Cronin, publiée aux Éditions du Madrigal. Frontispice en couleurs de René Michaud en regard de la page de titre. Belle reliure décorative d’époque en demi-cuir, titre et nom de l’auteur dorés au dos, plats marbrés. Format : In-8
(London, Harrison and Sons, 1895). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1895 - Vol. 186 - Series A, Part I. Pp. 243-251 and 1 plate (The Spectra of Argon). Clean and fine.
First appearance of a classic paper in which Crookes by his spectrographic methods confirms the discovery of argon by Ramsey and Rayleigh in 1895. The plate is the first to show the spectra of argon, the first of the inert gases to be discovered.The paper first describes the spectra obtained by passing an electric discharge through argon at very low pressures,. Several specimens of argon (some containing traces of nitrogen) were invested. Crookes distinguished between the spectral lines attributable to argon and those of nitrogen and verified that the argon isolated by Lord rayleigh and William Ramsay was truly a new chemically inert element. (Neville I:p. 313).Sir William Crookes (1832-1919) studied at the Royal College of Chemistry , London, and served there as an assistant to Hoffmann. In 1859 he founded the Chemical News and remained its proprietor and editor until his death. he early attracted attentuion by his discovery of the element thallium by spectroscopic methods. he was an active investigator in many fields of physics and contributed greatly to the advance of knowledge by his study of the radiometer and of the electric discharge in rarefied gases. -(PMM: 386 describing J.J. Thomson's Cathode Rays). - Magee, Source Book in Physics p. 564 ff.
"CROOKES, WILLIAM. - CROOKES ON RADIOACTIVITY AND THE PRINCIPLE OF THE CONSERVATION OF ENERGY.
Reference : 47428
(1899)
(Paris, Gauthier-Villars), 1899. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 128, No 3. Pp. (137-) 192. Entire issue offered). Crooke's paper: pp. 176-178.
First appearance of Crooke's statement that radioactivity seems to violate the principle of the conservation of energy.""Despite his speculative powers, Crookes at first took a conservative view of this new science, for he could not believe that radioactive elements decayed spontaneously, since this seemed to imply a violation of the conservation of energy. It was his view, expressed between 1898 and 1900, that the source of activity was external to the radioactive element. He imagined that radium, say, had the ability to act as a Maxwellian demon and select from the atmosphere those air particles which were moving more swiftly than the average, absorb some of their energy, and eject them at a lower speed. This theory, which never received full publication, contravened the second law of thermodynamics"" and although Crookes thought that he might have experimental support for it, his evidence did not measure up to the critical scrutiny of Stokes."" (DSB).The issue contains another notable paper HENRI BECQUEREL ""Sur la dispersion anomale de la vapeur de sodium incandescante, et sur quelques conséquenceas de ce phénomene"", pp. 145-151.This theory, which never received full publication, Page 480 | Top of Articlecontravened the second law of thermodynamics" and although Crookes thought that he might have experimental support for it, his evidence did not measure up to the critical scrutiny of Stokes.
(London, Harrison and Sons, 1884 a. 1886). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1883. Vol. 179 - Part II. Pp. 891-918 and 1885. Vol. 176 - Part II. Pp. 691-723 and 1 plate (chromolithographed spectra), many textillustr. of spectra. The plate with small spots in margins.
First appearance of these papers in which Crooles continues his cathode rays experiments with his Crookes tube, obtaining spectra of elements which he regarded as new. His experiments lead him here to his speculative theory of the elements having a common ancestor, a primordial matter.Sir William Crookes (1832-1919) studied at the Royal College of Chemistry , London, and served there as an assistant to Hoffmann. In 1859 he founded the Chemical News and remained its proprietor and editor until his death. he early attracted attentuion by his discovery of the element thallium by spectroscopic methods. he was an active investigator in many fields of physics and contributed greatly to the advance of knowledge by his study of the radiometer and of the electric discharge in rarefied gases.
(Paris, Mallet-Bachelier), 1877 4to. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 85, No 23. Pp. (1029-) 1084. (Entire issue offered). Cros' letter: pp. 1082-1083.
First printing of this paper which describes the invention of the Phono-autograph (Phonograph) a few month before Edison introduced his invention. It was on this letter to the Academy that the French made claim to the invention.""He (Charles Cros) is perhaps most famous as the man who almost, but not quite, invented the phonograph. No one before M. Charles Cros had thought of reproducing sound by making an apparatus capable of registering and reproducing sounds which had been engraved with a diaphragm. The inventor gave the name of Paleophone (voix du passé) to his invention. On April 30, 1877 he submitted a sealed envelope containing a letter to the Academy of Sciences in Paris explaining his proposed method. The letter stated in French, ""Alors qu'il séjourne à Sablé au début de 1877, Charles Cros rédige une courte note, « Procédé d'enregistrement et de reproduction des phénomènes perçus par l'ouïe », dans laquelle il expose le principe de ce qu'il nomme « Paléophone » (« voix du passé ») : « Un index léger est solidaire du centre de figure d'une membrane vibrante "" il se termine par une pointe [...] qui repose sur une surface noircie à la flamme."" The English translation is one close to this: ""A lightweight index is fixed to the center of figure of a vibrating membrane, it ends with a tip [...] based on a blackened surface flame. This surface is integral with a disc driven by a double movement of rotation and linear progression. The system is reversible: when the tip makes ironing in the furrow membrane restores the original acoustic signal."" The letter was read in public on 3 December following. In his letter, after having shown that his method consisted of detecting an oscillation of a membrane and using the tracing to reproduce the oscillation with respect to its duration and intensity. Cros added that a cylindrical form for the receiving apparatus seemed to him to be the most practical, as it allowed for the graphic inscription of the vibrations by means of a very fine-threaded screw.""(Wikipedia)
Scholastic 2008 160 pages 19 558x1 27x12 954cm. 2008. Broché. 160 pages.
Très bon état
Ediciones Cátedra 1992 344 pages 11 1x17 6x1 7cm. 1992. Broché. 344 pages.
Très Bon Etat de conservation intérieur propre bonne tenue
FAGE 2010 240 pages 19 5x24 9x2 1cm. 2010. Broché. 240 pages.
Crété Patricia Baron Pierre Ferret Mathieu Wennagel Bruno
Reference : 500101218
(2019)
ISBN : 2371044989
QUELLE HISTOIRE 2019 40 pages 14 6x18 4x0 8cm. 2019. Relié. 40 pages.
Très bon état
Crété Patricia Ferret Mathieu Wennagel Bruno Verdon Aurélie
Reference : 500115790
(2019)
ISBN : 2371044997
QUELLE HISTOIRE 2019 40 pages 14 8x18 4x1cm. 2019. Relié. 40 pages.
Très bon état
Crété Patricia Ferret Mathieu Wennagel Bruno Verdon Aurélie
Reference : 500120090
(2019)
ISBN : 2371044997
QUELLE HISTOIRE 2019 40 pages 14 8x18 4x1cm. 2019. Relié. 40 pages.
Très bon état
Crété Patricia Wennagel Bruno Biasse Guillaume Tuffin Mathilde Ferret Mathieu
Reference : 500035993
(2020)
ISBN : 2371046183
QUELLE HISTOIRE 2020 48 pages 17x21 2x1cm. 2020. Broché. 48 pages.
Comme neuf - ouvrage issu de destockage jamais lu mais pouvant présenter d'infimes marques de stockage et/ou de manipulation - expédié soigneusement dans emballage adapté
Turnhout, Brepols, 2007 Hardback, XVIII+518 p., 160 x 240 mm. ISBN 9782503525815.
Building the Kingdom examines how Giannozzo Manetti (1396-1459), by interpreting the great architectural projects of his day within historical, literary, and spiritual contexts, articulated their relevance for his contemporaries as cultural paradigms of the Early Italian Renaissance. Manetti, wealthy, learned, devout, and politically active, was perhaps the most admired lay thinker of his generation, a leader within the new intellectual currents of his native Florence and prominent in Rome at the court of Pope Nicholas V (1447-1455). Manetti's detailed accounts both of the consecration of Florence Cathedral in 1436 ('De secularibus et pontificalibus pompis' [Concerning the Secular and Pontifical Parades]) and of the ambitious building projects planned by Nicholas for a revival of papal splendor in Rome (book 2 of his 'Life of Nicholas V Supreme Pontiff') are among the most elaborate architectural ekphrases of the fifteenth century. In these, he surpasses his better known rival, Leon Battista Alberti. These important Latin texts are presented here in new critical editions, with English translations and commentaries, preceded by chapters situating them within Manetti's other writings, his vast reading, and his historical moment. A close reading of the texts, coupled with an in-depth examination of the sites described and the ceremonies conducted there, shows how Manetti's distinctive fusion of Scholastic and Humanist ideas became authoritative for an Early Renaissance understanding of the cultural and spiritual power of buildings. New.
, Brepols Publishers, 2002 hardcover, 392 p., 223 b/w ill. 140 colour ill., ills., 210 x 297 mm, English. ISBN 9782503512297.
The third volume comprises investigations on seventeen paintings by a final group of preeminent, identified artists from the period of transition at the end of the fifteenth and the beginning of the sixteenth century, to which the authors adjust various attributions and interpretations. The third volume includes a final group of preeminent, identified artists from the period of transition at the end of the 15th and the beginning of the 16th century. Artistic production at this time was still rooted in late medieval thought, yet more and more seized with new renaissance developments, and at a permanent state of ferment with constantly changing needs of society. The catalogue deals with correspondingly complex issues of interpretation through the works of Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises a technical, stylistic and iconographical investigation of seventeen paintings on the basis of a scientific research method, which has been fully established over the years. The authors have been able to adjust various attributions and interpretations. At the same time most valuable discoveries have been made with regard to the provenance of some work belonging to the Albrecht Bouts and Colijn de Coter Groups. "Fur die weitere Forschung zu den betreffenden Kunstlern oder den fraglichen Werken wird der Band eine unverzichtbare Basis darstellen." (S. Kemperdick in Sehepunkte, 3 (2003), nr. 1, 15.01.2003)
Turnhout, Brepols, 2009 hardbound, two volumes , original editor's jacket, english, 728 pp., 400 colour ill., 218 x 283 mm. ISBN 9782870330142.
Contributions to the Study of the Flemish Primitives CSFP 9. In the first volume ten objects, which in fact constitute the majority of pre-Eyckian works in Belgian collections, are documented as thoroughly as possible. Their interpretation is underpinned not only by classic art historical analysis but also by macro-photography, X-radiography, infrared photography and reflectography, dendrochronological data and, in so far as was feasible or justifiable, laboratory analysis of pigments and binding media. The research has benefited to the full from the expertise of the many specialists of the IRPA/KIK. In volume two of this publication are a number of individual contributions by ?guest authors?. They cover diverse topics, ranging from specific technical observations regarding one noteworthy feature or group of works, to historical context, peripheral iconographic phenomena, aspects of restoration, and the exploration of Ghent?s archives by way of a case study.
, Brepols Publishers, 2003 hardback, 469 p., 220 x 280 mm English. FINE ISBN 9782870330111.
Antwerps Museum Mayer van der Bergh houses a particularly valuable collection of Flemish Primitives, including paintings of exceptional quality by Juan de Flandes, Vrancke van der Stockt, the Master of the Saint Ursula Legend, works from the environments of Hans Memling, Rogier van der Weyden and the Master of Hoogstraten, as well as an exceptional pre-Eyckian tower retable and two panels from the Antwerp-Baltimore quadriptych. All twenty-one paintings have recently been subjected to scientific examination. The research results are presented in a clear and revised structure of the Corpus series. With its modern layout and over 300 illustrations, the publication offers attractive and exciting reading to every researcher and amateur of 15th-century painting from the Southern Netherlands and the Principality of Liege. "Diese Veranderungen sind uneingeschrankt zu begrussen. Sie machen das Buch nicht nur attraktiver ? und damit insbesondere fur des interessierten Laien reizvoller -, sondern auch fur den Spezialisten viel besser benutzbar" (Kemperdick, Stefan, in : Sehepunkte 04, 2004) "Insgesamt (aber) ist die hier vorgenommene Umgestaltung sehr zy begrussen. Sie hat die Benutzbarkeit der Bande und die Uberzeugungkraft der Argumentationen eindeutig erhoht." (Kemperdick, Stefan, in : Sehepunkte 04, 2004)
, Brepols Publishers, 1996 hardback 308 pages ., incl. 67 colour ill. and 174 halftones, 210 x 297 mm, English Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 1) . ISBN 9782503505015.
This catalogue includes paintings by the Master of Flemalle and Rogier van der Weyden Groups, now in the Royal Museums of Fine Arts of Belgium in Brussels, as well as thourough analyses and colour reproductions. The publication of the first in a five-volume scholarly catalogue of the 15th-century southern Netherlandish paintings in the Royal Museums of Fine Arts of Belgium in Brussels is a long awaited event. The museums' rich collection of Flemish Primitives boasts paintings by Rogier van der Weyden, Gerard David, Petrus Christus, Dirk Bouts, Hans Memling and Hieronymus Bosch. It also includes several important works by artists with provisional names from the schools of Tournai, Bruges and Brussels, such as the Master of Flemalle, the Master of the St Lucy Legend and the Master of the Life of Joseph. This multi-volume English-language catalogue will include approximately 100 paintings. Each work is the subject of a thourough analysis covering technical, historical, iconographical and stylistic aspects. The catalogue contains colour reproductions of each painting as well as other visual documentation from laboratory investigations (infrared reflectograms, ultra-violet fluorescence photographs; X-radiographs, macro photographs), photographs of related works and diagrams of the original frames. The wealth of documentation presented in this volumes makes it an indispensable reference for both scholars and amateurs interested in 15th-century painting.
Hachette Jeunesse 1978 48 pages 1x30x22cm. 1978. Relié. 48 pages.
Etat correct
Liv'editions 1998 96 pages 20x1x25 8cm. 1998. Relié. 96 pages.
jaquette en bon état intérieur frais
, Sherborne, Dorset, Alphabooks, 1986, Bound, blue cloth, pictorial dustwrapper, illustrated inner platters, frontispice in colour, 215 x 275mm., 340pp., all colour illustrations. ISBN 9780906670378.
A comprehensive guide to cacti and their cultivation, including a dictionary of 750 species and over 400 colour plates. In good condition.