‎Echantillons provenant de la pratique.‎

‎"A : Procédé au nitrite; B : Procédé par vaporisage." Huninge (Ht-Rhin). Soc. Durand & Huguenin. Sans date, vers 1950 (?). In-4 (29x23). 41 pages cartonnées. Toile éditeur marine décorée.‎

‎28 échantillons de tissus sur 41 pages cartonnées. De toute fraicheur, couleurs très vives.‎

‎Au fil des îles. Fonds indonésien Pierre et Gabrielle Gediking-Ferrand. Objets et tissus. Richement documenté (planches en couleurs, figures, carte). ‎

‎Musée d'ethnographie Neuchâtel 2008 (retirage 2009). Bel exemplaire broché, gd in-8 (24x17), 404 pages avec glossaire et autres annexes.‎

‎Le Guide de la Décoration Rustique. Restaurer, Aménager et Meubler. ‎

‎Armand Colin 1990 In-4, cartonnage illustré, photographies pleines pages en couleurs, 192 pp. Bon état. ‎

‎Photographies de Spike Powell. Bon état d’occasion ‎

‎Choix. ‎

‎Paris Draeger 1930 1 in-4 Illustrations de Paul Iribe. Paris, Éditions Iribe, Draeger, 1930, in-4, reliure à spirale, premier plat titré en noir, sous chemise étui demi-chagrin vert titré or. ‎

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‎"Allons-nous sacrifier la fleur sur l'autel du Cube et de la Machine ? Le moment du Choix est venu." Les trente pages de texte de Paul Iribe s'inscrivent au moment de la grande crise pour défendre nos industries du luxe et notre art décoratif. Sept planches de dessins industriels, ameublement, orfèvrerie, éclairage, tissus d'ameublement, bijoux, chapeaux et mode illustrent son propos. Ces planches sont imprimées en creux sur papiers métallisés or et argent et complétées par une pellicule photographique en négatif. Une des plus belles réalisations de Draeger associé à Iribe. Paul Iribe (Agoulême 1883-1935), artiste fécond aux talents multiples, fut tour à tour illustrateur de mode et humoriste, dessinateur, publicitaire, directeur de revues, éditeur, décorateur, créateur de meubles, de tissus, de bijoux, d'objets décoratifs, directeur artistique... (Osterwalder, I, 526 ; Dico Solo, 430-431). Lettre de Draeger. Un des 400 exemplaires hors-commerce numéroté. Manque le Rhodoïd, petites taches, oxydations et piqures. Exposition Forney 1988, "Pages d'Or de L'Edition Publicitaire" et livre d'Alain Draeger. Tirage limité à 800 ex., un des 400 ex. hors-commerce num. ‎

‎Cravates. Women's accessories in the 19th century.‎

‎ Collezione Antonio Ratti 1994, grand in-4 carré pleine toile, sous emboitage (164 pages).‎

‎Très belles photographies dans le texte. bon état. ‎

‎basilique Saint-Ir n e de Sirmium et sa n cropole‎

‎, Brepols, 2022 Paperback, 239 pages, Size:216 x 280 mm, Illustrations:91 b/w, 101 col., 58 tables b/w., 1 maps color, Language: French. ISBN 9782503595504.‎

‎Summary Les fouilles franco-yougoslaves dirig es conjointement par No l Duval (1929-2018) et Vladislav Popovic (1930-1999), d'abord Sirmium de 1973 1978, puis Cari?in Grad de 1978 1991, demeurent encore aujourd'hui un mod le de collaboration arch ologique internationale. Du fait de leur impressionnant bilan, les deux missions particip rent pleinement la mise en valeur du patrimoine romain sur le territoire de l'actuelle Serbie, de m me qu' la d monstration de l'int r t de la p riode que l'on qualifie aujourd'hui d'Antiquit tardive. D di la m moire des deux grandes figures susmentionn es, le pr sent ouvrage unit les d couvertes rest es in dites de l'exploration franco-yougoslave de la basilique Saint-Ir n e de Sirmium, men e entre 1976 et 1977, avec celles faites plus r cemment, soit en 2002 et en 2016, l'occasion des travaux conduits sur le site de la n cropole environnante de cette glise pal ochr tienne, par l' quipe de l'Institut arch ologique de Belgrade. Les r sultats obtenus par de v ritables p res fondateurs se retrouvent donc ici associ s ceux de g n rations qui ont t form es dans la suite directe des importantes avanc es scientiques, non seulement en termes de donn es, mais aussi de m thodologie, dont ils furent l'origine. TABLE OF CONTENTS Liste des illustrations Foreword Avant-propos Dominic Moreau Pr face Ivana Popovi? et Miloje Vasi? Sirmium chr tienne Ivana Popovi? et Dominic Moreau La n cropole orientale de Sirmium Petar Milo?evi?, Jean Guyon et Miloje Vasi? A. Les fouilles franco-yougoslaves de 1976-1977 I - Les fouilles Miloje Vasi? II - Les tombes de la basilique Saint-Ir n e et de sa n cropole Jean Guyon et Miroslav Jeremi? III - L'architecture de la basilique - aper u des vestiges Bojan Popovi? IV - Les briques Radomir Prica et Jean Guyon V - La plastique d corative architectonique Bojan Popovi? VI - Les inscriptions - Catalogue Jean Guyon et Sne?ana Ferjan?i? VII - Les mensae fun raire Ivana Popovi? VIII - Les monnaies Miloje Vasi? IX - Les fresques et les mosaiques Ivana Popovi? X - La c ramique Jasmina Davidovi? XI - Le mat riel ost ologique humain Nata?a Miladinovi?-Radmilovi? B. Les fouilles de sauvetage de 2002 et de 2016 XII - La tombe de la rue Mike Anti?a Ivana Popovi? XIII - Les r sultats de l'analyse anthropologique, rue Mike Anti?a Nata?a Miladinovi?-Radmilovi? XIV - Les tombes de la rue Palanka Miroslav B. Vujovi? et Biljana Lu?i? XV - Les r sultats de l'analyse anthropologique, rue Palanka Nata?a Miladinovi?-Radmilovi? Conclusion Ivana Popovi? et Miloje Vasi? English Abstract Dominic Moreau Bibliographie Errata (https://doi.org/10.1484/M.ROMA-EB.5.136320)‎

‎IMPERIAL SILKS : Ch'ing dynasty textiles in the Minneapolis Institute of Arts (2 volumes).‎

‎ The Minneapolis Institute of Arts 2000 The Minneapolis Institute of Arts, 2 volumes, 2000, 1182 p., cartonnages éditeur sous jaquette, sous étui assorti, environ 35x26cm. Des frottements d'usage sur l'étui, quelques rares et discrets frottements sur les bords des jaquettes. Bon état pour le reste et intérieurs très propres.‎

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‎En anglais. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Sonia Delaunay. Mode & Tissus Imprimés.‎

‎ 1991 Paris, 1991. Couverture rigide. Paris, Jacques Damase éditeur, reliure cartonnée d'éditeur sous jaquette illustrée, 176 pp., (32,8 x 23 cm). 180 illustrations dont 104 en couleurs: Dessins géométriques / Modes et costumes / Rythmes et couleurs. Nombreux extraits. Liste des illustrations. Chronologie. Bibliographie. Très bon état: comme neuf y compris la jaquette ‎

‎ray gal ‎

‎Michael JAMES. L'ART DU QUILT ‎

‎Neuchâtel - Paris Victor Attinger - Bibliothèque des Arts 1995 grand in 4 (31,5x25) Un volume reliure pleine toile d'éditeur, sous jaquette illustrée en couleurs, 117 pages. Nombreuses illustrationse en noir et blanc, et en couleurs. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en très bon état Reliure ‎

‎Pictorial Treasury of Curtain and Drapery Design, 1750-1950‎

‎Potterton Books Publishing 1987 Jaquette grise, légère déchirure en tête, sans manque, très bon ex.‎

‎ Très bon état d’occasion ‎

‎Sur la phylogénèse de l’orthobionte.‎

‎Limoges,, Ducourtieux et Gout,, Limoges,, Ducourtieux et Gout,1916 ; in-8, broché. 72pp., 6ff. de tableaux, 8ff. de planches.‎

‎Les Arts de la terre et du métal. Exposition internationale des arts décoratifs et industriel modernes‎

‎Paris Beaux-arts 1925 In-4 agrafé, couverture illustrée ‎

‎Edition originale. Numéro spécial de la revue "Beaux-arts". 39 illustrations en noir dans le texte, et une en couverture. Oeuvres - Faïence, verre, vase, grès, porcelaine, pête de verre, flacon, vitrail, orfèvrerie, fer forgé, meubles, de Goupy, Simmen, Lenoble, Decoeur, Engelhardt, Pedersen, Gauguin, Gensoli, Gauvenet, Adnet, Süe et Mare, Decorchemont, Marinot, Luce, Gruber, Lalique, Barillet, Ballet, Brandt, Schwartz-Haumont, Baguès, Dunand, Serrière, Puiforçat, Linossier, Subes, Fisker, Jensen, Sandoz. Publicités. 50 pp. Très bon 0‎

‎Tapisserie pour vos sièges‎

‎Office du livre 1975 In-4 relié. 127 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Le XVIIIe SIECLE FRANCAIS‎

‎Un ouvrage de 232 pages, format 255 x 320 mm, illustré, relié cartonnage couleurs, publié en 1960, Librairie Hachette, Collection "Connaissance des Arts", bon état‎

‎Peinture, mobilier, céramique, orfèvrerie, bronzes, objets d'art, verrerie, tapisseries, tapis, tissus, sculpture, ensembles décoratifs du XVIIIe siècle en France‎

‎Flamboyant Architecture and Medieval Technicality. The Rise of Artistic Consciousness at the End of Middle Ages (c. 1400 - c. 1530)‎

‎, Brepols, 2019 Paperback, xviii + 200 pages, Size:216 x 280 mm, Illustrations:70 b/w, 43 col., Language: English. ISBN 9782503577296.‎

‎Summary This book seeks to further our understanding of the socio-genesis of artistic modernity by turning to microhistory. It explores a late-medieval decorative procedure that emerged and spread in northern and central France from the early fifteenth century to the start of the following century. Using the well-known miniature, the Building of Solomon's Temple in Jerusalem from the fifteenth-century codex of Les Antiquit s juda ques as a starting point, this study deals with architecture and technical knowledge of builders. This investigation unpacks and reveals many aspects of the technical and visual culture of late medieval craftsmen and artists. The virtuosic skills these artisans displayed are worthy of inclusion in the development of technical practices of Flamboyant Gothic architecture. They also reflect broader cultural and social configurations, which go far beyond the history of building. This micro-historical perspective on what can be called "hyper-technical" Gothic contributes to our appreciation of the role of technical mastery in establishing social hierarchies and artistic individuation processes during the Late Middle Ages and Early Modern period. TABLE OF CONTENTS Introduction 1. Technical Savoir-Faire as Historical Topic Observations on a well-known Illumination Nantes, Tours and the Master of the Munich Boccaccio Representation of a technical Gesture and Jean Fouquet's Heritage A French 15th-Century sculptural savoir-faire Late Medieval Gothic Building Sites and Technical Innovations First Conclusions 2. Slate Inlay: A Technical History Functional Constraints Hollowed out blocks for Inlay The Practice of Preparatory Tracing Installation in the Archivolts An Operational Change at the Beginning of the 15th Century An Interruption in the History of Technique: Auxerre The Consequences of a new stereotomic System Choices of Stone Types Conclusions on Implementation 3. Social History of a Skill Traces and Remains of a Valued Procedure The Practical Geometry of a Building Site at the End of the Middle Ages and its Tools The Tools and their Uses The Prevalence of the Square The insignological Uses of the Compass The Incisions at Tours and Rouen as Illustrations of Construction Practices Workers with Stone: social History of a Technique Masons and Sculptors Stone-cutters and Carvers of Images The Socio-Professional Distinction of the Creators of the Canopies - the Case of Bourges Technical One-upmanship and Informal Hierarchies at a Building Site 4. Microarchitecture and Represented Space Architecture and Represented Space Towards 1400 in Central/Middle France: a Rupture Microarchitecture as a Locus Slate Inlay and the Depth of Fictive Space Baldachins, Canopies and Late-Medieval Sacral Regimes Monumental Syntax toward "Architectural Wit" 5. Virtuosity, Varietas and Captatio benevolentiae Slate or Glass Insertion, Admiratio and Varietas Material and Colour Contrasts during the Late Middle Ages An Incunabula of c. 1400 Slate Inlay as a "Technology of Enchantment" Late Gothic Art: A Hyper-Technical Cultural Regime 6. Conclusion Bibliography Colour Plates‎

‎Panta Pei Change in Thirteenth-Century Byzantine Architecture, Art, and Material Culture‎

‎, Brepols, 2023 Paperback, 449 pages, Size:156 x 234 mm, Illustrations:24 b/w, 149 col., 3 maps b/w, 2 maps color, Language: English. ISBN 9782503602684.‎

‎Summary The year 1204, when Byzantium was conquered by the participants of the Fourth Crusade, marks a major and violent change on several levels, including politics and the economy, society and religion, as well as art and culture. The once powerful empire experienced both the humiliation of foreign occupation and its political subjugation. After its re-establishment in 1261, Byzantium had become a shrunken state, surrounded by aggressive enemies, while a number of its vital areas, such as Crete and Cyprus, together with the Aegean and Ionian islands, remained under foreign rule. These changes influenced not only the artistic output but the everyday life of the Byzantines as well. New ideas, new preferences, and new techniques are attested in architecture, painting, sculpture, and minor arts, all of which developed a new dynamic. According to the Greek philosopher Heraclitus of Ephesos (c. 535 - c. 475 B.C.), whose aphorism ????? ???, i.e. everything flows, is highlighted in the title of this collective volume, change is the fundamental essence of the universe. The book aims to provide an up-to-date, well-rounded, and balanced overview of the long thirteenth century, by examining aspects of the artistic and cultural transformations created and developed within the new framework of co-existence among Byzantines, Latins, Slavs, and Ottomans. TABLE OF CONTENTS Notes on Contributors List of Figures Acknowledgments Introduction Jenny P. Albani and Ioanna Christoforaki PART I. A Capital Exiled, A Capital Regained Chapter 1 Loss, Memory, and Exile: Innovation and Simulation in Laskarid Art and Architecture Naomi Ruth Pitamber Chapter 2 Brickwork and Fa ade: Envisioning the Apse of the Church of Saint John the Baptist at the Lips Monastery Jasmina S. ?iri? PART II Artistic Developments and Interactions in the Christian East Chapter 3 Tradition and Transition on the Slopes of the Pentadaktylos Mountain in Thirteenth-Century Cyprus Nikolas Bakirtzis Chapter 4 Icons of the Virgin Nursing at Sinai and the Question of the Origins of the Madonna dell'Umilt Irene Leontakianakou Chapter 5 An Unknown Frankish Icon of the Mother of God Michele Bacci Chapter 6 Changes and Innovation: Reassessing Thirteenth-Century Byzantine Manuscript Illumination Marina Toumpouri PART III Regional Styles and New Cultural Identities Chapter 7 Architectural Sculpture during the Thirteenth Century: Cultural Interactions Shaping New Regional Identities Catherine Vanderheyde Chapter 8 Artistic Links between Epiros, Prilep, and Berroia in the Late Thirteenth Century: Continuity and Change in Monumental Painting Leonela Fundi? Chapter 9 A Missing Link in the Development of Relief Haloes: The Evidence from Macedonia Nikolaos Siomkos PART IV New Data on Everyday and Luxury Objects Chapter 10 Changing Byzantium: The Thirteenth Century Viewed through Its Pottery: Summary of the Evidence, Main Trends, Thoughts for Future Directions Anastasia G. Yangaki Chapter 11 Slow Paces of Change in Byzantine Material Culture: Dress in the Thirteenth Century Pari Kalamara Chapter 12 New Light on Byzantine Enamels of the Thirteenth Century Antje Bosselmann-Ruickbie PART V Envisaging and Visualizing Death Chapter 13 Eloquent Texts, Colourful Images: Visionary Scenes at the Refectory of the Patmos Monastery Konstantia Kefala Chapter 14 Is Everything Dead after Death? Mural Paintings of the Last Judgment and the Eschatological Preoccupations of the Thirteenth Century. Dimitra Kotoula In Conclusion Jenny P. Albani and Ioanna Christoforaki Index of Persons Topographical Index‎

‎Adoption, Adaption, and Innovation in Pre-Roman Italy. Paradigms for Cultural Change‎

‎, Brepols, 2023 Paperback, 282 pages, Size:216 x 280 mm, Illustrations:60 b/w, 84 col., 8 tables b/w., 10 maps b/w, 5 maps color, Language: English. ISBN 9782503602325.‎

‎Summary The ancient Mediterranean basin was once thought to be populated by large, monolithic, cultural-political entities. In this conception, 'the Greeks', 'the Romans', and other stable and homogenous cultures interacted and vied for supremacy like early modern states or empires. Today, however, thanks largely to an ever-increasing archaeological record, critical and sensitive approaches to the literary evidence, and the impact and application of new theoretical approaches, the ancient Mediterranean region is instead argued to be full of dynamic microcultures organized in a fluid set of overlapping networks. While this atomization of culture has resulted in more interesting and accurate micro-histories, it has also challenged how we understand cultural interaction and change. This volume draws on this new understanding of cultural identity and contact to address the themes of adoption, adaption, and innovation in Pre-Roman Italy from the 9th-3rd centuries BCE. The contributors to this volume build upon recent paradigm shifts in research that challenge traditional Hellenocentric models and work to establish a new set of frameworks for approaching the tangled question of how 'indigenous' and 'foreign' features relate to one another in the material record. Using focused case-studies, ranging from the role played by mobile populations in transferring ideas and technologies to the different ways in which 'foreign' artistic elements were used by Italian peoples, the volume explores what the ? now commonly accepted ? connectedness of a wider Mediterranean world meant for the people of Italy in practical terms, and offers new models for how concepts and ideas were transmitted, reinterpreted, repurposed, and re-appropriated in early Italy to fit within their local context. TABLE OF CONTENTS List of Illustrations Acknowledgements Abbreviations 1. Rethinking Cultural (Ex)Change in Pre-Roman Italy Jeremy Armstrong and Aaron Rhodes-Schroder 2. The Paradox of Innovation in Conservative Societies: Cultural Self-Consistency and Bricolage in Iron Age Central Italy Nicola Terrenato 3. Mixing Up Mediterranean Innovation: The Case of Viticulture and Wine Franco De Angelis 4. The World has Changed: Insularity and Tyrrhenian Connectivity during the Corsican Iron Ages Marine Lechenault and Kewin Peche-Quilichini 5. Folding Meaning in an Object: The Ficoroni Cista and the Heterarchy of Art in Early Italy John North Hopkins 6. Virtue in Variety: Contrasting Temple Design in Etruscan Italy Charlotte R. Potts 7. The Demon Is in the Detail: Greek Pottery in Etruscan Funerary Contexts Aaron Rhodes-Schroder 8. Local Choices in a Networked World: Funerary Practices at Crustumerium (Lazio) during the Long Seventh Century BCE Peter Attema, Barbara Belelli Marchesini, and Matthijs Catsman 9. From the Ground Up: Constructing Monumental Buildings in Archaic Central Italy Amanda K. Pavlick 10. The Archaic Countryside Revisited: A Ceramic Approach to the Study of Archaic Rural Infill in Latium Vetus Gijs Tol 11. Ritual Connectivity in Adriatic Italy Camilla Norman 12. Face to Face: Isolated Heads in South Italian and Etruscan Visual Culture Keely Elizabeth Heuer 13. Feasting Transformed: Commensal Identity Expression and Social Transformation in Iron Age and Archaic Western Sicily William M. Balco 14. The Deep Past of Magna Graecia's Pottery Traditions: Adoption and Adaptation at Timpone della Motta and in the Sibaritide (Northern Calabria, Italy) between the Middle Bronze Age and the Archaic Period Peter Attema, Carmelo Colelli, Martin Guggisberg, Francesca Ippolito, Jan Kindberg Jacobsen, Gloria Mittica, Wieke de Neef, and Sine Grove Saxkj r Index‎

‎The Life of Beau Brummel. ‎

‎ NAVARRE SOCIETY 1927 2 New edition, with an introduction and twenty coloured plates. London, The Navarre Society Limited, 1927, 2 volumes in-8, maroquin havane, plats décorés à froid, dos à nerfs orné d'un fin filet doré sous chacun des nerfs, pièce de titre et de tomaison en maroquin vert, tête rouge. ‎

‎Récit illustré de la vie de ce gentleman qui marqua de sa personnalité la vie mondaine de la première moitié du XIXème siècle. Reliure insolée et quelques taches, légère usure, piqûres internes, infimes déchirures, brochage fragile. ‎

‎Explorations in Islamic Archaeology‎

‎, Brepols - Harvey Miller, 2025 Paperback, Pages: 360 pages, Size:178 x 254 mm, Illustrations:14 b/w, 112 col., 17 tables b/w., 4 maps b/w, Language:English, *new. ISBN 9782503618722.‎

‎This volume presents contributions by leading scholars on various topics and aspects of Islamic Archaeology, a discipline which has recently seen the development of exciting new approaches to the study of the material culture of the Muslim world. This material culture was produced by and/or for Muslims, as well as by and/or for non-Muslims living under Islamic rule from the 7th century onward, in an expanding and ultimately vast area reaching from southern Europe to West Asia. The contributions in this book focus on Jordan, Oman, Spain, Turkey, Lebanon, as well as Israel, and cover a timespan from the 7th century through the Mamluk period to the early 20th century. They highlight the archaeology of large Islamic centers in the past, but also of the material culture in smaller sites and peripheral regions. Special emphasis is paid to pottery as one of the main artifacts that carry information on past societies, but other finds and materials are discussed as well. The aspect of Islamic material culture which receives particular attention is ?production?, specifically the production of clay vessels, glaze, mercury, and crops. What unites the new approaches presented here is that Islam is understood as both a ?religion? and a framework for economic, cultural, and social networks and influence. In this perspective, the volume aims to offer students of Islamic archaeology, historians of Islam and archaeologists of different disciplines a glimpse of the state-of-the-art in current Islamic Archaeology TABLE OF CONTENTS JOANITA VROOM (Series Editor) Preface HAGIT NOL & JOANITA VROOM (Volume Editors) Introduction: Current trends in Islamic Archaeology THEORY AND POTTERY JOS CRIST BAL CARVAJAL L PEZ Islamization and ceramics: Assembling change and Con-Text BETHANY J. WALKER ?Made on Order for the Amir?: What was the function of Mamluk Barracks Wares? ELENA SALINAS Entanglements in the western Islamic lands: Early glazed ceramics of al-Andalus SETTLEMENTS AND LANDSCAPES JOANITA VROOM All that glitters: Islamic material culture in Ephesus, western Turkey HAGIT NOL The archaeological narratives of Ramla from the 7th to the 11th century: Experimenting with Big Data KATAR NA MOKR NOV & MARGREET L. STEINER Material entanglements in the Early Islamic southern Levant (650-1000 CE): A view from the rural site of Tell Abu Sarbut, Jordan VALENTINA VEZZOLI Material culture and human landscape in Lebanon during the Islamic period: Baalbek and the Beqaa Valley PETER M.M.G. AKKERMANS, MEREL L. BR NING & AHMAD ALGHIZAWAT The grazing ground beyond the sown: Mamluk pastoralist settlement in Jebel Qurma, Black Desert, north-east Jordan IRINI BIEZEVELD & BLEDA S. D RING Quantifying the Late Islamic ooccupation peak: The case of the Upper Falaj al-Mu?tari?‎

‎Partition de la chanson : Sunday Mary What do you do sunday Mary ? Elles en veulent toutes Théâtre des Ambassadeurs‎

‎Partitions sur le Métier,Partitions sur le Prénom Salabert 1923‎

‎ Très bon état Grand format Piano ‎

‎Journal de la Décoration, 27e Année.‎

‎Paris Armand Guérinet Recueil de Documents utiles aux Artistes-Décorateurs. Publication trimestrielle. Nouvelle Série. Trimestres I-II-III-IV. Paris, Armand Guérinet, sans date, in-4 en feuilles, sous couverture cartonnée, demi-toilée rose pâle, feuille rose contrecollée sur la couverture, avec le titre contrecollé, 80 planches. ‎

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‎Ce recueil des 4 trimestres de la 27e de ce Journal de la Décoration, comprend 80 planches, soit 20 par trimestre, en couleurs, sur papier glacé. On y trouve par exemple une "Garniture brodée de robe, soie et or sur toile", des "Esquisses pour un panneau ; France fin du XVIIe siècle" attribuée à Claude Gillot, des "Masques , indiens et japonais. D'après les aquarelles de F. Endell", "Pierre Ranson (1736 à 1786), Projets de décorations", "George Barbier, vignettes", "Décoration murale de l'époque romane", "Richard Throll : Décorations murales modernes". Couverture jaunie, plat supérieur déchiré, légers manques aux tranchefilles. ‎

‎La Manufacture de Jouy et la toile imprimée au XVIIIe siècle. ‎

‎ 1926 1 Paris, Van Oest, 1926, in 8 oblong, broché, 36 pages et 32 planches. ‎

‎Histoire de cette prestigieuse Manufacture spécialisée dans la réalisation de toiles imprimées et l'indiennage. D'abord installé rue de Seine-Saint-Marcel, l'atelier, sous l'impulsion de Christophe-Philippe Oberkampf, déménage pour Jouy-en-Josas et prend une position dominante. Nombreuses illustrations en noir et en couleurs de panneaux anciens reproduits en toile de Jouy, de dessins de toiles de Jouy et deux échantillons de tissus sur toile de lin. Petites usures et salissures à la couverture, brochage fragile. ‎

‎Underdrawing in paintings of the Rogier van der Weyden and Master of Fle?malle groups‎

‎, Waanders, 1992 Hardcover with dusjacket, 328 pages . 27 cm. Illustrated, . *good. ISBN 9789066303508.‎

‎Part 41 of the Dutch Art History Yearbook is dedicated to the two most renowned painters of the Netherlands in the fifteenth century: Rogier van der Weyden and the anonymous Master of Fl malle. The paintings attributed to these two masters are unsigned. The division of the paintings into two groups, with some attributed to Rogier and others to his anonymous teacher, is therefore based on attributions. Using infrared reflectography, ..etc.‎

‎New Research on Central Asian, Buddhist and Far Eastern Art and Archaeology‎

‎, Brepols, 2019 Paperback, 346 pages, Size:216 x 280 mm, Illustrations:86 b/w, 185 col., Language: English. ISBN 9782503584508.‎

‎Summary This second volume of the series offers a broad range of subject matter from an equally broad range of regions. Michael Shenkar compares a particular type of deity from the Parthian West (Palmyra, Hatra) with the colossal image of a divinity from Akchakhan-kala in ancient Choresmia (part of modern-day Uzbekistan). Careful iconographic analysis of a sealing showing the god Mithra, found at Kafir Qala near Samarkand, allows Fabrizio Sinisi to suggest a Kushan origin for the seal that made the impression. Several contributions on Sogdiana concern its archaeology and early history (Bi Bo on Kangju and Sogdiana); the iconography of one of the major wall painting cycles at Panjikent (Matteo Compareti) as well as the city's temples and deities worshipped (Markus Mode). By drawing on archaeological, ethnological and historical data, S ren Stark offers an extensive discussion of mountain pastoralism and seasonal occupation in northern Tajikistan, north of the Zerafshan River in what were borderlands for Sogdiana. Rounding out the first part of this volume is Suzanne G. Valentine's publication of a Bactrian camel clay sculpture, excavated in the Sui-Tang capital of Xi'an, its saddlebags decorated with an unusual motif. The second and last part is guest-edited by John Clarke, convener of a Buddhist conference in 2010. This section contains updated or new papers by some of the participants-Naman P. Ahuja on Buddhist imagery in Bengal; Amy Heller on the impact of Kashmiri art on Guge and Ladakh; Deborah Klimburg-Salter on Buddhist pilgrimage sites in Afghanistan; and Michael Willis on sculpture from Sarnath in the British Museum-along with that of Chiara Bellini on the restoration of the Alchi Sumtsek and the dating of the Ladakhi temple. TABLE OF CONTENTS On Central Asian Art and Archaeology Michael SHENKAR - "The Chorasmian Gad: On the "Colossal" Figure from Akchakhan-kala" Fabrizio SINISI - "A Kushan Investiture Scene with Mithra on a Seal Impression from Kafir Qala, Samarkand" BI Bo - "Recent Archaeological Discoveries Regarding Kangju and Sogdiana" Matteo COMPARETI - "Simurgh or Farr? On the Representation of Fantastic Creatures in the Sogdian 'Rustam Cycle' at Panjikent" Markus MODE - "In the Heart of the City: On Sogdian Temples and Deities at Panjikent" ? ? On Buddhist Sculpture: Papers from a Symposium held at the Victoria and Albert Museum, London, November 8 and 9, 2010, and Papers Inspired by the Symposium John CLARKE (Guest Editor) - "Introduction" Naman P. AHUJA - "A Buddhist Interpretation of Small Finds in the Early Historic Period" Michael WILLIS - "Markham Kittoe and Sculpture from Sarnath in the British Museum" Deborah KLIMBURG-SALTER - "Buddhist Pilgrimage to India: Bamiyan, Kapisa -Kabul, and Mes Aynak" Amy HELLER - "Tracing the Impact of Kashmiri Art in Guge and Ladakh, Eleventh to Thirteenth Centuries" Chiara BELLINI - "Some Other Pieces of the Puzzle: The Restoration of the Alchi Sumtsek by Tashi Namgyal and Other Considerations on the Dating of the Ladakhi Temple" On Far Eastern Art and Archaeology Bonnie CHENG - "The Underground Silk Road - Pictorial Affinities in Fifth-century Cave Temples and Tombs" Heather D. CLYDESDALE - "Buried Towers: Artistic Innovation on China's Frontier" Suzanne G. VALENSTEIN with Annette L. JULIANO and Judith A. LERNER - "Hellenism in Sui-Tang Chang'an: Dionysiac Imagery on Mortuary Camels" Young-pil KWON - "Note on Border Patterns Dividing the Earthly and Heavenly Realms in Goguryeo Tomb Paintings"‎

‎Nouveau manuel complet du blanchiment, du blanchissage, nettoyage et dégraissage des fils et étoffes de coton, chanvre, lin, laine, soie, abaca, agave, china-grass, jute, etc. ‎

‎ Librairie Encyclopédique Roret, Paris, 1855. Deux volumes in 12 reliés demi-maroquin rouge de XII, 292 pages, 6 plaches dépliantes et IV, 322 pages, 6 planches dépliantes. Rousseurs, reliures en bon état.‎

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