‎Histoire de la Rubanerie et des Industries de la soie à Saint-étienne et dans la région, suivie d’un Historique de la fabrique de lacets de saint-Chamond‎

‎Saint-étienne, Société de l’Imprimerie Théollier 1906 In-8 demi-chagrin brun, dos à nerfs, caissons ornés de petits fers dorés, 886 pp. Reliure légèrement frottée.‎

‎étude sur le régime économique et la situation générale depuis les origines jusqu’à nos jours. Bon état d’occasion ‎

‎Guerlain. ‎

‎PARIS. DENOËL. 1987 1 P., Denoël, 1987, in-4, cartonnage toilé de l'éditeur, sous jaquette ill. d'une photo en coul., et étui, nombreuses photos et ill. en noir et en coul. , in et hors-texte, 160 pp. ‎

‎Colette Fellous, écrivain spécialiste de l'histoire des parfums, retrace, dans son très beau livre généreusement illustré, l'ascension de la célèbre maison, depuis sa création en 1828 jusqu'à nos jours. "Cet ouvrage, comme le parfum, joue d'évocation multiples et successives." ‎

‎Croquis et Silhouettes, habillez-vous richement. ‎

‎ 1 Paris, Office d'Edition d'Art, sans date, in-8, broché, couverture illustrée en couleurs. ‎

4 Images

‎Plaquette illustrée de créations de la Maison Guesdon avec des légendes. Manques de papier, décirures à la couverture. ‎

‎Chambre d'apprentissage des métiers de la soie. Cours de théorie de tissage . La Soie - Tissus unis - Armures classiques‎

‎Lyon, Sève 1946 In-4. Broché, couverture imprimée, 326 pp., 250 figures. Couverture ternie, sinon bon exemplaire non coupé.‎

‎ Bon état d’occasion ‎

‎Cours de tissage.‎

‎La soie - Tissus unis - Armures classiques. Lyon. Sève. 1946. In-4 (28x22). 326 pages. Broché.‎

‎Ouvrage technique complet, traitant de la théorie des tissus unis. 250 figures dans le texte. Parfait état.‎

‎Le Batik ‎

‎ Editions Formart Editions Formart 1977. In-4 en feuillets non paginé. Bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Fabriquez les vêtements de vos enfants‎

‎Jean -Pierre Delarge 1979 In-8, broche, couverture à rabats, 178 pp.‎

‎ Bon état d’occasion ‎

‎Riches Beyond the Horizon. Long-distance Trade in Early Medieval Landscapes (ca. 6th-12th centuries)‎

‎, Brepols, 2022 Paperback, 320 pages, Size:178 x 254 mm, Illustrations:106 col., 16 tables b/w., 58 maps b/w, Language: English. ISBN 9782503599816.‎

‎Summary This book offers new and innovative perspectives on long-distance trade between Europe, the Mediterranean area, the Middle East, Africa, India and China during the Early Medieval period. The archaeological data and historical insights presented in this volume are without exception of great interest, often exciting, and more than once astonishing. The goods which travelled between the continents in the timespan under discussion (ca. 6th to 12th centuries) include pottery in all shapes and forms, textiles, coins, metal, lava millstones, glass, marble columns, rock-crystal beads, and also plants used for incense. The scope of the contributions includes the wide-ranging economic contacts of a Viking community, the changing patterns of long-distance trade in the Byzantine Empire, the spread of Chinese pottery to Africa, the Near East and Europe, the information on maritime routes provided by shipwrecks in the Java Sea, the reconstruction of an incense trade network, and the production and distribution of textiles as well as stone objects in the Middle East and beyond. The varied approaches in this volume underline that the movement of objects in Early Medieval times over vast distances not only reflect mechanisms of exchange, but also imply social networks and the transfer of ideas. Thus, Riches Beyond the Horizon sheds compelling light on a world which was much more complex and much more interconnected than has often been assumed. TABLE OF CONTENTS Joanita Vroom, Preface Hagit Nol, Long distance trade in the Early Medieval period: A general introduction Natalie Kontny, Arabo-Islamic geographies: Indian Ocean trade in Ibn KhurradKit (fl. 884 CE) Sterenn Le Maguer-Gillon, Elusive remains: Identifying incense trade routes in western Asia from biodegradable commodities (ca. 7th-13th centuries) Dashu Qin & Justin Ching Ho, Chinese ceramics exported to Africa during the 9th-10th centuries Guangcan Xin, Maritime trade in Southeast Asia from the 9th-10th centuries: A study of the Belitung and Cirebon Shipwrecks Joanita Vroom, From Xian to Birka and back: Constantinople as a nodal point in long-distance contacts during the early Middle Ages (ca. 6th-12th centuries) Hagit Nol, Rolling stones: Distribution patterns of marble, basalt and beach rock from Early Medieval Israel (ca. 7th-11th centuries) Orit Shamir & Alisa Baginski, Early medieval textiles from excavations in Israel (9th-13th centuries) trade and Transfer Ralf Wiechmann, Advancing into unknown lands: The numismatic material of Gros Stromkendorf near Wismar during the Early Viking age (ca. 8th-9th centuries)‎

‎Cuir à fleur de peau‎

‎Adam Biro, coll. « Textures » 2001 In-8 broché. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Knaurs Kostümbuch. Die Kostümgeschichte aller Zeiten.‎

‎ München, Droemer, 1954. In-8 rel. pleine toile chamois éditeur, titre doré au dos, 287 pp., 750 ill. en coul. dans le texte, index. ‎

‎Etiquette ex-libris en page de garde. Sehr gut Erhaltung. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Soieries de Chine.‎

‎ Paris, Nathan, 1987. In-4, rel. d’éditeur pleine toile rouge sous étui ill. en couleurs, 255 pp., 275 pl. en couleurs, catalogue des techniques et des points. ‎

‎Adapté du chinois par Christine Kontler et Dong Chun. Petit accroc à l'étui. Ouvrage en très bon état. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎Les ETOFFES. Dictionnaire historique.‎

‎Paris, 1994, fort in-4 pleine toile, jaquette (416 pages). Illustrations dans et hors-texte.‎

‎ bon ‎

‎Les Etoffes. Dictionnaire historique.‎

‎ Paris, Editions de l’amateur 1994, 320x240mm, 419pages, reliure d'éditeur sous jaquette. Exemplaire à l'état de neuf.‎

‎ photos couleurs, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Cadeaux au point de croix : Pour bébé et sa chambre‎

‎Editions du Carrousel 1999 In-4 relié 28,2 cm sur 22,2. 128 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Jude the Obscure (Penguin Readers (Graded Readers))‎

‎Penguin Group 1995 80 pages 12 6x0 6x18 6cm. 1995. Broché. 80 pages.‎

‎intérieur assez propre bonne tenue‎

‎Archaeology of Colour. Technical Art History Studies in Greek and Roman Painting and Polychromy‎

‎, Brepols, 2024 Hardback, 450 pages, Size:216 x 280 mm, Language: English. ISBN 9789603710899.‎

‎Summary Ancient polychromy speaks a language of ?the visible? and ?the invisible?, through signs of pigments, brushstrokes and forms. Another reminder of our classical past, colour is an inherent component of artistic creation, inspiration and imagination. New sophisticated technologies, as well as the development of interdisciplinary studies over these past decades, have stimulated the collection and evaluation of numerous scientific data from in-situ investigation of polychrome and painted documents, and have challenged our understanding of the complexity and function of ancient painting materials and techniques. The present volume is another contribution to the ongoing exploration of the rich history of colour in the classical world; an exploration which builds on previous knowledge and opens up new horizons for a more extended understanding of the aesthetics and meaning of Greek and Roman art. It includes fifteen papers that move from Archaic and Classical Greece to the Hellenistic and Roman periods, and deal with colour on monumental architecture, marble statues and reliefs, wooden and terracotta statuettes, stone sarcophagi, paintings on stone and plaster, and pigments as raw materials. TABLE OF CONTENTS INTRODUCTION Hariclia Brecoulaki ARCHAIC / CLASSICAL PERIOD 1. Physicochemical Characterization of Colours and Plasters of an Archaic Sarcophagus from Chiliomodi, Corinth Yannis Maniatis, Eleni Korka, Melina Fotopoulou, Chara Sakellari, Nikos Minos, Safaa Abd El Salam, Alessia Andreotti, Maria Perla Colombini, Stefano Legnaioli and Hariclia Brecoulaki 2. The Revelation of the Decorative Pattern on the Coffered Ceiling of the Porch of the Karyatids in the Erechtheion Giasemi Frantzi, Anastasia Maridaki, Eleni Papakonstantinou, Giovanni Verri, Sophia Sotiropoulou and Hariclia Brecoulaki 3. Technical Investigation of the Polychromy of the Northwest Raking Sima of the Parthenon Eleni Aggelakopoulou, Anastasia Panou, Ioannis Kotsifakos, ?nastasia P. Moutsatsou, Asterios Bakolas, Maria Karoglou and Elisavet P. Sioumpara 4. Two Polychrome Ionic Capitals from the Athenian Agora: Documentation and Experimental Reconstruction Vinzenz Brinkmann, Ulrike Koch-Brinkmann and Heinrich Piening LATE CLASSICAL / HELLENISTIC PERIOD 5. A Pilot Technological Investigation of the Aigai (Vergina) Hunt Frieze: Retrieving Ancient Colours, Rethinking Modern Reconstructions Hariclia Brecoulaki, Andreas G. Karydas, Giovanni Verri and Kalliopi Tsampa 6. The Figured Stelai from the ?Great Tumulus? of Aigai Revisited: New Findings on the Distribution of Pigments and Aspects of their Iconography Myrina Kalaitzi and Giovanni Verri 7. Organic Binders and Painting Techniques of Funerary Wall-paintings from Ancient Macedonia Lydia Avlonitou, Maria Perla Colombini and Anna Lluveras-Tenorio 8. Greek Gilded Wood: an Exceptional Polychrome Peplophoros from Kerch (Mus e du Louvre) Brigitte Bourgeois, Violaine Jeammet and Sandrine Pag s-Camagna 9. The Spectrum of Skin Colours in Hellenistic Sculptures and Other Media. A wide range with different meanings Clarissa Blume-Jung ROMAN PERIOD 10. New Research on the ?Monochromes on Marble? from Herculaneum and Pompeii Susanna Bracci, Roberta Iannaccone, Sara Lenzi and Paolo Liverani 11. Identification of Pigments on Ancient Sculptures from the Collections of the Archaeological Museum of Thessaloniki Polyxeni Adam-Veleni, Katerina Tzanavari, Christos S. Katsifas, Dimitris Karolidis and Orestis Kourakis 12. Roman Sarcophagi Use and Reuse: Colour Application Techniques and Ancient Repainting Eliana Siotto ON COLOURS 13. Eclectic Uses of Egyptian Blue in Greek Painting: a Versatile Painting Material Hariclia Brecoulaki, Giovanni Verri, Anne-Marie Guimier-Sorbets and Lydia Avlonitou 14. In Search of Mineral Pigments Described by Theophrastus of Eressos: Cyanus from Scythia, Miltos from Sinope and Ochre from Cyprus Thomas Katsaros 15. Did Colour and Colouring in Greek Art Confer Prestige? Elena Walter-Karydi INDEX‎

‎5000 ANS DE TEXTILES‎

‎ EDITIONS DE L' OLYMPE 1994 1 volume in-4 de 320 pages , dans son cartonnage éditeur et bien complet de sa jaquette en couleurs , très nombreuses illustrations en noir et blanc et en couleurs , nom de propriétaire sur la page de garde , autrement très bon exemplaire . " Ouvrage publié pour la première fois en anglais en 1993 par le British Museum " Bon Couverture rigide ‎

‎TISSUS, TAPIS ET PAPIER PEINTS,‎

‎Paris, Fabbri, 1990 Broche, couverture carton illustree, 215 x 285mm., 80pp., illustration profonde en couleurs.‎

‎Bon etat.‎

‎INDIENNES : Un TISSU REVOLUTIONNE le MONDE‎

‎Un ouvrage de 232 pages, format 250 x 285 mm, illustré, relié cartonnage couleurs, publié en 2018, Château de Prangins / La Bibliothèque des Arts, bon état, peu courant‎

‎L'art de la teinture des laines et des étoffes de laine en grand et petit teint, avec une instruction sur les déboüillis‎

‎Paris, La Veuve Pissot, Jean-Thomas Hérissant 1750 In-16. Reliure plein veau havane raciné, XIX-631 pp. Intérieur très frais hormis une moouillure angulaire sur les premières pages. Bon exemplaire.‎

4 Images

‎édition originale. Premier traité de ce genre sur la façon de teindre les laines et le plus important ouvrage de l'auteur, Jean Hellot (1685-1766), chimiste et industriel réputé. Bon état d’occasion ‎

‎Album ou collection complète et historique des costumes de la cour de Rome des ordres monastiques, religieux et militaires et des congrégations séculières des deux sexes. ‎

‎Paris SILVESTRE 1862 1 Illustrations PERUGINI. Paris., Silvestre, 1862, demi maroquin vert à coins, dos à 5 nerfs, illustré de 80 planches lithographiées en couleurs, 298 pp. ‎

4 Images

‎Deuxième édition de l'ouvrage qui réunit tous les costumes romains religieux avec leur descriptif, chacun ill.ustré d'une figure dessinée et coloriée d'après nature par PERUGINI. Dos insolé, usures à la reliure, piqures et rousseurs internes, reports. ‎

‎Le Décor des Soieries d'Art Anciennes et Modernes. Documents originaux en couleurs du Musée historique des Tissus de Lyon. ‎

‎ Paris, Editions Nilsson, sans date, 1 volume grand in-folio de 420x310 mm environ, non paginé (24 pages), 56 planches en couleurs montées sur onglets reproduisant des documents emblématiques des collections du Musée des tissus de Lyon, demi basane racinée fauve, titres dorés. Petites rousseurs sur les pages de gardes, des épidermures et traces noires sur le cuir, frottements sur le cartonnage, sinon bon état.‎

6 Images

‎Henri d' Hennezel (1874-1944). Hommes de lettres - Directeur du Musée Historique des Tissus de la Chambre de Commerce de Lyon. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Musée Historique des Tissus. Catalogue des principales pièces exposées‎

‎Chambre de Commerce de Lyon, Société anonyme de l’Imprimerie Rey 1929 In-4. Broché, couverture rempiée imprimée, XIII-136 pp., 16 planches contenant 31 illustrations. Exemplaire non coupé en bon état.‎

‎440 notices. Bon état d’occasion ‎

‎MUSEE HISTORIQUE des TISSUS : CATALOGUE des PRINCIPALES PIECES EXPOSEES‎

‎Un ouvrage de 136 pages, format 210 x 260 mm, illustré de 16 planches contenant 31 illustrations, broché, publié en 1929, Impr. A. Rey (Lyon), très bon état (non coupé)‎

‎Concerne le Musée des tissus de Lyon‎

‎In Search of Cultural Identities in West and Central Asia. A Festschrift for Prudence Oliver Harper‎

‎, Brepols, 2024 Paperback, 444 pages, Size:216 x 280 mm, Illustrations:111 b/w, 171 col., 0 tables b/w., 1 maps b/w, 4 maps color, Language: English. ISBN 9782503604381.‎

‎Summary How do we reconstruct ancient societies' cultural and visual identities? Prudence Oliver Harper has dedicated her scholarly and curatorial career to piecing together the material culture of communities across ancient Western Asia, Iran, and Central Asia. A number of her colleagues - art historians, archaeologists, philologists, and conservators - have contributed essays to this volume to reflect Harper's range of contributions throughout her six-decade career. Many of the essays focus on ancient metalwork, Harper's major expertise, while others on glyptics, ivory, or glass, three of her other interests. The essays aim to make sense of this region's diverse cultural identities, many of which are the results of cross-cultural exchange. Some authors have employed iconographical or socio-historical approaches; others have complementarily opened new facets of cultural identities through technical and scientific analyses, collection history, and provenance research. TABLE OF CONTENTS Kim Benzel (The Metropolitan Museum of Art) Foreword Judith A. Lerner (Institute for the Study of the Ancient World), Betty Hensellek (independent scholar) and Henry P. Colburn (New York University) Prudence Oliver Harper: Curator and Scholar Judith A. Lerner and Henry P. Colburn Bibliography of Prudence Oliver Harper Materials and Methods Matteo Compareti (Capital Normal University, Beijing) Textile Decorations in Sasanian Stucco Panels at Bandyan (Khorasan, Iran) Georgina Herrmann (Institute of Archaeology, University College London, Emerita) Bringing Order Out of Chaos: Connoisseurship as a Fundamental Tool Pieter Meyers (Los Angeles County Museum of Art, Emeritus) Bronze Casting in the Near East and Surrounding Areas St John Simpson (The British Museum) Sasanian Skeuomorphs: the Influence of Metalware on the Glass Industry K. Aslihan Yener (The Oriental Institute, University of Chicago, Emerita; and Ko University, Emerita) Silver for Justinian: Lead Isotope Analyses of Sixth- and Seventh-Century Silver Artifacts Sasanian and Sogdian Silver Betty Hensellek (Cornell Institute of Archaeology and Material Studies) The Many Lives of the Silver Saiga Rhyton in the Metropolitan Museum of Art Kate Masia-Radford (Independent Scholar) Aquatic Imagery on Silverware Attributed to the Sasanian Period Asadullah Souren Melikian-Chirvani (Independent Scholar) The Enduring Memory of Iranian Antiquity in Islamic Iran Nicholas Sims-Williams (School of Oriental and African Studies, Emeritus) and Bi Bo (Renmin University, Beijing) A Silver Vessel with a Sogdian Inscription from Chach Mediterranean and Central Asian Connections Joan Aruz (The Metropolitan Museum of Art, Emerita) and Annie Caubet (Mus e du Louvre, Emerita) Central Anatolia and the Mediterranean: Art and the Materials of Interaction Henry P. Colburn (New York University) On the Date and Cultural Context of Aurel Stein's Gilgit Rhyton Anca Dan (Centre national de la recherche scientifique, and cole Normale Sup rieure, Paris) and Frantz Grenet (Coll ge de France, Paris) Facing Dionysus at Silenus' Banquet in Tokharistan: A Possible Echo of a Greco-Roman Mystic Circle on a Fourth-Fifth Century "Bactrian" Silver Bowl in The al-Sabah Collection (LNS 1560M) Judith A. Lerner (Institute for the Study of the Ancient World) Thoughts on a Reused Roman Seal with a Middle Persian Inscription Andrew Oliver (Independent Scholar, Washington, D.C.) Fishing among the Flowers on a Roman Silver Cup Holly Pittman (University of Pennsylvania) Forerunners of Old Elamite Culture in Bronze Age Kerman Karen S. Rubinson (Institute for the Study of the Ancient World) Once More Identity at Tillya Tepe: the Iron Artifacts from Burial 2 History and Historiography Carol Bier (Center for Islamic Studies, Graduate Theological Union, Berkeley; The Textile Museum, Emerita) Professor Pope and Dr. Phyllis Ackerman: Carpets and the Study of Persian Textiles Martha L. Carter (Independent Scholar) Notes on the Creative Mind of Ardashir I John E. Curtis (Iran Heritage Foundation; The British Museum, Emeritus) and Vesta Sarkosh Curtis (The British Museum) A Statue from Hatra in the Basrah Museum Anne Dunn-Vaturi (The Metropolitan Museum of Art) Marie-Th r se Dubalen and the Ancient Near Eastern Study Collection Rika Gyselen (Centre national de la recherche scientifique, Paris, Emerita) Yazd, une province de l'empire sassanide Jens Kr ger (Museum f r Islamische Kunst, Emeritus) Revisiting the Ctesiphon Excavations of 1928-29 and How the Met's Trustees Saved the Second Campaign in 1931-32‎