‎Andras Beck. Préface de Jean Cassou. Introduction de Bernard Dorival.‎

‎ Paris, AtarArted, Editions d’Art 1978, 310x245mm, 50pages, reliure d'éditeur sous jaquette. Inscriptions manuscrites sur la page de garde supérieure, autrement bel exemplaire. ‎

‎ photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎INTRODUCTION À LA SCULPTURE DE BRANCUSI ‎

‎ Paris: Arted Editions D'art, 1982- Broché In-8. 95pp,ill.ht‎

‎soulignures aux premieres pages,dans l'état; Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

‎La sculpture et les sculpteurs-de la prehistoire a nos jours et dans le monde entier - Petite histoire - art et science‎

‎Nathan. Non daté. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 158 pages. Annotation sur la page de garde. Premier plat illustré en couleurs. Nombreuses photos en noir et blanc, dans et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎242 reproductions. Maquette de Lionel Scanteye. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Froso Eftimiadi. Maquette de Lionel Scanteye.‎

‎Paris: Arted, 1977 in-4, 96 pages, illustrations. Chronologie, liste des expositions. Reliure toile, jaquette, bon état. Monographie sur la sculpteur grecque Froso Eftimiadi.‎

‎Froso Eftimiadi. Maquette de Lionel Scanteye. (Paris: Arted, 1977). [M.C.: Grèce, beaux arts, art contemporain, sculpture]‎

‎PRE-COLUMBIAN ART OF MEXICO (Art précolombien du Mexique)‎

‎ 1980 Abbeville Press, new-York, 1980, first edition. Un volume in 4° relié toile toile rouge de l'éditeur avec jaquette illustrée. 128 pages, nombreuses illustrations couleurs. Un accroc à la jaquette, bon état intérieur.‎

‎ Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎JOHANN GEORG PINSEL‎

‎Un ouvrage de 173 pages, format 240 x 280 mm, illustré, broché couverture couleurs rempliée, publié en 2012, Louvre Editions, bon état‎

‎Un sculpteur baroque en Ukraine au XVIIIe siècle‎

‎Tributes to Paul Binski. Medieval Gothic: Art, Architecture & Ideas‎

‎, Brepols - Harvey Miller, 2021 Hardback, 436 pages, Size:210 x 275 mm, Illustrations:22 b/w, 132 col., Language: English. ISBN 9781912554744.‎

‎Summary This volume is published in honour of Paul Binski, whose scholarship and teaching have done so much to illuminate the material and intellectual worlds of Gothic art and architecture. Remarkable for its material scope and philosophical depth, Paul's work has had a powerful influence on the current state of the field: this is reflected here in thirty-four essays on buildings, works of art and ideas in a wide range of historical and geographical contexts, from Iberia to Scandinavia and Italy to Ireland. Consistently fresh in their scholarship, these essays combine to make an important contribution to medieval art history. In doing so they reflect the admiration and affection which Paul inspires in his students and colleagues. With contributions by: Gabriel Byng, Meredith Cohen, Emily Guerry, James Hillson, Ethan Matt Kavaler, Tom Nickson, Zo Opa?i?, Claudia Bolgia, Jean-Marie Guillou t, Justin E. A. Kroesen, Julian Luxford, Robert Mills, John Munns, Matthew M. Reeve, Laura Slater, Beth Williamson, Jessica Berenbeim, Spike Bucklow, Marcia Kupfer, Jean-Pascal Pouzet, Miri Rubin, Kathryn M. Rudy, Roc o S nchez Ameijeiras, Lucy Wrapson, Patrick Zutshi, Mary Carruthers, Jill Caskey, Lucy Donkin, Kate Heard, Robert Maniura, Alexander Marr, M. A. Michael, Conrad Rudolph, Betsy Sears. TABLE OF CONTENTS Part One: Gothic Architecture 1. Gabriel Byng - The 'Great Rebuilding' of the Late Middle Ages: Revising the longue dur e History of the Gothic Parish Church 2. Meredith Cohen - 'The Forest through the Trees': The Pier as a Seed Plan at the Lady Chapel of Saint-Germain des Pr s 3. Emily Guerry - A Gothic Throne for the King of Kings: A Re-evaluation of the Design, Date, and Function of the Sainte-Chapelle Tribune 4. James Hillson - Linearity and the Gothic Style: Architectural Conception in England and France, 1200-1400 5. Ethan Matt Kavaler - Diamonds are Forever: Cell Vaults and the Beginnings of History 6. Tom Nickson - Describing Architecture in Thirteenth-Century Spain 7. Zo Opa?i? - Cui bono? The Founding and Funding of Medieval Religious Institutions under Charles IV Part Two: Gothic Sculpture and its Environment 8. Claudia Bolgia - The 'Tabernacles' War' II, c.1400: New Light on the Competition between Icons and Relics in Late Medieval Rome 9. Jean-Marie Guillou t - Epigraphic One-Upmanship: Remarks about Text-Image Relationship in Fifteenth Century Monumental Sculpture 10. Justin E. A. Kroesen - Gotland Wonder: Unique High Medieval Interior Ensembles on a Baltic Island 11. Julian Luxford - John and Johanna Ormond's Grave 12. Robert Mills - Wild Forms: The Art of East Anglian Wodewoses 13. John Munns - The Thirteenth-Century Pyx Cover at Wells Cathedral 14. Matthew M. Reeve - Fragments from Wisdom's House: The Lady chapel Juxta Claustrum at Wells Cathedral 15. Laura Slater - Musical Wit and Courtly Connections at Cogges 16. Beth Williamson - The Kilcorban Madonna: Joy and Potential in an Irish Wooden Virgin and Child Part Three: Gothic Painting, Manuscripts and Poetics 17. Jessica Berenbeim - Recapitulation: A Medieval Table of Contents 18. Spike Bucklow - The Economics of Blue and Gold 19. Marcia Kupfer - A Hill of Foreskins: Circumcision in the Alba Bible 20. Jean-Pascal Pouzet - Notes towards a Poetics of Western Medieval Manuscript Form - with an Application to Illuminated Manuscripts in Cambridge University Library 21. Miri Rubin - Ecclesia and Synagoga in Time 22. Kathryn M. Rudy - The Bolton/Blackburn Hours (York Minster Add. Ms. 2): A New Solution to its Text-Image Disjunctions using a Structural Model 23. Roc o S nchez Ameijeiras - If the Sea Were Made of Ink: A Word on Medieval Visual Poetry 24. Lucy Wrapson - A Royal Portrait? Uncovering the Identity of Saints on the Latemedieval Screen at North Tuddenham, Norfolk 25. Patrick Zutshi - The Veronica Images Painted by Matteo Giovannetti for Pope Urban V (1369) Part Four: Gothic Art and Ideas 26. Mary Carruthers - Becoming Like an Angel: The Concept of Sublimis in Monastic Contemplation and in Alchemy 27. Jill Caskey - Treasure, Taxonomy, and Transformation in the Inventories of San Nicola, Bari 28. Lucy Donkin - Mining Mount Tabor: the Schauinsland Window at the Minster of Freiburg im Breisgau 29. Kate Heard - The Ecclesiastical Textiles of Humphrey, Duke of Gloucester 30. Robert Maniura - Why Study Miraculous Images? 31. Alexander Marr - Working by Wit Alone: Aspects of Ingenuity in D rer 32. M. A. Michael - Inventing Gothic Painting: Creating Fine Art 33. Conrad Rudolph - The Evidence of the Training of Tour Guides in the Middle Ages 34. Betsy Sears - Gothic Logic: Panofsky's Unwritten Book on 'The Gothic Style' Index of Buildings, Works of Art, Manuscripts, and Medieval Authors‎

‎E.manet‎

‎Dimanche 1955 in4. 1955. Broché.‎

‎Bon Etat plusieurs taches rousseurs couverture‎

‎Emerging Naturalism: Contexts and Narratives in European Sculpture 1140-1220‎

‎, Brepols - Harvey Miller, 2020 Hardcover, 436 pages, 156 b/w ill. + 18 colour ill., 220 x 280 mm, Languages: English. ISBN 9782503574486.‎

‎For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does it embrace functional, formal or iconographic specificities. Despite these deficiencies, we still have no better way of referring to the art of the period than Romanesque, Late Romanesque or Early Gothic which we make yet more cumbersome by adding a geographical or political term. Of the various media which were affected by artistic innovation in Europe during the second half of the 12th century, particular attention has been paid to stained glass, manuscript illumination, metalwork and enamel. Monumental sculpture was equally subject to profound change during the period, in addition to developing in directions that were largely independent of other media. As a result, late Romanesque sculpture extends across the period from 1140 to 1220, from Saxony to Galicia, though it is still impossible to encapsulate in a single statement what this complex network represented. However, the attainment of a compelling naturalism does seem to have been a shared aspiration among Latin European sculptors. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140?1220 offers a panoramic analysis of this artistic landscape, focused on a central issue in medieval European artistic production. To narrow this field of study, the book concentrates on the innovations and solutions adopted in the great church workshops of western Europe. Gerardo Boto Varela teaches art history at the Universitat de Girona (Spain), is leader of the international research group Templa, and scientific editor of the journal Codex Aquilarensis. Revista de Arte Medieval. His research concentrates on spatial, pictorial, and liturgical aspects of Spanish ecclesiastical architecture from the tenth to thirteenth centuries, as well as on dynastic tombs and memorial culture in Medieval Iberia. Marta Serrano Coll teaches art history at the Universitat Rovira i Virgili in Tarragona (Spain) and specializes in Medieval architecture and sculpture, particularly in Catalonia. Her research interests include the display of power through artworks and royal patronage in the Iberian Peninsula during the Middle Ages. In addition, she has published in the field of Romanesque sculpture and hagiographical studies. John McNeill teaches at Oxford University?s Department of Continuing Education, and is Honorary Secretary of the British Archaeological Association, for whom he has edited and contributed to volumes on Anjou, King?s Lynn and the Fens, the medieval cloister, and English medieval chantries. He was instrumental in establishing a biennial International Romanesque Conference Series and has a particular interest in the design of medieval monastic precincts. Table of Contents Emerging Naturalism and a New Medieval Morphology ? Herbert L. Kessler I.Shaping Late Romanesque Sculpture. Balance and Perspective The Attainment of a Compelling Naturalism in Sculpture c. 1200 ? Gerardo Boto Varela What is So-Called Late Romanesque Sculpture? ? Xavier Barral i Altet II. Late Romanesque / Early Gothic Sculpture in European Cathedrals (1140?1220) The Role of Burgundy in the Development of the First Column-Statues ? Marcello Angheben Late Romanesque Sculpture and the Cathedrals of South-Western France ? Quitterie Cazes An Enigma Put Aside. The Origin and Interpretation of a Decontextualized Capital from Saint Trophime at Arles ? Juan Antonio Ola eta Around and After 1200. Old and New Concepts of Monumental Sculpture in the German Territories of the Holy Roman Empire ? Claudia R ckert Sculpture and Liturgy: Monuments and Art Histories of Southern Italy (c. 1150?1250 and Beyond) ? Elisabetta Scirocco Old Testament Sacrifice and Thirteenth-Century Tithe: Cain and Abel in the Architectural Sculpture of the Holy Roman Empire ? Stephanie Luther Late Romanesque Sculpture in England. How Far Can the Evidence Take Us? ? John McNeill The Gothic Last Judgment Portal c. 1210. Visual Strategies and Communicative Function ? Bruno Boerner Aesthetics and the Imitation of Antiquity in Early Gothic Sculpture ? Laurence Terrier Aliferis III. Sculptural Visualisations in the Cathedrals of the Iberian Kingdoms (1160?1220) The Reception of Burgundian Models in the Second Half of the Twelfth Century and the Naturalist Redefinition of Romanesque Sculpture in Castile ? Marta Poza Yag e Master Mateo and the Cathedral of Santiago at the End of the Twelfth Century ? Ram n Yzquierdo Peir Late Romanesque Sculpture in the Kingdoms of Leon and Castile: Continuity or Change? ? Jos Luis Hernando Garrido & Antonio Ledesma Romanesque Sculpture in Portuguese Cathedrals: Models, Continuity and Adaptation ? Carla Varela Fernandes & Paulo Almeida Fernandes The Meaning of the Romanesque Sculpture in the C mara Santa at the Cathedral of Oviedo ? C sar Garc a de Castro Vald s Images and Stories: The Transformation of Space in the Cathedrals of the Ebro Valley ? Esther Lozano L pez The Vault Corbels in the Cloister of Tarragona Cathedral: Shaping a New Pictorial Corporeality that Goes Beyond the Late Romanesque ? Gerardo Boto Varela & Marta Serrano Coll‎

‎Une exposition de sculptures dans le parc d'Ar Milin'. Jardin des arts et les entrepreneurs mécènes‎

‎Juan Consultants 2007 in8. 2007. Cartonné. Illustrations de Lionel Tarchala‎

‎Etat de Neuf‎

‎Genèse d'une sculpture. 10 années de création. Préf. de Claude Louis-Combet.‎

‎Besançon, ed. Bernard Jobin, 1983, gr. in-8vo, 157 p. rich. ill., envoi ms. signé de Jobin, sur la deuxième f., reliure en toile originale, jaquette en velin ill. + plastique.‎

‎Cet exemplaire porte le num. 1018, d'une série num. de 251 à 2000, accompagnés d'une jaquette en lithographie. ‎

‎Louis Jobin, statuaire‎

‎Montréal Beauchemin 1968 In-8 illustré, 147p. Couverture illustrée (Arthur Lismer). ‎

‎:: Edition originale. Monographie consacrée au sculpteur québécois Louis Jobin (1845-1928). :: Broché. Bon état. ‎

‎10 années de création ‎

‎Besançon, chez l'auteur, 1983, pet. In-4 rel. toile turquoise (23 x 25), 156 p.,tirage à 2000 exemplaires numérotés, préface de Claude Louis-Combet, nombreuses ill. photos en n. et b. et dessins, texte manuscrit de l'auteur in-fine, jaquette, sous rhodoïd, bon état. ‎

‎Recueil commenté des sculptures monumentales de l'artiste comtois Bernard Jobin. Voir le sommaire sur photos jointes. ‎

‎Genèse d'une sculpture, 10 années de création.‎

‎ Reliure toile de l'éditeur sous jaquette et rhodoide illustrés, 24X23 cm, 156 pages, 1983, un des 1750 exemplaires numérotés accompagnés d'une jaquette en lithographie, nombreuses illustrations en noir et en couleurs, envoi de l'auteur sur la première page, carte de voeux volante autographe accompagnée d'une lithographie originale numérotée/100 signée par l'artiste (format 18X18 cm). Très bon état.‎

‎Genèse d'une sculpture, 10 années de création.‎

‎ Reliure toile de l'éditeur sous jaquette et rhodoide illustrés, 24X23 cm, 156 pages, 1983, un des 180 exemplaires numérotés accompagnés de trois lithographies en couleurs et d'une jaquette en lithographie, nombreuses illustrations en noir et en couleurs, envoi de l'auteur sur la première page. Très bon état.‎

‎Siméon Bertrand, sculpteur sur bois 1879-1954‎

‎Longueuil Société historique du Marigot 1982 ‎

‎in-8 illustré, 28p. Couverture illustrée. :: Agrafé. Bon état. ‎

‎PORCELAINE & FAIENCE‎

‎LTA (Le Temps Apprivoisé). 2001. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 53 pages. Nombreuses illustrations en couleur et en noir et blanc, dans le texte et hors texte. Couverture rempliée.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎François Pompon (1855-1933) - Un sculpteur d'avant-garde et l ecole animalière du XXe siècle‎

‎Aponem 2012‎

‎Bon état Catalogue de la vente chez Aponem le 09 juin 2012. Ouvrage broché. Très nombreuses illustrations photographiques. Arts XIXe XXe Sculpture Pompon - largeur/hauteur :21x26,5 cm - poid : 430 g - nombre de pages : 104 p. - langue : Français‎

‎ALBERT POELS,‎

‎Kasterlee, De Vroente, 1978 Gebonden, groen linnen met goudopdruk, geillustreerde stofomslag,in foedraal, foto-frontispice, 260 x 300mm., 130pp., zeer uitgebreide z/w illustratie.‎

‎monografie van deze kunstenaar; In zeer goede staat.‎

‎ALBERT POELS, MONOGRAFIE ‎

‎Kasterlee, De Vroente, 1978 Gebonden, groen linnen met goudopdruk, geillustreerde stofomslag, gewone kartonnen cassette, foto-frontispice, 260 x 300mm., 130pp., zeer uitgebreide z/w illustratie.‎

‎Inleidingen in Nl/ Fr/ Dts en Eng. In zeer goede staat.‎

‎Connaissance des Arts, Hors-Série n°86 : Les champs de la sculpture. Le catalogue‎

‎CONNAISSANCE DES ARTS. 1996. In-4. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. Magazine de 66 pages, richement illustrées en couleurs et en noir et blanc, dans le texte et hors-texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Catalogue : Les champs de la sculpture - Connaissance des arts - H-S n°86‎

‎Société française de promotion artistique. 1996. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 66 pages augmentées de nombreuses photos en couleurs et en noir et blanc dans et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Sommaire : Préface par Jean Tiberi, maire de Paris, De Rodin à Niki de Saint-Phalle, Les champs de la sculpture, Plan et catalogue Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Antiquités gallo romaines et mérovingiennes - guide par René Joffroy, conservateur en chef des musées nationaux‎

‎Musée des antiquités nationales, saint germain en laye. 1971. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 24 pages. 1ère de couverture illustrée en couleurs. Nombreuses illustrations en noir et blanc, dans le texte. Texte sur deux colonnes.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Ariadne auf dem Panther / Ellen Kemp‎

‎Frankfurt, Museum alter Plastik 1979 In-8 21 x 20 cm. Broché, couverture noire, dos muet, report du titre blanc sur le premier plat illustré, 64 pp., abondamment illustré en noir & blanc, bibliographie. Exemplaire en bon état.‎

‎Texte en allemand. études sur “Ariane sur la panthère” (1810-1814), sculpture néoclassique du sculpteur wurtembergeois Johann Dannecker (1758-1841). Bon état d’occasion ‎

‎ Kris Vanhemelryck : Grassculpturen‎

‎, Centrum voor Ruimtelijke Kunst 1993, 1993 Paperback, 32 pagina's, NL, 300 x 210 mm, in goede staat, met illustraties.‎