‎Perception and Awareness: Artefacts and Imageries in Medieval European Jewish Cultures‎

‎, Brepols, 2024 Paperback, 360 pages, Size:216 x 280 mm, Illustrations:57 b/w, 65 col., 1 tables b/w., Language: English. ISBN 9782503583945.‎

‎Summary What did the world look like for Jews living in medieval Europe? How did they perceive and make use of the elements of their daily life, from items on the street to religious iconography within holy spaces ? in particular synagogues and at the exterior of churches ? and profane elements from the home? And how did they experience the visual and material cultures of their non-Jewish neighbours? These questions form the core of this volume, which explores pre-modern Jewish approaches to images and material objects from a variety of perspectives. From clothing to manuscripts, and from lighting devices to the understanding of the invisible, the chapters gathered together in this multifaceted volume combine analyses of images and artefacts together with in-depth analyses of texts to offer fresh insights into the visual cultures that informed the world of European Jews in the Middle Ages. TABLE OF CONTENTS Preface and Acknowledgements List of Illustrations Introduction Elisheva Baumgarten, Elisabeth Hollender, Katrin Kogman-Appel, and Ephraim Shoham-Steiner Part One: The Perception of the Visual, the Material, and the Tangible in Shared Public Spaces 1. The Writing on the Wall ? A Mahzor, a Bimah, and a Privilege. A Look at Social Processes in the 13th-Century Jewish Community of Cologne Ephraim Shoham-Steiner 2. Illuminations: Lights, Identities, and the Society of Spectacle in the Late Middle Ages Eleazar Gutwirth 3. Materialization of Memoria Memory and Remembrance of Benefactors in Building Inscriptions in Medieval Ashkenaz Rainer Josef Barzen 4. Differing Perceptions of Church Garments and Worship Implements in the Writings and Thought of the Tosafists Ephraim Kanarfogel 5. Not Black and White Clothes and Difference in Medieval Ashkenaz Elisheva Baumgarten Part Two: Utilizing the Faculties of Visual Means 6. Jewish Chivalry in Late Medieval Illuminated Manuscripts Sara Offenberg 7. The Handling of Diagrams in Medieval Scientific Manuscript Transmission The Sefer ha-mar?im le-Eqlides and its First Proposition Sabine Arndt 8. Non-Verbal Aspects of Astrolabe Knowledge (Fifteenth- to Eighteenth-Century Hebrew Manuscripts) Josefina Rodríguez-Arribas 9. Artifacts that Desire Medieval Perspectives Kalman P. Bland (OBM) 10.The Agency of Images The Temple Vessels in Hebrew Bibles from Roussillon (c. 1300) Katrin Kogman-Appel 11.Visualizing the Invisible: Portrayals of Elijah the Prophet in Fifteenth-Century Ashkenazi Haggadot Chana Shaham-Rosby 12.Visualizing Divine Communication in Medieval Jewish Art Shulamit Laderman Index About the Authors‎

‎Premodern Jewish Books, their Makers and Readers in an Era of Media Change‎

‎, Brepols, 2024 Hardback, 464 pages, Size:216 x 280 mm, Illustrations:106 col., Language: English. ISBN 9782503604633.‎

‎Summary This volume brings together studies about books as artefacts within transitional zones. The history of the book from the handwritten to the printed medium is understood as a process marked by innovation and social change, but also by disorientation and bewilderment. The journey of a book from production to use was determined by a complex set of factors: communication among authors, makers of books, patrons, and readership; the emergence of publishers; and decisions to be made concerning production and publication. These factors underwent tremendous changes during the fifteenth and sixteenth centuries owing to the spread of printing and the rise of Humanism in Europe. Particular focus is put on the physical evidence of books, both handwritten and printed, and what it can tell us about a book's production and its reception. TABLE OF CONTENTS Introduction Katrin Kogman-Appel and Ilona Steimann Part One: Media Change Chapter 1: Changes in Bookmaking: Joel ben Simeon's Manuscripts in the Transition from Customized to Mass Production? Rodica?Herlo-Lukowski Chapter 2: Joel ben Simeon in Transition Evelyn M. Cohen Chapter 3: Jewish Books between Portugal to the Early Sefardi Diaspora.? Débora Marques de Matos Chapter 4: The Emergence of the Printing Self: Egodocuments and Micro-Egodocuments in Jewish Paratexts from Manuscript to Print Avriel Bar-Levav Chapter 5: From Manuscript to Print and Back Again. Two Case Studies in Late Sixteenth-Century Jewish Book Culture Pavel Sládek Chapter 6: Lishmah Qedushat Sefer Torah or the Impossibility of Printing a Kosher Torah Scroll from Rabbinic Perspectives Annett Martini Part Two: The Craft of Editing Chapter 7: The 1514 'Grace after Meals and Sabbath Hymns and Qiddush' and the Experimental Beginnings of Woodcut Illustrations in Prague Sarit Shalev-Eyni Chapter 8: Hayyim Shahor and Jewish Life in Sixteenth-Century Ashkenaz Lucia Raspe Chapter 9: Of Roots and Signs: Printing Ashkenazi Responsa in Sixteenth-Century Venice Tamara Morsel-Eisenberg Part Three: Reading Chapter 10: The Masorete and His Readers: A Relationship Obscured Now Rediscovered Dalia-Ruth Halperin Chapter 11: Early Hebrew Printing and the Quality of Reading: A Praxeological Study Hanna Liss Chapter 12: Hegemonies of Reading. Layout, Materiality, and Authorship in Early Hebrew Prints Federico Dal Bo ? Part Four: Confiscation and Destruction Chapter 14: Burning the Talmud. Before and After Print David Stern Chapter 15: The Bookless Talmud and the Talmud Book: The Loss of Books in the Medieval and Early Modern World? Yakov Z. Mayer ? Part Five: Christian Collections Chapter 16: A Medieval Hebrew Psalter with Latin Glosses (MS Paris, BnF hébreu 113) and Its Cambridge Connection ? Judith Olszowy-Schlanger Chapter 17: A Forced Journey between Two Faiths. The Hebrew Manuscripts of the University of Vienna Ilona Steimann? Chapter 18: 'Ben Hacane Liber qui dicitur Pelia'. Egidio da Viterbo's Kabbalistic Excerpts Saverio Campanini? Chapter 19: Alfonso de Zamora and Hebrew Manuscripts on Grammar and Exegesis in Sixteenth-Century Spain Javier del Barco Chapter 20: On the Beginnings of Christian Hebraist Bibliography in the Sixteenth Century Maximilian de Molière Manuscript Index General Index‎

‎As it is Done, 57 Contemplations ‎

‎, MER Paper Kunsthalle, Gebonden, Hardcover 24X16cm, 144 pages met prachtige illustraties. ISBN 9789490693787.‎

‎Een bloemlezing van pijnlijke banaliteiten. Een beeldverhaal zonder begin en eind. Getekend en geschreven door Katrin Lohmann, actrice en maakster. Graphic short-stories portraying people beyond revolt. An anthology of distressing trivialities. Sketched by Katrin Lohmann.‎

‎Friedrich Kunath : New Ballads‎

‎, Tim Van Laere Books, 2021, 2021 80 pagina's, illustraties in kleur, 25,5 x 20,5 cm, hardcover, Duits/Engels/Frans. ISBN 9789464004083.‎

‎The universe of Friedrich Kunath is carefully balanced around dichotomies. His paintings address the greater questions in life, bringing viewers into a disruptive state of searching for meaning in life while realizing the ridiculousness of this quest. The artist?s personal journey from East to West Berlin and on to his new-found home in Los Angeles presented him with a wide variety of source material ranging from the canon of art history and German philosophy to the idiom of kitsch and the make-believe world of Hollywood and LA. Many of these materials are impacted by two poles ? the culture of wisdom and pop culture ? to the point of obsession and even, at times, systematization. Dealing with such universal themes of human existence as love, loss, optimism, vulnerability and melancholy, he employs a variety of media, from painting, sculpture, drawing, video and photography to expansive installations, all provided with a tragicomic pathos and dreams of possibilities. In almost every work, there is a tangible realization that the world is a spectacle of unfulfilled dreams in which the rawness of life is fled through the parallel universe of pop culture.‎

‎MICHAËL BORREMANS The Acrobat.‎

‎, David Zwirner , 2022 PB, 178 x 114 mm, 64 page, ENG edition, illustrated with coloured illustrations. ISBN 9781644230831.‎

‎Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history.‎

‎MICHAËL BORREMANS : The Acrobat‎

‎, David Zwirner Books 2022, 2022 Paperback, 64 pages, ENG, 178 x 116 mm, New, dustjacket, coloured illustrations thoughout, . ISBN 9781644230831.‎

‎Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history.‎

‎Michaël Borremans: The Monkey‎

‎, David Zwirner Books , 2024 softcover, . ISBN 9781644231463.‎

‎Presenting the Belgian artist Michaël Borremans?s newest group of psychologically charged paintings, this catalogue highlights his exceptional technical skill, interest in figuration, and innovative approach to mise-en-scène. ?Everything is a self-portrait. And now I have been painting monkeys. . . . It?s like making a movie.? ?Michaël Borremans, Interview magazine As a pendant to his acclaimed catalogue The Acrobat, The Monkey showcases seventeen paintings that reveal his interest in exploring surface and artifice. Borremans portrays mysterious sitters?including the titular monkeys, which are glazed toy figurines?and depicts enigmatic scenes that simultaneously invite viewers in and keep them at bay. Katya Tylevich?s insightful commentary delves into the depths of Borremans?s compositions, connecting the themes and motifs in The Monkey to those present in previous bodies of work. Tylevich delves into the complex emotional and art-historical registers at play in the artist?s new paintings and maps the trajectory of his practice, observing other instances of repetition and fabulation across his practice. The publication, featuring this essay alongside beautifully illustrated images of the new paintings, serves as the ideal complement to the artist?s 2024 exhibition at David Zwirner, London‎

‎Michaël Borremans A Confrontation at the Zoo. Catalogus Voorlinden 2024‎

‎, Voorlinden, 2024 Hardcover,128 pages, 24 x 29,7 cm Illustrated. text in Nederlands / English.*out of print, *NEW. ISBN 9789492549198.‎

‎catalogus Michaël Borremans - A Confrontation at the Zoo In de catalogus bij de solotentoonstelling van Michaël Borremans zie je alle kunstwerken en zalen terug en kun je inzoomen op de kleinste details. In haar essay neemt kunstkenner en Borremans-connaisseur Katya Tylevich je, al pratend met de kunstenaar, mee door de tentoonstelling en zijn oeuvre. En Ann Demeester, directeur van Kunsthaus Zürich en voormalig directeur van het Frans Hals museum, laat haar licht schijnen op het fenomeen Borremans. //// catalog Michaël Borremans - A Confrontation at the Zoo In the catalog accompanying Michaël Borremans' solo exhibition, you can see all the artworks and rooms and zoom in on the smallest details. In her essay, art expert and Borremans connoisseur Katya Tylevich, while talking to the artist, takes you through the exhibition and his oeuvre. And Ann Demeester, director of Kunsthaus Zurich and former director of the Frans Hals Museum, shines her light on the Borremans phenomenon. ‎

‎Seine-Saint-Denis territoire d'usines.‎

‎ P., Creaphis, 2003 ; in-8 carré (23,5 x 21 cm), broché. 214 pp.-1 f. Couveture illustrée. Abondante iconographie en noir et en couleurs. Parfait état. ‎

‎Histoire de l'industrialisation en Seine-Saint-Denis, et l'architecture industrielle. ‎

‎De Ledoux à Le Corbusier. Origine et développement de l'architecture autonome‎

‎ L'Equerre L'Equerre, 1981. In-8 broché de 99 pages ornées de photos. Bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎L'Architecture au Siècle des Lumières. (Architecture in the Age of Reason). Baroque et post-baroque en Angleterre, en Italie et en France.‎

‎ Julliard, 1963, gr. in-8°, 301 pp, traduit de l'anglais par Olivier Bernier, 222 gravures sur 64 pl. hors texte, index, reliure toile éditeur, jaquette illustrée (abîmée), bon état (Coll. Histoire de l'Art). Edition originale française‎

‎L'architecture au siècle des lumières. Baroque et post-baroque en Angleterre, en Italie et en France. Traduit de l'anglais par Olivier Bernier. Coll. ‘Histoire de l'art’. ‎

‎Paris, Julliard, 1963, gr. in-8vo, 301 p. + 222 ill. en n/b hors-texte, reliure en toile originale sous jaquette illustrée. ‎

‎L'architecture au siècle des lumières. (Collection Histoire de l'art)‎

‎René Juilliard. 1963. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 301 pages augmentées de nombreuses planches en noir et blanc.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Trois architectes révolutionnaires - Boullée. Ledoux. Lequeu ‎

‎Editions de la SADG, 1978, in-8 br. (17 x 24,5), 318 p., introduction et notes de Gilbert Erouart et Georges Teyssot, traduit de l'anglais par Françoise Revers, 284 figures, bon état. ‎

5 Images

‎Voir le sommaire sur photos jointes. ‎

‎TROIS ARCHITECTES RÉVOLUTIONNAIRES: BOULLÉE, LEDOUX, LEQUEU‎

‎Les Éditions de la SADG, 1 volume broché de format 24,5 x 17,5 cm, 319 pages, illustrations, couverture défraîchie, pelliculage fragile, intérieur en bon état. Frais de port en supplément.‎

4 Images

‎Envoi en colissimo : + 8,80 euros‎

‎Notice sur le temple maçonnique de la rue Bovy-Lysberg à Genève. Historique- construction- inauguration. ‎

‎Or[ient] de Genève, (Typographie du F.:. Al. Kundig), 1899, gr. in-8vo, frontispice ‘édifice maçonnique de la Rue Bovy-Lysberg’ + 97 p. + 9 pl. + (joint un dépl. en couleurs :) Souvenir de l’inauguration du Temple Maçonnique / Menu / Programme, brochure originale. Dos faible ‎

‎Plus Minus Box‎

‎ 1985 Londres, Architectural Association, 1985, 32X32cm, 28 pp. de catalogue contenant 44 illustrations en noir et blanc avec le texte d’Alvin Boyarksky, Richard Rogers, et David Gray, 3 œuvres en papier tridimensionnelles, 4 œuvres en relief à froid sur papier épais et 2 reproductions en couleurs. Sous boîte ouvrante estampée. Publié à l’occasion de l’exposition itinérante des sculptures de Kawakami à Architectural Association à Londres en 1985.(102523) ‎

7 Images

‎ Très bon ‎

‎ÔTEMACHI N.T.T. BLDG ANNEX : 2.5 TANDEM‎

‎ 1970 Tokyo, Kashima Kenkyûjo Shuppankai, 1970, 295x300mm, 70p., pleine toile de l’éditeur monogrammée 2.5, boîte avec lettrage sur fond photographique. Conception graphique de Mitsuo Katsui. Texte de Teiji Ito et 45 photographies simple et double page d'Akio Kawasumi, quelques unes en couleurs. Plans et données techniques en fin d’ouvrage. Réalisé à l'occasion de l'obtention du Prix de l’Institut des Architectes Japonais en 1969 pour l'Ôtemachi N.T.T. Bldg Annex, comme mentionné sur la page de titre.(101461) ‎

‎L'AMOUR DES MAISONS‎

‎ARLEA. 1987. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 335 pages. Nombreuses illustrations en noir et blanc dans le texte et hors texte. Couverture : cartonnage d'éditeur moderne.. . . . Classification Dewey : 720-Architecture‎

‎Avec la collaboration de Liliane Fonpudie. Présenté par François Nourissier. Anthologie. Classification Dewey : 720-Architecture‎

‎Carnets de nature, cabanes et abris‎

‎Milan. 1995. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 36 pages. Nombreux dessins couleurs dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Batir une hutte dans la forêt, une cabane dans un arbre - Construire un abri sur l'eau, un igloo dans la neige - Savoir faire un noeud...Illustrations de Pierre Ballouhey Classification Dewey : 720-Architecture‎

‎KASIMIR MALÉVICH (CASTELLANO)‎

‎, FUNDACIO CAIXA 2006, 2006 Hardcover, 310 paginas, Spanish, 290 x 245 mm, book in fine condicione, . ISBN 9788489860728.‎

‎Kasimir Malewitsch) (Kiev, 23 de febrero de 1879 - Leningrado, 15 de mayo de 1935) fue un pintor ruso [1] [2] soviético que se hizo ampliamente conocido en Europa Occidental como maestro y como teórico del constructivismo y suprematismo, como arte moderno. direcciones.‎

‎Tapestry Production & Conservation : 125 Years De Wit Royal Manufacturers of Tapestry‎

‎, Brepols - Harvey Miller 2019, 2019 324 p., 200 col. ills, 240 x 300 mm, English, Hardcover, . ISBN 9781909400528.‎

‎This volume demonstrates the variety of ways in which ongoing research and the development of new technology can serve to revive the splendour of fragile tapestries kept in European and American museums. Supported by dozens of magnificent illustrations, this volume demonstrates the variety of ways in which ongoing research and the development of new technology can serve to revive the splendour of fragile tapestries kept in European and American museums. As the Royal Manufacturers of Tapestry, De Wit has been a leading force in undertaking the most pioneering and impressive restoration and conservation campaigns for more than a century. The enterpreneurial and artistic strategies that marked the beginning and subsequent development of De Wit, are extensively discussed in the first part of this book. Koenraad Brosens provides an in-depth analysis of the roles played by the three directors of the Royal Manufacturers ? from founding father Theophiel De Wit, to Gaspard De Wit, to current director Yvan Maes De Wit. Each of these individuals? choices have been closely linked to the increasingly rapid and significant developments in the European and American tapestry landscapes. The second part of this volume, by Yvan Maes De Wit, surveys the most pioneering and impressive restoration and conservation campaigns undertaken by the Royal Manufactory. Through its original and creative scope of investigation, this book aims to make an invaluble contribution to art-historical discussion and research on nineteenth- and twentieth-century tapestry production, restoration and conservation.‎

‎Unity and Discontinuity. Architectural Relationships between the Southern and Northern Low Countries (1530-1700). ‎

‎Turnhout, Brepols, 2007 Paperback, original editor's jacket, english, 22x28 cm., VIII+428 pp., 342 b/w illustrations. ISBN 9782503513669.‎

‎Architectura Moderna ARCHMOD 5. This study focuses on change and continuity within the architecture of the Southern and Northern Low Countries from 1530 to 1700. Instead of looking at both regions separately and stressing the stylistic differences between the classicist North and the baroque South, the book establishes a new, common history of architecture for both parts of the Low Countries during the 17th century. Their reception of Antiquity in the guise of the Italian Renaissance, first introduced in Court circles in the early 16th century, constituted the common heritage on which they built after the political separation. The book also reassesses the position of Netherlandish architecture in the international debate on the Renaissance north of the Alps. ‎

‎Unity and Discontinuity. Architectural Relationships between the Southern and Northern Low Countries (1530-1700),‎

‎Turnhout, Brepols, 2007 Paperback, VIII+428 p., 342 b/w ill., 220 x 280 mm. ISBN 9782503513669.‎

‎This study focuses on change and continuity within the architecture of the Southern and Northern Low Countries from 1530 to 1700. Instead of looking at both regions separately and stressing the stylistic differences between the classicist North and the baroque South, the book establishes a new, common history of architecture for both parts of the Low Countries during the 17th century. Their reception of Antiquity in the guise of the Italian Renaissance, first introduced in Court circles in the early 16th century, constituted the common heritage on which they built after the political separation. The book also reassesses the position of Netherlandish architecture in the international debate on the Renaissance north of the Alps. New.‎

‎Richard Keating. Selected and Current Works. The Master Architect Series II‎

‎ Images Publishing Images Publishing, 1996. In-4 relié cartonnage éditeur sous jaquette illustrée rempliée de 256 pages illustrées de nombreuses photos et plans, en noir et en couleurs, dans et hors-texte. Texte anglais. Très bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎