‎L'Architecture du XVIIIe siècle‎

‎Thames & Hudson, coll. « L’Univers de l’Art » 1993 Edition de 1993. In-8 broché 21 cm sur 15. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎L'architecture du XVIIIe siècle,‎

‎Thames & Hudson, L'Univers de l'Art, 1993, 174 pp., broché, illustrations, passages signalés au crayon, légères traces d'usage, bon état général.‎

‎Le Langage classique de l'architecture‎

‎Thames et hudson 1992 136 pages in8. 1992. Broché. 136 pages.‎

4 Images

‎Bon état‎

‎L'Abbaye royale de Saint-Denis‎

‎Paul Hartmann. 1953. In-Folio. Relié. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 191 pages. 130 photos en noir et blanc, in et hors texte, dont frontispice. Nombreuses rousseurs. . . . . Classification Dewey : 720-Architecture‎

‎Photos par Piere Devinoy. Classification Dewey : 720-Architecture‎

‎Drawings of the Rembrandt School, Volume 7 ‎

‎New York, Abaris Books, 1983 Linnen binding with gilt lettering, pages 3449-3943, english text. *New, sealed. ISBN 9780913870488.‎

‎catalogue raisonn of all the identified and attributable works‎

‎Sundeck Villa- Catalogue de photos d'une villa- Ouvrage bilingue frnaçais-anglais‎

‎Euromaitrise. 2009. In-Folio. Relié plein cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages. Ouvrage français-anglais. Nombreuses photos en couleurs, hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Ieoh Ming Pei‎

‎Editions Hazan, Paris, 1988. In-8, broché sous couverture rempliée et illustrée en couleur, 151 pp. La troisième voie - Ingénieur ou architecte? - La question du régionalisme - A l'école de la promotion privée - La rénovation urbaine - L'ordre structurel - La transition - Expressionnisme monolithique - L'espace publique - Les nouvelles cathédrales de ...‎

‎Nombreuses illustrations en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com‎

‎Jean Luce et le Renouveau de la Table Fran aise (1910-1960)‎

‎, Norma ditions, 2024 HB, 305 x 230 mm, 304 pages, 350 Illustrations en couleurs .FR edition. neuf. ISBN 9782376660903.‎

‎En 1925, Jean Luce est, 30 ans, le seul artiste sp cialiste des arts de la table poss der un espace personnel l'Exposition internationale des arts d coratifs et industriels modernes de Paris. Sa longue carri re, d but e en 1911 l'exposition du mus e Galliera, se poursuivra jusqu' la fin des ann es 50. Elle lui permet de traverser de nombreux mouvements du XXe si cle dont l'Art nouveau, l'Art d co ou le modernisme. Tout d'abord admir , dans les ann es 20, pour la qualit et l'originalit de ses d cors et ornements g om triques, il s'impose, partir des ann es 30, gr ce son travail de renouveau des formes. Des cr ateurs et d corateurs comme Pierre Chareau, Charlotte Perriand, Rob Mallet-Stevens ou Djo Bourgeois n'h sitent pas mettre en sc ne ses mod les sur leurs stands ou dans leurs int rieurs. Personnalisant ses cr ations, il cr e des services pour de prestigieux clients tels le maharajah d'Indore ou Paul Cavrois. Ses cr ations s'adressent galement un public plus large, qu'il touche aussi bien en France gr ce des points de vente comme Steph Simon ou Pilote, qu'aux Etats-Unis ou il s'impose au d but des ann es 50. Toujours l'affut des innovations techniques et industrielles, il continuera de cr er apr s la Seconde Guerre mondiale, en collaborant notamment avec des entreprises comme Duralex qui lui permettront de poursuivre sa r flexion sur le fonctionnalisme. Richement illustr , notamment par le fond Luce d pos au MAD, Paris, cet ouvrage restitue la biographie in dite de Jean Luce, mais aussi le travail de ses contemporains comme Marcel Goupy, Suzanne Lalique, Paul Follot, Mathurin M heut ou Francis Jourdain.‎

‎Ideas for planning your new home‎

‎Lane Publishing Co.. 1967. In-8. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 128 p. - Texte en anglais - Coiffes frottés - Nombreuses photographies n&b in et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Pisa. Italia artistica N° 16.‎

‎Couverture souple. Broché. 139 pages. Sous emboîtage. 19 x 25 cm. Quelques rousseurs. Dos défraîchi.‎

‎Livre. Monografie illustrate pubblicate sotto la direzione del Dott. Corrado Ricci. Abondamment illustré. Istituto italiano d'Arti grafiche, editore, 1910.‎

‎Droit de l'urbanisme et de l'environnement (2 volumes).‎

‎Bruxelles, Etablissements Emile Bruylant, 1974-1975. 16 x 24, 2 volumes, 616 + 44-269 pages, broché + complément (agrafé), bon état (cachet d'ex-propriétaire dans chaque volume).‎

‎Cathédrale de Troyes Les vitraux ‎

‎Tetraktys, 1972, in-8 br. (17 x 22), 107 p., illustrations n. et b. et coul., un plan, très bon état. ‎

5 Images

‎Description des remarquables vitraux de la nef de la cathédrale de Troyes. ‎

‎230 modèles de ferronnerie. Lampadaires, lustres, appliques, guéridons, porte-pots de fleurs, ornements d'église‎

‎Eyrolles, 2000. In-4. Broché. Couverture illustrée. 198 pages. 230 modèles de ferronnerie d'art et décorative dans différents styles. Mention de neuvième édition. Très bon état.‎

‎Jouarre, ses cryptes, son église, son abbaye.‎

‎St. Léger, Ateliers de la Pierre-qui-Vire, s.d. (ca 1990). 17 x 22, 56 pp., 36 figures, broché, très bon état.‎

‎Ancient Glass in the Yale University Gallery. ‎

‎ New Haven,, Yale University Gallery, 1980 softcover, 152 pages, 29.5 x 22 cm. ENG illustr ISBN 0894670107.‎

‎Ancient Glass in the Yale University Gallery. ‎

‎Auto Focus The Self-Portrait in Contemporary Photography by Susan Bright.‎

‎, Thame and Hudson, 2010 Hardcover with dusjacket, 224 pages, Illustrated. 23 x 27.5 cm, Good condition. ISBN 9780500543894.‎

‎The only survey of established and emerging contemporary photographers through the fascinating lens of self-portraiture, perfect for photography enthusiasts, students and all those interested in contemporary art. Auto Focus, the latest book from Susan Bright, the bestselling author of Art Photography Now, features the work of 75 contemporary photographers from around the world for whom self-portraiture is a central part of their work. Issues of identity - national, sexual, racial, personal or artistic - are key to all the images featured in this book. In an extended introduction, historical examples are used to enrich the understanding of how self-portraiture was first used in photography and to illustrate how the contemporary selfportrait derived and developed from those origins. The book, organized around five themes dominant in contemporary self-portraiture, provides a clear guide for readers through a significant and dynamic genre..‎

‎Thai Textiles‎

‎, British Museum Press 1992, 1992 Paperback, 192 pages, ENG, 275 x 215 mm, the cover has some creases in the front but the book itself is in good condition , with images/ illustratiions in colour and b/w. ISBN 9780714125060.‎

‎The textile industry in Thailand is one of the largest commercial businesses for jobs and economic growth in the country. Although they are in constant competition with China, Bangladesh, and Vietnam, their textile industry has made them a headquarters for Cotton USA.‎

‎Robert Motherwell Pure Painting.‎

‎, Hatje Cantz, 2023 Hardcover, 208 pages, Illustrated. English, *NEW. ISBN 9783775754385.‎

‎An intensely intellectual painter, Robert Motherwell is renowned for his distinctive Abstract Expressionist style. The seminal artist permeated his gestural works with an expressionism and austerity reflective of the human psyche; at the same time his oeuvre addressed political and humanitarian themes. Robert Motherwell ? Pure Painting is an in-depth exploration of his artistic practice. Leading art scholars examine the American artist?s turn from Surrealism to abstraction and analyze the major series that developed over his fifty-year career. The catalogue studies the dialogue between Motherwell?s art and the nineteenth-century French painting tradition, investigates his relationship to Spanish techniques and processes, with an emphasis on their underlying political significance, and delves into Motherwell?s use of ochre pigment, with its evocation of both deep geological time and avant-garde practices.‎

‎VAN DYCK 350‎

‎, National Gallery of Art, 1994 Hardcover, 372 pages, ENG / ITA, 285 x 235 mm, In Fine State / Primo Condicione. ISBN 9780894682018.‎

‎Van Dyck werd geboren in 'Den Berendans' op de huidige Groenplaats in Antwerpen. Hij was het zevende kind van twaalf van de rijke textielhandelaar Francois van Dyck en Maria Cuypers. Het gezin bestond uit vier jongens en acht meisjes, drie stierven er jong. Catharina, Maria, Cornelia II en Franchois jr. waren ouder dan Antoon. Na hem kwamen Susanna, Anna, Dierick en Elisabeth of Isabella. Ze verhuisden in 1599 van de Grote Markt naar de Korte Nieuwstraat, waar op 7 maart 1607 ook het belendende pand 'De Stadt van Gendt' werd gekocht. Antoons moeder stierf echter een maand later, op 17 april 1607. Vanaf december 1610 waren er problemen, een priv -aangelegenheid: de Hondschootse Jacobmyne de Kueck moest uit de stad worden verbannen, na ruiten te hebben ingegooid en Franchois van Dyck te hebben bedreigd met de dood. Antons oudere zusters Catharina en Maria waren getrouwd in respectievelijk 1610 en 1615 en vanaf de zomer van 1615 gingen Franchois' zaken minder goed. Zijn schoonzonen daagden hem in juli 1615 voor het gerecht. Zijn boedel werd ge nventariseerd en verkocht. Antoon ging tegen zijn zwagers in het verweer. De florerende handelaarsfamilie was een moederloos gezin met serieuze problemen geworden. Mogelijk waren de gezinsleden niet langer 'sociaal aantrekkelijke kandidaten op de Antwerpse huwelijksmarkt' en werden daarom Susanna, Isabella en Cornelia begijn, Anna non en Dierick norbertijner kanunnik. De ouderlijke woning, 'De Stadt van Gendt', werd op 20 mei 1620 gedwongen verkocht. Rond 1620 was het gezin van Francois van Dyck 'sociaal gestigmatiseerd' en alleen Antoon kon de goede naam van de familie redden.‎

‎Van Dyck, a complete catalogue of the paintings catalogue raisonne Sir Anthony Van Dyck ENG. edition ‎

‎, YALE , 2004 Hardcover, 692 pages, English, 320 x 260 mm, fine. 632 b/w + 202 color illus. catalogue raisonne. FINE!! ISBN 9780300099287.‎

‎Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982?83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck?s drawings. ‎

‎Van Dyck - A Complete Catalogue of the Paintings. Catalogue raisonne. Sir Anthony Van Dyck‎

‎, Yale University, 2004 Hardcover in dusjacket, 792pp, 632 b/w + 202 color illus. catalogue raissone. ISBN 9780300099287.‎

‎Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982-83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck's drawings. ‎

‎Charles Joseph Natoire (1700-1777)‎

‎, Arthena, 2012 Couverture reliee sous jaquette hardcover/dusjacket -Reli , 24 32 cm, 584 pages,1281 illustrations dont 137 en couleur. Bon etat/neuf/ Texte en Francais. ISBN 9782903239480.‎

‎Membre de l'Acad mie royale de peinture et de sculpture, directeur de l?Acad mie de France Rome, Natoire fut pour ses contemporains l'un des plus grands artistes fran ais du XVIIIe si cle. Sa production abondante (plus de 1 200 peintures et dessins) t moigne des commandes qu?il re ut tant de la noblesse que de la cour, peignant pour Versailles, Marly ou Fontainebleau, l?h tel de Soubise, la manufacture des Gobelins. Pr face de J. Patrice Marandel.‎

‎Constructions of Gender in Late Antique Manichaean Cosmological Narrative‎

‎, Brepols, 2019 Paperback, 324 pages, Size:156 x 234 mm, Languages: English, Latin. ISBN 9782503586663.‎

‎Summary Manichaeism emerged from Sasanian Persia in the third century CE and flourished in Persia, the Roman Empire, Central Asia and beyond until succumbing to persecution from rival faiths in the eighth to ninth century. Its founder, Mani, claimed to be the final embodiment of a series of prophets sent over time to expound divine wisdom. This monograph explores the constructions of gender embedded in Mani's colourful dualist cosmological narrative, in which a series of gendered divinities are in conflict with the demonic beings of the Kingdom of Darkness. The Jewish and Gnostic roots of Mani's literary constructions of gender are examined in parallel with Sasanian societal expectations. Reconstructions of gender in subsequent Manichaean literature reflect the changing circumstances of the Manichaean community. As the first major study of gender in Manichaean literature, this monograph draws upon established approaches to the study of gender in late antique religious literature, to present a portrait of a historically maligned and persecuted religious community. TABLE OF CONTENTS 1. Introduction: This discusses the history of gender studies and its application to religious studies; a summary of previous literature relating to gender in Manichaeism; a brief life of Mani and its relation to his canon of texts. It outlines the contents of the following chapters. 2. The Manichaean Father: exploration and identification of gendered attributes associated with masculinity with reference to Connell's model of hegemonic masculinity. The Manichaean Father is considered as embodiment of desirable masculine traits and the appropriate exercise of masculine rulership and authority. 3. The Chief Archon: This chapter examines the construction of gender implicit in the characterization of the chief archon. Mani's writings characterize the chief archon in polar opposition to the Manichaean Father as exemplum of masculine rulership which embodies lust for power and territory. Mani characterizes the chief archon as a dangerous outsider who seeks to invade. This is expressed through the trope of the cannibal. The chief archon's acts of cannibalism mark him as alien, uncivilized and savage. Manichaean texts written after Mani's death reflect the persecution of the Manichaean community. The characterization of the chief archon develops to reveal a tyrannous ruler who incites fear and terror in his own subjects. 4. The First Man: This chapter considers the apparent paradox of the two competing constructions of masculinity evident in the characterization of the Manichaean First Man, who plays a central role in Manichaean cosmological drama. His characterization as both valiant warrior and suffering victim in defeat is explored in the context of the changing circumstances of the Manichaean community facing persecution. Parallel models of endurance as a worthy expression of masculinity in Jewish, Judaeo-Christian and early Christian literature are discussed. 5. The Mother of Life: This chapter explores the gendered characterization of the Manichaean Mother of Life in Manichaean literature. As mother of the First Man, the Mother of Life embodies positive motherhood, demonstrating nurturing characteristics. Her role in the mythological drama is considered as an expression of the Jewish/Judaeo-Christian literary Wisdom figure (Sophia, Hokmah). The Mother of Life shares and extends imagery attached to Hokmah to encompass wisdom as a weapon. The Mother of Life is also characterized as a model of feminine imprecation to masculine authority through the valorization of her prayer to the Manichaean Father on behalf of the beleaguered First Man. This is discussed in relation to the veneration of Hannah's prayer (1 Sam.) in rabbinic literature. 6. The Manichaean Demoness Az and the yetzer hara: This chapter explores parallels between the feminine-gendered demon Az and the evolving Jewish concept of the "evil inclination" (the yetzer hara) as expressions of the human propensity to sin. As mother of Adam and Eve and mother of the demons, the maternal style of the demoness Az polarizes the motherhood of the Mother of Life. 7. The Maiden of Light: This chapter explores the characterization of the Maiden of Light and her epithets of purity and wisdom in the context of the seductive display of her image to the archons in Manichaean mythology. This act is considered in the context of the model used by feminist biblical scholars of the male as owner of the gaze and the female as object of male gaze. The chapter argues that the characterization of the Maiden of Light should be considered in relation to the biblical characterizations of Susanna, Judith and Esther. These reveal the female as both victim and manipulator of male gaze. These texts reveal that the seeking of male gaze is extolled in cases of communal threat when authorized by masculine authority. It is argued that the seductive display of the Maiden of Light allows doubt concerning the exploitation of females within the Mnichaean community. 8. Conclusions: The conclusion draws together the research findings of the previous chapters. Polarized positions within and across constructions of gender are considered.‎

‎Manichaeism: Encounters with Death. Studies in the Parabolic, Material and Spiritual Body‎

‎, Brepols, 2025 Paperback, 342 pages, Size:156 x 234 mm, Illustrations:4 tables b/w., 1 maps b/w, Language: English. *new ISBN 9782503614267.‎

‎Summary Born in Persian Mesopotamia in the year 232 CE, the self-proclaimed prophet Mani promulgated a dualist faith that rapidly spread throughout the Roman Empire, Central Asia and China. This monograph comprises a series of studies of the Manichaean conceptualization of death and the afterlife in the context of Manichaean soteriology, eschatology and anthropology. Material, documentary and liturgical evidence is analysed to enrich knowledge of Manichaean funeral ritual and mourning practice. The book explores the thematic symbolism of the corpse in Manichaean parabolic literature, offering fresh interpretations and exploring the influence of Buddhist teachings on the impermanence of the body, karma and metempsychosis. TABLE OF CONTENTS Chapter 1: The Journey of the Soul Chapter 2: The Hour of Need Chapter 3: The Care of the Dead Chapter 4: The Death of Mani Chapter 5: The Parable of the Drunk Man and the Corpse Chapter 6: The Parable of the Monk and the Virgin Chapter 7: The Parable of the Corpse and the Treasure Chapter 8: Manichaean Doctrine, Karma and Metempsychosis‎

‎Odyssee in der Sp tantike. Bildliche und literarische Rezeption‎

‎, Brepols, 2020 Paperback, xii + 362 pages, Size:216 x 280 mm, Illustrations:53 b/w, 2 tables b/w., Languages: German, Latin, Greek. ISBN 9782503583792.‎

‎Summary Homer's Odyssey is one of the most fascinating and popular texts of all time, inspiring not only artists and poets but also generating a massive amount of research. This book focuses for the first time on the Odyssey's reception in late antiquity, the period that witnesses the transformation of classical culture into the world of the middle ages. The epic's late antique pictorial reception was a selective one. Artists represented but a small canon of topics: Odysseus' encounter with the terrifying one-eyed Cyclops, with the dangerous sorceress Circe, with the bewitching song of the Sirens, and with Scylla the man-eater; a handful of iconographically diverse depictions can be related to the hero's return to Ithaca that never attracted as much attention as Odysseus' adventures in the course of the wandering. In all cases, the book stresses the close relation between viewer, or context of reception, and specific form of artistic rendering. Depending on context and intended viewer, Odysseus e.g. can be characterized as a person with whom the man in the street can identify, as a problematic and ridiculous figure, or as an example of virtue. Almost all late antique depictions of Odysseus' wanderings have been found - and produced - in the Western provinces of the Roman Empire. In the course of Roman antiquity, the Greek hero and his wanderings had become what they are still: a part of Western cultural identity. The Odyssey's late antique literary reception was much more multifaceted than the artistic one, as regards topics and geography. In this book, though, the focus will be on those topics that were dealt with in the visual arts, too. Contrasting the late antique pictorial reception with the literary one, and contrasting both with the Homeric epic, reveals the originality of late antiquity's artists and writers. Both employ the classical heritage with means and ends of their own (or of their patrons), and both are nevertheless deeply embedded in and influenced by late antique discourse, be it on religion, philosophy, slavery, heroism, or gender relations. Homers Odyssee fasziniert die Menschen seit beinahe dreitausend Jahren. Das Epos inspirierte zahlreiche Kunstschaffende aller Epochen und aller Genres und brachte enorme Mengen an Forschungsliteratur hervor. Das vorliegende Buch widmet sich erstmals der Rezeption der Odyssee in der Sp tantike, also jener Epoche, in der das kulturelle Erbe der Antike f r Mittelalter und Neuzeit sortiert, transformiert und zumindest teilweise bewahrt wurde. Analysiert werden diejenigen Episoden des Epos, die in der Sp tantike noch bildlich umgesetzt wurden: die Begegnung des Odysseus mit dem ein ugigen Riesen Polyphem, mit der Zauberin Kirke, mit den verf hrerischen Sirenen und mit der Menschenfresserin Skylla; au erdem verschiedene Momente der Heimkehr nach Ithaka, die allerdings bei weitem nicht so popul r war wie die Abenteuer der Irrfahrt. Eine Gegen berstellung von bildlicher und schriftlicher Rezeption sowie eine Gegen berstellung beider mit dem Homerischen Text macht die Eigenst ndigkeit und Originalit t der sp tantiken Rezeption deutlich. Sowohl bildende K nstler als auch Literaten verfolgten mit je eigenen Mitteln je eigene Zwecke und Aussageintentionen. Beiden gemeinsam ist die Einbettung in die Diskurse der sp tantiken Gesellschaft, zu denen sie mit ihren Interpretationen der Odyssee auch selbst einen Beitrag leisteten. Das betrifft nicht nur die Diskurse zum Thema Religion oder Philosophie, sondern auch zu Themen wie Heldentum, Sklaverei oder Geschlechterverh ltnis. TABLE OF CONTENTS Inhaltsverzeichnis Abbildungsverzeichnis Vorwort Kapitel I: Einleitung bersicht ber die sp tantike literarische Rezeption der Odyssee Zeitrahmen Gegenstand der Untersuchung und ltere Forschung Fragen Methodische Pr missen Aufbau des Buches Kapitel II: Polyphem Der homerische Text Die literarische Rezeption Die bildliche Rezeption Zusammenfassung der Ergebnisse zur sp tantiken Rezeption des Polyphem-Abenteuers Kapital III: Kirke Der homerische Text Die literarische Rezeption Die bildliche Rezeption Zusammenfassung der Ergebnisse zur sp tantiken Rezeption des Kirke-Abenteuers Kapital IV: Sirenen Der homerische Text Die literarische Rezeption Die bildliche Rezeption Zusammenfassung der Ergebnisse zur sp tantiken Rezeption des Sirenen-Abenteuers Kapital V: Skylla Der homerische Text Die literarische Rezeption Die bildliche Rezeption Zusammenfassung der Ergebnisse zur sp tantiken Rezeption des Skylla-Abenteuers Kapital VI: Heimkehr nach Ithaka Der homerische Text Die literarische Rezeption Die griechischen Zeugnisse Die bildliche Rezeption Zusammenfassung der Ergebnisse zur sp tantiken Rezeption der Heimkehr nach Ithaka Kapital VII: Fazit Anh nge Bibliographie Register‎