, Arteos 2020, 2020 Hardcover, 248 pages, ENG / FR, 275 x 215 mm, New / Nouveau, illustrations in colour / de couleur, dustjacket / jaquette. ISBN 9791096854059.
Tel un m t ore de lumi re, Yves Klein n?a cess de poursuivre la trace de l?imm diat dans les objets naturels, quelle qu?en soit l?incidence comme il l? crivait en 1961 dans le Manifeste de l?h tel Chelsea. Peintre de l?espace et explorateur du vide , il a fait de l?utopie l?un des fondements de son art. Pour lui, les quatre l ments que sont la terre, l?eau, l?air et le feu sont des sources essentielles de l?art et la couleur en est le r v lateur. Ce livre r unit les Cosmogonies, les Feux, les Feux Couleurs, les Reliefs Plan taires, les monochromes, l?Architecture de l?air et les ?uvres immat rielles. la lumi re des crits de l?artiste, il pr sente la pens e d? Yves le Monochrome qui en renouant avec les concepts antiques de nature et de cosmos r alise le vieux r ve des hommes et de l?imagination de jouer avec les l ments de la nature, de diriger et?de contr ler leurs ph nom nes et manifestations . (Discours prononc l?occasion de l?exposition Tinguely D sseldorf, janvier 1959) Ce livre accompagne l?exposition Yves Klein, les l ments et les couleurs, pr sent e la Laiterie du Domaine des tangs Massignac du 25 juin 2020 au 29 janvier 2021.
Bas M nder, Forum Glas, 2015 gebundene Ausgabe, 200 Seiten, 30 x 21.5 cm. Deutsch.
Glash tten in der Deister-S ntel-Osterwald Region. Entstehung und Geschichte, Band I / Schriften zur Glaskultur in Niedersachsen / Mit einem Beitrag von Wilhelm Kulke
, Hannibal, 2025 Hardcover, 29 x 24,5 cm, 288 pagina's, Nederlandstalige editie, Quadrichromie met prachtige illustraties. ISBN 9789464941968.
Het mannelijk lichaam door de ogen van Michelangelo: kunst, devotie en verlangen in een verbluffend meesterwerk De mannen van Michelangelo zijn wereldberoemd. Iedereen kent zijn David en zijn Schepping van Adam, midden op het plafond van de Sixtijnse Kapel. Zijn krachtige, gespierde naakten, nauwkeurige anatomische tekeningen en prachtige androgyne figuren hebben een onuitwisbaar stempel gedrukt op de kunstgeschiedenis. Met een frisse blik benaderen vooraanstaande internationale kunsthistorici Michelangelo's mannen van alle kanten. Wat was de invloed van klassieke beelden en waar kwam zijn belangstelling voor het neoplatonische ideaal van perfectie en schoonheid vandaan? Ontleedde hij zelf dode lichamen? Welke rol speelden modellen? En wat betekende het mannelijk lichaam voor hem persoonlijk, in zijn aanbidding van het lichaam van Christus en in zijn intieme vriendschappen met (jonge) mannen? Nooit eerder stond dat belangrijke aspect van zijn kunst op deze manier centraal. De uitzonderlijke kunstwerken van Michelangelo worden in al hun glorie getoond met vele detailopnamen, waardoor dit boek ook visueel een must-have is voor elke kunstliefhebber. Met tekstbijdragen van onder anderen Martin Gayford, Paul Joannides, Michael Rocke en Jennifer Sliwka. Publicatie bij de once in a lifetime-tentoonstelling met zo?n veertig werken van Michelangelo in Teylers Museum in Haarlem van 15 oktober 2025 tot 25 januari 2026.
, Hannibal, 2025 Hardcover, 11.4 x 9.7 inches, 288 pages, English edition, four-color printing with beautiful illustrations. ISBN 9789464941975.
The male body through Michelangelo's eyes: art, devotion and desire in a stunning masterpiece Michelangelo?s men are world famous. Everyone knows his David and his The Creation of Adam at the centre of the ceiling of the Sistine Chapel. His powerful, muscular nudes, precise anatomical drawings and magnificent, androgynous figures left a profound mark on art history. In this book, leading international art historians look at Michelangelo?s men with fresh eyes and from every angle. How was he influenced by classical sculpture and what drew him to the Neoplatonic ideal of perfection and beauty? Did he dissect cadavers himself? What role did models play? And what did the male physique mean to him personally ? both in his veneration of Christ?s body and in his intimate friendships with other, frequently young men? This key aspect of his art has never before been placed centre stage. Michelangelo?s exceptional works are reproduced here in all their glory and with numerous details, making this book a visual must-have for every art lover. With contributions from, amongst others, Martin Gayford, Paul Joannides, Michael Rocke, and Jennifer Sliwka. Publication accompanying the once-in-a-lifetime exhibition featuring more than forty works by Michelangelo at Teylers Museum in Haarlem, The Netherlands, from 15 October 2025 to 25 January 2026..
Strasbourg, Librairie istra, 1926; in-4, 45 pp., br.
.
Bern, Kornfeld, 1976. 4°. 482 S. Mit zahlr. farb. Abb. Orig.-Leinenband mit Schutzumschlag (leicht bestossen und fleckig). = "Sammlungskataloge des Berner Kunstmuseums: Paul Klee", Band 1.
Jubiläumsbuch, hrsg. 1976 aus Anlass des 150jährigen Bestehens der Schweizerischen Mobiliar Versicherungsgesellschaft in Bern.
Basel, Holbein-Verlag, 1948. Gr.-Folio. 14 S. Mit 10 farb. Tafeln. Lose Blattsammlung in Pappband.
NY, Rizzoli, 1989, in-4 softcover, 160 pp, illustrations. Text in english. Signature on 1st page. Cover in good condition, inside very good.
, Buchhandlung Walter K nig, 2006 Softcover, 168 pages, 26,5 x 20,5 cm. ISBN 9072251385.
Bethan Huws B.A.C.A. 2006 Bethan Huws (1961) is laureaat winnaar B.A.C.A. (Biennial Award for Contemporary Art) 2006, zij slaat een brug tussen haar Welsh afkomst en de conceptuele kunst. Haar werk omvat verschillende media, van tekeningen en objecten tot film en tekstwerken. De rode draad in haar werk is: vertalen. Vertalingen van de ene taal naar de andere, tussen culturen en van ervaringen naar concepten en omgekeerd.
LIBRAIRIE HACHETTE. 1930. In-4. Broché. Etat d'usage, Coins frottés, Dos frotté, Intérieur acceptable. XV+122 pages. 172 gravures en noir et blanc dans texte. Frontispice en noir et blanc. Tampon sur la page de faux-titre.. . . . Classification Dewey : 720-Architecture
2 PHOTOS DISPONIBLES. Classification Dewey : 720-Architecture
London, Mitchell Beazley, 2001. 4°. 240 pp. With numerous pictures in colour. Orig. boards with dust jacket.
, Phaidon Christies, 1986, 1986 Hardcover, 263 pages, ENG, 290 x 225 mm, in good order, with 700 illustrations including 175 in colour, . ISBN 9780714880259.
The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect.
Paris, Bookking International, 1991. 25 x 25, 288 pp., très nombreuses illustrations en couleurs et en N/B, broché, couverture à rabats, très bon état.
Traduction de Caroline Von Klitzing.
Lescuyer, Lyon. 1980. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 76 pages. Illustré de nombreuses photos héliogravées en noir et blanc et de photos en couleur, dans et hors texte.. . . . Classification Dewey : 720-Architecture
Guide. Plans. Description. Classification Dewey : 720-Architecture
Lescuyer. 1986. In-8. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 79 pages. Nombreuses photos en couleurs, in et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
be-, Brepols - Harvey Miller, 2014 Hardback, 300 pages., 38 b/w ill. 12 colour ill., 190 x 250 mm, Languages: English fine! . ISBN 9782503550381.
Painting landscapes was very much a private activity for Peter Paul Rubens. Whilst the majority of his other works were commissioned, the landscapes seem to have been painted for his own pleasure and delight and stayed in the artist?s possession until his death. Most of them were painted in the last decade of his life; a happy period, in which Rubens retired from public duties and spent most of his free time studying the antique and enjoying sojourns on his country estate, castle Het Steen. To grasp this profoundly personal character of Rubens?s landscapes, this book considers the artist?s highly complex method of pictorial invention to illuminate the perception, implementation, dissemination, and posthumous reception of views on nature and landscape as depicted in Rubens?s landscape art. By investigating contemporary notions on the changing perception of nature and landscape in late 16th and early 17th-century southern Netherlandish culture, Rubens?s position within this socio-cultural matrix will be established, thus shedding new light on the artist?s own perception of nature and landscape. The re-assessment of the influence of classical and contemporary ideas about nature and landscape, as well as Rubens?s personal sense of place, will illuminate important characteristics which further define Rubens?s ideas about nature implemented in his landscape art. Also, fresh light will be cast on the sudden promulgation and dissemination of Rubens?s apparently private views on nature and landscape through a novel examination of the print series of the Small and Large Landscapes, reproducing the artist?s landscapes. The final theme in this illuminating book considers the posthumous reception of Rubens?s ?painted ideas of landscape?. The book also contains an updated version of the catalogue raisonne of Rubens?s landscape art, supplemented by a record of the Small and Large Landscapes prints series
Aachen, 1985 397pp., with 61 bl/w ills., 30cm., Doctoral Dissertation (Von der Philosophischen Fakultät der Rheinisch-Westfälischen Technischen Hochschule Aachen zur Erlangung des akademischen Grades eines Doktors der Philosophie genehmigte Dissertation), softcover, stamp at verso of title page, text is clean and bright, good condition, weight: 1.4kg., S113040
Norma 1994 In-4 broché 28,5 cm sur 22,5. 166 pages. Très bon état d’occasion.
Très bon état d’occasion
Amsterdam, Stedelijk Museum, 1965 Softcover, 60 pagina's, 27.5 x 18.5 cm, Nederlandstalig/Fran ais. *prima staat.
Yves Klein.Stedelijk Museum Amsterdam 22.10 - 13.12 1965.
Rottach egem, LEU Gallery, 1988 softcover 300x210 mm, many illustrations in colour and b/w, text in DE/ FR / ENG. fine copy. tat bon
catalogue 1988
Berlin, Dr. Köster 1994 Livre en allemand. In-8 broché. 364 pages. Très bon état d’occasion.
Très bon état d’occasion
KLICZKOWSKI Publisher, ASPPAN, CP67 ; 1998, in-4 hardcover, dustjacket , 207 pp, illustrations. In english & spanish. A small tear on titlepage, otherwise very good.
KLICZKOWSKI Publisher, ASPPAN, CP67 ; 2001, in-4 hardcover, dustjacket , 215 pp, illustrations. In english & spanish. Very Good Condition.
Xanten, Stadt Xanten, , 2003 Softcover, 143 S. mit einem Frontispiz und zahlreichen Abbildungen very richly illustrated with coloured illustrations.
niederrheinischen topfers und plastikers / Ceramique / keramiek.
, Koninklijk Museum voor Schone Kunste, 1991 softcover, originele geillustreerde uitgeversomslag in kleur, 24,5x31cm, 335pp, geillustreerd in kleur en z/w. ISBN 9789053490181.
Boek dat verscheen bij gelegenheid van een tentoonstelling in het Koninklijk Museum voor Schone Kunsten in Antwerpen in 1991 over David Teniers, toen 300 jaar eerder overleden. Teniers (1610-1690) was een van de grootste schilder van zijn tijd. Alle thema's van de genreschilderkunst komen bij hem aan bod: taferelen met boeren en burgers, galante en soldateske sc nes met veelal moraliserende inslag, religieuze voorstelllingen en portretten.