‎Francis Bacon : The Violence of the Real ‎

‎, Thames & Hudson, 2006 Hardcover, 256 pages, ENG, 305 x 230 mm, in Good condition, dustjacket, illustrated in colour / b/w. ISBN 9780500093351.‎

‎Dramatic depictions of human forms ? writhing painfully, dissolving, wrestling or engulfing one another, seated or in motion ? are ubiquitous in the work of Francis Bacon (1909-1992), one of the most eminent painters of the 20th century. Bacon portrayed the ordeal of the vulnerable, defencelessly exposed body like no other artist of his generation. His individuals are usually alone, isolated from their surroundings, trapped in empty, windowless rooms or behind the bars of cages. Bacon?s figures act on stage-like platforms, doubled over in torment, sliding into formlessness. By wiping, scratching and erasures, Bacon converted the picture surface into a field of perpetual activity ? and in the process, created images of great forcefulness, sensibility and beauty. Bacon found his models not only in the history of art, but also in photographs of athletes, soccer players, or boxers in combat. He also betrayed a strong interest in the photographic sequences through which Eadweard Muybridge, in the later 19th century, registered the phases of a path of animal movement. Such instinctively performed motions disclosed to Bacon actions of an original sensuality which he strove to capture in his pictures.‎

‎Pascal Coste ou l'architecture cosmopolite‎

‎L'Harmattan, Paris, 1990. In-8, broché sous couverture illustrée, 170 pp. Les mille et une figures d'un artiste marseillais - L'itinéraire oriental : I. La réinterprétation de l'Egypte ancienne dans l'architecture du 19e siècle : un courant original en marge de l'orientalisme, Jean-Marcel Humbert. - II. Muhammad Ali et Pascal Coste, ...‎

‎Planches en noir et blanc en hors texte. --- Plus d'informations sur le site archivesdunord.com‎

‎The churches of Mexico 1530 - 1810. Photographies by Hugo Rudinger.‎

‎Berkeley / Los Angeles, University of Calofornia Press, 1962, in-4to, XXII + 127 p. + 155 plates ill. with photogr. in black and white + 8 plates ill. with coloured photogr., adress of a former owner on fly leaf, original cloth, original ill. jacket‎

‎"Inventaire général des monuments et des richesses artistiques de la France; Gard : canton Aigues-Mortes (2 volumes); tome 1 : texte; tome 2 : illustrations; commission régional du Languedoc-Roussillon."‎

‎Paris, Imprimerie Nationale, 1973. 22 x 30, 2 volumes, 185 + 302 pages, 908 illustrations dont certaines en couleurs et 2 grandes cartes dépliantes en couleurs, reliure d'édition simili cuir noir, sous étui carton, très bon état (sauf étui défraîchi).‎

‎L'ensemble mégalithique de Saint Pierre de la Fage.‎

‎Centre De Recherche Archéologique Du Haut-Languedoc Montpellier 1979 In-8 carré ( 225 X 195 mm ) de 105 pages, broché sous couverture imprimée. 25 figures hors-texte. EDITION ORIGINALE. Bel exemplaire.‎

‎Une Villa Pratique de Campagne avec ses jardins et des dépendances‎

‎ALBIN Michel. ND. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Quelques rousseurs. 416pp. Nbreuses illust n&b dans le texte et sur planches. Plande la villa sur planches dépliantes à part.. . . . Classification Dewey : 720-Architecture‎

‎La construction. Le jardin d'agrément. Le jardin potager. Le jardin fruitier. Les dépendances de la villa Classification Dewey : 720-Architecture‎

‎COTTAGES ET CONSTRUCTIONS RURALES‎

‎ 1912 reliure demi-toile verte in-folio, dos long muet, 1er plat titre en noi sur fond blanc avec une illustration en couleurs par A. M. LEY, illustré de 93 planches inédites de coupes, façades, plans, devis, en noir, 175 pages, 1912 Paris Albin Michel Editeur, ‎

‎"le guide du constructeur",trés bon état. ‎

‎Renaissance italienne dans les rues du Ghetto. L'oeuvre po tique yiddish d' lia L vita (1469-1549)‎

‎, Brepols, 2020 Hardback, 924 pages, Size:156 x 234 mm, Illustrations:4 tables b/w., Language: French. ISBN 9782503569741.‎

‎Summary Cet ouvrage constitue la premi re tude d'ensemble de l'oeuvre po tique yiddish d' lia L vita (1469-1549) et cherche d finir sa place dans la litt rature de la Renaissance en analysant les transferts esth tiques et culturels ayant pr sid sa production. Il situe l'oeuvre vernaculaire de ce savant h bra ste, proche des humanistes chr tiens, dans les traditions po tiques juives h bra ques et yiddish et dans la logique d'une affirmation du r le de l' crivain s culier et de la langue vernaculaire dans la soci t juive. Il analyse galement la port e des mod les ext rieurs, chr tiens, en insistant sur l'inscription des romans de chevalerie de L vita dans l' volution g n rale du genre chevaleresque en Italie. L'Arioste, et en particulier son Roland furieux, ont jou un r le majeur dans le raffinement progressif du projet esth tique du po te yiddish. Par son ampleur et par sa vari t , l'oeuvre vernaculaire d' lia L vita constitue non seulement la premi re oeuvre moderne de la litt rature yiddish mais aussi un cas particuli rement vocateur de diffusion des mod les esth tiques de la Renaissance dans des cat gories ethniques (les Juifs) et sociales (les classes populaires) que l'on aurait pu croire loign es de ces mutations culturelles. TABLE OF CONTENTS Introduction Chapitre I : La personnalit de L vita et son insertion dans le cadre de la Renaissance italienne Chapitre II : La place de L vita dans la cr ation litt raire juive de la fin du Moyen ge et de la Renaissance Chapitre III : Exp rimentations chevaleresques en Italie au tournant du XVe et du XVIe si cle Chapitre IV : L' volution de l'oeuvre chevaleresque de L vita : du paradigme de Pulci au mod le de l'Arioste Chapitre V : l'oeuvre satirique de L vita, entre invective burlesque et d rision complice Conclusion Annexes Bibliographie Index des noms propres (personnalit s et oeuvres)‎

‎MARSEILLE NOTRE-DAME DE LA GARDE. Histoire, archéologie, beaux-arts.‎

‎Marseille Tacussel 1923. Fort in-4 8 feuillets non chiffrés 254pp. basane maroquinée brun foncé, dos à 4 nerfs, tête dorée, non rogné, reliure de l'époque. Orné de quelques figures dans le texte et 62 planches numérotées dont 2 sur double page (III-IV et XLVI-XLVII) en héliogravure et 2 en couleurs, toutes d'après des documents anciens ou des photographies. Bel exemplaire frais et complet dans une reliure sobre de qualité.‎

7 Images

‎Une longue note manuscrite au crayon noir, rédigée sur un feuillet blanc, retrace l'histoire de cet exemplaire. L'Abbé Arnaud d'Agnel l'offrit à Monseigneur Dubourg, Archevêque de Marseille; celui-ci le donna à sa nièce lorsqu'il fut nommé Archevêque de Besançon. Le 10 juillet 1945, Mgr Dubourg célébra le mariage d'un jeune couple de sa connaissance dans cette ville; à cette occasion sa nièce leur fit don de ce livre.‎

‎L'Art Religieux Moderne. Ouvrage orné de 320 héliogravures.‎

‎ 1936 Grenoble, Arthaud, 1936, in 8° broché, 101 pages ; couverture rempliée illustrée (petits défauts d'usage) ; importante bibliographie ; bel envoi autographe signé sur le faux-titre. ‎

‎Exemplaire sans le second volume (contenant principalement les illustrations). ...................... Photos sur demande .......................... ‎

‎L'Art Religieux Moderne. Ouvrage orné de 320 héliogravures.‎

‎ 1936 Grenoble, Arthaud (Collection "Arts et Paysages" n°9), 1936, 2 volumes in 8° brochés, 101 et 243 pages ; couvertures rempliées illustrées. ‎

‎Bien complet en 2 volumes. ...................... Photos sur demande .......................... ‎

‎L' art religieux moderne‎

‎ Arthaud, 1936, gr in8br, 101pp Langue: Français ‎

‎COURS D'ARCHITECTURE ET DE CONSTRUCTIONS CIVILES - TOME 1‎

‎LIBRAIRIE POLYTECHNIQUE CH. BERANGER. 1931. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Intérieur acceptable. 606 pages. Nombreuses illustrations en noir et blanc dans le texte; Nombreuses notes au stylo dans les marges.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Freiburger Kulturgüter. Patrimoine Fribourgeois N° 13.‎

‎Villars-sur-Glâne, Service des biens culturels, 2001, in-4to, 88 p. richement ill., brochure originale ill.‎

‎Claude Castella / Aloys Lauper: Le passé présent / Claude Castella / Aloys Lauper: Die Vertonung der Vergangenheit / Claude Castella: Le patrimoine architectural hors zone à bâtir / Claude Castella: Transformation d’une ferme au hameau du Jordil à St-Martin / Hans Kunz / Philipp Speiser: Umnutzung eines Kleinbauernhauses im Hinteren Brand, Zumholz / Philipp Speiser: Die Restaurierungen des Hauses Mooses in Freiburg / Carmen Reolon: La chapelle de la Salette à Broc: restauration du béton / Daniela Schneuwly-Poffet / Philipp Speiser: Die neue Chorausstattung in der Kirche Schmitten / Anne-Catherine Page: La restauration de la salle de la Grande Société à Fribourg / Jean-Pierre Anderegg: Siedlung, Flur und Kulturlandschaft - Das Beispiel Ferenbalm / Marianne Progin Corti: Das ehemalige Bezirksspital Tafers / Bernard Jacqué: Les papiers peints du grand salon de la maison d’Alt à Fribourg / Aloys Laupter /Frédéric Arnaud: Le jeu de douves de la Joux / Aloys Lauper: L’église „ogivale“ d’Attalens / Hermann Schöpfer: L’église du Cugy / Marie-Thérèse Torche: La restauration de l’église de Cugy. ‎

‎Damas: Urbanisme et architecture 1860-1925‎

‎Actes Sud, coll. « Sinbad » 2006 In-8 broché 22,6 cm sur 14,1. 355 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Cours d'architecture et de constructions civiles, par M. E. Arnaud, professeur à l'École centrale des arts et manufactures et à l'École nationale supérieure des beaux-arts. Cours professé à l'École centrale en deuxième année [5 volumes + 1 Atlas]‎

‎Paris, Imprimerie des Arts et Manufactures 1923 5 volumes + 1 Atlas. 5 volumes, in-8 23 x 17,5 cm. Reliures demi-chagrin havane, dos à nerfs, 187-558-554-531-115 pp., 22-262-47 planches hors texte - 1 Atlas, in-folio à l’italienne 28 x 45 cm, reliure demi-chagrin havane, dos à nerfs, 262 planches. Rare ensemble, bien complet de l’atlas. ‎

17 Images

‎Comprend : Première partie : 1 volume, Ensemble des opérations à envisager pour l'édification des bâtiments - 2e partie : 3 volumes , Technique du bâtiment. édification du bâtiment (Béton armé - Fondations - Maçonnerie - Planchers) ; (Combles - Couvertures - Escaliers) ; (Serrurerie - Installations diverses et décoration) - 3e partie : 1 volume, Applications du cours de constructions civiles. Bon état d’occasion ‎

‎Ma Ville a un Passé. Histoire de Mèze. ‎

‎ 1966 Editions Déhan - 1966 - In-8, broché, couverture illustrée - 391 pages - Quelques reproductions photographiques en N&B hors-texte ‎

‎Assez bon état - Couverture tâchée, insolée et frottée - Plis de lecture au dos - Intérieur propre ‎

‎Francis Picabia. Catalogue Raisonne. Volume II (1915-1927)‎

‎, mercaterfonds - fondsmercator, 2016 Hardcover, Hardback, 295x250mm, 496p, 625 bw and col. illustrations. English/ French edition . ISBN 9789462301436.‎

‎The second of an important multi-volume catalogue project, this publication features work by Francis Picabia (1879-1953) that dates from 1915 into mid-1927. Beginning with Picabia's elaboration of a personal machinist aesthetic, the book continues by looking at the artist's central role in the formulation of the Paris Dada movement. That irreverent movement included Picabia's increasingly provocative mechanomorphic compositions, complemented by his unorthodox writings and graphic designs as well as socially powerful performances. The volume finishes with a look at Picabia's creations of the mid-1920s, which included memorable collages and flamboyant figurative compositions known as the "monsters." This catalogue raisonne offers scholarly readings of his work by major authors ‎

‎Sweden, Russia, and the 1617 Peace of Stolbovo‎

‎, Brepols, 2023 Hardback, 398 pages, Size:156 x 234 mm, Illustrations:57 b/w, 17 col., 4 tables b/w., 6 maps b/w, 2 maps color, Language: English. ISBN 9782503601007.‎

‎Summary In 1617, after seven years of war between Sweden and Russia and talks facilitated by English and Dutch diplomats, the peace treaty of Stolbovo was signed. This important but little-studied document was to form the basis for relationships between Sweden and Russia for the next one hundred years, before it was replaced by the Peace of Nystad in 1721, and it had a huge influence on the lives of the people who lived in the region. This wide-ranging volume draws together contributions by scholars from Britain, Sweden, Germany, Estonia, Russia, and Finland to offer new insights into, and analysis of this peace treaty and its impact on the wider region during the seventeenth century. Covering disciplines including political and economic history, church history, and Slavonic and Classical philology, the chapters gathered here shed new light on, and provide a new understanding of, the Early Modern period in the Baltic Sea area. TABLE OF CONTENTS List of Illustrations Preface Arne J nsson and Arsenii Vetushko-Kalevich Introduction Arne J nsson and Arsenii Vetushko-Kalevich Stolbovo in Perspective. Jacobean Diplomacy in the Baltic Region, 1589-1618 Steve Murdoch The Dutch Republic, Sweden, and Moscow.The Dream of the Russian Market Kristian Gerner Cartographic Knowledge and Geographic Ignorance. Karelia and the Cap of the North in the Swedish Imagination around 1600 Stefan Troebst The Stolbovo Treaty and Tracing the Border in Ingria in 1617-1618 Adrian Selin The Symbolic Uses of the Early Modern Russo-Swedish Border Alexander Tolstikov Ryssg rden. The Russian Factory in Stockholm in the Seventeenth Century Elisabeth L fstrand The Treaty of Stolbovo and Tallinn's Customs Rental Agreement (1623-1629) Enn K ng Influence of the Peace of Stolbovo on Estonia and Livonia lle Tarkiainen Ingria as a Swedish Province in the Seventeenth Century Kasper Kepsu The Treaty of Stolbovo and Its Impact on Narva's Urban Development Stefan Herfurth Petitions, Letters, Wills, and Receipts. A First Road Map to The King's Russian-Writing Subjects in Swedish Ingria, 1617-1656 Alexander I. Pereswetoff-Morath The Mosaic of Knowledge about Muscovy in Sweden in the Great Power Era Kari Tarkiainen Superstitious Christians. Lutheran Views on the Russian Orthodox Church in the Swedish Great Power Era David Gudmundsson The Peace of Stolbovo as Reflected in the De la Gardie Archives. Some Manuscript Examples Per Stobaeus Historia Vladislai by Stanis?aw Kobierzycki as a Source of Historia Belli Sveco-Moscovitici by Johannes Widekindi Arsenii Vetushko-Kalevich The Treaty of Stolbovo. A Failure or Success of Russian Diplomacy? Gennady Kovalenko Index of Persons Index of Places Index rerum Contributors‎

‎Robert A. M. Stern. 1965 - 1980 ‎

‎ Rizzoli Rizzoli, 1981. In-4 broché, couverture illustrée de 305 pages. Nombreuses photos et plans en noir et blanc et couleur. Texte en anglais. Parfait état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎La chapelle de la Béroche. Photos de Benedik Rast (de l’oeuvre de Nicolas-Manuel Deutsch).‎

‎Fribourg, St-Paul, 1939, in-8°, 1 p. + 4 p. + 16 planches photogr. (vitraux, statuaires, triptique du XVè) avec descriptions, brochure originale.‎

‎Arnobius Iunior, Praedestinatus‎

‎, Brepols, 2022 Paperback, 256 pages, Size:156 x 234 mm, Language(s):English, Latin. ISBN 9782503596761.‎

‎Summary For the first time in English, the Praedestinatus represents a moment in the fifteen-century old theological conversation in Latin Christianity about the topics of grace, predestination and free will. Written as a response to Augustine's growing theological influence, this book should not merely be regarded as a work of apologetics, despite the author's intention, but seen as breaking controversial new ground because of his claim that a small circle of heretics was acting as a 'fifth column' within the Church, undermining orthodox beliefs concerning God, his providence and all-inclusive love. The introduction sheds light on the authorship, dating and historical context of this work. It documents how this text was received and critically assessed for a period of over twelve centuries: from the time of Augustine in the fifth century to that of the bitter Jansenist controversy in the seventeenth. It entered those latter debates shortly after its rediscovery by Jacques Sirmond in the library of the Reims cathedral in a manuscript that, in the ninth century, was in the possession of Hincmar - the archbishop of Reims who in his time had revived disputes about grace and free will. Sirmond named the text '[the] Praedestinatus' when he published its first edition in 1643. After a three hundred year hiatus, interest in the Praedestinatus revived in the twentieth century thanks to German and French scholars who studied the book's theological trajectory and claims. Its critical edition was eventually accomplished in 2000 by Italian scholar Franco Gori. The present translation is based on Gori's edition.‎

‎2G 94 b+‎

‎Barcelona, Verlag der Buchhandlung Walther und Franz K nig, 2025 Illustrated hardcover, 30 x 23, 160 pages, 135 col.ill. | 75 bw.ill. English. *New. ISBN 9783753307824.‎

‎This issue of 2G is not a portfolio of completed works. It is a reflection on the first three years of b+, a practice formed in a new constellation and working model, and on the questions that have emerged through working on different projects and constellations in that time. The projects shown are snapshots ? some ongoing such as Midway Contemporary Art Garage, some experimental such as Lutz, some self-initiated such as M usebunker CC and some even already gone such as TAS ? revealing the larger themes shaping the field of architecture today: the urgent need for a fundamental value shift in the building sector ? socially, ecologically, and economically. ‎

‎Luc Dondeyne Third Eye /// SIGNED!!!!! ‎

‎, MER - Borgerhoff & Lamberigts, softcover, 166 pag. *** met handgeschreven opdracht / gesigneerd door LUC Dondeyne. ISBN 9789463931144.‎

‎Through his work, Luc Dondeyne offers us his view of the world. He gives us the opportunity to look together with him by showing us sometimes literally that he looks at the world through a lens. This looking together results in special and unusual compositions, such as portraits without face or with the face turned away, as well as people who are portrayed from the back. The spectator thus becomes part of the triangular relationship Dondeyne deliberately involves himself and ourselves in: the triangle between the artist as viewer, spectator and maker. Those looking at the works are in the middle of this triangle, and consequently they become part of the artist?s gaze and therefore also of the work. The intuition, imagination and inner wisdom with which the third eye or the sixth chakra fills us, may also open the gate to the collective memory, on which not only Dondeyne relies but also the spectator who looks at the artist?s works. Frequently, Dondeyne refers in his titles and images consciously or subconsciously to the history of art and culture. He invites us to open our own third eye and to join him to tap into his huge source of knowledge and associations that allows him to connect that which he sees through the third eye with that which he depicts thereof on the canvas or on paper, and with the spectator who contemplates the final result.‎

‎Building in Egypt : Pharaonic Stone Masonry‎

‎Oxford, Oxford University Press, 1991 Cloth binding under illustrated dustjacket, 316 pages, 28.5 x 22 cm, english text. *fine condition. ISBN 9780195063509.‎

‎Building in Egypt : Pharaonic Stone Masonry‎