‎ANTHOLOGIE DU CANTE FLAMENCO. Illustrations et avant-propos de Roger Wild.‎

‎Editions du Tambourinaire. Sans date [vers 1960]. In-4° broché. Couverture illustrée. 87 pages. E.O.‎

‎Bon état.‎

‎Le flamenco. Ouvrage conçu et réalisé par Pierre Lartigue pour les textes et Colette Masson pour les photographies (héliogravures).‎

‎Albin Michel / l'Avant-Scène 1984. Bel exemplaire relié, gd in-8, 110 pages avec annexes.‎

‎Antonio, el bailarin de España. En fotografias de Gyenes. Comentarios de Jose Eugenio de Baviera y Borbon [and others] Dibujos especialmente dedicados por Picasso, Jean Cocteau y Jose Caballero, y una autobiografia brevisima de Antonio.‎

‎Taurus Ediciones, S. A. 1964 Reliure éditeur pleine toile rouge, jaquette illustrée en noir & blanc, 104 pp., nombreuses photographies en noir & blanc, quelques-unes rapportées en couleurs. Jaquette légèrement effrangé, intérieur en très bon état.‎

‎Texte en espagnol. Antonio Ruiz Soler (1921-1996), connu comme Antonio el Bailarín, fut danseur de ballet et de flamenco, chorégraphe et directeur artistique. Bon état d’occasion ‎

‎REYNEKE VOS IN DE KEMPEN.‎

‎, Lier, Jozef Van In, 1942., Originele geillustreerde uitgeversomslag in bruinopdruk, rug onderaan licht beschadigd, 12x18,5cm, 224pp, geillustreerd met houtgesneden lettrines in roodopdruk.‎

‎Bibliotheek van den "Bode van het H. Hart".‎

‎UN CURIEUX RECIT DE WATERLOO.‎

‎, Bruxelles, Meddens & co, 1815., Broche, couverture d' editeur, 14x21,5cm, 158pp.‎

‎Exhibition of Flemish and belgian Art ( 1300-1900 )‎

‎ Burlington House broché Couverture Illustrée London 1927 96 pages de reproductions en format 18 - 24 cm - dos retouché ‎

‎État Moyen ‎

‎Blumen-Stundenbuch. Clm 23 637, Bayerische Staatsbibliothek, München.‎

‎2 Bände in Acry-Kassette und Verkaufsdokumentations-Mappe. Luzern, Faksimile-Verlag, 1991. Kl.-8°. Faksimile-Band: 219 Seiten, (2) Blatt, Mit 70 Miniaturen und über 300 verzierte Seiten; Kommentarband: 431 Seiten, 1 Blatt, 45 Tafeln. Rote Samtbände mit 2 Metall-Schliessen sowie mit dreiseitigem Goldschnitt. Acryl-Schuber.‎

‎Nr. 480 von 980 Ex. (GA 1'060, dv. 80 h.c.). Eines von 300 Exemplaren der Vorzugsausgabe, welche zusätzlich mit zwei Schmuckschließen aus 925er-Sterlingsilber, mit 46 echten Rubinen bestückt wurden. - Tadellos erhalten.‎

‎Flämischer Kalender. Clm 23 638, Bayerische Staatsbibliothek, München.‎

‎2 Bände in Acry-Kassette. Luzern, Faksimile-Verlag, 1987-1988. Kl.-8°. (Faksimile-Band:) (2) Bl., (60), (3) S. Mit 26 (dv. 13 ganzs.) farb. Illustr. u. farb. Buchschmuck. (Kommentarband): 482 S. Mit 46 Tafeln. Violetter Samtband. mit 10 Deckelbeschlägen u. 2 Metall-Schliessen sowie mit dreiseitigem Goldschnitt bzw. violetter Samtband mit montiertem Rückenschild. In Acryl-Schuber.‎

‎Nr. 738 von 980 Ex. (GA 1'060, dv. 80 h.c.). – Tadellos erhalten.‎

‎Bloemen in aquarel : Gids voor het schilderen van bloemen met waterverf Deel 2‎

‎, Librero BV, 2000 Hardcover, 64 pagina's, NL, 195 x 155 mm, in prima staat, met stofomslag, mooie illustraties in kleur, Deel 1 en 2 apart aan 10 euro of de 2 delen samen aan 18 euro !. ISBN 9789057641008.‎

‎Deze praktische en uitgebreide gids voor het schilderen van 70 verschillende bloemen is de opvolger van 'Bloemen in aquarel deel 1'. In dit boekje staat opnieuw een collectie bloemen, bladeren en bessen afgebeeld. Er wordt dieper ingegaan op de technieken uit het eerste deel en u leert er bovendien een paar nieuwe bij. De gebruikte technieken worden stap voor stap gedemonstreerd. De kleurenmengsels die u nodig hebt voor de bloemen worden stuk voor stuk behandeld. Zowel de beginnende als de gevorderde schilder kan met BLOEMEN IN AQUAREL DEEL 2 zelfverzekerd aan de slag voor veel plezier bij het schilderen van bloemen.‎

‎Paul Jouve : peintre sculpteur animalier ‎

‎, Les Editions de l'Amateur , 2005 Hardcover, 400 pages, Texte en Francais, 310 x 240 mm, Nouveau Edition !, jacquette, illustrations en couleur. ISBN 9782859174095.‎

‎ lev dans la for t de Fontainebleau, Paul Jouve dessine les animaux d s son plus jeune ge et fr quente r guli rement le jardin des Plantes et le Mus um d?histoire naturelle. travers ses dessins, aquarelles, peintures et sculptures, Jouve a construit sa r putation autour de sa capacit saisir et p n trer ais ment et profond ment le caract re de chaque esp ce animale. Il a illustr , parmi d?autres, Le Livre de la jungle, La Chasse de Kaa de Rudyard Kipling et Un p lerin d?Angkor de Pierre Loti. Il collaborera avec Jean Dunand, Goulden, se liera d?amiti avec Gustave Miklos, Joseph Csaky, Pierre Legrain, Marcel Coard, Eileen Gray.‎

‎JULES BUYSSENS EN LE NOUVEAU JARDIN PITTORESQUE : Collection Lieux de m moire / De wereld van het tuin- en landschapsontwerp in Belgi ‎

‎, CFC- ditions , 2022 hardcover, 240 pages, TEKST IN HET NEDERLANDS , 275 x 210 mm, NOUVEAU, illustrations en couleur / n/b. ISBN 9782930391663.‎

‎Jules Buyssens (1872-1958) is een belangrijke figuur in de wereld van het tuin- en landschapsontwerp in Belgi . Na een opleiding van een vijftiental jaren in binnen- en buitenland, die hij afsloot als bureauchef bij douard Andr in Parijs, cr erde hij meer dan duizend ontwerpen in Belgi en in een tiental andere Europese landen (Frankrijk, Rusland, Zwitserland, Nederland, Monaco, Polen, Litouwen). Hij legde parken en tuinen aan voor de internationale aristocratie en rijke bourgeoisie (prins en prinses Napol on te Ronchinne, de familie Solvay in Terhulpen en Brussel, B atrice Ephrussi de Rothschild in Monte-Carlo, gravin de Pourtal s in Zwitserland?), werkte in opdracht van verscheidene gemeentebesturen en bedacht tijdens het interbellum charmante stadstuintjes, die het pittoreske verenigden met de art-decostijl. Behalve initiatiefnemer van de beweging en het tijdschrift Le Nouveau Jardin Pittoresque was hij tevens ook de landschapsarchitect van de stad Brussel (1904-1937) en de verantwoordelijke voor het landschapsontwerp van de Wereldexpo op de Heizel in 1935. Onder leiding van Eric Hennaut en Ursula Wieser Benedetti Auteurs: Florence Andr , Jean-Marie Bailly, Claire Billen, Odile De Bruyn, St phanie de Courtois, Eric Hennaut, Michael Jakob, Philippe Nys, Anne-Marie Sauvat, Ursula Wieser Benedetti.‎

‎betoverde plein‎

‎, Stichting Riemers, Wim 2002, 2002 Hardcover, 94 pagina's / pages, NL / ENG, 260 x 220 mm, in prima staat / book in good order, with foto's / pictures in kleur. ISBN 9789080498914.‎

‎Het abdijplein in Middelburg, hedendaagse kunst op het plein in 2002‎

‎L'oeuvre de Roger de Le Pasture Van Der Weyden (catalogue).‎

‎Belgique, Ministère de l'Education Nationale et de la Culture, 1964. 16 x 25, 87 pp., nombreuses illustrations en N/B, broché, bon état (couverture légèrement défraîchie).‎

‎L'ART FLAMAND DES ORIGINES A NOS JOURS. Peinture, Architecture, Sculpture, Arts Appliqués.‎

‎Non daté / 587 pages. Relié avec jaquette + emboitage cartonné au format : 26 x 33,5 cm. Editions Albin Michel.‎

5 Images

‎EXCELLENT ETAT COMME NEUF ! ‎

‎REPERTORY OF DUTCH AND FLEMISH PAINTINGS IN ITALIAN PUBLIC COLLECTIONS. VOL. I LIGURIA,‎

‎Florence/ Utrecht, Centro Di/ University, 1998 Bound, blue cloth, illustrated dustjacket in colour, 240 x 310mm., 286pp., profound colour illustration.‎

‎First volume in the series (edited by Bert W. Meijer) of nine volumes aimed at cataloguing and illustrating the over 10.000 Dutch and Flemish paintings in Italian Public Collections. The first publication of this important research project is dedicated to works of art in the region of Liguria; the over 450 paintings include masterpieces by Gerard David, Hans Memling, Jan van Scorel, Rubens, Antonie van Dyck. Forthcoming volumes: Piedmont, Lombardy, Veneto-Friuli, Tuscany-Sardinia. Book is in new condition. ‎

‎Vlaams Brabant.‎

‎Tielt (Belgique), Editions Lannoo, 1997. 26 x 30, 176 pp., très nombreuses illustrations en couleurs, reliure d'édition pleine toile + jaquette, très bon état.‎

‎"avant-propos de Lodewijk De Witte; quadrilingue : néerlandais, français, allemand, anglais."‎

‎DER BAUERN - BRUEGEL UND DAS DEUTSCHE SPRICHWORT.‎

‎, Zurich, Rentsch Verlag, 1923., Gebunden, leinen, Original - Umschlag illustriert koloriert, 16x22cm,159pp + 32pp tafeln s/w.‎

‎Mit 49 Abbildungen.‎

‎800 jaar SINT - JANSHOSPITAAL BRUGGE 1188 - 1976. ( 2 DELEN).‎

‎, Brugge, 1976., originele geillustreerde uitgeversomslag in kleur, 17x24cm, 724pp, geillustreerd z/w, errata.‎

‎Deel I: Archivalia. De ontroerende bezittingen van het hospitaal. Deel II: archivalia. Handschriften en drukwerken. Iconografie. De beeldhouwkunst in het Sint - Janshospitaal. Schilderkunst. Textiel. Zilver uit de kapel. Oud huisraad. Apotheekgerei. Over de oorsprong en ontwikkeling van medisch apperatuur.‎

‎VJENCESLAV RICHTER : The World as a Pavilion‎

‎, Walther and Franz Koenig Verlag, 2020 Paperback, 80 pages, ENG, 260 x 215 mm, NEW, with illustrations in colour and b/w. ISBN 9783960988038.‎

‎Pavilions reveal something of the changing position of architecture in culture and its relationship with visual arts, as well as the various 20th century cultural policies throughout the world. This book presents a reflection on the work of Croatian architect Vjenceslav Richter , the idea of the pavilion as a metaphor and a spatial concept where architecture and visual arts meet. As a matter of fact the whole production of Richter - whether his artistic production, his architectural projects or his town planning models - is based on a systematic repetition of small units. The publication provides an overview of Richter's experimental work and research between the late 1940s and the late 1990s, alongside other significant examples of pavilions, in order to nourish a more global reflection on historical and contemporary cultural models. Richter was one of the founders of EXAT 51 group (Experimental Atelier) and an active participant of the international New Tendencies movement; he authored national pavilions for international fairs, architectural projects for public and residential buildings, and designs in the area of urbanism. Vjenceslav Richter (Omilje, 1917 - Zagreb, 2002), architect and artist, was one of the key figures in Croatian art history who played a significant role within the context of European modernism.‎

‎Masterpiece of the Florentine Seventeenth Century: Francesco Lupicini's David and Goliath‎

‎, Rob Smeets, 2016 Hardcover, 53 pages, ENG / ITA, 270 x 245 mm, in New condition, with illustrations in colour., dustjacket has some scratches on the backside, but book itself is in New condition ISBN 9788889024812.‎

‎The painting on copper portraying David with the head of Goliath offers, for its outstanding quality, a significant addition to the catalogue of the Florentine painter Francesco Lupicini (Firenze 1591-Saragozza 1656). This artist is still obscure, even to specialists, and has been so far neglected by art historical investigation, despite the works emerged over the last three decades reveal an unusually creative originality and considerably high quality. Lupicini?s difficult emergence from obscurity could be related to the fact that Filippo Baldinucci (1625-1696), the official biographer of Florentine painters, fails to mention him, even briefly, in the pages of his Notizie. [Francesca Baldassari]‎

‎Renaissance : Six Italian masterpieces rediscovered‎

‎, Marsilio / Colnaghi, 2021 Hardcover, 160 pages, ENG, 310 x 250 mm, in New state, with pagefull illustrations in colour. ISBN 9788829714193.‎

‎Last November, audiences had the once-in-a-lifetime opportunity to experience rare and newly discovered masterworks by some of the greatest artists of the Italian Renaissance, including Donatello, Tintoretto, Antonio Lombardo, and Benedetto da Rovezzano, in a special exhibition at Colnaghi New York. Featuring five exquisite sculptures? including a recently rediscovered terracotta bust by Donatello?alongside a newly attributed portrait painting by the great Venetian master Jacopo Tintoretto, the exhibition marked a rare occasion in which such a significant number of museum-quality works from the Italian Renaissance appeared on the market at one time.‎

‎schenking Frans Dille aan het Stedelijk Prentenkabinet van Antwerpen (1982-1989) : een retrospectieve‎

‎, Museum Plantin-Moretus 1990, 1990 Paperback, 127 pagina's, NL, 295 x 210 mm, goed, met illustraties in z/w.‎

‎Ephemeral Museum : Old Master Paintings and the Rise of the Art Exhibition‎

‎, Yale University Press, 2000 Hardcover, 200 pages, ENG, 240 x 165 mm, in absolute New condition, dustjacket, with illustrations in b/w . ISBN 9780300085341.‎

‎When and why did large-scale exhibitions of Old Master paintings begin, and how have they evolved through the centuries? In this work, art historian Francis Haskell explores the beginning, history and significance of these international art exhibitions‎

‎Duchamp Family of Artists‎

‎, Artis-Naples, the Baker Museum 2014, 2014 Softcover, 150 pages, ENG, 240 x 205 mm, NEW, dustjacket, illustrated in colour and b/w, very rare , . ISBN 9780989549424.‎

‎Marcel Duchamp is considered the most influential artist of the 20th century. This reputation is due primarily to his introduction of the readymade, an alternative to the traditional art-making process wherein anything designated by an artist as a work of art?from a bicycle wheel mounted on a stool to a bottle rack purchased from a department store?automatically becomes art and should be treated as such. Whereas this radical notion has done much to alter the course of contemporary art, few realize that it can be traced to Duchamp?s involvement with his family, specifically, to objections expressed by his brothers to his Nude Descending a Staircase, a painting he submitted for display to the Salon des Ind pendants in 1912. Rather than accept the reservations voiced by his brothers and substitute this painting for another, Duchamp chose instead to withdraw it, whereupon he made the momentous decision that he would no longer conform to accepted conventions of taste. At the time, Duchamp?s eldest brother Jacques Villon was a cubist painter and printmaker, and his older brother Raymond Duchamp-Villon was a modernist sculptor. In this context, a readymade can be understood as an open challenge to the art his family practiced and represented, namely, the traditional genres of painting and sculpture. Although books have been written about the three Duchamp brothers, The Duchamp Family of Artists is the first study devoted to the entire family, from their maternal grandfather mile Nicolle, a painter and printmaker of some note in French art at the end of the nineteenth century, to their sister Suzanne and her husband Jean Crotti, who, in the early 1920s, established an art movement of their own called Tabu. The present exhibition and catalogue traces the career of these artists?from their earliest works to those for which they have become best known, emphasizing the phases of the artists? careers in which their paths either conjoined or intersected‎

‎Aldo Van Eyck : Orphanage - A Modern Monument‎

‎, NAI Publishers 1998, 1998 Softcover, 48 pages, ENG, 190 x 190 mm, in good condition, illustrations b/w, . ISBN 907246950X.‎

‎Aldo van Eyck ; (16 March 1918 - 14 January 1999) was a Dutch architect. He was one of the most influential protagonists of the architectural movement Structuralism.‎