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Le rêve de Dino
NEVA MAGLAND 2019 32 pages 17 02x24 13x0 76cm. 2019. Relié. 32 pages.
Très bon état
Le rêve de Dino
NEVA MAGLAND 2019 32 pages 17 02x24 13x0 76cm. 2019. Relié. 32 pages.
Très bon état
Le rêve de Dino
NEVA MAGLAND 2019 32 pages 17 02x24 13x0 76cm. 2019. Relié. 32 pages.
Très bon état
[Charavay Frères Editeurs] - GAUTIER, Judith ; CONSTANTIN, Auguste
Reference : 57606
(1882)
Isoline
Avec douze eaux-fortes par Auguste Constantin, un des 500 exemplaires sur hollande (après 12 Chine et 6 Japon), 1 vol. in-8 carré, Charavay Frères Editeurs, Paris, 1882, 125 pp. et 1 f.
Cette charmante édition est illustrée par Auguste Constantin de 12 très belles eaux-fortes de paysages bretons (Dinan, Saint-Servan, embouchure de la Rance, etc...). Etat très satisfaisant (couv. un peu frottées, qq. rouss. sur certaines planches, bon état par ailleurs) Vicaire, III, 879
Stubenrauchs Berichte aus Westafrika (Januar bis Februar 1884): Dokumente zur Geschichte Togos. Aneho en janvier-février 1884 selon les rapports du Capitaine W. Stubenrauch Commandant de la S.M.S "Sophie".
Lomé: Presses de l'UL, 2012 in-8, 268 pages, illustrations. Bibliographie. Broché, très bon état. Texte allemand et français.
in-8, 268 pages, illustrations. Bibliographie. Broché, très bon état. Texte allemand et français. [M.C.: Afrique noire, Togo, histoire, colonisation, Allemagne].
IMITATION AND ILLUSION, Applied Brocade in the Art of the Low Countries in the Fifteenth and Sixteenth Centuries
, Brepols Publishers, 2011 hard cover, 660 p., 230 x 290 mm, Languages: English. ISBN 9782930054117.
In the late Middle Ages luxurious textiles were among the most highly prized indicators of status and wealth and an essential requirement of prestigious secular and ecclesiastical life. The depiction of these sumptuous silks and gold brocades was a crucial element in the visual arts, and their realistic and recognizable representation was a challenge to every artist. Painters and polychromers strove to imitate the fashionable fabrics by using applied brocade, a highly sophisticated form of relief decoration that adhered to panel paintings, murals and sculpture and through the play of light and shadow evoked the dazzling illusion of gold-brocaded cloths. Imitation and Illusion is the result of a detailed study of applied brocade in the art of the Low Countries. Eleven fascinating and innovative chapters offer an in-depth examination of the historical, geographical, morphological and technical aspects of this cast tin relief technique. New light is also shed on artistic collaboration and workshop practice in the fifteenth and early sixteenth century. The catalogue includes 86 well known and lesser known panel and wall paintings, sculptures, altarpieces, and architectural elements produced between 1420 and 1540, decorated with applied brocade and providing stunning testimony to the visual variety and material magnificence of late-medieval art. Abundantly illustrated, Imitation and Illusion investigates the artistic production of the fifteenth- and sixteenth-century Low Countries from an intriguing and original perspective. It represents a significant contribution to our understanding of medieval polychromy and will appeal to everyone whose curiosity is aroused by the illusionistic ingenuity of the medieval artist.
Chants Secrets. Couverture ornée d’une lithographie d’Emile Picq.
Lyon, L’Arbalète (Presse à bras de Marc Barbezat), 1945 ; in-8, broché ; 45 pp., (1) f. de justification du tirage, couverture crème rempliée, illustrée d’une lithographie d’Emile Picq.
Edition en partie originale tirée à 400 exemplaires (N°166), sur pur fil Lafuma, outre deux exemplaires sur vieux Japon. Né à Lyon (1911-1951), Emile Picq, poète, peintre et danseur, fut révélé au grand public par un article enthousiaste de Renaud Icard (Le Progrès du 13 juin 1933) qui le présentait ainsi : "Avez-vous dirais-je aujourd’hui, entendu parler d’Emile Picq ? Retenez ce nom. Dans l’art de la danse à laquelle il s’est consacré, il ira loin". En 1948, Francis Ponge affirme à son tour, péremptoire : "Il faut à Lyon considérer Picq. Lyon, le Lyon moral, a beaucoup à apprendre de ce jeune homme..." (voir la notice de Patrice Béghain dans le "Dictionnaire historique de Lyon") ; ces deux témoins ont raison, il suffit de voir ce dessin de couverture pour comprendre que Picq est un danseur et, ce n’est pas un hasard si Picq, Renaud Icard et Francis Ponge furent les amis de René Leynaud, fusillé pendant la guerre. Dos très légèrement insolé et quelques minuscules piqûres, sinon bel exemplaire de ce recueil de poésies.
Georges de Nouvion & Emile Lanrodie Le Comte de Chambord (1820-1883) PARIS, Lib. Furen, Jouvet & cie, Editeurs - 1884 - In-12 - Débroché - II & 406 pages - Correct
Reference : 19006
Le Comte de Chambord (1820-1883)
PARIS, Lib. Furen, Jouvet & cie, Editeurs - 1884 - In-12 - Débroché - II & 406 pages - Correct
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Weaving Memories in Medieval Cathedrals, Artistic Narratives in Global History
, Brepols, 2026 Hardcover, 317 pages, 216 x 280 mm, Illustrations:17 b/w, 126 col., 2 tables b/w. English. New. . ISBN 9782503617695.
This volume examines a network of medieval European cathedrals, from the North Sea to Andalusia, to reveal the specific ways in which institutional and civic memories were interwoven in each of these ecclesiastical sees. These pages analyze the plurality of the European landscape through eleven cathedrals, created between the fourth and fifteenth centuries across the European geographical and cultural breadth. The architectural features of each cathedral are the result of a complex process of morphogenesis that is constantly defined by the local conditions of space, building material, etc. For these reasons, each author reveals in the respective case study how the ritual spaces and the cultic and commemorative devices that legitimized their relationship with the past, the particular devotions, the diachronic and synchronic crossroads and their relationships with the secular and religious elites were generated, modified and organized. Crucial to this integrative process was the movement of patrons and master builders, as well as their ability to adopt new approaches and integrate them into established patterns. The cathedrals studied in this volume were highly innovative centers that exported successful models. In some cases, their proposals were formulated on the substratum of Roman antiquity, often reinterpreted. Furthermore, special attention is given to the memorial competencies of devices and liturgical furnishings, that constituted a large part of the visual and mnemonic experience inside their ceremonial spaces. Through the study of the selected cathedrals it is revealed that each and every one of them sought to affirm two complementary realities: what role each one aspired to play in the history of Universal Salvation and, at the same time, how to articulate the spaces of the monument to give place and temporality to the memory itself, extolling the most relevant powerful personalities in the framework of the lay community. Thus, the volume offers a panoramic view of the specificities, but also of the analogies generated by artistic intersections and homologous statements. TABLE OF CONTENTS Introduction: Negotiating Institutional Pasts in European Cathedrals Gerardo Boto Varela and Marta Serrano Coll Medieval Cathedrals As Reliquaries Of Memorial Narratives I Imperial Patronage and Shaped Memories The Cathedral of Rome in Context: Sacred Spaces, Rituals, and Patrons (Fifth?Fourteenth Centuries) Manuela Gianandrea and Eleonora Tosti Cathedral Saint Mauritius and Saint Katharina, Magdeburg Matthias Untermann II International Architectures for Secular and Ecclesiastical Hegemonies 1099?1106: The Foundation of Modena Cathedral as a Mirror of the Transition Between Seigneurial Power and Civic Self-Consciousness Saverio Lomartire Poitiers, the Cathedral Saint-Pierre-Saint-Paul Claude Andrault-Schmitt The Dispute over the Tradition of an Episcopal Church and the Art of the Naumburg Master Holger Kunde The Cathedral of Saint Vitus, Wenceslas, Adalbert, and the Virgin Mary in Prague in the Romanesque Period Jana Ma? kov -Kubkov Notre-Dame de Lausanne: Socio-Spatial Organisation at the Origins of the Cathedral (Thirteenth?Sixteenth Centuries) K rim Berclaz III Hosting and Proclaiming Cults ?North to Saint Olav??A Saint and his Cathedral on the Edge of the Christian World ystein Ekroll Canterbury Cathedral and its Holy Archbishops: Weaving Memories Between Continuity and Innovation Ute Engel IV Negotiating the Past in Palimpsestic Cities on the Edges of Latinity The Hard Task of Surrogating Jerusalem: Famagusta Cathedral in Medieval Experience and Modern Scholarship Michele Bacci The (In)visible Cathedral: The Major Church of Santa Mar a in Seville from 1248 to 1411 Teresa Laguna Pa l Index of Names Index of Places
Conversation avec le loup
SALTIMBANQUE 2018 40 pages 24 7x30 6x1cm. 2018. Relié. 40 pages.
Bon état
viaggio poetico in Properzio tra illusione e realt Proceedings of the Twenty-Fourth International Conference on Propertius, Assisi, 25-28 May 2023
, Brepols, :2026 Paperback, 364 p, 156 x 234 mm, Illustrations:2 b/w, 1 col., Language(s):Italian. *New . ISBN 9782503618531.
The theme of the journey in Propertius is investigated in the various possible meanings, from the physical one of movement, to the internal one of the love affair, to the literary one, between emulation and imitation. On the one hand, the poet does not like to travel, because he wants to stay in Rome, and with the woman he loves. On the other, he likes to move in the dimensions of literature, myth and even the afterlife, in an incessant inner journey between images and places in limitless mental spaces.
exp rience communale Soci t et culture politique Marseille entre XIIe et XIIIe si cle
, Brepols, 2026 Hardback376 p.178 x 254 mmIllustrations:20 tables b/w., 10 maps b/wLanguage(s):French . ISBN 9782503618029.
L?historiographie des communes m di vales m ridionales a pein , jusqu? une poque r cente, s?affirmer en dehors du cadre d?analyse de l?Italie centro-septentrionale des XIIe et XIIIe si cles. Pourtant, durant ces deux si cles, la Provence urbaine constitua un espace g ographique et un horizon culturel particuli rement propice un plein d veloppement et un usage conscient des institutions politiques et des langages sociaux qui furent propres la civilisation communale m di vale. partir du cas d? tude de Marseille, la plus importante ville proven ale d? poque m di vale et l?un des ports m diterran ens les plus dynamiques du XIIIe si cle, l?objet de cette recherche est de poser nouveaux frais la question des structures socio-politiques des communes m di vales, en pla ant au centre de la d marche l? tude de la soci t citadine en elle-m me ainsi que celle de la culture politique que cette soci t promut. Se d marquant de l?ancienne tradition interpr tative visant r duire l?importance des villes dans le contexte du Moyen ge fran ais, au profit du prestige accord la formation de l? tat central, une nouvelle approche de l'exp rience communale marseillaise est ainsi propos e, r valuant en particulier la culture politique originale qui sous-tendit cette exp rience. Le livre entend ainsi souligner l?importance des dynamiques socio-institutionnelles et socio-politiques pour comprendre la nature, les adaptation locales et l? volution historique de la matrice culturelle des communes m di vales.
Girel Stéphane Matéo Pépito Bigot Gigi
Reference : 500100834
(2001)
ISBN : 9782278050833
Le Service de la Sûreté par son ancien chef G. Macé. La Police parisienne
1887 G. Charpentier et Cie, Editeurs, 1887, 1 volume in-12 de 394 pages, demi basane brun clair, titre et fleurons dorés ( en partie effacés par le temps
Assez bon état. Dorures du dos en partie effacées, bords des palts érodés mais intérieur en bon état malgré quelques rousseurs éparses. Coins émoussés
Rubens in London. Art and Diplomacy
, Brepols Publishers, 2011 hardcover, 205 p., 68 b/w ill. 22 colour ill., 210 x 280 mm, English. ISBN 9781905375042.
The Flemish artist Peter Paul Rubens is probably the most important foreign artist to have worked in England. The story of how this came to be, of what he did when he was in England and what he painted for King Charles I is the story of this book. Charles and his father, the first Stuart monarchs of Great Britain, led and promoted a great wave of interest in the arts, in particular the visual arts, that culminated in Rubens painting nine large canvases to decorate the ceiling of Inigo Jones?s Banqetting Hall, the ceremonial centre of the Court in Whitehall - a monument that is still intact today. It is this cycle, an hitherto unappreciated masterpiece of Baroque state art, that is the focus of this book. How Rubens came to obtain the commission is a tale of international politics and diplomacy in which the artist himself played a significant role. The author relates these complex political relationships and missions with great insight and clarity, and in doing so also describes the cultural and social setting in which Rubens found himself while in London. The illustrations that accompany the text include not only many of Rubens's own paintings and drawings made when he was in London, but also some of the now well-known works by the Italian and North European Renaissance masters that Rubens would have seen in the magnificent art collections of the King and the English aristocracy. Foremost however among the illustrations are the reproductions of the Banqueting Hall ceiling itself: these are mostly in colour, showing each of the three central scenes both complete and with striking details that would be difficult to see in the Hall itself. Also the corner oval painting as well as the long, celebratory, exuberant processions on either side are reproduced in colour and in detail, so that the reader, guided by the author's full descriptions and interpretations, can experience a unique viewing and understanding of Rubens's masterpiece. The Author, Gregory Martin, has been interested in the ceiling paintings of the Banquetting Hall ever since he worked at the National Gallery in the 1960s, when he wrote the catalogue of the Gallery's Flemish paintings. Towards the end of his subsequent career at Christie's, where he was a director concerned with old master paintings, he was commissioned to write the Corpus Rubenianum volume on the ceiling decoration of the Banquetting Hall which was published in 2005. In the present book he returns to the subject, treating it and the related matter of Rubens in London in a way designed to appeal to a wider readership.
Pikas : Les chasseurs de trésors
Les Petites Bulles 2017 14 8x18 4x0 8cm. 2017. Relié.
Très Bon Etat
André Gonin Editeur.
Lausanne, Gonin, 1926 ; en feuilles, couverture. Exemplaire numéroté.
Excellent état.
Goodall Jane Bergman Agatha Ma Daishu
Reference : 500112164
(2021)
ISBN : 9782354135355
Kentin et son ami imaginaire
NEVA MAGLAND 2019 32 pages 17 02x24 13x1 02cm. 2019. Relié. 32 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Kentin et son ami imaginaire
NEVA MAGLAND 2019 32 pages 17 02x24 13x1 02cm. 2019. Relié. 32 pages.
Comme neuf - ouvrage issu de destockage jamais lu mais pouvant présenter d'infimes marques de stockage et/ou de manipulation - expédié soigneusement dans emballage adapté
Kentin et son ami imaginaire
NEVA MAGLAND 2019 32 pages 17 02x24 13x1 02cm. 2019. Relié. 32 pages.
Bon état - . quelques marques plis de stockage sur couverture et coins coins cornés sur couverture mais du reste en bon état - envoi rapide et soigné dans enveloppe à bulles depuis france
Kentin et son ami imaginaire
NEVA MAGLAND 2019 32 pages 17 02x24 13x1 02cm. 2019. Relié. 32 pages.
Comme neuf - ouvrage issu de destockage jamais lu mais pouvant présenter d'infimes marques de stockage et/ou de manipulation - expédié soigneusement dans emballage adapté
Kentin et son ami imaginaire
NEVA MAGLAND 2019 32 pages 17 02x24 13x1 02cm. 2019. Relié. 32 pages.
Très bon état
Kentin et son ami imaginaire
NEVA MAGLAND 2019 32 pages 17 02x24 13x1 02cm. 2019. Relié. 32 pages.
Très bon état
Kentin et son ami imaginaire
NEVA MAGLAND 2019 32 pages 17 02x24 13x1 02cm. 2019. Relié. 32 pages.
Très bon état
