, Brepols, :2026 Paperback, 347 p., 156 x 234 mm, Illustrations:66 b/w, 100 col., Language(s):English, German. *New . ISBN 9782503619088.
Rivers are essential elements of nature that shape the physical landscape and the way of life of people in their surroundings. They define territories and boundaries, separating and connecting in a real and a figurative sense. The crossing of rivers with man-made devices such as fords, rafts, ferries and bridges of various materials demonstrates the dominion of humankind over nature and provides advantages in many areas of human life: social, economic, military. The physical appearance and the effort to construct crossings have granted them symbolic meaning, ranging from triumphal monuments visualizing the conquest of a river and expansion of state territory to places of transition defining a space between opposed worlds. In order to investigate for the first time the peculiarities of river crossings in the Byzantine empire, the present volume places them in a broad chronological and geographical context. It includes sixteen papers by established and emerging scholars from various European academic institutions and multiple disciplines, stretching chronologically from Late Antiquity to the 16th century and geographically from Jordan to Great Britain. Based on an interdisciplinary discourse the volume shows different aspects of the Byzantine world that bring us further in our understanding of Byzantium.
, Brepols, 2026 Hardback, xx + 480 p., 210 x 270 mm, Illustrations:71 b/w, 17 tables b/w., 49 musical examples, Language(s):English, Italian. *New . ISBN 9782503621852.
This volume offers a comprehensive examination of sacred music in Italy from the fifteenth to the nineteenth century, bringing together contributions from nineteen scholars at the forefront of current musicological research. Through a diverse array of topics and methodologies, the collection sheds new light on the multifaceted roles that sacred music played within Italian religious, cultural, and institutional life over four centuries. The chapters engage with the production, transmission, and performance of sacred music across a variety of regional and ecclesiastical contexts. Topics include manuscript production and the devotional practices of confraternities, as well as the commissioning and composition of sacred works tailored to local liturgical needs and patronage structures. The volume also addresses broader issues such as the pedagogical uses of sacred music, the development of organology in ecclesiastical settings, evolving performance practices, and the aesthetic and theological discourses that informed the liturgical movement. By foregrounding the interaction between sacred music and the wider cultural landscape of early modern and modern Italy, this collection not only deepens our understanding of specific repertoires and practices but also contributes to larger conversations about the place of music in religious experience and institutional, cultural, and religious identity. Richly interdisciplinary in approach, the volume is essential reading for scholars of music history, religious studies, and early modern Italian culture.
Neva magland 2026 32 pages 17 02x24 13x0 76cm. 2026. Relié. 32 pages.
Comme neuf
NEVA MAGLAND 2026 32 pages 17 02x24 13x0 76cm. 2026. Relié. 32 pages.
Comme neuf
NEVA MAGLAND 2026 32 pages 17 02x24 13x0 76cm. 2026. Relié. 32 pages.
Comme neuf - ouvrage issu de destockage jamais lu mais pouvant présenter d'infimes marques de stockage et/ou de manipulation - expédié soigneusement dans emballage adapté
NEVA MAGLAND 2026 32 pages 17 02x24 13x0 76cm. 2026. Relié. 32 pages.
Très bon état - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté
NEVA MAGLAND 2026 32 pages 17 02x24 13x0 76cm. 2026. Relié. 32 pages.
Bon état - . quelques marques plis de stockage sur couverture et coins coins cornés sur couverture mais du reste en bon état - envoi rapide et soigné dans enveloppe à bulles depuis france
NEVA MAGLAND 2026 32 pages 17 02x24 13x0 76cm. 2026. Relié. 32 pages.
Bon état - . légères marques de stockage sur couverture et coins mais du reste en bon état - envoi rapide et soigné dans enveloppe à bulles depuis france
NEVA MAGLAND 2026 32 pages 17 02x24 13x0 76cm. 2026. Relié. 32 pages.
Très bon état
NEVA MAGLAND 2026 32 pages 17 02x24 13x0 76cm. 2026. Relié. 32 pages.
Très bon état
NEVA MAGLAND 2026 32 pages 17 02x24 13x0 76cm. 2026. Relié. 32 pages.
Très bon état
[Charavay Frères Editeurs] - GAUTIER, Judith ; CONSTANTIN, Auguste
Reference : 57606
(1882)
Avec douze eaux-fortes par Auguste Constantin, un des 500 exemplaires sur hollande (après 12 Chine et 6 Japon), 1 vol. in-8 carré, Charavay Frères Editeurs, Paris, 1882, 125 pp. et 1 f.
Cette charmante édition est illustrée par Auguste Constantin de 12 très belles eaux-fortes de paysages bretons (Dinan, Saint-Servan, embouchure de la Rance, etc...). Etat très satisfaisant (couv. un peu frottées, qq. rouss. sur certaines planches, bon état par ailleurs) Vicaire, III, 879
Lomé: Presses de l'UL, 2012 in-8, 268 pages, illustrations. Bibliographie. Broché, très bon état. Texte allemand et français.
Stubenrauchs Berichte aus Westafrika (Januar bis Februar 1884): Dokumente zur Geschichte Togos. Aneho en janvier-février 1884 selon les rapports du Capitaine W. Stubenrauch Commandant de la S.M.S "Sophie". (Lomé: Presses de l'UL, 2012). [M.C.: Afrique noire, Togo, histoire, colonisation, Allemagne]
, Brepols Publishers, 2011 hard cover, 660 p., 230 x 290 mm, Languages: English. ISBN 9782930054117.
In the late Middle Ages luxurious textiles were among the most highly prized indicators of status and wealth and an essential requirement of prestigious secular and ecclesiastical life. The depiction of these sumptuous silks and gold brocades was a crucial element in the visual arts, and their realistic and recognizable representation was a challenge to every artist. Painters and polychromers strove to imitate the fashionable fabrics by using applied brocade, a highly sophisticated form of relief decoration that adhered to panel paintings, murals and sculpture and through the play of light and shadow evoked the dazzling illusion of gold-brocaded cloths. Imitation and Illusion is the result of a detailed study of applied brocade in the art of the Low Countries. Eleven fascinating and innovative chapters offer an in-depth examination of the historical, geographical, morphological and technical aspects of this cast tin relief technique. New light is also shed on artistic collaboration and workshop practice in the fifteenth and early sixteenth century. The catalogue includes 86 well known and lesser known panel and wall paintings, sculptures, altarpieces, and architectural elements produced between 1420 and 1540, decorated with applied brocade and providing stunning testimony to the visual variety and material magnificence of late-medieval art. Abundantly illustrated, Imitation and Illusion investigates the artistic production of the fifteenth- and sixteenth-century Low Countries from an intriguing and original perspective. It represents a significant contribution to our understanding of medieval polychromy and will appeal to everyone whose curiosity is aroused by the illusionistic ingenuity of the medieval artist.
Lyon, L’Arbalète (Presse à bras de Marc Barbezat), 1945 ; in-8, broché ; 45 pp., (1) f. de justification du tirage, couverture crème rempliée, illustrée d’une lithographie d’Emile Picq.
Edition en partie originale tirée à 400 exemplaires (N°166), sur pur fil Lafuma, outre deux exemplaires sur vieux Japon. Né à Lyon (1911-1951), Emile Picq, poète, peintre et danseur, fut révélé au grand public par un article enthousiaste de Renaud Icard (Le Progrès du 13 juin 1933) qui le présentait ainsi : "Avez-vous dirais-je aujourd’hui, entendu parler d’Emile Picq ? Retenez ce nom. Dans l’art de la danse à laquelle il s’est consacré, il ira loin". En 1948, Francis Ponge affirme à son tour, péremptoire : "Il faut à Lyon considérer Picq. Lyon, le Lyon moral, a beaucoup à apprendre de ce jeune homme..." (voir la notice de Patrice Béghain dans le "Dictionnaire historique de Lyon") ; ces deux témoins ont raison, il suffit de voir ce dessin de couverture pour comprendre que Picq est un danseur et, ce n’est pas un hasard si Picq, Renaud Icard et Francis Ponge furent les amis de René Leynaud, fusillé pendant la guerre. Dos très légèrement insolé et quelques minuscules piqûres, sinon bel exemplaire de ce recueil de poésies.
Phone number : 06 60 22 21 35
Georges de Nouvion & Emile Lanrodie Le Comte de Chambord (1820-1883) PARIS, Lib. Furen, Jouvet & cie, Editeurs - 1884 - In-12 - Débroché - II & 406 pages - Correct
Reference : 19006
PARIS, Lib. Furen, Jouvet & cie, Editeurs - 1884 - In-12 - Débroché - II & 406 pages - Correct
Conformément à nos conditions générales de vente :Les frais de port sont affichés à titre indicatif. Il se peut que nous devions vous contacter pour vous informer du coût de laffranchissement supplémentaire en fonction du poids et du nombre de livres, surtout pour les envois internationaux Cependant vu l'augmentation des tarifs postaux à l'internationale, nous pouvons expédier les ouvrages en point relais MONDIAL RELAY pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile & adresse Courriel pour assurer le suivi du colis.N'hésitez pas à nous interroger.In accordance with our general terms and conditions of sale:Shipping costs are displayed for informational purposes only. We may need to contact you to inform you of the additional postage costs depending on the weight and number of books, especially for international shipments.However, given the increase in international postal rates, we can ship books via Mondial Relay to the following countries: Germany, Austria, Belgium, Spain, Italy, Luxembourg, Netherlands, Poland, and Portugal. Please provide us with your chosen Mondial Relay point, as well as your mobile phone number and email address to ensure package tracking.Please feel free to contact us with any questions
SALTIMBANQUE 2026 40 pages 24 7x30 6x1cm. 2026. Relié. 40 pages.
Bon état
, Brepols, :2026 Paperback, 364 p, 156 x 234 mm, Illustrations:2 b/w, 1 col., Language(s):Italian. *New . ISBN 9782503618531.
The theme of the journey in Propertius is investigated in the various possible meanings, from the physical one of movement, to the internal one of the love affair, to the literary one, between emulation and imitation. On the one hand, the poet does not like to travel, because he wants to stay in Rome, and with the woman he loves. On the other, he likes to move in the dimensions of literature, myth and even the afterlife, in an incessant inner journey between images and places in limitless mental spaces.
, Brepols, 2026 Hardback376 p.178 x 254 mmIllustrations:20 tables b/w., 10 maps b/wLanguage(s):French . ISBN 9782503618029.
L?historiographie des communes m di vales m ridionales a pein , jusqu? une poque r cente, s?affirmer en dehors du cadre d?analyse de l?Italie centro-septentrionale des XIIe et XIIIe si cles. Pourtant, durant ces deux si cles, la Provence urbaine constitua un espace g ographique et un horizon culturel particuli rement propice un plein d veloppement et un usage conscient des institutions politiques et des langages sociaux qui furent propres la civilisation communale m di vale. partir du cas d? tude de Marseille, la plus importante ville proven ale d? poque m di vale et l?un des ports m diterran ens les plus dynamiques du XIIIe si cle, l?objet de cette recherche est de poser nouveaux frais la question des structures socio-politiques des communes m di vales, en pla ant au centre de la d marche l? tude de la soci t citadine en elle-m me ainsi que celle de la culture politique que cette soci t promut. Se d marquant de l?ancienne tradition interpr tative visant r duire l?importance des villes dans le contexte du Moyen ge fran ais, au profit du prestige accord la formation de l? tat central, une nouvelle approche de l'exp rience communale marseillaise est ainsi propos e, r valuant en particulier la culture politique originale qui sous-tendit cette exp rience. Le livre entend ainsi souligner l?importance des dynamiques socio-institutionnelles et socio-politiques pour comprendre la nature, les adaptation locales et l? volution historique de la matrice culturelle des communes m di vales.
Girel Stéphane Matéo Pépito Bigot Gigi
Reference : 500100834
(2026)
ISBN : 9782278050833
. Fayard frères et E. Dentu éditeurs. Grand in-8 de 311 pages illustré de 100 dessins inédits de Fernand Fau. Cartonnage éditeur avec plat armorié rouge et or, reliure signée de Charles Meunier , Paul Souze et de José Roy , le plat de couverture est extraordinaire dans la mise en page du titre qui separe une locomotive et l'ocean dechainéavec des bateaux et sous marins SUPERBE , angles parfaits , interieur sans rousseurs , photos sur demande
1887 G. Charpentier et Cie, Editeurs, 1887, 1 volume in-12 de 394 pages, demi basane brun clair, titre et fleurons dorés ( en partie effacés par le temps
Assez bon état. Dorures du dos en partie effacées, bords des palts érodés mais intérieur en bon état malgré quelques rousseurs éparses. Coins émoussés
, Brepols Publishers, 2011 hardcover, 205 p., 68 b/w ill. 22 colour ill., 210 x 280 mm, English. ISBN 9781905375042.
The Flemish artist Peter Paul Rubens is probably the most important foreign artist to have worked in England. The story of how this came to be, of what he did when he was in England and what he painted for King Charles I is the story of this book. Charles and his father, the first Stuart monarchs of Great Britain, led and promoted a great wave of interest in the arts, in particular the visual arts, that culminated in Rubens painting nine large canvases to decorate the ceiling of Inigo Jones?s Banqetting Hall, the ceremonial centre of the Court in Whitehall - a monument that is still intact today. It is this cycle, an hitherto unappreciated masterpiece of Baroque state art, that is the focus of this book. How Rubens came to obtain the commission is a tale of international politics and diplomacy in which the artist himself played a significant role. The author relates these complex political relationships and missions with great insight and clarity, and in doing so also describes the cultural and social setting in which Rubens found himself while in London. The illustrations that accompany the text include not only many of Rubens's own paintings and drawings made when he was in London, but also some of the now well-known works by the Italian and North European Renaissance masters that Rubens would have seen in the magnificent art collections of the King and the English aristocracy. Foremost however among the illustrations are the reproductions of the Banqueting Hall ceiling itself: these are mostly in colour, showing each of the three central scenes both complete and with striking details that would be difficult to see in the Hall itself. Also the corner oval painting as well as the long, celebratory, exuberant processions on either side are reproduced in colour and in detail, so that the reader, guided by the author's full descriptions and interpretations, can experience a unique viewing and understanding of Rubens's masterpiece. The Author, Gregory Martin, has been interested in the ceiling paintings of the Banquetting Hall ever since he worked at the National Gallery in the 1960s, when he wrote the catalogue of the Gallery's Flemish paintings. Towards the end of his subsequent career at Christie's, where he was a director concerned with old master paintings, he was commissioned to write the Corpus Rubenianum volume on the ceiling decoration of the Banquetting Hall which was published in 2005. In the present book he returns to the subject, treating it and the related matter of Rubens in London in a way designed to appeal to a wider readership.
Les Petites Bulles 2026 14 8x18 4x0 8cm. 2026. Relié.
Très Bon Etat
Lausanne, Gonin, 1926 ; en feuilles, couverture. Exemplaire numéroté.
Excellent état.