‎Catalogue des ouvrages condamnés comme contraires à la morale publique et aux bonnes moeurs, du 1er janvier 1814 au 31 décembre 1873‎

‎Paris Librairie des Publications Législatives - Wittersheim & Cie. 1874 Reliure d'époque ‎

‎EDITION ORIGINALE. Liste alphabétique des livres mis à l'index, avec la date de leur condamnation et destruction par arrêt de la cour d'assise ou le tribunal de première instance. Également répertoriés certains libraires, éditeurs, imprimeurs ou colporteurs, comme par exemple Dominique Despujolet condamné par jugement du tribunal correctionnel de Bar-sur-Aube en date du 12 juin 183 à trois mois de prison et 2600 fr. d'amende pour la vente des oeuvres badines de Piron, dont le texte et les gravures étaient contraires à la morale publique. Notons encore Poulet-Malassis, ou Baudelaire pour "Les Épaves" dont la destruction est ordonnée le 6 mai 1868 par le tribunal de Lille. "Les Fleurs du mal", pourtant condamnées en 1857, sont curieusement oubliées. Bel exemplaire en reliure d'époque : demi-chagrin havane à coins, lettre et filets or sur pièce de titre rouge au dos à nerfs, tête dorée (Vve Brany). 112 pp. Très bon 0‎

‎[Collectif]. UNE ANNEE EN PEINTURE. CALENDRIER 1985‎

‎Paris Paradis éditeur 1984 In folio, sous chemise illustrée à rabats. ‎

‎EDITION ORIGINALE de ce calendrier publié sous la direction artistique de Loulou Picasso, et comptant 12 sérigraphies originales en couleurs de Hervé DI ROSA, Laurent JOUBERT, Jean-Charles BLAIS, Annette MASSAGER, Robert COMBAS, Loulou PICASSO, Pascal DOURY, Roland TOPOR, Miquel BARCELÓ, Jean FAUCHEUR, Philippe COGNÉE et Lydie ARICKX. Préface de Franck Maubert, et notes biographiques des artistes. Tirage à 1000 exemplaires sur papier Arjomari-Prioux. Très bon 0‎

‎Dan Weiner‎

‎New York ICP Library of photographers, Grossman publishers 1974 In-8 carré Broché, couv. illustrée Ed. originale ‎

‎Edition originale. Envoi autographe anonyme Bon 0‎

‎Europe. Revue mensuelle. Numéro spécial sur le Surréalisme‎

‎Paris Les Editeurs Français Réunis 1968 In-8 Broché, couverture illustrée Edition originale ‎

‎Numéro spéciale de novembre décembre 1968 n° 475-476. Textes d'Albert-Birot, Soupault, Goll, Hellens, Blavier ... Nombreuses illustrations. Couverture illustrée par Man Ray. 392 pp. Bon 0‎

‎lettres romanes 77 1-2 (2023) Enjeux de pouvoir, pouvoir en jeu. Positionnements de la litt rature belge de langue fran aise (XXe ? XXIe si cles)‎

‎, Brepols - Harvey Miller, 2023 Pages: vi + 188 pages,Size:156 x 234 mm, Illustrations:3 b/w Language(s):French. ISBN 9782503603834.‎

‎Anna Loba, Christophe Meur e, Joanna Teklik et Maxime Thiry, Introduction Bernard Rib mont, Science, pouvoir dans la litt rature francophone de Belgique. Quelques exemples en forme de contre-utopies Agnieszka Kukuryk, L?utopie fiumaine : f te r volutionnaire selon L on Kochnitzky Maria Giovanna Petrillo, Jean-Philippe Toussaint : le pouvoir de la litt rature belge dans une cl USB Marinella Termite, Un d sir de communaut entre po tique et politique : Antoine Wauters Anna Loba, Marie Gevers : contre le pouvoir des grands sur les petits Catherine Gravet, Des romanci res en lutte contre le patriarcat ? Les cas de Fran oise Mallet-Joris (Trois ges de la nuit, 1968) et d?Adeline Dieudonn (La Vraie Vie, 2018) Marie Giraud-Claude-Lafontaine, Les sexes politiques de Lisette Lomb Laurence Boudart, Et si le pouvoir de l?entreprise pouvait vaciller ? Circuit de Charly Delwart Joanna Teklik, La m moire en d calage. L?identit en jeu. Lettres belges au lendemain de la guerre Corentin Lahouste, Du prot iforme et du palpitant : Antoine Boute et l?h t rog n isation jubilatoire du r el Maxime Thiry, (Se) Penser en d cal : esquives et adh rences du surr alisme bruxellois Les Livres‎

‎Le Boxer‎

‎6ème éd° revue et complétée Crepin-Leblond éditeurs 1971 1971.‎

‎ L'amour et la chute.‎

‎ Broché, 22X14 cm, 379 pages, 1898, deux portraits de l'auteur, éditeurs Emmanuel Vitte et Victor Lecoffre. Bon exemplaire. ‎

‎Ray T11* ‎

‎Classical Manuscript Illustrations‎

‎, Miller-brepols, 2012 Hardback with dusjacket in fine condition !!, Languages: English, 413pp. illustration in color. ISBN 9781905375769.‎

‎The Paper Museum (?Museo Cartaceo?) is a collection of some 10,000 drawings and prints assembled during the seventeenth century by the Roman patron and collector, Cassiano dal Pozzo, and his younger brother, Carlo Antonio. It represents one of the most significant attempts before the age of photography to embrace human knowledge in visual form, documenting ancient art and culture, architecture and topography, natural history and social customs.The 160 drawings catalogued in this volume are derived from five ancient manuscripts: the famous Vatican Vergil, the so-called ?Roman? Vergil, the Vatican Terence, and the less well-known Palatine Agrimensores, all in the Vatican Library, and from a fifth codex, now lost, known as the Chronography or Calendar of the year 354. The bulk of the drawings were copied for Cassiano between 1632 and 1634 for the purpose of studying both the characters depicted and the allied evidence of ancient costume and artefacts. By the later seventeenth century, when Pietro Santi Bartoli executed the last group of drawings in the present volume for Carlo Antonio, manuscript illustrations had come to be cherished as much for their rarity as examples of ancient painting as for their documentary value. Introductory essays provide an overview of the dal Pozzo commissions, the manuscripts and their history down to Cassiano?s day, as well as their study in the wider context of classical scholarship through to the eighteenth century. All the drawings are reproduced in colour at full page, with accompanying descriptions of the subjects or relevant ancient verses in modern translation and brief commentaries.‎

‎Infanticide, Secular Justice, and Religious Debate in Early Modern Europe ‎

‎, Brepols, 2016 Hardback, 407 pages, 156 x 234 mm, EN. *New. ISBN 9782503531748.‎

‎On 5 December 1709, in Bologna, Lucia Cremonini is accused of a terrible crime: the murder of her newborn son. This tragic episode, exhumed from the depths of time, is placed at the centre of an enthralling study by one of the leading scholars of modern history and the history of religious beliefs. During the course of a dramatic trial the crime is debated by representatives of religious, philosophical, moral, and scientific culture, all characteristic of the formative period of the modern world and all seeking a convincing answer to fundamental questions. When does life begin? When can a human being first be described as such, so that his or her killing is a crime punishable by the maximum penalty? What is the true role of baptism in the formation of the human person? These are all highly topical questions in an age like our own, where belief is subject to the powerful assaults of scientific research and new questions are being raised about the essence and the limits of human existence. TABLE OF CONTENTS: Acknowledgements Part I. The Story Chapter 1: From the Trial Records Chapter 2: Infanticide as an Obsession Chapter 3: Infanticide as a Social Practice: From a Sin to a Crime Part II. The Mother Chapter 4: Una figliola grande, giovane fatta (A Grown Girl, a Mature Young Woman) Chapter 5: ?A young priest? Chapter 6: Il Carnevale prossimo passato (The Last Carnival past) Chapter 7: ?He robbed me of my honour and took my virginity? Chapter 8: ?I was always on my own? Chapter 9: M?indussi col detto cortello a dare la morte a detto mio figlio partorito vivo mettendoli la punta di detto cortello nella gola (I Forced Myself with the Said Knife to Kill my Said Son whom I had given Birth to Alive, by putting the Point of the Said Knife into his Throat) Part III. The Son: The Seed and the Soul Chapter 10: Un puttino maschio (A Baby Boy) Chapter 11: Ben compito in tutte le sue parti (Well-Formed in All Its Parts) Chapter 12: A ?Creature? Without a Name, or When a Man is not a Man Chapter 13: Baptism Chapter 14: To Die Without a Soul Chapter 15: Ensoulment Chapter 16: The Person Part IV. Justice Chapter 17: The sentence: Ut moriatur et anima ab eius corpore separetur (That She Die and Her Soul be Separated from Her Body) Chapter 18: Accolta e Consolata (Received and Consoled) Chapter 19: Repentance and Forgiveness Afterword Bibliography‎

‎Byzantine Century Political, Colonial, and National Uses of Neo-Byzantine Architecture, 1820s?1920s‎

‎, Brepols, 2026 Paperback, 258 p., 210 x 270 mm, Illustrations:44 b/w, 146 col., Language(s):English. *New . ISBN 9788028007973.‎

‎This volume explores what it meant to invoke Byzantium during a century of restless political, cultural, and imperial transformation. From the 1820s to the 1920s, the ?Neo-Byzantine? style was more than a matter of architectural taste in an age of eclecticism. It became a language of power and identity, called upon to serve colonial empires such as Britain, France, Russia, and Austria-Hungary, as well as contested regions like the Caucasus, the Balkans, and the Ottoman capital itself, where Byzantium was at once heritage and provocation. Far from being a marginal curiosity, the Neo-Byzantine revival was a crucible in which nations, religions, and empires negotiated their pasts and imagined their futures. Monumental churches, synagogues, and civic buildings across Europe, North Africa, and Western Asia were not simply constructed in a borrowed style: they materialized competing dreams of Byzantium, becoming instruments of political ambition, religious authority, national mythology, and cultural colonization. Through a series of case studies ranging from Dublin to Istanbul, from Marseille to Tbilisi, and from Prussian churches to diasporic Armenian projects, the contributors move between the macro and the micro, situating the style within broad historical currents while grounding it in the specificity of local histories. Together, they demonstrate how Byzantium was not only reinvented but actively contested ? its image refracted through the shifting concerns of a global century.‎

‎Autrepart / Cahiers des sciences humaines, Nouvelle série numéro 1. Les arts de la rue dans les sociétés du Sud.‎

‎Bondy: Editions de l'Aube, Orstom, 1997 in-8, 164 pages, 16 planches en couleurs hors texte. Broché, couv. défraîchie, qq rousseurs, bon état général. Formes d'art populaire en Afrique, Amérique latine et dans la Caraïbe.‎

‎Autrepart / Cahiers des sciences humaines, Nouvelle série numéro 1. Les arts de la rue dans les sociétés du Sud. (Bondy: Editions de l'Aube, Orstom, 1997) [M.C.: Afrique noire, Brésil, Caraïbes, art populaire]‎

‎Otto Vaenius Otto Van Veen, Physic et Theologic Conclusiones (1621) Conclusions de Physique et de Th ologie‎

‎, Brepols, 2018 Paperback, 108 p., 216 x 280 mm, Illustrations:44 b/w, Latin, French. *NEW . ISBN 9782503569666.‎

‎Le peintre Otto Vaenius (Leyde 1556 ? Bruxelles 1629) n?a longtemps t connu que comme le ma tre de Rubens. Depuis quelques d cennies, le regain des tudes embl matiques a remis l?honneur ses recueils succ s : Emblemata Horatiana, Amorum Emblemata et Amoris Divini Emblemata. Mais certains de ses ouvrages plus confidentiels restent encore largement m connus. Tel est le cas des Physicae et theologicae conclusiones (1621), un petit opuscule d?une vingtaine de pages publi dans des circonstances myst rieuses, qui se propose rien moins que de r soudre par des notes et des figures le probl me de la pr destination et du libre arbitre ? un sujet alors br lant, qui a d?ailleurs valu l?auteur des probl mes avec l?Inquisition. Mais l?int r t de l?opuscule va bien au-del de l?enjeu th ologique : par l?invention d?un langage visuel in dit et d routant ( mi-chemin entre le g om trique et le figuratif, entre le diagramme et l?embl me), ainsi que par plusieurs chapitres explicitement consacr s aux pouvoirs des images et de l?imagination, l?ouvrage offre une tonnante cl de lecture l?ensemble de l??uvre de Vaenius, et constitue en m me temps un t moignage frappant de la cr ativit d?une poque en pleine mutation pist mologique. La pr sente dition propose une reproduction en fac-simil de cet opuscule rarissime ainsi que, pour la premi re fois, une traduction int grale en langue fran aise. Le texte est pr c d d?une introduction nourrie, fruit d?une collaboration entre cinq chercheurs croisant des approches historiques, litt raires, artistiques et s miotiques. Les Conclusiones sont ainsi remises dans le contexte de leur poque, au c?ur des querelles th ologiques mais aussi au croisement de deux courants de pens e majeurs qui ont impr gn la r flexion de Vaenius, le n o-sto cisme de Juste Lipse et l?alchimie de Paracelse ; dans un second temps, elles sont tudi es en profondeur dans leur rapport particulier aux images, qui apparaissent la fois comme le moyen et l?objet de la d monstration propos e. Enfin, l?ouvrage se cl ture par une s rie d?outils facilitant la consultation de l?ensemble : trois index (des noms propres, des passages bibliques, des notions fran aises et latines) ainsi qu?une abondante bibliographie.‎

‎Dans 3500 mercredis‎

‎ROUERGUE 1998 48 pages 19 8x0 8x20 2cm. 1998. Relié. 48 pages.‎

‎Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France‎

‎Grand Ducal Medici and their Archive (1537-1743)‎

‎, Brepols - Harvey Miller, 2016 Hardback, 222 pages, 220 x 280 mm, Illustrations: 41b/w, 5 col., English/Italian. *NEW. ISBN 9781909400344.‎

‎The Grand Ducal Medici and their Archive offers a unique window into early modern Florentine society through an exploration of the archives of the Medici ruling family. Teeming with circa three million letters, the archival collection of the Medici grand dukes housed at the Archivio di Stato in Florence chronicles the culture and history of Europe and beyond, across a span of over two hundred years. The letters of this collection, known as the Mediceo del Principato, embrace a great variety of themes including diplomacy, art, medicine, food, science, and warfare. Since its contents originate from a court archive that served both the state and a ruling family, this collection comprises administrative, political, and financial correspondence, as well as more private and intimate accounts of the Medici themselves and their activity at court. At the same time, it would be a great misconception to assume that this enormous archival corpus pertains just to Florence or just to the Medici, given that the vast majority of these missives were written by ambassadors, agents, and informants stationed throughout Europe. This volume, The Grand Ducal Medici and their Archive, aims to unlock not only the complex structure of the Mediceo del Principato but also the richness of its content. The sixteen essays address a variety of topics ? book history, Ottoman relations, collections of New World artifacts, medical history, gender studies, and material culture ? all with direct reference to the Medici grand duchy. The original research that supports these studies was drawn in part from the Medici Archive Project's online platform (BIA) for querying over 350,000 digitized and/or transcribed letters. Making use of these and other original sources, the essays in The Grand Ducal Medici and their Archive shed new light on the mechanisms and strategies that enabled Florence to emerge from decades of internecine confl ict and diplomatic chaos in order to enjoy cultural and political prominence. TABLE OF CONTENTS Introduction Alessio Assonitis (The Medici Archive Project) 1. The Revenge of the Emperor: Rewriting the Story of Lorenzino de? Medici?s Assassination Stefano Dall?Aglio (University of Leeds) 2. Searching for Cosimo?s Books? Alessio Assonitis (The Medici Archive Project) 3. Le ?spoglie? invisibili.?Note a margine di alcuni documenti relativi al reimpiego dei materiali nei cantieri orentini di Giorgio Vasari Francesca Funis (The Medici Archive Project) 4. "When He Becomes Pope ?" The Rise and Fall of Don Luis de Toledo at the Medici Court (1545-1579) Anatole Tchikine (Dumbarton Oaks) 5. Jacobiglio Hebreo.?Mercante, antiquario, informatore di Cosimo I de? Medici Piergabriele Mancuso (The Medici Archive Project) 6. Political Meddling in Women?s Lives: Sienese and Florentine Solutions in Difficult Times (1490-1560) Elena Brizio (The Medici Archive Project) 7. Sofonisba Anguissola, Francesco de? Medici and Chiappino Vitelli: a Lady-in-waiting, a Prince and a General at the Spanish Court? Maurizio Arfaioli (The Medici Archive Project) 8. Medical Culture and the Women of the Medici Grand Ducal Court Sheila Barker (The Medici Archive Project) 9. The Riches of the Indies: Francesco and Ferdinando de? Medici and the Americas? Lia Markey (Villa I Tatti - The Harvard Center for Italian Renaissance Studies) 10. "Al certo che questa corte ha un bel misto": Mapping the Artistic Relations between the Medici and the Savoia Roberta Piccinelli (Universit degli studi di Teramo) 11. Jachia ben Mehmet and the Medici Court? Mark Rosen (University of Texas at Dallas) 12. Donna Livia?s New Clothes Brendan Dooley (University College Cork) 13. Of Mothers and Aunts: Regency Government and Performance in Early Modern France and Tuscany under Maria de? Medici and Christine de Lorraine? Brian Sandberg (Northern Illinois University) 14. A Grand Duchess and her Painters as Matchmakers: Maria Magdalena of Austria, Tiberio Titi, Giusto Suttermans and the Betrothal of Empress Eleonora Gonzaga? Lisa Goldenberg Stoppato (The Medici Archive Project) 15. "What news abroad?": Florentine Avvisi from London, 1614-1622 Lisa Kaborycha (University of California Education Abroad Program) 16. A Medici Agent?s Newsletters to Florence during the Leghorn Crisis of 1653 Nicholas Brownlees (Universit degli Studi di Firenze)‎

‎La grande aventure des Kalou‎

‎MANGO 2026 32 pages 22 1x27 94x1 02cm. 2026. Relié. 32 pages.‎

‎Très Bon Etat‎

‎La grande aventure des Kalou‎

‎MANGO 2026 32 pages 22 1x27 94x1 02cm. 2026. Relié. 32 pages.‎

‎Très bon état‎

‎L'étrange aventure du courageux chevalier très peureux‎

‎SARBACANE 2026 48 pages 22 8x1 2x30 6cm. 2026. pocket_book. 48 pages.‎

4 Images

‎Bon état‎

‎Innsbruck‎

‎Alpina printers et publishers. Non daté. In-8. Broché. Bon état, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 64 pages augmentées de nombreuses photos et illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 910.4-Voyages‎

‎ Classification Dewey : 910.4-Voyages‎

‎Tyrol,impressions sur Tyrol avec 190 illustrations en couleur‎

‎Alpina printers et publishers. Non daté. In-8. Broché. Bon état, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 79 pages augmentées de nombreuses photos en couleurs dans et hors texte.. . . . Classification Dewey : 910.4-Voyages‎

‎ Classification Dewey : 910.4-Voyages‎

‎Bargello Palace The Invention of Civic Architecture in Florence‎

‎, Brepols, 2016 267 p240 x 240 mmIllustrations:152 b/wEnglish, Latin, Italian. ISBN 9781909400313.‎

‎This book offers a new, revised building history of the Bargello, the first town hall of Florence. A careful analysis of documents, fabric, and restoration allows us to reconstruct the original site. It reveals two previously unidentified building stages. The first palace, begun in 1255, adapted an ex-neighborhood consortium, reusing an old tower and three houses. In the 1280s, a second palace arose next to it, thus creating a twin-palace complex for the Podest and Capitano, the highest-ranking public officials. Long misidentified as the 1255 palace, the front wing's lower two stories were actually built in 1291-1308. An unroofed precinct wall enclosed the older structures behind a monumental facade, forming an open-air courtyard used for tribunals and stables. This part became known as the ?old palace? when the large, arcaded courtyard and rear wing were addded in 1316-1322. The "new palace" containing the Magdalen Chapel was designed for the Angevin court in residence, not for the communal administration of justice as generally believed. After a 1332 fire devastated the upper stories, the front wing was covered with two immense roof vaults in 1332-1346. Inside, many old dividing walls survived until the nineteenth century. They were demolished with the prisons during the building's conversion into the present national museum, concocting the two vast exhibition halls. This book illustrates the Bargello's early architecture. Reinterpreting the timeline radically changes our understanding of the palace's construction, function, and urban context during the formation of early modern Florence. TABLE OF CONTENTS Introduction 1. Surviving Monument 2. Site and Neighborhood, 1255 3. Disentangling the Evidence 4. Old Bargello: A Palace for the Florentine Popolo, 1255?1308 5. New Bargello: Court of Lords, 1316?1346 6. Function, Iconography, and Urbanism Conclusion Appendix Bibliography Photo Credits Index‎