52 books for « otto hahn »Edit

‎Kudo‎

‎galerie du génie, Paris, 1989. In-8, agrafé sous couverture illustrée, 47 pp. Kudo, par Otto Hahn - Nouvelle Ecologie, par Kudo - Boîte, par Kudo - Documents : Médiation entre futur et mémoire, par Alain Jouffroy - Kudo et la conscience absolue, par Pierre Restany - Les métamorphoses de Tetsumi Kudo, par ...‎

‎Nombreuses illustrations et planches en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com‎

‎Otto Hahn. Avant-garde Théorie et provocations‎

‎Nimes, Jacqueline Chambon, coll. « Critiques d’art » 1992 In-16 broché 17 cm sur 12. 245 pages. Couverture poussiéreuse écornée. Intérieur frais. Bon état d’occasion.‎

‎Otto Hahn, critique d’art, attentif à l’actualité artistique de son temps est un chroniqueur avisé sur l’art depuis les années 60. Ses articles parus dans des hebdomadaires, des revues spécialisées et dans des catalogues d’exposition. Ses pas ont été sur ceux du Pop Art, Nouveau Réalisme, figuration Libre... Bon état d’occasion ‎

‎VH 101. Revue. 8 numéros. ‎

‎ Editions Esselier, Zurich puis Paris, 1970-19728 numéros en 7 volumes 1970/1972. Manque le numéro 4.Format (19 x 25 cm) puis (18,5 x 27 cm). Trimestrieln°1 Hahn, Handke, Warhol, Buren. n°2 La Théorie. n°3 Art Conceptuel. n°5 Supports/Surfaces. n°6 Cinéma d'Avant-Garde. n° 7/8 Architecure et Avant-Garde URSS 1917/1934. n°9 Celant, GERM, Cacciari.Numéros en bon état. ‎

‎Otto Hahn, né le 6 décembre 1928 à Vienne (Autriche) et mort le 19 mars 1996 à Paris, est un critique d'art et essayiste français.VH101 est une revue consacrée aux expérimentations artistiques davant-garde et au modernisme, développant une réflexion sur lengagement artistique vis-à-vis de la société. VH101 rassemble des intellectuels des milieux artistiques, littéraires et philosophiques. Les articles ont une forme très "moderne". Parfois ce sont des interviews, des notes, parfois, les artistes proposent des textes ou des collaborations. La revue n'aura que 9 numéros. ‎

‎La Théorie - VH 101 n°2‎

‎Zurich. 19 cm x 25 cm. 1970. Broché. 126 pages. Zurich Éditions Esselier n°2 été 1970. Broché 19 cm x 25 cm 126 pages photos noir & blanc in et hors-texte. Interviewes de Roland Barthes Pierre Bourdieu Yona Friedman Lucien Goldmann Claude Lévi-Strauss Jean-François Lyotard André Martinet J.-B. Pontalis Olivier Revault d'Allonnes Alain Robbe-Grillet Philippe Sollers Bernard Teyssèdre Victor Vasarely par Otto Hahn et Françoise Esselier. Bon état‎

‎Portrait d 'Antonin Artaud‎

‎Paris. 13 cm x 18 cm. 1968. Broché. 137 pages. Paris Éditions Le Soleil Noir 1968 e. o. numérotée sur offset des papeteries Prioux. Broché couverture à rabat 13 cm x 18 cm 137 pages. Texte de Otto Hahn couverture illustrée par Fontana. Bon état‎

‎Daniel Spoerri‎

‎Flammarion 1990 In-4 broché 1 cm. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Le musée imaginaire de Vasarely‎

‎ Duculot, 1978, in/4 reliure éditeur et jaquette couleur, 79 pages. Photographies en couleur et en noir.‎

‎ROGER NELLENS. Envoi. ‎

‎ Bruxelles, Roularta Art Books, 1989. 30 x 25 cm, 148 pp. Relié cartonnage d'éditeur sous jaquette illustrée. Bel exemplaire. Textes en neerlandais, français, anglais et allemand. Envoi autographe signé de l'artiste. ‎

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‎ROGER NELLENS. Envoi et dessin original. ‎

‎ Bruxelles, Roularta Art Books, 1989. 30 x 25 cm, 148 pp. Relié cartonnage d'éditeur sous jaquette illustrée. Bel exemplaire. Textes en neerlandais, français, anglais et allemand. Envoi autographe signé et dessin de l'artiste. ‎

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‎Yvaral‎

‎Le musée de poche 1974 1974.‎

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‎Bon état‎

‎Daniel Spoerri‎

‎Flammarion (1 mai 1990)‎

‎Broché, comme neuf.‎

‎URIBURU‎

‎Paris, Jacques Damase Gallery, in-4, broché sous couverture rempliée., 23 pages. Bon état. ‎

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‎ROGER NELLENS.‎

‎Bruxelles, Roularta Art Books, 1989. In-4, reliure toilée de l'éditeur, jaquette, nombreuses reproductions.‎

‎Textes en neerlandais, français, anglais et allemand. Exemplaire signé et daté par l'artiste. [5274]‎

‎Les livres de “poche”. Les problèmes des étudiants.‎

‎Les temps modernes, n° 228, mai 1965. Deux fascicules in-8°, brochés.‎

‎[19097]‎

‎Le MUSEE IMAGINAIRE de VASARELY‎

‎Un ouvrage de 80 pages, format 250 x 310 mm, illustré, relié cartonnage sous jaquette couleurs, publié en 1978, Duculot, bon état‎

‎Über das Zerplatzen des Urankernes durch langsame Neutronen (Offprint from ""Abhandlungen der Preussischen Akadamie der Wissenschaften""). - [THE FIRST OF THE FOUNDING PAPERS ON THE DISCOVERY OF NUCLEAR FISSION]‎

‎Berlin, Walter de Gruyter und Co., 1939. 4to (295 x 210 mm). In the original printed green wrappers. A little faded at edges, but otherwise a near perfect copy. Completely clean and fresh, also the title on the thin spine. Illustrated. 20 pp. ‎

‎First edition, offprint issue, of the first of Hahn and Strassmann's seminal papers on nuclear fission which eventually lead to the creation of the atomic bomb. As a chemist, Hahn was initially reluctant to propose a revolutionary discovery in physics. Lise Meitner and her nephew, Otto Frisch, in Sweden, came to the same conclusion and were able to work out the basic mathematics of nuclear fission – a term that was coined by Frisch. ""The discovery of nuclear fission by Otto Hahn and Fritz Strassmann opened up a new era in human history. It seems to me that what makes the science behind this discovery so remarkable is that it was achieved by purely chemical means."" (Lise Meitner, 1963). At the end of the war Hahn was astonished to hear that he had won the Nobel Prize in Chemistry in 1944 and that nuclear bombs had been developed from his basic discovery. “In 1934 Fermi roused the world of radioactivity with his method of neutron bombardment and that same year reported on the possible production of transuranic elements by irradiating uranium with neutrons. The irradiation had led to radioactive substances with different half-lives such as 10s, 40s, 13min, and 90min. Fermi’s group had separated the 13-min and 90-min ‘bodies’ chemically from uranium and had shown that they were not isotopes of elements, which are located only a few places below uranium in the Periodic Table … they assumed that the uranium nucleus with the extra neutron transformed, via beta decay, into a nucleus of an element with the number 93 in the Periodic Table. That could still be unstable and transit, by another beta decay, into a nucleus of element 94.The idea of more than 92 elements was, of course, contested. Ida Noddack, a renowned chemist and co-discoverer of the element rhenium, pointed out that all known elements had to be excluded before new ones were proposed. This very sound advice was not taken. Nuclear physicists saw no possibility for a nucleus to fragment into large pieces. Nothing more drastic than alpha decay had ever been observed. Another way out was also proposed: in spite of Fermi’s interpretation, his 13-min body might be an isotope of protactinium, element number 91. Here Hahn and [Lisa] Meitner came in. After all, they were discoverers of protactinium and knew the properties of this element. They were able to show that the activity in question was not due to protactinium and became convinced that transuranic elements had been produced. They began intensive work in this new field, from 1935 onwards together with Strassmann … Quite a number of substances with different half-lives and different chemical properties were found in uranium irradiated with neutrons. A detailed scheme for their production was proposed, which implied the creation and subsequent decay of four, possibly five, transuranic elements. It was not seriously challenged by other groups working in the field. When Austria was annexed in 1938, Lise Meitner became a German citizen and, because of her Jewish descent, was in acute danger. Helped by Hahn and other colleagues, she fled via Holland and Denmark to Sweden, where she could work in the Physical Institute of the Academy of Sciences in Stockholm. Hahn and Strassmann continued alone. The decay products of the apparent transuranic elements seemed to contain three substances, which underwent beta decays of different half-lives and were chemically very similar to barium. They were taken to be isomeric nuclei of the isotope Ra231 of radium. Radium is an alkaline-earth metal as is barium and is located below barium in the second column of the Periodic Table, hence the similarity. Hahn and Strassmann tried to isolate the radium. Since only minute quantities could have been produced, a precipitation with barium as carrier from a solution was performed" the barium was to carry along the chemically similar radium. The precipitate then only contained barium and radium, which were to be separated in the next step. As mentioned above, Hahn was well versed in the method of separation, fractional crystallization, originally introduced by Marie Curie. But although they tried hard and checked and rechecked their method, Hahn and Strassmann were unable to separate any radium by chemical means. In their first paper they still conclude rather cautiously: ‘We come to the conclusion: Our ‘radium isotopes’ have the properties of barium as chemists we should rather say the new bodies are not radium but barium. [. . . ] As ‘nuclear chemists’, in a certain sense close to nuclear physics, we cannot yet decide ourselves to perform this step contradicting all previous experience of nuclear physics. A series of strange coincidences might still have faked our results.’ “Hahn had kept Meitner informed by letter about the work and he mailed her a copy of the manuscript of the paper on 21 December 1938, the same day it was submitted to Die Naturwissenschaften. The manuscript reached her in a small town near Gothenburg, where she had gone to visit Swedish friends over Christmas and where she had also invited her nephew Otto Frisch. We have already met him as collaborator of Stern in Hamburg. He, too, had been forced to leave Germany and at that time was working in Bohr’s institute in Copenhagen. Meitner showed him Hahn’s letter and the manuscript and dismissed the possibility of mistake: ‘Hahn was too good a chemist for that.’ The two began to look for an explanation. The nucleus could not just been cracked like a nut. In fact there was evidence that it behaved rather like a droplet. Now, a droplet might divide into two smaller ones by contracting in one direction, then elongating, and so on, until it finally would split up. The uranium nucleus might need little extra energy to do so, because its many protons provided a repulsive electrical force counteracting the attractive nuclear force between all nucleons, protons as well as neutrons. This extra energy could be provided by a single neutron. Meitner calculated that the energy of 200 MeV would be released in a single process, an energy equivalent to one-fifth of the rest mass of a proton. After a few days, Frisch returned to Copenhagen and told Bohr, who was enthusiastic: ‘Oh what idiots we have all been! Oh but this is wonderful! Have you and Lise Meitner written a paper about it?’ Frisch told him that there would soon be a paper and asked Bohr, who was about to travel to the United States to participate in a conference, not to discuss the matter before it would appear in print … this promise could not be kept and Bohr’s reports triggered intense activities which led to the first nuclear reactor in less than four years … “For the next few years, Hahn and Strassmann continued to identify radioactive isotopes produced in uranium fission. By spring of 1945, they had found a total of about 100 isotopes from 25 different elements … In 1945 Hahn was awarded the Nobel Prize in Chemistry for the year 1944 … In 1966 Meitner, Hahn, and Strassmann were the first non-US citizens to be given the Enrico-Fermi Award by the American president” (Harvest of a Century, pp. 264-7). Hahn, Meitner, and Strassmann were not engaged in nuclear-weapons research during World War II. Hahn later, as director of the Max-Planck-Gesellschaft (the postwar successor to the Kaiser Wilhelm Gesellschaft), he spoke vigorously against the misuse of atomic energy. Meitner—who many thought should have received the Nobel Prize with Hahn—continued to do nuclear research in Sweden and then England. Strassmann nurtured the study of nuclear chemistry in Mainz, Germany.Dibner 168 Norman 963 (PMM 422)‎

‎roy adzakdehydrationdéshydratation&Les Empreintes1955-1972‎

‎In-4, agrafé sous couverture illustrée, 9 pp. [8 ill. + Tranche n° 35 collée et signée en p. 9]In-4, dépliant sous couverture illustrée, 8 pp. [5/6 illustrations en noir par page]. 1. Publié par l'artiste avec l'aide du British Council, 1978. [en lien avec la Biennale de Venise 1978, comme le laisserait entendre une inscription manuscrite du critique d'art Gilbert Lascault sur une garde (?)].2. s.éd., s.l., [1980?] 1. roy adzak dehydration/déshydration : Les déshydrations de Roy Adzak. Première Partie par Paul Rodgers/Dehydrations : Roy Adzak. Part 1 by Paul Rodgers - Deuxième Partie par Richard Kidder/Part 2 by Richard Kidder - Déshydratation - Bien complet de la ...‎

‎On joint : un important dossier de presse composé d'une trentaine de photocopies (recto) comportant des articles et textes écrits sur ou par Roy Adzak, notamment à l'occasion des expositions :Adzak, le rendez-vous des amis, galerie fred lanzenberg, bruxelles, 1976 ; articles de Jean-Jacques Lévêque [Arts, 1963] ; Successo / D'ars [1963] ; Cinq prophètes du "réel imaginaire" par Alain Jouffroy [s.d.] ; Paris Gazette, "Hermit of the Trocadero" holds dialogue within the ruins, by Musard [1964], Otto Hahn [L'Express, décembre 1974, à propos de l'exposition Adzak chez Iris Clert] ; Otto Hahn : Le langage optique de Roy Adzak ; Roy Adzak, le silence éternel de l'objet, par François Pluchart [Combat, 1966] ; Otto Hahn [art and artists, march 1968] ; Mythologies quotidiennes/ARC 2, 1977 ; La Déshydratation, Roy Adzak [XIe Biennale de Menton, 1976] ; Désydratation [1974], Otto Hahn [L'Express, décembre 1974] & J.-J. Lévêque [Jardin des Arts] ; Les Textures [texte Musée des Arts décoratifs, 1977] ; Cl. Bouyeure [Opus, 1975], Autoportrait anthropométrique [Atelier Roy Adzak]. --- Plus d'informations sur le site archivesdunord.com‎

‎LES TEMPS MODERNES N° 192 - T. M. — Vessies et lanternes.OTTO HAHN. — Portrait d’Antonin Artaud (I).MICHEL RENAULT. — Indo-Remords.EXPOSÉSMARCEL PÉJU. — La Révolution Algérienne continue . UNE DEMI-ALLEMAGNEERICH KUBY.‎

‎JULLIARD. MAI 1962. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 1589 à 1780.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Revue fondée par Jean-Paul Sartre et Simone de Beauvoir. Sommaire : T. M. — Vessies et lanternes.OTTO HAHN. — Portrait d’Antonin Artaud (I).MICHEL RENAULT. — Indo-Remords.EXPOSÉSMARCEL PÉJU. — La Révolution Algérienne continue . UNE DEMI-ALLEMAGNEERICH KUBY. — « L’Allemagne est de nouveau une grandepuissance »HANS ROTH. — Situation de la gauche socialiste enAllemagne FédéraleA. G. — Trois jugements récentsHEINZ ABOSCH. — Un colosse ligoté.TÉMOIGNAGESALAN ALBERT. — Study in Brown.CHRONIQUESJEAN BAUDRILLARD. — Les romans d’Italo Calvino.JEAN POUILLON. — Les Incas démystifiésRENÉ LEIBOWITZ. — Le mal du bon musicien.RENÉE SAUREL. — Offrandes à Isis.GÉRARD BONNOT. — Le péché de la chair .BERNARD PINGAUD. — A propos de Cléo.SERGE MOSCOVICI. — « La révolution astronomique », par Alexandre Koyre.LE COURS DES CHOSES par JACQUES-LAURENT BOST Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Konjunktionen. 25 Arbeiten von Daniel Spoerri u. Claude Torey.‎

‎Düsseldorf Städtische Kunsthalle 1974 En feuilles ‎

‎Affiche catalogue de cette exposition organisée du 22 novembre au 1er décembre 1974. Texte de Otto Hahn & 6 reproductions au recto, une grande au verso. Un feuillet plié en trois, 14,5 x 20 cm, déplié 40 x 60 cm. Rare Très bon 0‎

‎Malaval - Transat Marine Campagne Rock'n'Roll‎

‎CNAC, Paris,1971. In-8, plaquette agrafée, 12 pp. Malaval artiste professionnel, par Otto Hahn - Ambiance et animation - Transat marine campagne - Planches - 100 demi-heures de dessin quotidien.‎

‎Illustrations et planches en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com‎

‎Piero Manzoni 1933-1963‎

‎Galerie Mathias Fels & Cie, Paris, 1969. In-4, plaquette agrafée sous couverture illustrée, non paginé [18 pp.]. Préface, par Otto Hahn - Planches - Biographie.‎

‎Avec un frontispice et 11 planches en noir et blanc à pleine page en hors texte. --- Plus d'informations sur le site archivesdunord.com‎

‎Über ein neues, die Emanation des Thoriums gebendes radioaktives Element.‎

‎Leipzig, S. Hirzel, 1905. No wrappers. Issued in ""Jahrbuch der Radioaktivität und Elekronik"", 2. Bd., Heft 3. Hahn's paper: pp. 233-264. Enntire issue: pp. 233-262 (= entire ""Heft 3""). Fine and clean.‎

‎First printing of this paper, which is Hahn's Habilitation paper, announcung his discovery of a new element in residues from a Ceylon mineral called Thorianite. He later showed that it is an intermediate disintegration product.""Because the sample (thorianite) was small, Ramsay proposed that Hahn confirm Marie Curie's determination of the atomic weight of radium by preparing it in some organic compounds (thereby greatly increasing the total amount being examined) and calculating the atomic weight from the measured molecular weights. Chance sometimes favors the unprepared mind, and Hahn, who familiarized himself with only the basic of radioactivity, followed the prescribed separationss technique and found himself the discovere of a new radioelement: radiothorium. The explanation was that the material given him came from an ore which contained a large percentage of thorium in addition to the radium. Thus, upon completion of the chemical procedure, not all the activity was confined in the radium-containg fraction"" indeed the nes subsyance in the remainder was several hundred thousand times more active than thorium and ultimately yielded the characteristic one.minute halflife of thorium emanation.""(DSB VI, p. 15). - Weeks, Discovery of the Elements,p. 308 ff.).‎

‎Les Temps Modernes - Revue mensuelle : n°223, décembre 1964. ‎

‎ Paris, directeur : Jean-Paul Sartre. Un volume 21,5x13cm broché de 190 pages. Ce numéro comprend un dossier sur la Beat Genaration présenté par Alain Jouffroy et Otto Hahn. ‎

‎ Tous nos livres sont visibles sur notre site : https://www.livrepoesie.com/‎

‎Andy Warhol‎

‎Paris Ileana Sonnabend 1965 In--12 carré Agrafé Ed. originale ‎

‎Catalogue de l'exposition Andy Warhol à la Galerie Ileana Sonnabend à Paris en mai 1965. Un hors texte couleurs (flowers). >Très bel exemplaire sans défauts. TRES BON ETAT 0‎

‎Portrait d'Antonin Artaud.‎

‎Paris Le Soleil Noir 1968 1 vol. broché in-8, broché, couverture illustrée par Lucio Fontana, 137 pp. Edition originale numérotée sur Offset. Envoi autographe signé de l'auteur à un poète et critique. Fine ride au dos, sinon en très bon état.‎