"LEIBNIZ (LEIBNITZ), G.F. - CHRISTIAAN HUYGENS - JOHANN BERNOULLI - JACOB BERNOULLI ET AL. - THE DISCOVERY OF THE ""CATENARY CURVE"" , THE ""LOGARITHMIC CURVE"" AND THE ""POLAR COORDINATES"".
Reference : 41859
(1691)
Leipzig, Grosse & Gleditsch, 1691. 4to. Contemp. full vellum. Faint handwritten title on spine. a small stamp on titlepage. In: ""Acta Eruditorum Anno MDCLXXXXI"". (8),590,(6) pp. and 13 (of 15) folded engraved plates. The 2 first plates lacks, but they do not belong to the papers listed.Leibniz' papers: pp.277-281 a. 1 plate, pp. 435-439. Johann Bernoulli: pp. 274-276 a. 1 plate. Huygens: pp. 281-282. - Jacob Bernoulli: pp. 282-290 a. 1 plate.
All papers first apperance. All 5 of extreme importence in the development of the Calculus. Leibniz' 2 papers on the catenary curve (paper 1-2 offered here) was written at the instigation of Jacques Bernoulli. Following the example of Blaise Pascal, who had initiated, in 1658, a contest for the construction of the cycloid, Leibniz also provoked the geometers of his time, by challenging them to submit, at the fixed date of mid-1691, their geometric method for the construction of the catenary curve. Leibniz later provided the answer, followed by Johann Bernoulli and Huygens.'These two papers are a historical account of the origin of the study of this transcendental curve, and, at the same time, the first physical-geometric construction showing the species-relationship between the catenary and the logarithmic curves, as two companion curves" one arithmetic, the other geometric. All of the differentials of the catenary curve, are arithmetic means of corresponding differentials of the logarithmic curve" and, all of the differentials of the logarithmic curve, are geometric means of the catenary.'""The Catenary is the form of a hanging fully flexible rope or chain (the name comes from ""catena"", which means 'chain'), suspended on two points. The interest in this curve originated with Galileo, who thought that is was a parabola. Young Christiaan Huygens proved in 1646 that this cannot be the case. What the actual form was remained an open question till 1691, when Leibniz, Johann Bernoulli and the then much older Huygens sent solutions to the problem to the ""Acta"" (Jakob Bernoulli, 1690, Johann Bernoulli 1691, Huygens 1691 and Leibniz 1691), - these 4 1691-papers offered here - in which the previous year Jakob Bernoulli had challenged mathematicians to solve it. As published, the solutions did not reveal the methods, but through later publications of manuscripts these methods have been known. Huygens applied with great ( paper 4) virtuosity the by then classical methods of 17th century infinitesimal mathematics, and he needed all his ingenuity to reach a satisfactory solution. Leibniz ( the papers 1-2) and Bernoulli (paper 3), applying the new Calculus, found the solutions in a much direct way. In fact, the catenary was a test-case between the old and the new style in the study of curves, and only because the champion of the old style was a giant like Huygens, the test-case can formally be considered as ending in a draw."" (Grattan-Guiness in ""From the Calculus to Set Theory, 1630-1910."").The paper by JACOB BERNOULLI ( no. 5 offered here) is a milestone papers as it marks the invention of the ""SYSTEM OF POLAR COORDINATES"" with points located by reference to a fixed point and a line through that point. Although newton had earlier also devised such a coordinate system (in 1671), his work was not known, so that the credit for the discovery generally goes to Bernoulli. (Parkinson, Breakthroughs (1691).Further papers contained in this volume of Acta Eruditorum:DENYS PAPIN: Mecanicorum de Viribus Motricibus sententia, asserta a D. Papino adversius C.G.G. L. (Leibniz) objectiones. pp. 6-13. The plate lacks. - and Dion. Papini Observationes quaedam circa materias ad Hydraulicam spectantes. Pp. 208-213 a. 1 plate. This importent paper is part of the LEIBNIZ-PAPIN-CONTROVERSY.JACOB BERNOULLI: Specimen Calculi Differentialis in dimensione Parabolæ helicoidis, ubi de flexuris curvarum in genere, carundem evolutionibus. Pp. 13-22. The plate lacks. - and J.B. Demonstratio Centri Oscillationis ex Natura Vectis, reperta occassione eorum, quæ super hac materia in Historia Literaria Roterodamensi recensentur, articulo...Pp.317-321.LEIBNIZ: O.V.E. Additio ad Schediasma de Medii Resistentia publicatum in Actis mensis Febr. 1889. Pp. 177-178. and O.V.E. Quadratura Arithmetica Communis Sectionum Conicarum quæ centrum babent,...Pp. 178-182 a. 1 plate.TSCHIRNHAUS: Singularia Effecta Vitri Caustici bipedalis, quod omnia magno sumtu hactenus constructa specula ustoria virtute superat, per D.T. Pp. 517-520
New York, Charles Scribner's Sons, 1890. Lex 8vo. Original blue full clothWith title in blue to front board and blue and gilt lettering to spine. Spine and parts of boards lightly brownspotted. A bit of wear to capitaks and corners. But overall a very nice copy of this fairly fragile and delicate cloth binding (there is an original variant binding with cloth spine and illustrated boards, but no precidency between the bindings has been established). Internally very nice and clean. XV, (1), 304 pp. Wih numerous illustrations, most of them photographic.
First edition of this landmark work on the miserable living conditions of the poor immigrants in New York, constituting one of the very earliest - and certainly the most popular and influential - attempts at making ""the other half"", i.e. the middle and upper classes, aware of how the poor in New York actually lived. Riis's work created attention to the neglected and overseen community that was the underprivileged in New York. In the long run, the great success of the work created attention to the status, living conditions and general health of the poor, and it initiated social reform movements in all major North American cities. Furthermore, the work is regarded the very first example of ""muckraking"" journalism and was the first to extensively use halftone photographic reproductions in a book.Riis used a convincing combination of facts from Dr. Roger S. Tracy, Registrar of Vital Statistics, and his own talents as a photo journalist to make a hitherto unseen powerful description of the correlation between the high crime rate, drunkenness and reckless behavior of the poor and their lack of proper homes. The statistical facts made it a relevant and sober work and lent it enough authority to the book's claims for it to be taken serious by city official. His groundbreaking photographs confirmed the dry numbers and ""spoke directly to people's hearts"". (Pascal, ""Jacob Riis: Reporter and Reformer"", p. 87). Unlike all previously works on the living conditions of the poor, ""How the Other Half Lives"" offered concrete solutions on how to improve living condition, how to make the tenants improve their buildings, and finally how the politicians and city officials could make the appropriate and necessary juridical changes.The effect of the work was immediately seen and included: the tearing down of New York's worst tenements, sweatshops, and the reformation of the city's schools. The book led to a decade of improvements in Lower East Side conditions, with garbage collection, sewers, and indoor plumbing all following soon after. Because of the present work, Riis quickly rose to fame and in 1895 he became close friends with Theodore Roosevelt, then a New York City official, who wrote of Riis: ""Jacob Riis, whom I am tempted to call the best American I ever knew, although he was already a young man when he came hither from Denmark"". After Roosevelt became President, he wrote a tribute to Riis that started: ""Recently a man, well qualified to pass judgment, alluded to Mr. Jacob A. Riis as ""the most useful citizen of New York"". Those fellow citizens of Mr. Riis who best know his work will be most apt to agree with this statement. The countless evils which lurk in the dark corners of our civic institutions, which stalk abroad in the slums, and have their permanent abode in the crowded tenement houses, have met in Mr. Riis the most formidable opponent ever encountered by them in New York City.""The title refers to the French writer François Rabelais, who famously wrote in Pantagruel: ""one half of the world does not know how the other half lives"". As a work of journalism and of social criticism, Riis's book still stands as a truly seminal testimony to how the lower classes lived at the turn of the century. Due to this work, attention was eventually paid to them and their conditions bettered.
Stockholm, Runstedt, 1826-1828. 8vo. In three nice recent half calf bindings, vol. 1 and 3 being uniform and a bit older than vol. 2 which was recently rebound. Internally with a few occassional brownspots, but generally a nice set. (22), 375 pp. + 1 folded map (2), 558, (4), 70 pp. + 2 folded maps (2), 140, (2), 112 pp. + 6 folded plates.
First edition of this important account of Jacob Berggren’s travels in the Levant containing description of Constantinople, Syria, Lebanon, the Holy Land and Jordan. After obtaining a Bachelor of Philosophy degree in Uppsala in 1815, Jacob Berggren was appointed as an extraordinary assistant librarian at the Royal Library. In 1818, Berggren was ordained as a priest and left as a legation preacher to the Swedish mission in Constantinople. In August 1820, he embarked on a journey to Syria, Egypt, and Palestine from there. He resigned from his post in Constantinople in 1822.
"LEIBNITII, GODOFREDI GUILIELMI. (GOTTFRIED WILHELM LEIBNIZ) & BERNOULLII (IACOBI). (JACOB BERNOULLI) & BERNOULLII (IOHANNIS). (JOHANN BERNOULLI).
Reference : 42860
(1695)
Leipzig, Grosse & Gleditsch, 1695. 4to. Contemp. full vellum. Faint handwritten title on spine. A small stamp on titlepage and pasted library label to pasted down front free end-paper. In: ""Acta Eruditorum Anno MDCXCV"". (2), 560, (52) pp. + 10 plates. As usual with various browning to leaves and plates. The entire volume offered. Leibniz's papers: pp. 145-57" 184-185 310-316 369-372 493-495. Jacob Bernoulli's paper: pp. 537-553 + one folding table 65-66. Johann Bernoulli's: pp. 59-65" 374-376.
First printing of a series of influential papers by Leibniz, Jacob Bernoulli and Johann Bernoulli.First publication of Jakob Bernoulli's famous and influential ""Bernoulli Equation"". In ""Notatiuncula Constructiones Lineae"" Bernoulli proposed a solution to non linear equations which today is one of the most common used solutions of the general fluid. Bernoulli equations are significant because they are nonlinear differential equations with known exact solutions. In the ""Specimen dynamicum"" Leibniz presents a conception of body and force which distinct between primitive and derivative forces and between active and passive forces. This article is regarded as being the clearest exposition of Leibniz' dynamics. (DSB VII, 151b).""The first attempt at a detailed account of the dynamics was a long dialogue, the ""Phoranomus seu de potentia et legibus naturae,"" written in July 1689 while Leibniz was in Rome. This was quickly followed be the composition of the massive Dynamica de potential et legibus naturae corporeae (1689-90) [...]. Though it was written with the intention of publication, and though Leibniz work at publishing it, he never considered it entirely finished and it remained unpublished during his lifetime.The later [...] he finally revealed some of the metaphysical foundations of the project in an essay [the present paper]."" (Garber, Daniel. Leibniz: body, substance, monad. 2009. 132 p.)""Its title suggests a summary of or a selection from the earlier work [...]. However, it actually contains something in a way rather more interesting: a careful exposition of the metaphysical foundations of the new science, something that is hard to find in the old Dynamica or any of the more Technical pieces."" (Garber, Daniel. Leibniz: Body, Substance, Monad. 2009. 133 p.)
"BERNOULLI, (JACOB). - A NEW ERA IN THE MECHANICS OF ELASTICAL BODIES.
Reference : 44383
(1706)
Paris, Jean Boudot, 1706. 4to. Without wrappers. Extracted from ""Mémoires de l'Academie des Sciences. Année 1705"". Pp. 176-186 and 1 folded engraved plate.
First appearance of a founding paper in the theory of elastic curves. ""Importent also is his last work, on the resistance of elastic bodies (1705)."" (DSB II, p.49 s).""During the last quarter of the seventeenth century and the beginning of the eighteenth centuries a rapid development of the infinitesimal calculus took place. Started on the Continent by Leibnitz...it progresssed principally by the work of Jacob and John Bernoulli. In trying to expand the field of application of this new mathematical tool, they discussed several examples from mechanics and physics. One such example treated by Jacob Bernouilli..concerned the shape of the deflection curve of an elastic bar and in this way he began an importent chapter inthe mechanics of elastic bodies.""(Timoshenko ""History of Strenght of Materials"" p. 25-26).
Paris, Plon 1980, 225x140mm, 304pages, broché. Bel exemplaire.
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[Librairie Vve Jules Renouard] - BIBLIOPHILE JACOB ; [ LACROIX, Paul ] ; Collectif
Reference : 34516
(1868)
1 vol. in-folio cartonnage éditeur pleine percaline doré, dos et plats (belle plaque au plat sup.), richement ornés, toutes tranches dorées, Librairie Vve Jules Renouard, Editeur, Paris, s.d. (circa 1850), 87 pp. avec 24 belles gravures hors-texte sous serpente. [ Contient : ] Conte de Fées (Jacob) - Mon Village (Eugène Muller) - La Fleur du Sang, Chant de la Sorcière (Jacob) - Madame Andersen (Henry Berthoud) - Les Légendes du Château d'Olipherne (Baron Taylor) - Les Petits Antiquaires (Jacob) - Comme il vous plaira (Hippolyte Lucas) - La Forêt de Milis (Emmanuel Domenech) - Damoclès, cantate (Jacob) - Le Barbier de Goettingue, conte fantastique (Gérard) - Henri IV chez Zamet (Jacob) - Journal de la Comtesse (Marquise de Blocqueville) - Le Pilori (Philarète Chasles) - Le Follet et l'Echo (Jacob) - Vivre aux champs (Jules Janin) - Le Muletier de Sanguessa (Cénac Moncaut) - Un tableau de Rembrandt (Bürger) - Jeux et Festins (Emile Deschamps) - L'Anniversaire (Lacroix) - Le Château d'Usson (Jacob) - Pompéia (Maurice du Seigneur) ; La Providence des pauvres gens (Tullie Blum) - La Folle par amour (Jules Janin) - Une Naissance malheureuse (Comte Apraxine)
Bon exemplaire (coiffe sup. très lég. frottée)
s. l. s.d. [1923-1924] | 13.10 x 17.30 cm | deux pages sur un bifeuillet
Lettre autographe signée d'André Malraux, adressée à Max Jacob. Deux pages à l'encre noire sur un bifeuillet, enrichie d'un dessin de Malraux. Partiellement transcritedansHistoires litte?raires, 2002, p. 123. Hilarante et précoce lettre de Malraux, qui rédige une fausse notice nécrologique annonçant la mort de Max Jacob, alors que celui-ci tarde à répondre à ses lettres. Il accompagne sa signature d'un profil de chat. * "On nous informe que notre malheureux confrère Max Jacob qu'un entraînement abusif rendit présomptueux vient de trépasser malencontreusement. Ayant rencontré un camion automobile, il se précipita sauvagement sur ce véhicule et engagea avec lui une lutte corps à corps. On peut croire un instant à la victoire de notre valeureux confrère : mais le camion, plus endurant, reprit le dessus et réduisit le grand poète à l'état de boue. C'est ce qui fait qu'il lui a été impossible de répondre aux lettres de ses amis qui lui envoient par courrier des lettres de onze pages. Feu Max Jacob laisse une fortune de deux francs trente cinq qui, sur son désir, a été immédiatement employée à des fondations pieuses. [...] J'ai l'intention de vous réécrire bientôt, mais je serais heureux d'être informé - au moins - de votre existence, à laquelle je tiens [...]" Le peintre-poète avait fait entrer le jeune André dans la vie artistique et littéraire parisienne au début des années 1920. Malraux le cite dès ses débuts dans son essai sur la peinture cubiste et lui avait dédié son tout premier ouvrage,Les Lunes de papier, paru en 1921. Il était familier deslettres-fleuve à son mentor et ami, d'où l'allusion à "ses amis qui lui envoient par courrier des lettres de onze pages".La lettre est une amusanteprémonition duréel accident de voituredont fut victime Max Jacob en 1929, qui lui valut quelques mois de convalescence silencieuse. Superbe témoignagede la correspondance cocasse et complice de Malraux etMax Jacob. Nous remercions M. Bourrel qui nous a aidé à préciser la datation de cette missive. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
Berlin, Druck und Verlag von G. Reimer. 1881, 240x175mm, VIII - 527Seiten, Chagrin-Halbledereinband.
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Kjøbenhavn, Andreas Hartvig Godiche, 1754. 4to. I de originale stænkede omslag. En smule ubetydeligt slid ved ryg og kanter af foromslag. Trykt på skrivepapir. Særdeles ren indvendig.
Det ualmindelige originaltryk af den første danske oversættelse af Juvenals 10. Satire. Nærværende oversættelse udgør tilmed den tredje danske oversættelse af Juvenal efter Christian Falsters oversættelse af den 14. Satire (1731) og Andreas Benjamin Poulsens af den 13. (1753).
Eisenach, Griessbach, 1737. 8vo. Three volumes uniformly bound in three contemporary full vellum bindings with title in contemporary hand to spine. Wear and soiling to extremities. Stain to inner margin of title-page and frontispiece in vol. 1, otherwise internally nice and clean. (26), 435, (1) pp. + frontispiece (2), 490, (1) pp. (2), 442 pp.
Rare second edition, published the year after the original, of Schatz’ comprehensive geographical work providing detailed explanations and interpretations of various maps produced by the famous cartographer Johann Baptist Homann and his publishing house. “Johann Jacob Schatz, a German philologist, geographer, educator, and librarian student in Strasbourg in 1706 (received his master's degree in 1709), in Jena in 1715, and in Halle (Saale) in 1716 from 1716 to 1720, tutor at the Pädagogium in Halle from 1720 to 1726, director of the Gymnasium in Trarbach in 1728, director of the Gymnasium in Eisenach and librarian until 1737 from 1737 to 1760, head of the Protestant Gymnasium and librarian in Strasbourg.” (See CERL Thesaurus).
Paris, Librairie des Bibliophiles, Jouaust 1882, 175x115mm, frontispice, VI - 73pages, reliure demi-chagrin. Plats et garde marbré. Dos muet. Couvertures conservées. Belle reliure. Très bel exemplaire sur papier de Chine, numéroté n.° 6 / 20.
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Paris, Léon Willem - Paul Daffis 1874, 170x115mm, XXI - 167pages, broché. Exemplaire sur papier vergé des Vosges, numéroté n.° 67 / 325. Petites taches aux couvertures, autrement bon état, intérieur propre.
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Prag, J. G. Calve 1845, 210x125mm, CII- 210Seiten, Halbleinenband. Rückentitel. Besitzername und Ex libris. Guter Zustand.
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""Det skrevne er aldeles ikke mig,/ men hvad jeg kunne tænke mig maa-/ ske vilde interessere andre./ Jacob Paludan.""
(Amsterdam), 1696. 52x59,5 cm. Kobberstukket og håndkoloreret søkort visende Bælterne mellem Østjylland, Fyn, Sjælland, Lolland og Falster, Sydsverige, Rü Bornholm, Nordtyskland m.v. Med det danske rigsvåben i nederste højre hjørne" heri dedikation til Cornelis Tromp, den danske og hollandske flådes admiral. Den store kartouche i øverste venstre hjørne viser scener fra folkelivet og brydning af kalksten fra Møn eller Stevns. Fin reparation i højre margin.
Sjældent søkort over de indre danske farvande og porten til Østersøen. Kortet ""ligger ned"" med øst orienteret oppe. Jacob Robyn var kortsælger og kortudgiver. Han købte rettighederne til Pieter Goos's Zee-Spiegel og Zee Atlas fra Goos' enke, men han udfærdigede også selv adskillige kort. Hans lager blev overtaget af Johannes Loots i Amsterdam.""Alle de anførte hydrografers (samtidige kartografer) kortarbejder er overordentlig sjældne både herhjemme og i udlandet og noteres betydelig højere i pris end de samtidige landkort"" (Bo Bramsen p. 112).
Witebergae (Wittenberg), Martin Henckel, 1608-09. 4to. No wrappers. Bound together. All 16 with own titlepage with broad woodcut borders. All unpaginated. Each from 8-20 pp. Some notes and underlining in contemporary hands, old names on the first titlepage. Some yellowing to leaves, but clean.
Odense, 1929. 4 hefter som udkommet med orig. hefteomslag. Rygge lidt slidte. 394 pp. Tekstillustrationer.
Berlin, Fred. Dümmler's, 1850. 4to. In contemporary marbled paper covered boards. Spine loose and light wear to extremties, internally fine and clean. 86 pp.
First edition of Grimm's important work which he considered one of the very earliest to introduce cremation to the modern western world. Here Grimm traces cremation through the history of Western civilization and illustrated its aesthetic and ennobling benefits with a host of examples from various cultures, which to him, represented ""stages in the refinement of humankind"". ""While he described cremation as ""progress in the mental education of the people"". He dedicated the bulk of his speech to funerary rituals among ancient Greeks and Romans, whom he revered. Grimm focused on ethnological descriptions of cremation practices, but he also mentioned practical advantages, like improvising hygiene, saving space, and making the transport of remains easier. To preempt potential objections about the Christian belief in resurrection, he assured his audience that the physical product of incineration and decomposition were identical."" (Ameskamp, On Fire - Cremation in Germany).Jacob Ludwig Carl Grimm (1785 - 1863), German philologist, jurist and mythologist. He is best known as the discoverer of Grimm's Law, the author of the monumental Deutsches Wörterbuch, his Deutsche Mythologie and more popularly, as one of the Brothers Grimm, as the editor of Grimm's Fairy Tales
Odense, 1929. Solidt privat helshirtbd. 394 pp.
Milano, P. Hugues, 1822. Folio. 48x32,5 cm. Bound in one cont. hcalf, richly gilt back and title-label with gilt lettering. (Title-label a little torn). Lightly rubbed along edges and spine ends, but good. Engraved ornamental title-page (printed in brown). 6 engraved leaves with text and 4 plates with descendt-line, skeletons etc., 17 printed leaves of text, 25 engraved leaves with text (Indices and text). And in all 89 fine stipple-engraved plates (4 separately numb. + I-LXX + I-XV). Plates with engraved frame and at bottom engraved text in Italian.A large uncut copy with broad margins. Scattered marginal brownspots, a few tears to margins, images clean and bright.
Scarce title-issue of this important, and perhaps the largest, monograph on primates, apes and monkeys from the 19th century by the French painter Nicholas Henri Jacob. The original issue was published in 2 parts 1812-14. This title-issue has a reset title-page, a new dedication and the text beneath the image is in Italian. The illustrations in these splendid stipple-engravings are the same.The plates depict apes, monkeys and lemurs from the Old World and The New World in 5 Classes: 1. Genere Orang Pithecus. 2. Genere. Babbuino. 3. genere. Guenone Cercopithecus. 4. Genere. Sapajù Cebus. 5. genere. Sapajù-Sagoino Callithrix.- Part II: Famiglia. I Maki" Lemures.Wood p. 402. - BMC (NH) II:916 (but with the year 1823 ""This is the same as the original from 1812, except in the setting of the title-page, of the dedication, and of the translations of the introduction."" - Nissen. 2080.
Basel, 1860. 8vo. A little later green half cloth with a recent printed paper title-label to spine. Brownspotting to some leaves. Some underlinings and maginal annotations, all in pencil. Near contemporary annotations/description pasted on to verso of dedication-leaf. (4), 576 pp.
The scarce first edition of Burckhardt's main work, the groundbreaking work on the culture of the Renaissance, which helped found the historical study of this previously much overlooked era. "" ""The most penetrating and subtle treatise on the history of civilization"", in Lord Acton's words, ""a mere essay"", as Burckhardt himself called it, ""The Civilization of the Renaissance in Ittaly"" has, for more than a century, determined the general conception of thirteenth- to fifteenth-century Italy."" (PMM p. 210)This classic of Renaissance historiography is of the greatest importance to the development of the history of the Renaissance and of history of art and culture in general. More specifically, Burckhardt here establishes the fact that the Renaissance came first in developing the human individuality to the highest degree. He places the earliest signs of ""the modern European Spirit"" in Florence, which was a great contributing factor to the comprehension of this city as representing one of the highlights of European culture.The Swiss historian of art and culture, Jacob Chrisoph Burckhardt (1818-1897), contributed seminally to the historiography of these two fields. He is considered the discoverer of the Renaissance, and with his main work he founded the study of thirteenth- to fifteenth-century Italy and thereby the historical study of the Renaissance, the society of which he dealt with all aspects of. In general, Burckhardt's works all constitute an original historical approach to the study of art, culture, social institutions etc. As a highly respected scholar of Greek civilization, Burckhardt, with his original historiographical approach, was highly admired by Nietzsche, who also attended his lectures. The two kept in contact and corresponded frequently. Like Nietzsche, Burckhardt was a great admirer of Schopenhauer, and he greatly opposed the Hegelian interpretations of history.""... as in the case of other great historians such as Gibbon, Ranke, Macaulay, no criticism of details can detract from the powerful spell which Burckhardt's book has exercised upon such widely different writers as Ruskin, Nietzsche and Gobineau, as well as upon innumerable lovers of the most magnificent period of European history."" (PMM).Printing and the Mind of Man 347.
Basel, 1853. 8vo. A little later green hcloth w. simple handwritten paper title label to spine. Some leaves brownspotted. VII, (1), 512 pp.
First edition of the first publication of any of Burckhardt's books, his fist major publication, the important and influential ""The Age of ConstantinE the Great"".Burckhardt's ""The Age of Constantine the Great"" was the first work to describe an ""Age of Constantine"". It was also the first work of a series of cultural histories that Burckhardt had planned. The series was supposed to begin with the age of Pericles and end with that of Raphael, and that of Constantine became the first to appear. The work founded the basic structure of his other later cultural histories, namely representing what he considered the three great powers: state, religion and culture. Burckhardt eminently describes transitional periods and periods of crises, and this work deals with the transition from late pagan Antiquity to early Christian Middle Ages.The age of Constantine is here considered as the necessary transition from Antiquity to the Christian era and as such it is also understood as the basis of the culture of the Middle Ages. In opposition to the historians of his time, Burckhardt portrayed the Emperor Constantine negatively, as a calculating politician only concerned with preserving his own power, whose turn toward Christianity was purely speculative and driven by politics. He is thus portrayed as wholly unreligious and as having the sole goal of dominion. The work and the portrayal of Constantine caused the greatest controversies within religious and historical circles. The work became hugely influential and many later historians were inspired by both the controversial portrayal of Constantine, which they applied to other historical figures as well, as well as of Burckhardt's theories of the transition between the two eras. The Swiss historian of art and culture, Jacob Chrisoph Burckhardt (1818-1897), contributed seminally to the historiography of these two fields. He is considered the discoverer of the Renaissance, and with his later main work, ""Die Cultur der Renaissance in Italien"", he founded the study of thirteenth- to fifteenth-century Italy and thereby the historical study of the Renaissance, the society of which he dealt with all aspects of. In general, Burckhardt's works all constitute an original historical approach to the study of art, culture, social institutions etc. As a highly respected scholar of Greek civilization, Burckhardt, with his original historiographical approach, was highly admired by Nietzsche, who also attended his lectures. The two kept in contact and corresponded frequently. Like Nietzsche, Burckhardt was a great admirer of Schopenhauer, and he greatly opposed the Hegelian interpretations of history.""Outstanding among his (Burckhardt's) writings are, besides the books on Italian art and civilization, ""The Age of Constantine the Great"", 1853, in which he reinterpreted Gibbon, and the two posthumously published books..."" (PMM, p. 210).
Gütersloh, Bertelsmann, 1898. Bound in two later full clothbindings. LXII, 1312 pp.
Jacob Ludwig Carl Grimm (1785 - 1863), German philologist, jurist and mythologist. He is best known as the discoverer of Grimm's Law, the author of the monumental Deutsches Wörterbuch, his Deutsche Mythologie and more popularly, as one of the Brothers Grimm, as the editor of Grimm's Fairy Tales