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TOUSSAINT (Jean-Philippe)
Les Emotions.
Paris, Editions de Minuit, (28 avril) 2020. 1 vol. (140 x 195 mm) de 237 p., et [1] f. Broché, non coupé. Edition originale. Un des 77 premiers exemplaires sur vergé (n° 39).
Reference : 26860
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Librairie Walden
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Membre de la Ligue Internationale du Livre Ancien (LILA) ; conditions conformes aux usages du Syndicat de la Librairie Ancienne et Moderne. Frais de port au frais de l'acheteur avec envoi en recommandé ou colissimo suivi pour toute commande. Réservation d'un ouvrage pour 72 heures maximum.
5 book(s) with the same title
La magie de l'imaginaire, Marionnettes et masques théatraux d'Afrique noire. / Emotions in Motion, Theatrical Puppets and Masks from Black Africa.
Montreal: Galerie Amrad African Arts, 1990 in-4, 167 pages, 222 illustrations, bibliographie. Broché, couverture à rabats, très bon état. Texte français et anglais.
La magie de l'imaginaire, Marionnettes et masques théatraux d'Afrique noire. / Emotions in Motion, Theatrical Puppets and Masks from Black Africa. (Montreal: Galerie Amrad African Arts, 1990). [M.C.: Art africain / african Art, théâtre, marionnettes, masques]
Dictionnaire des émotions.
Paris: Syros, 1993 Broché, bon état.
Dictionnaire des émotions. (Paris: Syros, 1993) [M.C.: dictionnaire]
Médiévales - La chair des émotions - Médiévales (61/2011) : "La chair des émotions"Sommaire : Une histoire des émotions incarnée - Damien Boquet et Piroska NagyPrêcher les émotions incarnées. évêques, mendiants et leurs publics dans l'Antiquité tardive - Dionysos StathakopoulosLapsus corporis et performatif : fonctions des gestes somatiques dans lexpression des émotions dans la littérature altimédiévale - Nira PancerLes communautés émotionnelles et le corps - Barbara H. Rosenwein Évaluation émotionnelle dun crime dhonneur au couvent gilbertin de Watton (v. 1165) - Damien BoquetLa narration des émotions et la réactivité du destinataire dans les Contes de Canterbury de Geoffrey Chaucer - Guillemette BolensVultus velatus ou la figuration positive de la tristesse dans l'iconographie de la fin du Moyen Âge - Robert Marcouxtoucher et être touché : gestes de conciliation et émotions dans les duels judiciaires - klaus OschemaDu vilain au paysan sur la scène littéraire du XIII - M.t. LorcinLes avatars d l'inquisiteur ou la fonction de juge ecclésiastique à la fin du moyen-age - L. Silvestre
Presses universitaires de Vincennes, collection "médiévales", 2012 - In-8, 155 x 220 mm - 218 pages - Neuf - Envoi rapide et soigné
Présentation de l'éditeur : Les émotions ont une histoire... Les textes réunis dans ce dossier interrogent la nature des liens entre émotion et corps au Moyen Âge, leurs modalités dexpression, de mise en scène et de signification.Tous le font en intégrant les réflexions qui rendent possible aujourdhui une histoire des émotions. Il peut sagir de restituer les émotions éprouvées par les lépreux ou celles que suscitait leur spectacle, ou de cerner des gestes somatiques entre le corps trahissant lémotion. On peut aussi sattacher à comprendre un discours tentant de rationaliser dun point de vue moral les émotions dune communauté de nonnes pour légitimer un acte dune violence inouïe. Il peut aussi être question de saisir les multiples représentations iconographiques de la tristesse. Lhistorien peut être amené à analyser les gestes de toucher apportant la conciliation dans le duel judiciaire.Cette pluralité dapproches donne une idée suggestive de la manière dappréhender laffectivité dans lhistoire.Ce numéro de Médiévales offre un panorama varié dun courant historiographique international en plein renouvellement : lhistoire des émotions, ou encore de laffectivité. Cnformément à nos conditions générales de vente :Les frais de port sont affichés à titre indicatif. Il se peut que nous devions vous contacter pour vous informer du coût de laffranchissement supplémentaire en fonction du poids et du nombre de livres, surtout pour les envois internationaux Cependant vu l'augmentation des tarifs postaux à l'internationale, nous pouvons expédier les ouvrages en point relais MONDIAL RELAY pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile & adresse Courriel pour assurer le suivi du colis.N'hésitez pas à nous interroger.In accordance with our general terms and conditions of sale:Shipping costs are displayed for informational purposes only. We may need to contact you to inform you of the additional postage costs depending on the weight and number of books, especially for international shipments.However, given the increase in international postal rates, we can ship books via Mondial Relay to the following countries: Germany, Austria, Belgium, Spain, Italy, Luxembourg, Netherlands, Poland, and Portugal. Please provide us with your chosen Mondial Relay point, as well as your mobile phone number and email address to ensure package tracking.Please feel free to contact us with any questions
Rhetoric, Persuasion, and Teaching the Emotions in the Early Modern English Sermon, 1600-1642
, Brepols, 2025 Hardback, Pages: 203, Size:156 x 234 mm, Languages: English. ISBN 9782503614328.
Summary The early seventeenth-century English sermon was the bestselling print genre of its time, and church preaching was more widely attended than any play. Jennifer Clement argues here that a major aim of these sermons was to teach people how to feel the right emotions - or, as preachers would have said at the time, the passions or affections - to lead a good Christian life. In the process, preachers took a primarily rhetorical approach to the emotions; that is, they used their sermons to define emotions and to encourage their listeners and readers actively to cultivate and shape their emotions in line with Scripture. This study offers an overview of five key emotions - love, fear, anger, grief, and joy - in the sermons of key preachers such as John Donne, Richard Sibbes, Joseph Hall, Launcelot Andrewes, and others. It shows how these preachers engaged with contemporary treatises on the emotions as well as treatises on preaching to highlight the importance of the rhetorical, as opposed to the humoral, approach to understanding the emotions in a religious context. In addition, Clement reads sermons next to early seventeenth-century religious poetry by writers such as Donne, George Herbert, Amelia Lanyer, and Henry Vaughan to show how the emotional concerns of the sermons also appear in the poetry, reverberating beyond the pulpit. Bringing together rhetorical theory, sermon studies, and the history of the emotions, Clement shows how the early seventeenth-century English sermon needs to inform our thinking about literature and its engagement with emotion in this period. TABLE OF CONTENTS Introduction. Teaching How to Feel Chapter 1. Love, Rhetorical Address, and Moving the Emotions Chapter 2. The Blurred Boundaries of Fear and Love Chapter 3. Anger is an Energy Chapter 4. Grief and Mourning: Memento Mori and the Funeral Sermon Chapter 5. The Joy of Holy Communion Conclusion. Hating the Sinner Bibliography Index
Esquisse d'une Théorie des Émotions. - [PRESENTATION-COPY]
Hermann & Cie, 1939. Royal 8vo. Bound uncut with the original printed wrappers (""Actualités scientifiques et industrielles"", no. 838. Essais philosophiques II, Publiés par Cavaillès), also the backstrip (mounted with a little loss). in an exquisite, beautiful black morocco binding with gilt horizontal and vertical lettering to spine. Beautiful silvered paper over boards. Housed in an exquisite silvered marbled paper slip-case with black morocco edges. Binding signed to bottom of inside of front board: ""C. et J-P. Miguet"". Near mint copy. 52 pp.
First printing, presentation-copy, of Sartre's highly important early philosophical work, which is recognized as the best introduction to his ""L'Étre et le Néant"" (1943). The work was only printed as it is here, as no. 838 of Cavaillè's ""Actualités scientifiques et industrielles"", and only appeared in a new (not revised) edition in 1960. The large presentation-inscription reads as thus : "" A Olivier Briot/ en la remerciant de "" Les lignes "" qui j'ai/ beaucoup aimé/ JP Sartre "".""L'Esquisse d'une théorie des émotions "" ("" Sketch for a Theory of the Emotions""), although now considered one of Sartre's most important works, was originally written as the first part and introduction to a greater work on psychological phenomenology that was supposed to be entitled ""La Psyché"". The great psychological project was abandoned due to Sartre's eagerness to finish ""Le Mur"". ""L'Esquisse"" thus remains the only part of the work ever published, and perhaps exactly because of its introductory character, it has come to have the effect on modern philosophical thought that it has. Due to being at the same time accessible and rigourous, the work is considered the best introduction to Sartre's fundamental philosophical ideas, an almost indispensible presentation of and introduction to ""L'Étre et le Néant"", which appeared four years later. ""L'Esquisse d'une théorie des émotions "" is a phenomenological essay on emotion, in which Sartre ettempts to present a phenomenological psychology, treating emotion as a "" phenomenon "" and placing it within the realm of signification. The primary presentation of his own phenomenological analysis is essantial to all his later philosophy.""Although written fairly early in his career, in 1939, Sketch for a Theory of the Emotions is considered to be one of Jean-Paul Sartre's most important pieces of writing. It not only anticipates but argues many of the ideas to be found in his famous Being and Nothingness. By subjecting the emotion theories of his day to critical analysis, Sartre opened up the world of psychology to new and creative ways of interpreting feelings. Emotions are intentional and strategic ways of coping with difficult situations. We choose to utilize them, we control them, and not the other way around, as has been posited elsewhere. Emotions are not fixed"" they have no essence and indeed are subject to rapid fluctuations and about-turns. For its witty approach alone, Sartre's Sketch for a Theory of the Emotions can be enjoyed at length. It is a dazzling journey to one of the more intriguing theories of our time."" (Sketch for a Theory of the Emotions, 2nd Edition, By Jean-Paul Sartre, Published October 12th 2001 by Routledge - 80 pages, Series: Routledge Classics)
