‎JAKES John‎
‎I, Barbarian.‎

‎Post-Roman Transitions Christian and Barbarian Identities in the Early Medieval West,‎

‎Turnhout, Brepols, 2012 Hardback, approx. X+588 p., 9 b/w ill., 10 b/w line art, 156 x 234 mm. ISBN 9782503543277.‎

‎What were the social contexts, cultural resources, and political consequences of the new models for identification which emerged during the transition from the Roman empire to the medieval world? This volume looks at changing identities during the transition from the Roman empire to a political world defined by a different kingdoms and peoples in western Europe. It addresses 'ethnicity' in the context of alternative modes of identification, mainly Christianity and Romanness. To widen the horizon of current debates, it shows that the ancient dichotomy between barbarians and Romans is hardly helpful in understanding the complex transitions to a post-imperial age in the West. In a broad sweep of regional examples, from Spain and North Africa to Dalmatia and the British Isles, the book follows the unfolding of Christian and barbarian identities: How were both the Roman and the barbarian past used for the formation and legitimation of new identities? The ?scripts of Romanness? changed in the early Middle Ages, and so did the significance of othering pagans, heretics, or barbarians. The contributions trace the tenacity and the ambiguity of traditional narratives and signs of distinction: manuscripts and material remains, costume and epigraphy, historiography and hagiography were used in creative ways to shape civic, local, or religious communities. Many of the contributions show the fundamental importance of Christian 'strategies of identification' for creating a stronger political role for ethnicity in the post-Roman kingdoms. They thus follow a line of argument that has also been explored in the book?s companion volume in this series, Strategies of Identification: Ethnicity and Religion in Early Medieval Europe (CELAMA 13). Languages : English, German, Itallian. ‎

‎Ivanova A. The image of a barbarian in ancient art. In Russian /Ivanova A. Obra‎

‎Ivanova A. The image of a barbarian in ancient art. In Russian /Ivanova A. Obraz varvara v antichnom iskusstve. An imprint from the Scientific Notes of the Leningrad State University in 1944. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb93e8c3985bac03d7.‎

‎Barbarian Butyagin Lyutika. 1921./Varvara Butyagina Lyutiki. 1921 god.‎

‎Barbarian Butyagin Lyutika. 1921./Varvara Butyagina Lyutiki. 1921 god. In fact, as her son Kirill Khodataev explained, Varvara Alexandrovna stopped appearing as a poet, because she did not fit into Proletkult with its requirements of immediate relevance. After leaving poetry, she lived a long life, working as a script writer at the Soyuzmultfilm studio and as the responsible proofreader of Komsomolskaya Pravda newspaper. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd-8b4e72e6876014ea.‎

‎Inventing the Barbarian. Greek Self-Definition through Tragedy.‎

‎Hall, Edith: Inventing the Barbarian. Greek Self-Definition through Tragedy. at the Clarendon Press, 1989. 277 pages, unillustrated. Hardback. 22.5 x 14.5cms.‎

‎Sergei Alexeev. Bride for a Barbarian. In Russian /Alekseev Sergey. Nevesta dly‎

‎Sergei Alexeev. Bride for a Barbarian. In Russian /Alekseev Sergey. Nevesta dlya varvara. Novel M Straga Nord 2017 316 pp. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbe7cb83c61c7b4035.‎