‎SCACCHETTI (Luca).‎
‎Architetture.‎

‎Descrizione delle pitture, sculture, e architetture esposte al pubblico di Roma: Opera cominciata dall'abate Filippo Titi.; con l'aggiunta di quanto Ú stato fatto di nouvo fino all' anno presente.‎

‎Titi, Filippo revised by Giovanni Bottari: Descrizione delle pitture, sculture, e architetture esposte al pubblico di Roma: Opera cominciata dall'abate Filippo Titi.; con l'aggiunta di quanto Ú stato fatto di nouvo fino all' anno presente. Rome: Nella Stamperia di Marco Pagliarini, 1763. xii, 487, 108 pages bound in full period vellum with pink splashed edges. Inscribed in ink on front fly Amelia Anna Sophia / Oliphanti / Gask (???) il vento di Febraro. / 1789 / Le Don de Mon Pere. Full vellum. 19Ã11cms. The third and 'best' edition of Titi's guide book that Julius Schlosser considered the standard guide to Rome in the eighteenth century, and as such, was one of the formative sources for the trend of the 'Grand Tour'. The guide, first published in 1684 was revised in 1708, in 1721 and finally in 1763 as Bottari explains on pages 447-481. Cicognara 3891.The present volume was given to Amelia Anna Sophia Oliphant (1765-1808) by her father Laurence Oliphant 7th of Gask in 1789. Her father rode with the Duke of Perth's Horse at the Battle of Culloden where his father Laurence Oliphant 6th of Gask was aide de camp to Prince Charles Stuart. Following the battle they both fled to France. Laurence (7th) married Margaret Robertson aged 15 in Versailles in 1755 her husband was exactly double her age.The Oliphants were the staunchest of Jacobites however Lawrence (7th) sent his wife Margaret to Britain to give birth to their children and in 1763 the Oliphants, despite being attainted rebels resolved to brave the Government and go home at the risk of becoming a victim of any informer. Amelia was born in 1765 and her sister Caroline 10 months later. In late 1768, six months after the birth of his son Laurence travelled to Italy with his wife Margaret , leaving their four children at Gask. The couple went to Naples where they spent time with Sir William Hamilton and his wife Catherine with whom they danced Reels and Straspeys (sic). After Naples they continued to Rome where they dined twice with the Young Pretender. They left Rome in April 1770, returning to Gask by July 10th. Margaret gave birth to her next child on July 29th. We do not know the occation of the gift, but that same year Amalia's love of Scottish music is recorded in John Bowie's 'Collection of strathspey reels & country dances &c.' with the publication of 'Miss Amelia Oliphant Gask's Strathspey'. Condition. A fine copy in a contemporary binding that has probably never been read. Damage to top left corner of the spine and a slight damp stain on the last three or four pagesProvenance: Amelia Anna Sophia Oliphant 1765-1808 to whom given to by her father Laurence Oliphant 7th; Giles Robertson, to whom given in 1948 by 'Donald' (his father?) according to ink inscription on front fly; Charles Robertson (his son) from whom acquired.. Text in Italian.‎

‎The third and 'best' edition of Titi's guide book that Julius Schlosser considered the standard guide to Rome in the eighteenth century, and as such, was one of the formative sources for the trend of the 'Grand Tour'. The guide, first published in 1684 was revised in 1708, in 1721 and finally in 1763 as Bottari explains on pages 447-481. Cicognara 3891.The present volume was given to Amelia Anna Sophia Oliphant (1765-1808) by her father Laurence Oliphant 7th of Gask in 1789. Her father rode with the Duke of Perth's Horse at the Battle of Culloden where his father Laurence Oliphant 6th of Gask was aide de camp to Prince Charles Stuart. Following the battle they both fled to France. Laurence (7th) married Margaret Robertson aged 15 in Versailles in 1755 her husband was exactly double her age.The Oliphants were the staunchest of Jacobites however Lawrence (7th) sent his wife Margaret to Britain to give birth to their children and in 1763 the Oliphants, despite being attainted rebels resolved to brave the Government and go home at the risk of becoming a victim of any informer. Amelia was born in 1765 and her sister Caroline 10 months later. In late 1768, six months after the birth of his son Laurence travelled to Italy with his wife Margaret , leaving their four children at Gask. The couple went to Naples where they spent time with Sir William Hamilton and his wife Catherine with whom they danced Reels and Straspeys (sic). After Naples they continued to Rome where they dined twice with the Young Pretender. They left Rome in April 1770, returning to Gask by July 10th. Margaret gave birth to her next child on July 29th. We do not know the occation of the gift, but that same year Amalia's love of Scottish music is recorded in John Bowie's 'Collection of strathspey reels & country dances &c.' with the publication of 'Miss Amelia Oliphant Gask's Strathspey'. Condition. A fine copy in a contemporary binding that has probably never been read. Damage to top left corner of the spine and a slight damp stain on the last three or four pagesProvenance: Amelia Anna Sophia Oliphant 1765-1808 to whom given to by her father Laurence Oliphant 7th; Giles Robertson, to whom given in 1948 by 'Donald' (his father?) according to ink inscription on front fly; Charles Robertson (his son) from whom acquired.. Text in Italian‎

‎Piranesi incisioni rami legature architetture. Grafica Veneta, 2‎

‎Bettagno, Alessandro, ed: Piranesi incisioni rami legature architetture. Vicenza: Neri Pozza, 1981. Series: Grafica Veneta, 2. 373pp with 483 monochrome illustrations. Wrappers. 30.5x24cms. 33 scholarly essays, with bibliography and index of subjects. Text in Italian.‎

‎33 scholarly essays, with bibliography and index of subjects. Text in Italian‎

‎Progetti e architetture 1957-1984‎

‎Milano , Electa, 1984 Original publishers paper-covered boards, 135 pages, Documenti di architettura"--Jacket. Issued in connection with the exhibition held October 20-December 9, 1984 at the Architektur-Museum Basel. Italian and German text. Fine !. ISBN 8843512900.‎

‎Il libro dedicato all'opera architettonica di Luigi Snozzi, architetto svizzero dal linguaggio colto ed essenziale. Il linguaggio di Snozzi quello asciutto e colto dell?architettura ticinese. Nato a Mendrisio nel 1932, rifiuta qualsiasi eccesso retorico in nome dell?essenzialit . Le sue prime costruzioni, risalenti agli anni Sessanta, sono definite ?neorealiste? da Kenneth Frampton, autore in questo volume del saggio che ripercorre le tappe principali della sua carriera. Segue lo scritto di Vittorio Gregotti ?Sulle tracce dell?architettura?, in cui il radicalismo di Snozzi viene messo a confronto con il rifiuto di ogni ?illusionismo stilistico-conciliativo? catteristico del metodo di Alvaro Siza. Infine il catalogo delle opere dal 1957 al 1984, la cui suddivisione scandita da brevi frasi dello stesso Snozzi; emergono con chiarezza l?attenta analisi dei fenomeni urbani e paesaggistici, nonch il rapporto dialettico con Kahn e con le pi importanti esperienze coeve dell?architettura internazionale: ?Il progetto, prima che strumento di trasformazione, strumento di conoscenza?.‎

‎101 architetture de vedere a Venezia.‎

‎Edizioni Del Canal Venezia 1973 In-12 ( 130 X 220 mm ) oblong " à l'italienne " de 111 pages, broché sous couverture illustrée rempliée. Illustrations hors-texte. Bel exemplaire.‎

‎Architetture leccesi: I palazzi del Rinascimento del Barocco e del Rococò‎

‎Capone Editore 1995 135 pages in4. 1995. Reliure Editeur avec jaquette. 135 pages.‎