Write to the booksellers-
Type
Book (2992)
Magazine (51)
-
Latest
Last 3 days (2)
Last month (11)
-
Language
English (5)
French (3038)
-
Century
18th (22)
19th (169)
20th (1962)
21st (197)
-
Countries
Belgium (24)
Canada (1)
China (1)
Côte d'Ivoire (2)
Denmark (326)
France (2498)
Greece (1)
Italy (9)
Switzerland (181)
-
Syndicate
ALAC (1)
ILAB (2624)
NVVA (39)
SLACES (39)
SLAM (2225)
Petrocossyphus Cyanus. Blue Rock-Thrush.
.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 52,5x36,5 cm. Lithographed and fully handcoloured. 2 adults on a rock, male and female. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. Ab. a half cm. of right margin with remains of textpaper, not affecting image in any way..The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Pratincola Rubetra. Whinchat.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73 Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults in a flowering bush. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Pratincola Rubicola. Stone-chat or Furze-chat.
.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds shown on branches with flowers., natural surroundings. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. .The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Regulus Cristatus. Golden-crested Wren, or Kinglet.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Three birds, on branches with fruits, foliage. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Regulus Ignicapillus. Fire-crested Wren.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Three birds, on branches with fruits, foliage. A spider seen. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Ruticilla Phoenicura. Redstart.
.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male outside the nest in a tree with a baby bird. Tree with fruits. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Ruticilla Tithys. Black Redstart.
.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male outside the nest on a cliff, natural sorroundings. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Saxicola Oenanthe. Wheatear.
.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Three birds shown, natural surroundings, flowers. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. .The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Sitta Caesia, Wolf et Meyer. Nuthatch.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. 2 adults in a trunk tree with nest, 1 baby bird shown. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Sylvia Curruca. Lesser Whitethroat.
.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male in natural surroundings of flowering bush looking at a flying insect. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Turdus Atrogularis, Temm. Black-throated Thrush.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults in a tree. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Turdus Iliacus, Linn. Redwing.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Adult with open wings on a branch. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Turdus Musicus, Linn. Thrust.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Showing 2 birds, one at the nest with 4 eggs, surrounded by flowers. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Turdus Pilaris, Linn. Fieldfare.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults, one on the nest in a tree. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Turdus Viscivorus, Linn. Missel-Thrush.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Showing 2 adults and one baby bird on a branch. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Upupa Epops, Linn. Hoopoe.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, both sexes in a tree in which three baby birds.. J. Gould & H.C. Richter, del. et lith. - Walter Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp. A fine repair to right margin, just touching foliage.
This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.
Architecture des oiseaux. Traduit de l'anglais
Chez Perisse Frères. 1836. In-12. Relié plein cuir. Etat d'usage, Coins frottés, Dos satisfaisant, Quelques rousseurs. 460 pp., épidermures sur les plats et au dos, tranches marbrées, dos décoré de filets et de caissons dorés, titre doré sur pièce de titre bordeaux - 1 PHOTO DISPONIBLE.. . . . Classification Dewey : 598-Ornithologie
Classification Dewey : 598-Ornithologie
The Birds of Iona and Mull 1852-70. With a Memoir of the Author by J.A. Harvie-Brown.
Edinburgh, David Douglas, 1890. Cont. hcalf. Gilt back. Back rubbed, corners bumped. Internally good. XVI,280 pp. Richly illustr. Htitle with spots and a little soiled.
Tiré à part : Bulletin Société Sciences naturelles Ouest de la France Tome 72 : Analyse ethologique de quelques comportements parentaux chez les espèces nidicoles.
Société Sciences naturelles Ouest de la France. 1974. In-8. Broché. Bon état, Livré sans Couverture, Agraffes rouillées, Intérieur frais. Paginé de 10 à 15. Relié par une agraffe.. . . . Classification Dewey : 598-Ornithologie
Classification Dewey : 598-Ornithologie
"Tiré à part : Colloque ""Le problème des oiseaux sur les aérodromes"" Nice les 25,26 et 27 novembre 1963 : Le problème de l'accoutumance des corvidés et laridés aux signaux de détresse."
Institut National de la Recherche Agronomique. Non daté. In-8. Broché. Bon état, Couv. convenable, Agraffes rouillées, Intérieur frais. Paginé de 267 à 273. Relié par trois agraffes. Tampon sur la couverture. Une photo en noir et blanc dans le texte.. . . . Classification Dewey : 598-Ornithologie
Classification Dewey : 598-Ornithologie
Manuel-Roret. Nouveau manuel complet de l'Oiseleur ou Secrets, anciens et modernes, de la chasse aux oiseaux contenant la manière de fabriquer les filets, les divers pièges, appeaux, etc. ; l'histoire naturelle des oiseaux qui se trouvent en France ; l'art de les élever, de les soigner, de les guérir, et la meilleure méthode de les empailler. ÉDITION ORIGINALE.
Paris, A la Librairie Encyclopédique de Roret, Au Martin-Pêcheur, chez A. Moriceau, (vers 1840). In-18 (145 x 89 mm), frontispice gravé et dépliant (chasse à la tirasse), 268 pp., 7 planches numérotées avec plus de 80 ill. (dessins), reliure demi-chagrin, étiquette de bibliothèque et cachet ex-libris contrecollés sur contreplat et page de garde, trace de mouillure sur premiers 15 feuillets et frontispice (légère), claires rousseurs, quelques planches coupées trop courtes, coins ouverts, coiffe sup. frottée, bon exemplaire.
GULLS , A GUIDE TO IDENTIFICATION / SECOND EDITION.
T & A D. POYSER. 1986. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 352 pages augmentées de nombreux dessins en noir et blanc in et hors texte dont le 1er plat - Jaquette correcte.. Avec Jaquette. . . Classification Dewey : 598-Ornithologie
OUVRAGE EXLUSIVEMENT EN ANGLAIS. Classification Dewey : 598-Ornithologie
The Ringers Bulletin Vol.3 n°3 July 1968. Sommaire : Partnerships - The antique business - Partridges - PIgeon rings - Pulling through - In the heat of enthusiasm - A method of catching swans - etc.
Bird Ringing Committee of the British Trust for Ornithology. 1968. In-8. Broché. Bon état, Couv. convenable, Agraffes rouillées, Fortes mouillures. 12 pages augmentées de quelques illustrations en noir et blanc dans le texte. Texte en anglais. Relié par deux agraffes. Quelques annotations à l'encre dans le texte.. . . . Classification Dewey : 598-Ornithologie
Sommaire : Partnerships - The antique business - Partridges - PIgeon rings - Pulling through - In the heat of enthusiasm - A method of catching swans - etc. Classification Dewey : 598-Ornithologie
"LES OISEAUX CHANTEURS / COLLECTION ""DOCUMENTAIRES EN COULEURS""/ COLLECTION ""DOCUMENTAIRES EN COULEURS""."
GRANGE BATELIERE. 1971. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 80 pages illustrées de nombreuses photos en couleurs in et hors texte dont 1er plat et dessisnen noir et blanc.. . . . Classification Dewey : 598-Ornithologie
Classification Dewey : 598-Ornithologie
BTO News n°184 January-February 1993 : Farmland birds in trouble. Sommaire : Bird Clubs - Nest records for conservation - Breeding waders - BirdWise - etc.
British Trust for Ornithology. 1993. In-4. Broché. Bon état, Couv. convenable, Agraffes rouillées, Intérieur frais. 20 pages augmentées de nombreuses photos et illustrations en noir et blanc dans le texte. Relié par deux agraffes. Texte en anglais sur plusieurs colonnes.. . . . Classification Dewey : 598-Ornithologie
Sommaire : Bird Clubs - Nest records for conservation - Breeding waders - BirdWise - etc. Classification Dewey : 598-Ornithologie
