‎Music and Resistance: From 1900 to the Present‎

‎, Brepols - Harvey Miller, 2023 Hardcover ,Pages: xxi + 407 p.ages. Size:270 x 215 x 28 mm.Illustrations:30 b/w, 16 musical examples.dustjacket Language(s):English. ISBN 9782503602912.‎

‎Music and Resistance: From 1900 to the Present Resistance is a relevant topic today, driven by recent global social movements such as Black Lives Matter, fourth-wave feminism and the fight for recognition of LGBTIQ+ rights. In the academic arena, resistance has been the subject of increasing attention in disciplines such as sociology, anthropology, geography, political sciences and cultural and literary studies. In music, the notion of resistance has frequently been mobilised by popular music genres (hip-hop is a notable example) and, in general, in situations of political opposition. The relationship between music and resistance is, however, much richer and more complex. Through the study of specific cases from a variety of genres covering a broad period of time from 1900 to today, this volume analyses many types of resistance in which music has been involved, including various geographic and historical contexts, and also twentieth-century dictatorships and contemporary social movements. It asks how the relationship between music and resistance is established, and how music can be understood as an act of resistance. It also examines the meaning of resistance in musical terms and how we can determine if a piece of music in a certain time and space functioned as resistance to a power system.‎

‎Diagramme N° 147 - La bionique 1. Les modèles vivants‎

‎Editons du cap Monte-Carlo. Mai 1969. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages environ illustrées de nombreuses photos et dessins noir et blanc.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎ " Diagrammes du monde - 147 - La bionique - Les modeles vivants "‎

‎ Revue scientifique mensuelle, mai 1969.‎

‎ " Diagrammes du monde - 148 - La bionique - Les ingenieurs a l'ecole de la nature "‎

‎ Revue scientifique mensuelle, juin 1969.‎

‎Bijdrage tot de geomorfologische kennis van het noordwesten van Oost-Vlaanderen (Belgie).‎

‎, Brussel, Paleis der Academien, 1979., Gebrocheerd, originele uitgeversomslag, 18x26cm, 257 p., fig. 6, K. 1‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 155.‎

‎Je porte plainte.‎

‎Paris, France Loisir/Albin Michel, 1981. 14 x 22, 117 pp., cartonnage d'éditon + jaquette, bon état.‎

‎La tête du poisson : Les sectes, un mal de civilisation.‎

‎Paris, Albin Michel, 1983. 14 x 22, 236 pp., reliure carton moderne, très bon état.‎

‎Inventing Past Narratives. Venice and the Adriatic Space (13th?15th Centuries)‎

‎, Brepols - Harvey Miller, 2024 Paperback, Pages: 108 pages, Size:210 x 270 mm, Illustrations:10 b/w, 49 col. Language(s):English. ISBN 9788028004644.‎

‎By the late Middle Ages, Venice became the main stage of a national and international myth: while enhancing its historical role in the past, the city tried to demonstrate the legitimacy of its role in the present. In fact, for celebrating its triumph and erasing its weaknesses and defeats, Venice generated a rich repertoire of past narratives that were bringing together heterogeneous materials, by composing unconnected pieces and attributing new meanings to different histories or objects from other pasts. An ambitious goal had to be achieved: that of creating the impression of a unique and grandiose city whose roots were lost in a remote and magnificent past. The result is a patchwork that, through the longue dur e approach, has been articulated around both new and ancient stories, local and foreign myths, reconstructed or rediscovered objects and narratives. In order to investigate more precisely the trajectories of the Venetian past narratives, this volume intends to determine, through an interdisciplinary prism, which are the different strategies, objectives, and resources that have been exploited in the framework of these past narratives. TABLE OF CONTENTS Introduction Ilaria Molteni & Valeria Russo Framing Venetian Past Narratives. An Epistemological Introduction Articles Francesca Gambino About the Time Charlemagne Invaded the Laguna and Venice Returned Frankish Fire with Bread Niccol Gensini ?Bons Mariniers? Between History and Prophecy. Venice, Venetians, and the Mediterranean Sea in the Prophecies de Merlin Giuseppina Brunetti Morte a Vwenezia. Per la morte di Dante: l?invenzione e i documenti Ruben Campini, Ivan Foletti, & Annalisa Moraschi Clash of Titans. Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History‎

‎Cassiodorus Institutiones humanarum litterarum. Textus ? ?‎

‎, Brepols - Harvey Miller, 2023 Hardcover, Pages: 512 ,Size:155 x 245 mm Illustrations:137 b/w, 1 tables b/w.Language(s):Latin, Italian. ISBN 9782503595894.‎

‎The Institutiones humanarum litterarum ? that is, the second book of Cassiodorus? masterpiece, devoted to secular learning ? have come to us in three different textual forms: the ?authentic? recension ?, corresponding to Cassiodorus? final wishes, and two subsequent recensions, named ? and ?. Here, later interpolations were added starting from an earlier authorial draft, providing modern readers with valuable information about Cassiodorus? progressive revisions and updates. Subsequent additions are also evidence of the early fortune of the Institutiones, showing which texts were actively read and studied from the 6th to the 9th centuries. Following Roger Mynors? and Pierre Courcelle?s fundamental intuitions, Ilaria Morresi provides the first complete critical edition of the ? ? corpora, based on the systematic study of the manuscript tradition. Much attention is paid to the many diagrams included both within the Institutiones saeculares and the interpolations, which are clues to the great importance of images for Early Mediaeval teaching on Trivium and Quadrivium. Introduzione I. Testo e redazioni II. Tradizione manoscritta e stemmata codicum III. Nota al testo Bibliografia Institutiones humanarum litterarum Additamenta quae in textu II inueniuntur Additamenta quae in textu III inueniuntur Appendix ? Schemata quae in Humanarum litterarum institutionibus inueniuntur Indices‎

‎Dutch Old Masters from Budapest : highlights from Sz pm v szeti M zeum ‎

‎, NAI 2016, 2016 Softcover, 136 pages, English, 295 x 240 mm, illustrated with coloured illustrations, New copy !. ISBN 9789462083240.‎

‎ From 12 November, the Frans Hals Museum in Haarlem presents 80 works by Dutch masters from one of the finest collections in the world, that of the Sz pm v szeti M zeum in Budapest. Works by artists from Haarlem including Willem Buytewech, Willem Claesz Heda, Pieter Saenredam and Jacob van Ruisdael are shown alongside works by famous Dutch and Flemish painters such as Hendrick Avercamp, Jan Lievens and Anthonie van Dyck. Moreover, on the occasion of the 350th year of Frans Hals's death in 2016, two of his beautiful portraits that are now in Budapest are reunited with his paintings at the Frans Hals Museum The publication presents these gems from the Sz pm v szeti M zeum through large colour images and informative texts about genres, techniques and the collection as a whole, thus throwing new light on the Haarlem pieces and at the same time painting a kaleidoscopic picture of the art of this period‎

‎Rembrandt, Rubens, Van Dyck e il Seicento dei Paesi Bassi‎

‎, Leonardo arte, 1995, 1995 Paperback, 207 paginas, Text Italiano, 285 x 240 mm, . ISBN 9788878135352.‎

‎Rembrandt, Rubens, Van Dyck e il Seicento dei Paesi Bassi. Exhibition held Apr. 8-May 28, 1995 at the Museo della Permanente, Milan, June 10-July 23, 1995 at Sinclair-Haus Bad Homburg v.d. Ho?he, and July 30-Sept. 24, 1995 at the Von der Heydt-Museum Wuppertal.‎

‎Aspects de la Mouvance Construite Internationale.‎

‎, Les Amis des Musees de Verviers/Fondation pro Mesure Art International: Verviers, 1994., Softcover, unpag. (ca125pp)., ills. in b/w., good copy. .‎

‎Atelier Stephan Vanfleteren. ENG.‎

‎, Hannibal Kannibaal , 2023 hardcover,dusjacket, 25 x 18,4 cm, 448 pages English edition ISBN 9789464666564.‎

‎For the past twelve years, Stephan Vanfleteren (b. 1969) has been working intense hours in his daylight studio at home. Atelier is a collection of that work. Vanfleteren is searching for beauty and meaning, both in daylight and under artificial light. Grey stage curtains are everywhere as a constantly repeating background. The photographer embraces well-known personalities and anonymous people. He inspects and captures the grooves in the face of an old fisherman and the hand of Nick Cave on the same terms as he does a beachcombed bottle. He focuses an adoring gaze on his own children coming of age as well as on impassioned artists in their old age. He sees the frozen corpse of a kingfisher and the body of a twisting dancer, and watches as the sunlight slowly shifts across his stage curtain. Vanfleteren connects to the traditions of old and contemporary masters but remains faithful to his characteristic style. His craftsmanship and artistic nature make us both witness and party to the splash of incoming light. With text contributions by Ilja Leonard Pfeijffer and Stephan Vanfleteren.‎

‎Atelier Stephan Vanfleteren. FR‎

‎, Hannibal Kannibaal , 2023 hardcover, couverture,25 x 18,4 cm, 448 pages , Texte en Francais ISBN 9789464666571.‎

‎Aper u magistral de la photographie de studio par Stephan Vanfleteren Au cours des douze derni res ann es, Stephan Vanfleteren (1969) a travaill de mani re intense chez lui, dans un studio clair par la lumi re du jour. Atelier est un recueil de ces ?uvres. Qu?il travaille la lumi re naturelle ou avec un clairage artificiel, Vanfleteren est la recherche de beaut et de sens. Les rideaux de th tre gris y sont omnipr sents, en toile de fond. Le photographe immortalise tant des personnalit s connues que des anonymes. Il s?int resse aux rides sur le visage d?un vieux p cheur et examine la main de Nick Cave avec la m me attention qu?une bouteille chou e sur la plage. Il adore ses enfants, qu?il voit grandir, et les vieux artistes passionn s. Il contemple le petit corps raidi d?un martin-p cheur ou la taille souple d?un danseur, suit du regard la lumi re du soleil qui glisse doucement sur le rideau. Vanfleteren se rattache la tradition de ma tres anciens mais reste fid le au style qui a toujours fait sa particularit . Son savoir-faire technique et son c?ur d?artiste font de nous les t moins et les complices de la lumi re incidente. Avec des contributions textuelles par Ilja Leonard Pfeijffer et Stephan Vanfleteren. Omschrijving Aper u magistral de la photographie de studio par Stephan Vanfleteren Ce livre montre que Vanfleteren a int rioris cette lumi re particuli re tel point qu?il peut la faire appara tre sans l?aide de lampes ou du soleil. ? Ilja Leonard Pfeijffer Au cours des douze derni res ann es, Stephan Vanfleteren (1969) a travaill de mani re intense chez lui, dans un studio clair par la lumi re du jour. Atelier est un recueil de ces ?uvres. Qu?il travaille la lumi re naturelle ou avec un clairage artificiel, Vanfleteren est la recherche de beaut et de sens. Les rideaux de th tre gris y sont omnipr sents, en toile de fond. Le photographe immortalise tant des personnalit s connues que des anonymes. Il s?int resse aux rides sur le visage d?un vieux p cheur et examine la main de Nick Cave avec la m me attention qu?une bouteille chou e sur la plage. Il adore ses enfants, qu?il voit grandir, et les vieux artistes passionn s. Il contemple le petit corps raidi d?un martin-p cheur ou la taille souple d?un danseur, suit du regard la lumi re du soleil qui glisse doucement sur le rideau. Vanfleteren se rattache la tradition de ma tres anciens mais reste fid le au style qui a toujours fait sa particularit . Son savoir-faire technique et son c?ur d?artiste font de nous les t moins et les complices de la lumi re incidente. Avec des contributions textuelles par Ilja Leonard Pfeijffer et Stephan Vanfleteren.‎

‎Atelier Stephan Vanfleteren. NL‎

‎, Hannibal Kannibaal , 2023 hardcover stofomslag, 25 x 18,4 cm, 448 pagina's, Nederlandstalige editie. ISBN 9789464666557.‎

‎De voorbije twaalf jaar fotografeerde Stephan Vanfleteren (1969) zeer intens in zijn daglichtstudio thuis. Atelier is de verzameling van dat werk. Zowel in daglicht als met kunstlicht gaat Vanfleteren op zoek naar schoonheid en betekenis. Grijze theaterdoeken zijn daarbij altijd aanwezig als constant terugkerende achtergrond. De fotograaf omarmt bekende persoonlijkheden en anonieme mensen. Hij toont het gelaat van een oude visser en inspecteert zowel de hand van Nick Cave als een op het strand gejutte fles. Hij adoreert zijn eigen opgroeiende kinderen en bevlogen oude kunstenaars. Hij bekijkt het verstijfde lijkje van een ijsvogeltje en het lichaam van een elastische danser, of hij slaat het traag schuivende zonlicht in zijn atelier gade. Vanfleteren sluit aan bij de traditie van oude en hedendaagse meesters, maar blijft trouw aan zijn karakteristieke stijl. Met zijn vakmanschap en kunstenaarshart maakt hij ons tot getuige n tot medeplichtige van een delict met invallend licht. Met tekstbijdragen van Ilja Leonard Pfeijffer en Stephan Vanfleteren.‎

‎Historische atlas van Antwerpen : Stad van droom en daad‎

‎, Uitgeverij Thoth, 2022 Hardcover, 80 pag. NL.editie, 335 x 250 mm, Nieuw, met foto's / illustraties in kleur / z/w. ISBN 9789068688344.‎

‎Antwerpen ontwikkelde zich in de vijftiende en zestiende eeuw tot draaischijf van de Europese handel. Dat ging gepaard met grote stedenbouwkundige ambities die echter maar gedeeltelijk konden worden waargemaakt. Rond 1700 kromp de stad zelfs binnen haar omwalling. In de negentiende en twintigste eeuw leefde de haven op en zorgde industrialisatie voor nieuwe groei. Er kwamen nieuwe havendokken, de binnenstad werd gemoderniseerd en de voorsteden werden ge ntegreerd in het stedelijke weefsel. Opnieuw bleken de plannen, zoals die voor de Linkeroever, grootser dan de eigenlijke uitvoering. Aan de hand van kaarten, prenten en foto?s biedt de Historische Atlas van Antwerpen inzicht in de ontwikkeling van de stedelijke ruimte zoals deze werd uitgetekend door overheden, kunstenaars, plannenmakers en bewoners. Via innovatieve digitale GIS-analyses worden onvermoede ruimtelijk verbanden en patronen aan het licht gebracht. De lezer wordt meegenomen vanaf het ontstaan van de burcht, het oude hart van de stad, via de zestiende-eeuwse hoogtijdagen, wordt de lezer meegenomen tot aan de steeds snellere transformaties in de naoorlogse periode. De bouw van kerken, kades en dokken, handelshuizen, pleinen en stadspaleizen, wordt ontleed in verhalen die evenveel vertellen over de gewenste als over de verwezenlijkte stad, en die bepalend zijn voor de verdere uitbouw van Antwerpen in de eenentwintigste eeuw.‎

‎Rolex 2421 Uhren‎

‎Callwey München ,1998, in-4 de 144 pages ,illustrations in-texte et hors-texte ,cartonné éditeur ,Bon état ,livre en Allemand .(3 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay,lettre suivie)et 30 d'achat (colissimo suivi ). Pour l'étranger : tarif livre et brochure, colissimo international, DHL express‎

‎Le pangermanisme et la philosophie de l'histoire. Lettre à M. Henri Bergson.‎

‎Paris, Perrin & Cie (coll. "Pour la vérité 1914-1915"), 1916. In-8°, 75p. Broché.‎

‎Mention de deuxième édition. Bel exemplaire.‎

‎LE GRAN DEFI DES POLES. DECOUVERTE GALLIMARD‎

‎GALLIMARD. 1987. In-12. Broché. Etat du neuf, Couv. convenable, Dos satisfaisant, Intérieur frais. 224 pages - ACHEVE D'IMPRIMER EN 1987 - nombreuses illustrations en couleur et en noir et blanc en dehors et dans le texte -. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Aventures Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎L'Exploration de la conscience‎

‎Tchou 1978 274 pages in8. 1978. Broché. 274 pages.‎

5 Images

‎Bon état bords frottés intérieur propre‎

‎Pour faire du bon vin et le conserver - Supplément gratuit au N° de mai 1931 du 'Gard agricole' - honoré d'une souscription de l'Office agricole du Gard‎

‎ ,Nîmes, L'ouvrière 1932, 48 pp., 1 vol. in 8 br. dédicace de l'auteur, figures in texte‎

‎Les Sciences occultes ne sont pas des sciences.‎

‎Paris, Publications de l'Union rationaliste, 1959 1 volume In-8° (14 x 23cm) Broché. 330p., 1 feuillet. Bon état. ‎

‎Où Robert IMBERT-NERGAL, président de la section de Nice de l'Union rationaliste, rappelle l'esprit et la méthode scientifiques et en confronte la discipline et les exigences aux "prétentions scientifiques" de l'occultisme; préface du biologiste et historien des sciences Jean ROSTAND; références bibliographiques. ‎

‎Le code du chauffeur. Recueil, commentaire et critique de toutes les lois intéressant. Les constructeurs, propriétaires et conducteurs d'automobiles‎

‎Dunod ,1907, in-12 de 482 pages ,relié plein cuir éditeur ,Bon état , .(5 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay,lettre suivie)et 30 d'achat (colissimo suivi ). Pour l'étranger : tarif livre et brochure, colissimo international, DHL express‎

‎Illustration of Books Published by the Moretuses.‎

‎Antwerp, Museum Plantin-Moretus., 1996 Softcover, 208 pages; Illustrated. Exhibition catalogue 29x23cm.‎

‎Oct. 1996-Jan. 1997 Publication of the Plantin-Moretus Museum and the Stedelijk Prentenkabinet No. 36.‎

‎Pre-Carolingian Latin Computus and its Regional Contexts. Texts, Tables, and Debates‎

‎, Brepols, 2024 Paperback, 254 pages, Size:156 x 234 mm, Illustrations:7 b/w, 1 col., 8 tables b/w., Language(s):English. ISBN 9782503605562.‎

‎Summary The period between the Fall of Rome and the rise of the Carolingians saw a major shift in knowledge production. Learning became monopolised by a Christian intellectual elite in a rapidly developing monastic landscape. This transition and transformation was only fully achieved by the time of Charlemagne, whose reign saw a 'Carolingian Renaissance' that re-created links to Late Antiquity and its curriculum, the seven liberal arts. The centuries in between, from the fifth to the eighth, are generally considered a time of stagnation in terms of intellectual achievements, particularly in the quadruvial arts. From Boethius to Alcuin, not a single noteworthy text was produced in the Latin West in astronomy, geometry, arithmetic and music. This traditional view has been challenged in recent years by highlighting that the artes liberales may not provide the appropriate lens for this time-period, and that it neglects the plentiful anonymous literature. By the seventh century, a decidedly Christian curriculum had developed principally comprising exegesis, grammar, and computus as its three key pillars. Computus (with the calculation of Easter and therewith the mathematical modelling of the course of the sun and the moon at its core) developed out of the Easter controversy into a discipline of monastic learning in its own right. This volume seeks to highlight the vibrancy and regional characteristics of the study of computus and its underlying controversy about the correct calculation of Easter in this transition period from the mid-fifth to the mid-eighth centuries. TABLE OF CONTENTS Daniel Mc Carthy - The Zeitz paschal table of AD 447 Colin Ireland - How King Oswiu made Northumbria orthodox: the social and political background of the 'Synod' of Whitby (AD 664) Leofranc Holford-Strevens - 'If you find it, give thanks': a problematic chapter of De temporum ratione Immo Warntjes - A Visigothic Computus of AD 722 David Howlett - Irish computistical texts of the seventh century: three dating passages James T. Palmer - Irish computistics in 8th-century Lombardy C. Philipp E. Nothaft - Victorian survival in high medieval chronography: the strange case of the Angevin paschal chronicle‎