, Stichting Kunstboek, 2022 HB, 290 x 240 mm, 144 pages, 80 Kleurenillustraties, EN-NL edition. ISBN 9789058566812.
Kunstenares Ellen Marie grijpt terug naar de ambachtelijkheid van oude meesters. Dat leerde ze niet aan de Willem De Kooning Academie waar ze eerst studeerde, maar aan de Barcelona Academy of Art, waar ze traditionele teken- en schildertechnieken kreeg onderwezen. Nu heeft ze een eigen studio in Barcelona en geeft ze er les aan de Academy. Lux Aeterna, 'Eeuwig Licht' is een reeks van 57 schilderijen waarin ze het proces volgt van een dansende man op weg naar zelfverwezenlijking, de hoogste der menselijke behoeften. In het eerste deel treffen we hem aan kronkelend van zielenpijn, getormenteerd doordat een blinddoek hem belet het licht dat hem omringt, waar te nemen. In deel twee valt de blinddoek af en komt er geleidelijk een dans op gang. Er ontstaat een dialoog tussen het licht dat op zijn lichaam valt en het onzichtbare licht, de levenskracht die van binnenuit opwelt, eerst ingetogen daarna steeds woester. In het derde deel spatten de klodders verf van het doek. De vorm valt meer en meer uit elkaar en transmuteert tot een onherkenbare massa waarin nog slechts de suggestie van een figuur zit. In het vierde deel ten slotte, vindt de man na een lange eenzame tocht verwantschap bij gelijkgestemde zielen die baden in het goddelijke licht. Dit verhaal verbeeldt de innerlijke zoektocht van de kunstenares naar Waarheid, Licht en Vrijheid. Kunstrecensent Koen Van Damme (The Art Couch) schreef vijf gedichten bij dit bijzondere werk.
A Paris, chez Valade, 1774. In/12 reliure plein veau du temps tacheté, dos à nerfs à caissons doré et pièce de titre rouge, tranches rouges, xlviij de préliminaire table et approbation, 492 p. Reliure défraîchie (usures ; coiffes avec manques). Les premiers feuillets sont sur papier bleuté. Pages de garde manuscrites, page de titre avec un tampon.
1952, Payot, in-8 broché de 247 pages, cartomagie, tours de pièces, la magie des billets, télépathie, truquée, psychologie de la prestidigitation, traduction de P. LANOE, préface Orson WELLES, nombreuses illustrations en noir et blanc | Etat : bon état général, coiffes très légèrement usées (Ref.: REF100087)
Payot
P., Gauthier-Villars, 1876, un volume in 4, broché, couverture imprimée, 48pp.
---- EDITION ORIGINALE de la thèse de doctorat ès sciences mathématiques soutenue le 29 Juillet 1876 par M. Elliot devant la Faculté des Sciences de Paris**1965/L7AR(dossier)
Préface et notes établies par le professeur HESNARD 1966 . Cercle du Livre précieux ,Tchou Quinze volumes in 8° carré reliés toile rouge de l'éditeur illustré d'un médaillon ovale sur le premier plat .Série complète en excellent état .
Bon exemplaire .
La Haye, Pierre de Hondt, 1756. In-4 de XVI-125-(3) pp., 1 frontispice et 39 planches numérotées en couleurs, veau porphyre, dos orné à nerfs, pièce de titre en maroquin brun, fleurons aux angles et triple filet doré d'encadrement sur les plats, gardes de papier dominoté doré, tranches dorées (reliure de l'époque).
Première édition française établie par Jean-Nicolas-Sébastien Allamand de la précieuse étude sur les algues corallines du naturaliste irlandais John Ellis remarquablement illustrée et enluminée d’un frontispice et 39 planches hors texte dont 5 dépliantes, gravés par James Kirk, J. Mynde et H. Roberts d’après les dessins d’Ehret. Correspondant de Carl Von Linné, John Ellis (1710-1776) publia à Londres An Essay Towards a Natural History of the Corallines en 1755, un an après son élection à la Royal Society. Un des rares exemplaires avec les planches en couleurs. Bel exemplaire. Provenance : bibliothèque du Marquis de Vichy avec ex-libris armorié ; étiquette gravée Catalogue des Frères Périsse, Imprimeurs-libraires à Lyon. Ex-libris manuscrit à l'encre du temps au verso de la première garde n°57- Bourneville. Brunet, II, 963 ; Nissen, BBI 590.
GRUND. 1975. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 96 pages. Nombreuses illustrations couleurs hors texte. Reliure éditeur. Couverture toilée.. . . . Classification Dewey : 570-Sciences de la vie
Dinosaures, poissons, mammifères. Classification Dewey : 570-Sciences de la vie
,Paris, Félix Alcan 1933, 231 pp., 1 vol. in 12 br. défraîchi. La fabrication du gaz, la distribution, les installations intérieures, les applications du gaz, les sous-produits de la distillation, les concessions gazières, l'industrie du gaz et l'économie nationale.
Etude philosophique et graphologique . 1905 . Paris ,Aux Bureaux de la Graphologie , Plaquette grand in 8° br. 40 pp.(Qq. Rouss.)
Non coupé .
, Brepols, 2023 Paperback, 328 pages, Size:216 x 280 mm, Illustrations:107 b/w, 33 tables b/w., 2 maps b/w, Language(s):English, Italian, French. ISBN 9782503606149.
Summary Scriptor, Cantor & Notator is an innovative multi-author project dealing with the complex interconnections between learning, writing and performing chant in the Middle Ages. A number of different methodological approaches have been employed, with the aim of beginning to understand the phenomenon of chant transmission over a large geographical area, linking and contrasting modern definitions of East and West. Thus, in spite of this wide geographical spread, and the consequent variety of rites, languages and musical styles involved, the common thread of parallels and similarities between various chant repertoires arising from the need to fix oral repertories in a written form, and the challenges involved in so doing, are what bring this wide variety of repertoires and approaches together. This multi-centric multi-disciplinary approach will encourage scholars working in these areas to consider their work as part of a much larger geographical and historical picture, and thus reveal to reader and listener more, and far richer, patterns of connections and developments than might otherwise have been suspected. Scriptor, Cantor & Notator is published in two books. The first, The Materiality of Sound in Chant Manuscripts in the West, brings together articles on several different families of early music scripts in the Latin West and provides a vividly diverse picture of some of the best current scholarship on the various types of ancient and medieval musical notation. TABLE OF CONTENTS Methodology Concepts and Taxonomies of Music Scripts (Rankin, Susan) Design, and the Historiography of Early Music Scripts (Varelli, Giovanni) Appunti metodologici sullo studio del canto liturgico (Albiero, Laura) Indeterminacy. New Aspect of Meaning in Gregorian Chant (Mascare as Garza, scar) Guiding Silence. The Function of Melodic Interruptions in Medieval Chant (Lousberg, Leo) Et gloriosus in saecula . Pal ographie des notations franques nord-occidentales (970-1120) (Goudesenne, Jean-Fran ois) Manuscripts and Manuscript Fragments Reuniting Fragments and Reconsidering the Scribal History of the Beneventan Zone (Nardini, Luisa) Frammenti di un antifonario in notazione nonantolana (Roncroffi, Stefania) Notation in Transition? A Palaeographical Study of the Insular Missal EXcl 3515 (Mannion, Anne) Regional Scripts and Repertories Notazioni neumatiche dei secoli XI-XII nella Biblioteca Capitolare di Verona. Riflessioni e spunti di ricerca (Cunego, Giovanni) La notation musicale dans la Catalogne m di vale. Autour des origines et son volution (Garrigosa i Massana, Joaquim) The Scribe and the Notator as the Bearer of Identity. Bohemian Notation in Late Mediaeval Manuscripts of Central Europe (Veselovska, Eva)
, Heemkring Molengalm, 2020 softcover, 464 pagina's met talrijke afbeeldingen.
J.B.BAILLIERE ET FILS. 1898. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. XII + 60 planches imprimées en couleurs d'après les dessins de M.Christ Doctoroff ou d'après des photos avec texte explicatif en regard - coins frottés - plats tâchés - adhésif transparent sur le dos allant légèrement sur les plats - déchirures sur la page table des matière et errata ayant des conséquence sur la lecture - petite annotation sur la page de titre - 2 photos disponibles.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
1956 Utilisation, entretien, réparations des machines électriques Editions Eyrolles , Paris l'enseignement technique et professionnel 1956 382 pages nombreuses figures in texte et huit planches photos Couverture très lèg salie et quelques piqûres sur les tranches sinon bon état port en plus
1 vol. in-8° br., des pages 499 à 713 + fig. Très bon état.
Phone number : 06.31.29.75.65
Turnhout, Brepols, 1977 Hardback, 690 pages., 228 b/w ill., 180 x 265 mm. set in 2 volumes, fine condition. ISBN 9780905203690.
Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.
Turnhout, Brepols, 1977 Hardback,398 pages., 228 b/w ill., 180 x 265 mm.onky volume two., fine condition. ISBN 0905203690.
Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.
, Brepols - Harvey Miller, 2021 Softcover, 484 pages., 230 x 290 mm, Languages: English. Disponible en une seule version avec des articles en fran ais ou en anglais. ISBN 9782930054407.
The impressive altarpiece in the church of Saint-Denis in Li ge is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Li ge painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Li ge revived by Prince-Bishop rard de La Marck.
Naarden, V+K Publishing 1995, 1995 Hardcover, 392 pagina's, Nederlands, 300 x 250 mm, boek als nieuw, met illustraties in kleur, . ISBN 9789066110441.
Monografie van de kunstschilder en stimulator van behoudende kunstenaarsgroepen.
Librairie Hachette, “Bibliothèque des merveilles”, sous la direction d'Édouard Charton, Paris, 1888. 291 pages. In/12 reliure en demi-chagrin, dos orné, illustrations 31 gravures d'après les dessins de Th. Weber.
1944 Firmin-Didot, Institut de France, Paris, 1944. Un volume in 4° broché sous couverture verte à la Minerve, 20 pages non coupées, très bon état.
Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
1946 Firmin-Didot, Institut de france, paris, 1946. Un volume in 4° broché sous couverture verte à la Minerve, un portrait en frontispice, 60 pages, bon état.
Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
, Laconti, 1972 Hardcover, 236 pages, ENG edition, 240 x 200 mm, book is in good shape, the illustrated dustjacket "lost" its good shape, illustrations in colours / b/w.
Kunst > Expressionisme - Fauvisme
IMP. DE L. MARTINET. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Rousseurs. 4 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
, Brepols 2018, 2018 xxiv + 440 pages., 220 x 280 mm, English, Hardcover, . ISBN 9782503580340.
This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers? styles, only recently Williams? music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research in the form of books, journal articles, conference papers, and Ph.D. theses. The present volume seeks to build upon, complement and review what has been written so far on Williams. This volume is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration ? which has not the pretence of exhaustiveness but certainly that of being an accurate survey possessing both latitude and depth ? a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments ? to provide a variety of disciplinary perspectives on Williams's work. Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.