1977, Solin éditeur, in-8 broché de 54 pages, couverture rempliée, traduit de l'italien par Bernard de Fréminville. | Etat : très bon état général, quelques petites traces d'usure sur la couverture (Ref.: Ref89970)
Solin
, Anvers Fonds Mercator 1972, 1972 Hardcover, 499 pages, Texte en Francais, 340 x 265 mm, dans un manteau solide,
Antwerpen, Stichting Mercator - Plantijn, Gebonden, Hardcover met stofomslag compleet., 30 x 25 cms., 260 pp met prachtige illustraties.
text in Dutch with (partly colour) illustrations, bibliography, list of exhibitions. Contains a catalogue raisonne of the etchings, listing 154 illustrated items.
Antwerpen , Soethoudt , 1982 softcover, 250 pagina's 8 . ISBN 9063720130.
Tweede druk. *** met handgeschreven opdracht, gesigneerd door Jespers.
, Brepols, 2020 Paperback, 314 pages, Size:156 x 234 mm, Languages: English, French, Italian. ISBN 9782503586526.
Summary This collection of essays focuses on a crucial aspect of late antique thought and literature that has hitherto largely been neglected: its self-reflexivity, i.e. its unprecedented ability to make language and literature into its main and often its only subject matter. Adopting a variety of perspectives and methodologies, the essays included in this volume approach the notion of self-reflexivity in two main ways. On the one hand (literature as a reflection of literature), it implies a self-conscious reflection of preceding literary models, which are creatively mirrored in new but intrinsically 'derivative' works of art, taking the form of remakes, parodies, homages, commentaries, retellings, centos, paraphrases, allegorizations, and more or less free 're-enactments'. On the other hand (literature as reflection on literature), the term also implies a self-questioning reflection on the literary work and the very concepts of language and literature, thus referring to its own artificiality or contrivance while opening up all sorts of theoretical discussions of the mechanisms, the conventions, and even the relevance of linguistic and literary representation. TABLE OF CONTENTS Introduction ( scar Prieto Dom nguez & Jes s Hern ndez Lobato) I. Reflecting Literature The Literary Horizons of the Poem In Euangelia (Aaron Pelttari) Pinguia alabastra: Metaliterature and Intertextuality in Sidonius Apollinaris' Carmen 9 (Marco Onorato) A Poet in Seventh Heaven: A New Reading of the Numerical Construction of Ausonius' Mosella (Jes s Hern ndez Lobato) Lasciuire uetat mascula dictio: Metaliterary Reflections on Poems in Late Antique Prose Letters (Margot Neger) Literary Reflections in Hagiographical Proems ( scar Prieto Dom nguez) The Chaste Bee and the Promiscuous Bee: Poetic Self-Reflexivity in John of Gaza's Ekphrasis and the Cycle of Agathias (Steven D. Smith) II. Reflecting on Literature Il volo di Medea e la voce della Ragione. Metaletteratura e autoriflessivit nei Soliloquia di Agostino (Giovanni Catapano) Unity in Late Latin Poetry (Helen Kaufmann) A Dancing Dwarf: Luxorius, Epic, and Epigram (Clare Coombe) Le discours des po tes de l'Anthologie latine d' poque vandale sur leur production pigrammatique (Etienne Wolff) A Poet and his Fault: Metaliterary Hints in Dracontius' Satisfactio (Maria Jennifer Falcone) Caught in Ausonius' Net: Self-Reflection and Poetic Circulation in Late Antiquity (Brian P. Sowers) The 'Poetics of Enigma' as a Cultural Manifesto in Late Antique Proems (Fourth-Sixth Century AD): Some Case Studies (Lucia Maddalena Tissi) List of Abbreviations The Authors
, Brepols, 2023 Hardback, 281 pages, Size:156 x 234 mm, Language: English. ISBN 9782503601984.
Summary Writing Holiness contributes to exciting new critical conversations in the study of medieval hagiography in Western Christianity. Recent years have seen innovative approaches to the literatures of sanctity through emergent theoretical discourses, such as disability studies and trans theory. At the same time, traditional methodologies such as manuscript studies and reception history continue to generate new perspectives on the production, circulation, and reception of the sacred textual canon. Through ten unique contributions that draw from both new and established theories and methodologies, this volume charts the development, movement, and reception of Christian hagiographic texts in localities ranging from the Iberian Peninsula to the Scandinavian Archipelago from the early to the late Middle Ages. Each chapter traces hagiographic development over generic, temporal, cultural, and linguistic boundaries, and considers the broader contours of the sacred imaginary that come into view as a result of such critically intersectional inquiry. TABLE OF CONTENTS Introduction ? BARBARA ZIMBALIST and JESSICA BARR Part 1: Saints across Borders Helena on the Move: The Makings of a Medieval Saint ? MARIANNE RITSEMA VAN ECK From Holy Flesh to Holy Houses: The Late Medieval Rise of Non-Corporeal Relics in the March of Ancona ? BIANCA LOPEZ 'Fluvius autem de Corde Dei gredibatur': Medicalised Discourse and Holy Women's Writing at Helfta and Siena ? NAO KUKITA YOSHKIAWA Holy Families and Vowed Life: The Legends of East Anglian Sister Saints in a Seventeenth-Century English Manuscript ? JENNY C. BLEDSOE Part 2: Crossing Gender and Genre Saints in the Exempla of the Middle English Mirror: Rewriting Accounts of Saints Fursey, Cecilia, Thais, and Macarius ? CHRISTINE COOPER-ROMPATO Hybrid Devotion: Writing the Life of Christ Across Genre ? CAITLIN KOFORD Tarsiana and the Redemption of Captives: The Saintly Princess as Liberator in the Early Castilian Apollonius of Tyre Legend ? MATTHEW DESING Part 3: Writing across Languages Lost in Translation? Hagiographic Redactions Crossing Language Borders ? RACHA KIRAKOSIAN Translating Raymond of Capua's Life of Catherine of Siena in Fifteenth-Century England and Germany ? STEVEN ROZENSKI 'She Said': Female Agency and Voice in Middle English Hagiographic Accounts ? JENNIFER N. BROWN
, Centre Georges Pompidou 1995, 1995 Paperback, 269 pages, Texte en Francais, 300 x 245 mm, bon exempl.ill. de couleur et n/b. ISBN 9782858508181.
Textes de Jessica Boissel, Jane Sharp, Elena Basner... Ce catalogue pr sente les uvres de Michel Larionov et Nathalie Gontcharova qui sont conserv es au Mus e national d'art moderne. Il apporte pour la premi re fois une documentation raisonn e sur ce fonds rest longtemps m connu, et rend hommage l'apport fondamental de ces deux artistes russes l'histoire moderne du XXe si cle. Il comporte une reproduction comment e de chaque uvre ainsi qu'une s rie d'essais sur les diff rentes influences et orientations de leur uvre. Une importante biographie cl t l'ouvrage.
, Taschen Gmbh 2022, 2022 Hardcover, 520 pages, English, 250 x 180 x 46 mm, photographs / illustrations in colour, with dustjacket, NEW !!. ISBN 9783836585606.
Initiating readers in the fascinating and complex history of witchcraft, from the goddess mythologies of ancient cultures to the contemporary embrace of the craft by modern artists and activists, this expansive tome conjures up a breathtaking overview of an age-old tradition. Rooted in legend, folklore, and myth, the archetype of the witch has evolved from the tales of Odysseus and Circe, the Celtic seductress Cerridwen, and the myth of Hecate, fierce ruler of the moonlit night. In Witchcraft we survey her many incarnations since, as she shape-shifts through the centuries, alternately transforming into mother, nymph, and crone-seductress and destroyer. Edited by Jessica Hundley, and co-edited by author, scholar, and practitioner Pam Grossman, this enthralling visual chronicle is the first of its kind, a deep dive into the complex symbologies behind witchcraft traditions, as explored through the history of art itself. The witch has played muse to great artists throughout time, from the dark seductions of Francisco Jose de Goya and Albrecht Durer to the elegant paean to the magickal feminine as re-imagined by the Surrealist circle of Remedios Varo, Leonora Carrington, and Leonor Fini. The witch has spellbound through folktales and dramatic literature as well, from the poison apples of The Brothers Grimm, to the Weird Sisters gathered at their black cauldron in Shakespeare's Macbeth, to L. Frank Baum's iconic Wicked Witch of the West, cackling over the fate of Dorothy. Throughout this entrancing visual voyage, we'll also bear witness to the witch as she endures persecution and evolves into empowerment, a contemporary symbol of bold defiance and potent nonconformity. Featuring enlightening essays by modern practitioners like Kristen J. Sollee and Judika Illes, as well interviews with authors and scholars such as Madeline Miller and Juliet Diaz, Witchcraft includes a vast range of cultural traditions that embrace magick as spiritual exploration and creative catharsis. About the series The Library of Esoterica explores how centuries of artists have given form to mysticism, translating the arcane and the obscure into enduring, visionary works of art. Each subject is showcased through both modern and archival imagery culled from private collectors, libraries, and museums around the globe. The result forms an inclusive visual history, a study of our primal pull to dream and nightmare, and the creative ways we strive to connect to the divine.
Jessy Van De Velde en Ronny Van De Velde. Met teksten van Adriaan Gonnissen, Peter H. Pauwels & Herwig Todts 325 x 245 mm, 824 p
Reference : 54144
Antwerp, Ronny Van de Velde Gallery / Ludion, 2020 Hardcover 824 pages, ills colour & bw, 25 x 33 cm, Dutch. 2 VOLUMES BOXED, =(monografie + cat. raisonne. . ISBN 9789493039469.
Born in Antwerp, Jules Schmalzigaug was a well-travelled Belgian futurist painter who came of age at the turn of the 20th century. He lived for a time in Paris, but eventually moved to Venice to participate in the Italian avant-garde art scene. Following the outbreak of the First World War, he relocated to the Netherlands and began experimenting with light and colour. Declared unfit for military service, he became lonely and fell into depression, and committed suicide in 1917. Forgotten for a time, his work was rediscovered in 1980 and has since appeared in international exhibitions on futurism. This monograph on Schmalzigaug contributes to a wider appreciation for his artistic genius. // Belgisch kunstenaar Jules Schmalzigaug (1882, Antwerpen) groeit op in een welgesteld milieu in het Antwerpse fin-de-si cle. Hij reist door Itali en Duitsland, leeft een ijd in Parijs, en installeert zich uiteindelijk in Veneti . Daar maakt hij al snel deel uit van een groep jonge avant-gardekunstenaars die de strijd aangaan met het nostalgische passe sme. Hij is de eerste Belg die deelneemt aan de Italiaanse futuristische beweging. Na de uitbraak van de Eerste Wereldoorlog werkt hij verder in Nederland aan zijn intrigerende experimenten met licht en kleur. Op vierendertigjarige leeftijd pleegt Schmalzigaug zelfmoord en daarmee komt een abrupt eind aan een veelbelovende carri re. Het werk van Jules Schmalzigaug wordt in 1980 herontdekt: verschillende van zijn werken worden getoond op de grote overzichtstentoonstelling Futurismo & Futurismi in het Palazzo Grassi in Veneti in 1986. En ook in eigen land wordt hij - na tentoonstellingen in Brussel, Gent en Oostende - eindelijk erkend als een van de belangrijkste Belgische voorlopers van de modernistische avant-garde. Deze nieuwe, ambitieuze publicatie hoopt bij te dragen aan de internationale waardering die Jules Schmalzigaug verdient. De uitgave bestaat uit twee delen in een foedraal. Het eerste deel, van de hand van Peter J.H. Pauwels, is een monografie en beschrijft het oeuvre van de kunstenaar in verhouding tot de Europese artistieke stromingen van zijn tijd. Het tweede deel is een catalogue raisonn die voor het eerst het volledige oeuvre van Schmalzigaug documenteert.
Jessy Van De Velde en Ronny Van De Velde. Met teksten van Adriaan Gonnissen, Peter H. Pauwels & Herwig Todts 325 x 245 mm, 824 p
Reference : 57675
Antwerp, Ronny Van de Velde Gallery / Ludion, 2020 Hardcover 422 pages, ills colour & bw, 25 x 33 cm, hb, Dutch. monografie. . ISBN 9789493039469.
deel 1 van catalogus Raisonne, = enkel het deel monografie. Born in Antwerp, Jules Schmalzigaug was a well-travelled Belgian futurist painter who came of age at the turn of the 20th century. He lived for a time in Paris, but eventually moved to Venice to participate in the Italian avant-garde art scene. Following the outbreak of the First World War, he relocated to the Netherlands and began experimenting with light and colour. Declared unfit for military service, he became lonely and fell into depression, and committed suicide in 1917. Forgotten for a time, his work was rediscovered in 1980 and has since appeared in international exhibitions on futurism. This monograph on Schmalzigaug contributes to a wider appreciation for his artistic genius. // Belgisch kunstenaar Jules Schmalzigaug (1882, Antwerpen) groeit op in een welgesteld milieu in het Antwerpse fin-de-si cle. Hij reist door Itali en Duitsland, leeft een ijd in Parijs, en installeert zich uiteindelijk in Veneti . Daar maakt hij al snel deel uit van een groep jonge avant-gardekunstenaars die de strijd aangaan met het nostalgische passe sme. Hij is de eerste Belg die deelneemt aan de Italiaanse futuristische beweging. Na de uitbraak van de Eerste Wereldoorlog werkt hij verder in Nederland aan zijn intrigerende experimenten met licht en kleur. Op vierendertigjarige leeftijd pleegt Schmalzigaug zelfmoord en daarmee komt een abrupt eind aan een veelbelovende carri re. Het werk van Jules Schmalzigaug wordt in 1980 herontdekt: verschillende van zijn werken worden getoond op de grote overzichtstentoonstelling Futurismo & Futurismi in het Palazzo Grassi in Veneti in 1986. En ook in eigen land wordt hij - na tentoonstellingen in Brussel, Gent en Oostende - eindelijk erkend als een van de belangrijkste Belgische voorlopers van de modernistische avant-garde. Deze nieuwe, ambitieuze publicatie hoopt bij te dragen aan de internationale waardering die Jules Schmalzigaug verdient. De uitgave bestaat uit twee delen in een foedraal. Het eerste deel, van de hand van Peter J.H. Pauwels, is een monografie en beschrijft het oeuvre van de kunstenaar in verhouding tot de Europese artistieke stromingen van zijn tijd. Het tweede deel is een catalogue raisonn die voor het eerst het volledige oeuvre van Schmalzigaug documenteert.
FOUCHER. 1955. In-8. Broché. Etat d'usage, 2ème plat abîmé, Dos satisfaisant, Mouillures. 195 pages. Nombreux schémas en noir et blanc dans le texte. Mouillure sur le deuxième plat.. . . . Classification Dewey : 570-Sciences de la vie
Classification Dewey : 570-Sciences de la vie
Couverture rigide. Reliure demi-basane. 388 pages. Cachets. Rousseurs à la tranche. Mouillures.
Livre en anglais. En anglais. A translation of the Zhurnal Eksperimental'noi i Teoreticheskoi Fiziki. American Institute of Physics, 1968.
Eyrolles Eyrolles 1967, In-8 toile éditeur grège de 429 pages.Tome I seul
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
, Biblioth que de l'Image 1997, 1997 Hardcover, as de comptage de pages, Texte en Francais, 270 x 210 mm, bon exemplaire,. ISBN 9782909808437.
, Brussel, Paleis der Academien, 1956., Gebrocheerd, originele uitgeversomslag, 18x26cm, 144 p., 2 fig.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 53.
Turnhout, Brepols, 1998 Hardback, 544 p., 160 x 240 mm. ISBN 9782503504353.
Ce repertoire international reprend tous les erudits humanistes d'Europe, mais seulement dans la mesure ou ils ont transmis des auteurs anterieurs. Sont donc pris en compte tous les humanistes qui eurent a un titre ou a un autre -ce qui englobe les copistes ou les possesseurs- une part a l'edition, au commentaire ou a l'annotation, a la traduction d'un texte anterieur a l'imprimerie, pourvu toutefois qu'il soit passe ensuite a l'etat imprime. Le repertoire prend pour reperes chronologiques Petrarque en amont et le milieu du 17e siecle en aval. Quant au corpus des textes transmis, il est arrete en 1500. Ce corpus couvre donc a peu pres tous les domaines du savoir: textes classiques, textes en langues orientales et vernaculaires, textes patristiques et medievaux, historiens et juristes, litterature medievale, a quoi il convient d'ajouter les grammairiens et les lexicographes qui prirent pour bases les auteurs anciens, sans oublier les imprimeurs, qui eurent un role avere dans l'edition des textes. Languages : French.
STOCK. 1943. In-12. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur acceptable. 202 pages - quelques photos en noir et blanc hors texte en début d'ourvage.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
COLLECTION LES LIVRES DE NATURE. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
M.LAMERTIN. 1930. In-8. Broché. Etat d'usage, Couv. légèrement passée, Agraffes rouillées, Intérieur acceptable. 27 pages - coins frottés - coiffe en tête abîmée - quelques figures en noir et blanc dans et hors texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Documents pédotechniques . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Turnhout, Brepols, 2011 Hardback, 229 p., 30,5 x 44. ISBN 9782503538969.
The term 'bibliology' is used to refer to the sum of disciplines that deal with books, whether manuscript or printed: the history of books, the history of ancient libraries, bibliophily, bibliopoly, the French concept 'bibliotheconomie', and bibliography. Languages : English.
Turnhout, Brepols, 2008 Hardback, XXXVI+323 p., 7 colour ill., 30,5 x 44. ISBN 9782503517131.
The present work, starting volume of the new Series Ibero-Caucasica, contains a complete edition of the Old Georgian texts in Asomtavruli script that are preserved in the lower layer of the famous palimpsest Codex Vindobonensis georgicus no. 2 of the Austrian National Library, Vienna. Based on a thorough analysis with the spectral imaging method provided by the MuSiS imaging system, more than 95% of the original content has been deciphered and restored. Of the 13 original manuscripts written in Asomtavruli script, six pertain to the so-called "Khanmeti" period of the Old Georgian tradition extending from the beginning of Georgian literacy in the 5th roughly to the 8th century A.D. The Khanmeti texts range from fragments of early translations of the Gospels (Matthew, Mark, Luke), parts of the Old Testament (Deuteronomy, Joshua, Judges, Esdras), and the Protevangelium of James to legends of Saints (Cyprianus and Justina, Christina). The post-Khanmeti texts (dating roughly from the 9th-10th centuries) comprise fragments of a Lectionary (lectures from Exodus, Isaiah, the Gospel and the 3rd letter of John, and Acts of Apostles), Old Testament texts (I and II Chronicles), and several homiletic texts (Epiphanius of Cyprus on Measures and Weights, Gregor of Nyssa on the Build of Man a.o.). In the edition, all texts are represented both in a diplomatic transliteration (in Asomtavruli script) and a plain transcription (in modern Mkhedruli script), together with digitally enhanced images of the pages concerned. Additionally, the text passages are contrasted line by line with the most relevant parallels (Old Georgian, Greek, Armenian, Syriac, Latin). The contents of the texts are summarized in several consolidated indexes. Languages : English.
Éditions Dunod, 1948, broché, pages.
Bon état. Dos légèrement abimé en son bas, nom du propriétaire inscrit au stylo sur la page de garde, intérieur frais au demeurant.
Phone number : 04 96 21 81 64
FELIX ALCAN. 1919. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. 201 pages. Manque en pied du dos.. . . . Classification Dewey : 570-Sciences de la vie
Huitième édition précédée d'une préface par Paul Bourget. Classification Dewey : 570-Sciences de la vie
FELIX ALCAN / BIBLIOTHEQUE DE PHILOSOPHIE CONTEMPORAINE. 1919. In-12. Broché. Etat d'usage, Couv. convenable, Dos fané, Intérieur frais. 203 pages.. . . . Classification Dewey : 570-Sciences de la vie
8e édition. Préface de Paul Bourget. Classification Dewey : 570-Sciences de la vie
LETOUZEY ET ANE. 1923. In-8. Relié. Etat d'usage, Couv. partiel. décollorée, Dos satisfaisant, Intérieur frais. 640 pages. Nombreuses illustrations en noir et blanc dans le texte. Dos de toile noire, titres dorés. Papier bleu sur les plats. Traces sur la toile. Étiquette et tampons de bibliothèque.. . . . Classification Dewey : 570-Sciences de la vie
Cosmogonie. Origine de la vie. Origine des espèces. Origine de l'homme. Unité de l'espèce humaine. Antiquité de l'espèce humaine. Etat de l'homme primitif. Classification Dewey : 570-Sciences de la vie