, Brepols, 2021 Paperback, 402 pages, Size:216 x 280 mm, Illustrations:130 col., 19 tables b/w., Language: English. ISBN 9782503596242.
Summary Church interiors, cortegaerdjes, scenes of everyday life, tronies, landscapes, spoockerijen, group portraits, bambocciate, hunting scenes, history paintings, sottoboschi, still lives and many other subjects: the wide variety of pictorial genres and sub-genres in which Dutch artists specialized is a key component in our perception of Dutch seventeenth-century art. Yet the epistemological framework constituted by genre definitions, conventions and hierarchies is far from self-evident, nor does it necessarily reflect how people in the seventeenth-century thought about artworks. In fact, art literature of the period is largely silent on these matters and artists do not appear to have followed an established set of principles. This volume examines the way pictorial genres can be, and have been, defined by artists, theorists, audiences and art historians; how individual artists conceived the subject matter of their artworks; and how society and the art market contributed to the development of certain subjects. As such, it embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art. TABLE OF CONTENTS Questioning Pictorial Genres in Dutch Seventeenth-Century Art: Introduction Marije Osnabrugge (University of Geneva) I. Defining genre The So-Called Hierarchy of Genres in Seventeenth-Century Dutch Art Theory Jan Blanc (University of Geneva) Spotting Specialists: A Digital Approach to Contemporary Concepts of Genre and Specialisation Weixuan Li (University of Amsterdam / Huygens - KNAW) The Seventeenth-Century Dutch Portrait: An Unstable Genre Ann Jensen Adams (UC Santa Barbara) The Bambocciata: Investigating a "Would-be genre" Suzanne Baverez (ENS ULM/EPHE, Paris) From Genre Scenes l'antique to genre s rieux : the Contribution of Gerard de Lairesse Tijana ?akula (Utrecht University) Definition through Appreciation: The Corporate Group Portrait from the Seventeenth until the Twenty-First Century Norbert Middelkoop (Amsterdam Museum) II. Artists and Genres Guns and Roses: Versatility and Variety in the Oeuvre of Jacques de Gheyn Susanne Bartels (University of Geneva / RKD The Hague) Otto Marseus van Schrieck and the Sottobosco Paintings: Hybrid Subject as a form of Automimesis. VE. Mandrij (Unversity of Konstanz) Rembrandt as Genre and History Painter: Picturing Pain Stephanie Dickey (Queen's University, Kingston) Defining the Hybrid Genre in the Context of Saenredam's Perspectives Helen Hillyard (Dulwich Picture Gallery, London) The 'Little Street' - Vermeer's Writing on the Wall Reindert Falkenburg (NYU Abu Dabi) III. The Market and Society The Dominance of History Painting: Social Class and Subject Matter of Paintings in Amsterdam, 1650-1700 Angela Jager (University of Geneva) Rethinking Swanenburg: The Rise and Fortune of New Iconographies of the 'Hell' in Italy and the Northern Netherlands Tania De Nile (MiBAC, Rome) La Sc ne de Corps de Garde comme Autorepr sentation L onard Pouy (Haute cole de la Joaillerie, Paris) Honour and Shame in Dutch Seventeenth-Century Art and Culture Wayne Franits (Syracuse University)
Champion 2000 14 4x3x22cm. 2000. Cartonné.
proche du neuf dos légèrement insolée intérieur propre bonne tenue
Paris, Seuil, 1953 13 x 18, 317 pp., broché, bon état
Paris : Republications Paulet N°3 (Extrait du Bulletin de la Société de Linguistique, 1946), mai 1968. Brochure agrafée 24x15,5cm, couverture papier kraft souple imprimée avers-revers, 42 pages. [une petite tache en 1e de couverture -cf.photo-, photocopie d'une étude de Julia Kristeva sur Mikhail Bakhtine, ajouté à l'ouvrage]
DE BOREE 2018 16x23 8x3 2cm. 2018. Broché.
Comme neuf - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté
Bologna Cipriani e Ca 1825 demi-rel., étiquette, in-4, 132pp.
Première partie. L'un des maitres de Rossini.Cachet de Clapisson.Belle impression lithographiée de Cipriani.
SLATKINE 1981 14 8x0 8x21 2cm. 1981. Broché.
Bon Etat couverture défraîchie intérieur propre
Paris, Albin Michel, 1927. "14 x 20, 254 pp., nombreuses illustrations en N/B, broché, état moyen (couverture défraîchie; papier jauni)."
envoi de l'auteur.
(London, Taylor and Francis, 1866). Large 4to. Without wrappers. Extracted from ""Philosophical Transactions of the Royal Society of London."", Vol. 156 - Part I. Pp. 249-268 a. 1 lithographed plate. A few brownspots to the plate. Having the titlepage to vol. 156 - Part I. A few brownspots to lower margins.
First appearance of a major paper in the kinetic theory of gases, in which Maxwell proved that the viscosity was independent of pressure as predicted, and nearly a linear function of the absolute temperature T.One of Maxwell's major investigations was on the kinetic theory of gases. Originating with Daniel Bernoulli, this theory was advanced by the successive labours of John Herapath, John James Waterston, James Joule, and particularly Rudolf Clausius, to such an extent as to put its general accuracy beyond a doubt"" but it received enormous development from Maxwell, who in this field appeared as an experimenter (on the laws of gaseous friction) as well as a mathematician.""James Clerk Maxwell published a famous paper in 1866 (the paper offered) using the kinetic theory of gases to study gaseous viscosity. The internal friction (the viscosity) of the gas is determined by the probability a particle of layer A enters layer B with a corresponding transfer of momentum. Maxwell's calculations showed him that the viscosity coefficient is proportional to both the density, the mean free path and the mean velocity of the atoms. On the other hand, the mean free path is inversely proportional to the density. So an increase of pressure doesn't result in any change of the viscosity.
Paris, Les Horizons Littéraires, 1949. 14 x 23, 318 pp., broché, bon état (couverture et papier légèrement jaunis).
Préface de Rémy.
Revue Melto N° 2 de 1968 - 1 vol in-8 broché - 210 pages - Université Saint-Esprit o.l.m - Kaslik - LibanSommaire: Le témoignage de Sévère d'Antioche sur la vigile cathédrale ( Jean Tabet, o.L.M ) - Faut-il restituer à Joseph Hazzaya la lettre sur les Trois Degrés de la vie monastique attribuée à Philoxène de Mabburg ? ( Paul Harb, o.l.m ) - Les homéliaires liturgiques des Eglises d'Orient ( Réginald Grégoire, o.s.b ) - L'inscription phénicienne de Paraiba ( A. van den Branden ) - Théorie des intelligibles seconds chez Avicenne ( Thomas Mouhanna, o.l.m ) - Un ancien témoin arabe des lettres d'Ignace d'Antioche ( Basile Basile, o.l.m ) - Le Baptême dans l'épître de Barnabé ( en arabe ) ( Georges Abi-Saber, o.l.m )
Bon état
Champion 2000 Honoré Champion, Coll. Lumière Classique, 2000, 364 p., cartonnage éditeur, une petite tache d'encre sur le premier plat, bon état et intérieur très propre.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Forgotten Books 2018 384 pages 10 4x15 2x0 8cm. 2018. Broché. 384 pages.
Très bon état
François-Xavier de Guibert/OEIL 2002 402 pages 16x3 2x23 4cm. 2002. Broché. 402 pages.
tranche un peu ternie bonne tenue proche du très bon état
Paris, Editions Klincksieck, 1972. 15 x 23, 223 pp., broché, bon état.
Tome 2 seul.
1975 Editions Klincksieck, collection "Esthétique" dirigée par Mikel Dufrenne, N° 3 et N° 14 - 1975 et 1976 - 2 volumes in-8, brochés - 246 + 218 pages
Bon état - Frottements sur les couvertures - Petits noms au stylo inscrits en haut des pages de garde - Coins et "coiffes" frottés - Petites tâches (sans incidence) sur la couverture du premier volume - Quelques rares passages soulignés au crayon
CERF 1990 348 pages in8. 1990. Broché. 348 pages.
tranche tachée intérieur propre
, Brepols, 2020 Hardback, xi + 443 pages, Size:152 x 229 mm, Language: English. ISBN 9780888442178.
Summary Translation and the Rediscovery of Rhetoric presents a diachronic case study of how translation is the means by which rhetoric, as the art of reasoning, becomes a part of a lineage of - and a resource for - an ethics of civic discourse. It shows how translation (as practice and as theory, via the medieval topos of translatio as the transfer of knowledge) serves as the vehicle for the transfer of rhetoric as an art of argumentation and persuasion from classical Greece and Rome to modern Paris and Brussels by way of medieval France and Italy. This study explores a significant and quite specific transmission of rhetorical thought. Beginning with the Roman orator Cicero it proceeds to the medieval Italian notary, philosopher, and statesman Brunetto Latini, whose translations of Cicero's De inventione would plant the seeds for the renewal of rhetoric as an art of persuasion and radically change the fate of rhetoric in the twentieth century in the work of the French literary critic Jean Paulhan and the Belgian philosophers Cha m Perelman and Lucie Olbrechts-Tyteca. In so doing, Translation and the Rediscovery of Rhetoric serves to underscore the importance of medieval culture to contemporary thought by studying not only how knowledge was transmitted from antiquity to modernity by means of translation, but also by revealing how the Middle Ages made an essential and traceable contribution to modern rhetorical studies.
Paris, Chêne -Hachette, 1979, in-8, broché, 195 pages. Photographies hors-texte de D. Apelt, Boubat, Cartier-Bresson, Charbonnier, Clergue, Dieuzaide, Doisneau, Lartigue, Riefenstahl, Sieff, Silvester, etc...
Paris, Chêne Hachette, 1979, in-4, broché, 195 pages. Très bon état. Photographies N/B de D. APPELT, E. BAITEL, C. BATHO, E. BOUBAT, F.-X. BOUCHART, D. BRIHAT, L. CAROLL, H.C. BRESSON, J.-P. CHARBONNIER, L. CLERGUE, J. DIEUZAIDE, R. DOISNEAU, L. FREED, L.-C. GAUTRAND, R. HAMELIN, E. HOSOE, KARSH, J.-H. LARTIGUE, R. MALTéTE, J.-C. MOUGIN, PHELPS, L. RIEFENSTAHL, C. ROTULO, L. SIEFF, H. SILVESTER, S.S. SUKHY, A. TRESS, H. TRüLZCH, A. WEBB. ISBN 9782851082343
Paris, Chêne Hachette, 1979, Broché, 195 pages. Bon état. Photographies N/B de <strong style= font-size: 12px; ><span> D. APPELT, E. BAITEL, C. BATHO, E. BOUBAT, F.-X. BOUCHART, D. BRIHAT, L. CAROLL, H.C. BRESSON, J.-P. CHARBONNIER, L. CLERGUE, J. DIEUZAIDE, R. DOISNEAU, L. FREED, L.-C. GAUTRAND, R. HAMELIN, E. HOSOE, KARSH, J.-H. LARTIGUE, R. MALTéTE, J.-C. MOUGIN, PHELPS, L. RIEFENSTAHL, C. ROTULO, L. SIEFF, H. SILVESTER, S.S. SUKHY, A. TRESS, H. TRüLZCH, A. WEBB.</span></strong>
Paris, Chêne Hachette, 1979, in-8, broché, 195 pages. Bon état. Photographies N/B de <strong style= font-size: 12px; ><span> D. APPELT, E. BAITEL, C. BATHO, E. BOUBAT, F.-X. BOUCHART, D. BRIHAT, L. CAROLL, H.C. BRESSON, J.-P. CHARBONNIER, L. CLERGUE, J. DIEUZAIDE, R. DOISNEAU, L. FREED, L.-C. GAUTRAND, R. HAMELIN, E. HOSOE, KARSH, J.-H. LARTIGUE, R. MALTéTE, J.-C. MOUGIN, PHELPS, L. RIEFENSTAHL, C. ROTULO, L. SIEFF, H. SILVESTER, S.S. SUKHY, A. TRESS, H. TRüLZCH, A. WEBB.</span></strong>
Paris, Chêne Hachette, 1979, in-8, broché, 195 pages. Bon état. Photographies N/B de D. APPELT, E. BAITEL, C. BATHO, E. BOUBAT, F.-X. BOUCHART, D. BRIHAT, L. CAROLL, H.C. BRESSON, J.-P. CHARBONNIER, L. CLERGUE, J. DIEUZAIDE, R. DOISNEAU, L. FREED, L.-C. GAUTRAND, R. HAMELIN, E. HOSOE, KARSH, J.-H. LARTIGUE, R. MALTéTE, J.-C. MOUGIN, PHELPS, L. RIEFENSTAHL, C. ROTULO, L. SIEFF, H. SILVESTER, S.S. SUKHY, A. TRESS, H. TRüLZCH, A. WEBB.
Hoover Institution Press U.S 1990 270 pages 15 34x2 18x22 81cm. 1990. Broché. 270 pages.
Comme neuf encore sous son plastique d'emballage