1977 Ed. Publications photo-cinéma, Paul Montel - 1977 - In-8 broché illustré en couleurs - 231 p. - Reproductions photographiques, dessins, schémas en couleurs et N&B
Bon état - coins très légèrement émoussés
Librairie Stock, Delamain & Boutelleau, "la culture moderne", Paris, 1926. In-12, broché, 116 pp.
Planches en noir en hors texte. --- Plus d'informations sur le site archivesdunord.com
Librairie Stock, chez Delamain, Boutelleau et Cie, collection "Les Contemporains", Paris, 1923. In-16, broché, 32 pp. - pl.
Avec 16 planches en noir en fin de volume.On joint : Van Gogh, par Georges Duthuit, éditions Jean Marguerat, Lausanne, 1948. In-12, cartonnage éditeur, 31 pp. - 53 planches en fin de volume, bon état d'ensemble. --- Plus d'informations sur le site archivesdunord.com
CORTI 1997 256 pages 13 4x1 8x21 4cm. 1997. Broché. 256 pages.
assez bon état rousseurs sur la couverture intérieur propre
Nrf Gallimard 2009 165 pages in-8. 2009. Broché. 165 pages.
Bon état
Déon Michel Marceau Félicien Déon Alice
Reference : 100116335
(2011)
ISBN : 9782070786961
Gallimard 2011 200 pages 13 8x1 8x20 2cm. 2011. Broché. 200 pages.
bords extérieur très légèrement frottés intérieur frais bonne tenue
Paris, André Balland, 1970. 14 x 22, 230 pp., broché, couverture à larges rabats, bon état.
Librairie Adrien-Maisonneuve 1935 in8. 1935. Broché. Le contenu présente Émile Benveniste linguiste français majeur du XXe siècle spécialiste des langues indo-européennes et de la grammaire comparée. Il est connu pour ses travaux sur la théorie de l'énonciation et le structuralisme. Cependant aucune information spécifique sur le livre 'Origines formation noms indo-européen' n'est fournie
Bon état pages jaunies intérieur propre
Bompiani 1990 369 pages 13 6x2 8x21 4cm. 1990. Broché. 369 pages.
Très Bon Etat de conservation intérieur propre bonne tenue avec sa jaquette
Fabbri 1999 509 pages 13x5x19 5cm. 1999. Broché. 509 pages. Le Pendule de Foucault est un roman d'Umberto Eco qui mêle ésotérisme théorie du complot et sémiotique. L'histoire suit trois éditeurs qui inventent un complot autour des Templiers lequel prend une vie propre et les entraîne dans une quête dangereuse à travers l'Europe
Tascabili bompiani Dos carré collé 1990 In-12 (11 x 18.5 cm), dos carré collé, couverture illustrée en couleur, 184 pages ; coiffes et coins frottés, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Cambridge University Press 2000 332 pages 16x2 64x23 65cm. 2000. Cartonné jaquette. 332 pages.
Comme neuf avec sa jaquette
, Brepols, 2026 Paperback, Pages: 240, Size:178 x 254 mm, Illustrations:2 b/w, 50 col., 10 tables b/w., 2 tables col., 17 examples in colour, Language: English. ISBN 9782503624884.
Summary European theory of music up to ca.1550, in many respects, presents a history of the reception of Boethius's treatise De institutione musica (before 510). The annotations introduced to this treatise by John Dunstaple (d. 1453), eminent composer of the late Middle Ages, add to our knowledge of the English chapter of this history. The volume is composed of two parts. The first part includes the edition of Dunstaple's annotations paralleled with relevant parts of Boethius text and provided with the introduction comprising a detailed information on manuscript Oxford, Corpus Christi College 118 and the study of Dunstaple's hand. In the second part of the book, the selected glosses which have the strongest interpretive potential are translated and examined in a large context of music theory of Middle Ages. They present Dunstaple as a careful and competent reader of Boethius's arguments and a composer well-read in music theory current in his time. TABLE OF CONTENTS List of Figures List of Tables Preface and Acknowledgements Introduction (1) Dating, origin, and contents of the first part of Occ. 118 (2) Dunstaple's hand (3) Typology of Dunstaple's annotations and editorial policy Edition of Dunstaple's annotations to Boethius's De institutione musica in Occ.118 Liber I Liber II Liber III Liber IV Liber V Commentary on the Selected Glosses, Additions and Diagrams Chapter One. De musica, Book I 1) General remarks 2) 'republica, liber quidam Platonis' Republic, a certain book by Plato'. Mus. I, 1. 3) 'Musica bene morata' Music of good character. Mus. I, 1. 4) Decretum Lacedaemoniorum Spartan Decree. Mus. I, 1. 5) Diagram of the fundamental consonances. Mus. I, 10. 6) Descriptions of the consonances. Mus. I, 15; Mus. I, 16. 7) The division of the diatessaron and the proportion of the minor semitone. Mus. I, 17. 8) The tone as the difference between the diatessaron and the diapente. Mus. I, 18. 9) The diapason consists of five tones and two semitones. Mus. I, 19. 10) 'Those who make art should be named artifices'. Mus. I, 34. Chapter Two. De musica, Books II and III 1) General remarks 2) The order and positions of the consonances. Mus. II, 19-20. 3) The division of the tone. Mus. III, 1. 4) Calculating the difference between five tones and the bis-diatessaron, and six tones and the diapason. Adding and subtracting musical intervals. Mus. III, 3-4; Mus. III, 9. 5) Dividing the tone according to Philolaos. Mus. III, 5. 6) 'Unitas non est numerus' Unity is not a number. Mus. III, 11. Chapter Three. De musica, Books IV and V 1) General remarks 2) Calculating continuous sesquioctave ratios. Mus. IV, 2. 3) 'Extenta, id est relaxata' Extended means relaxed. Mus. IV, 3. 4) 'Dicciones, id est nomina cordarum' Words, that is, the names of strings. Mus. IV, 3. 5) Diagrams of the eight modes. Mus. IV, 15-17. 6) The division of the monochord. Mus. IV, 18. 7) The divisions of the genus diatonicum according to Martianus Capella. Mus. V, 18. Conclusions Bibliography General Index Permissions to reproduce
Charpentier, Editeur, Paris, 1853. In-12, demi-chagrin, dos à faux nerfs avec titre doré, viii-326 pp. Préface de l'éditeur - Tableau historique des productions de la sculpture française - Sur les progrès de la sculpture française depuis le règne de Louis XVI jusqu'en 1824 - Quelques remarques sur un ouvrage de M. Le Comte Cicognara intitulé ...
Peu courant --- Plus d'informations sur le site archivesdunord.com
Chez la veuve Nyon ainé, libraire, Paris, An XIII. - 1805. In-12, demi-chagrin long grain à coins, dos lisse orné, XIX-544 pp. Partie Première. Causes générales de l'amour des Grecs pour l'Art Statuaire - Causes générales de l'excellence de leur goût…, Causes particulières qui firent perfectionner les arts dans certains Etats de la Grèce, plutôt que dans les autres états ; Partie ...
Ouvrage couronné par l'Institut national, le 15 vendémiaire an IX. --- Plus d'informations sur le site archivesdunord.com
s. éd., Paris, 1806. Petit in-8, brochure sous couverture muette en papier bleu, 16 pp.
Rare. --- Plus d'informations sur le site archivesdunord.com
VUIBERT 2016 224 pages 14x21x1 78cm. 2016. pocket_book. 224 pages.
TRES BON ETAT
VUIBERT 2016 224 pages 14x21x1 78cm. 2016. pocket_book. 224 pages.
Très bon état
VUIBERT 2016 224 pages 14x21x1 78cm. 2016. pocket_book. 224 pages.
Très bon état
, Brepols, 2020 Hardback, 348 pages, Size:156 x 234 mm, Illustrations:3 b/w, 9 tables b/w., Languages: English, Latin, Greek. ISBN 9782503588438.
Summary Confronted with the shifting idea of the authority of a text and its transmission and reception in a variety of genres, settings and contexts, this collective volume envisages to enlarge and deepen our understanding of these notions by tangling literary forgery and emulation. Authority and authoritative literary productions provoke all kinds of interest and emulation. Hermeneutical techniques, detailed exegesis and historical critique are invoked to put authority, and indeed also possible falsifications, to the test. Scholars from various disciplines working on texts, either authoritative or forged, and stemming from different periods of time, reflect on these topics on a methodological basis and from a hermeneutical entrance. In doing so, a threefold axis for questioning the phenomenon is proposed, namely the motif of falsification, the mechanism or technique applied, and the direct or indirect effect of this fraud. TABLE OF CONTENTS Introduction. The Protean Appearance of Falsifications: Emulating and Challenging Authority in Antiquity, the Middle Ages and the Renaissance (Jan Papy & Erika Gielen) The Documents in the Attic Orators: Early Antiquarians and Unintentional Forgers (Mirko Canevaro) Four Forged Orations by Aeschines, Demades and Demosthenes and their Reception during the Renaissance (Luigi Silvano) The Fate of the Pridie: Tracing the Decline of Manuscript Authority (Katherine A. East) Causes, Opportunities and Methods in the Falsification of Roman Epigraphy in Renaissance Spain. The Case of the Tetrachs' Inscriptions (Joan Carbonell Manils & Gerard Gonz lez Germain) Is On Theriac to Piso a Forgery? (Robert Leigh) The Creation of Authority in Pseudo-Pythagorean Texts and Their Reception in Late Ancient Philosophy (Angela Ulacco) Pseudo-Plutarch's On Rivers and the School Tradition (F lix Racine) Rufinus versus Jerome in the Falsification Affair (Christian M ller) The Forgery of Isaac Casaubon's Name: Authority and The Originall of Idolatries (Jacqueline Hylkema) Index manuscriptorum Index nominum
Klincksieck 1989 369 pages in8. 1989. Broché. 369 pages.
Très Bon Etat de conservation intérieur propre bonne tenue
(Berlin, Haude et Spener, 1759). 4to. No wrappers, as issued in ""Mémoires de L'Academie Royale des Sciences et belles-Lettres"", tome XIII, 1757. With titlepage to the year 1757 with engraved titlevignette and pp. 125-159 and 1 folded engraved plate. A Stamp to titlepage.
First appearance of this paper which expands his prize-winning memoir from the Petersbourg Academy. He is now convinced by Aepinus of the importence of Franklin's distinction between positive and negative electricity. He elaborates his theory of the identity of the electrical fluid with the ether.
(Berlin, Haude et Spener, 1768) 4to. No wrappers, as issued in ""Mémoires de l'Academie Royale des Sciences et Belles-Lettres"", tome XXII, Année 1766. Pp. 119-170 , pp. 171-201 and 2 folded engraved plates., pp. 202-212 and 1 folded engraved plate.
First printing of three importent Euler-papers on the construction of composite lenses in order to avoid confusion. Euler presents the mathematical theory to explain the effects. The third paper describe how to analyze refraction phenomena in glasses by way of prisms. - Eneström E 359, E 360, E 361.
(Berlin, Haude et Spener, 1768). 4to. No wrappers, as issued in ""Mémoires de l'Academie Royale des Sciences et Belles-Lettres"", tome XXII, Année 1766. Pp. 119-170 , pp. 171-201 and 2 folded engraved plates., pp. 202-212 and 1 folded engraved plate. With the section title-page to ""Classe Mathématique"".
First printing of three importent Euler-papers on the construction of composite lenses in order to avoid confusion. Euler presents the mathematical theory to explain the effects. The third paper describe how to analyze refraction phenomena in glasses by way of prisms. - Eneström E 359, E 360, E 361.
(Berlin, Haude et Spener, 1769) 4to. No wrappers, as issued in ""Mémoires de l'Academie Royale des Sciences et Belles-Lettres"", tome XVIII, Année 1762. Pp. 195-225 and 1 folded engraved plate. + Pp. 226-248.
First printing of two importent Euler-papers on the mathematical theory of dioptrics, and how to avoid the confusions of lenses. - Eneström E 379 a. 380.